Emily Silver visits Cathy Allen's studio for Curate Joshua Tree, reposted here with permission as part of #ConjuringCathyAllen
https://www.curatejoshuatree.com/cathy-allen

Visit https://bit.ly/ConjuringCAArchive to learn more.

Cathy Allen - Curate Joshua Tree - 9/21/2016

Cooper and Taylor speak with Ian Buchanan, who is a Professor of Critical Theory and Cultural Studies at the University of Wollongong Australia. Ian is the author and editor of many books, some of which include Deleuzism: A Metacommentary; Fredric Jameson: Live Theory; and, most recently, The Incomplete project of Schizoanalysis: Collected Essays on Deleuze and Guattari and the topic for today’s discussion Assemblage Theory and Method: An Introduction and Guide.

Links:

Wikipedia: https://en.wikipedia.org/wiki/Ian_Buchanan_(academic)

Support us on Patreon:

https://www.patreon.com/muhh

Twitter: @unconscioushh

Ian Buchanan - Assemblage Theory

❤️
Thank you all for the time together. 

(Thank you Remy for 'Deep in the Three')

Deep desert (Africa Burns) 2024

Tuesday Evening (Cold Sweat Version)

Rise 3 Feet

Eh, Dissanthrope!

Rhizome

Who Am I?

Live From The Closed Mic

Waving Flower Beds

Bear Claws

b side unreleased final battle remix instrumental produced by kinryu x 2015 mpc2000xl

peace to tha godz
1

APAKALYPSE - "ASSEMBLAGE" [LORD KINRYU X GHOST DOG FINAL BATTLE RMX] NEW 2024

Composed by Christina Campanella and The Great Learning Orchestra

Presented in a gallery with 4-channel sound, the piece is a 45-min electronic score looped 4 times with live interactions performed in real time by the Great Learning Orchestra. 

2019 - Royal Academy of Fine Arts, Stockholm

Commissioned by The Great Learning Orchestra for their 20-year anniversary season with funds from Kulturrådet

Artist’s  Note:
Everything you hear in the electronic score was originally played live by the GLO and recorded by me during individual meetings in June 2019. I engaged each player in conversation and asked them to demonstrate their instrument using three musical notes (D, E and G#) as the tonal locus for an improvisation. Each note and musical phrase was conceived without any knowledge of a whole. Over the next 6 months, I composed the piece out of snippets taken from 9-hours of recorded material, compositing them into an interlocking tapestry of music wherein the content dictates the form. I then created a visual rendering of the electronic score—a roadmap for live performance in which players engage in real time with recorded versions of themselves.
-CC

The Great Learning Orchestra is a group of roughly 100 improvising musicians, visual artists and other soundmakers based in Stockholm, Sweden. Inspired by Cornelius Cardew’s Scratch Orchestra and named after his most famous work, the GLO sees ensemble music as an opportunity to perform in a kind of pure present and is fully committed to the philosophy of active listening and improvisation. They work mainly with graphic scores. Many play traditional orchestral instruments, some play amplified or homemade ones, some electronics. Many play professionally, some are teachers, some have returned to music in their retirement. Backgrounds range from classical to free jazz to visual arts and everything in between. The number of participants and what instruments they play is always changing, so these elements in scores created for them must be indeterminate.

All Things From Zero

Tracklist :

Krampf : aya nakamura - toute la night (d'n'b R=refix)
noï - viens sentir
Antonia XM, SWORDSMITH - shapeless
t0ni, Antonia XM - keepsake (it's alright)
Oklou - harvest sky (ft. underscores)
Dubbel Dutch - my way
Doechii - catfish
Doechii - crazy
Enesi M. - Perreo Agresivo
Loraine James - I DM U
Klein - exclusive
Klein - gully creepa
Show Me The Body, High Vis - Stomach
Buggin - All Eyes On You
Buggin - Gratitude
Lord Spikeheart - emblem blem ft. Talpah
Yuko Araki - Because my homie's show was too good, it makes me want to play a harsh noise drone set again
Beastie Boys ft. Lee Scratch Perry - Dr Lee, PhD 

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Le Mixtape Contest est une émission participative, envoie ta mixtape ! Chaque mois sur Station Station.
___
Station Station est une webradio associative qui émet 24/24 et 7/7j, basée à La Station - Gare des Mines. Pour écouter le direct : www.stationstation.fr nous suivre : www.instagram.com/stationstation_radio/ - https://soundcloud.com/stationstation - www.mixcloud.com/Station_Station_radio/stream/"

Mixtape Contest #36 w/ xoxo

One of my most favorite musical creations ever, for some reason. These are two loops from my 'Piece for Mixed Quartet,' both slower than usual, and one of them much softer than the other. A chunk of this nugget appears in my piece 'Assemblage Chamber,' which is on the New Focus Recordings release of the same name, link to track here:
https://newfocusrecordings.bandcamp.com/track/assemblage-chamber

Haunting Loop(s) from Mixed Quartet

The Legend of the Magic Slots.

The Real Uncle Benny.

The One.

CHRISTINA CAMPANELLA is a composer, vocalist, and sound artist with a deep history as a performer in theater, film, and opera. Her “moody, driving music”, “hymn-like songs” (New York Times), and “ethereal voice” (BUST Magazine) are the mainspring of her work across disciplines. Fusing songwriting and music composition with aural design, Campanella weaves ambient textures and a dreamy avant-pop sensibility into cinematic soundscapes and deconstructed art songs.

She has created 3 large scale works for The Great Learning Orchestra (Stockholm) - an improvising orchestra that specializes in concert-installation and premiere performances of graphically notated scores. She is a recipient of Opera America’s Discovery Grant for Female Composers, 3 NYSCA Individual Artist Commissions in Film, Media and New Technologies, a performance grant from Café Royal Cultural Foundation, commissioning from the Swedish Cultural Council, HERE Arts Center and independent curators, funding from the Foundation for Contemporary Art, Anti-Social Music, NY State Music Fund, Lower Manhattan Cultural Council, New Music USA, Mid-Atlantic Arts Foundation, and individual patrons. She has been an Artist-in-Residence at Harvestworks, HERE Arts Center, and Whitman College.

Selected works: BETWEEN THE, for “Just Rhodes”, commissioned by Music for Contemplation (2025), TRACES, a soundwalk for Boston Common, created for the International Computer Music Conference (2025), THE VISITATION, an opera for a vanishing world (in-process), THE VISITATION, site-specific sound walk (Jackie Robinson Park), ALL THINGS FROM ZERO (concert-installation for The Great Learning Orchestra, Stockholm), FIND ME (12:1 sound installation, HERE), LIGHTHOUSE 40°N, 73°W (headphone installation, NY Electronic Art Festival), PARTS ARE EXTRA (experimental cinema, Fylkingen), BREATHE (sound installation, Museum at MIT), RED FLY BLUE BOTTLE (music-theater, EMPAC, Noorderzon, HERE) and TINDER (music-theater, EXIT Festival, HERE).

Campanella has performed in downtown theater and independent film since 1997, in works created and/or directed by Richard Foreman, Phil Soltanoff, Theodora Skipitares, Jim Findlay, Mallory Catlett and others, and has played keyboards with various NY bands. She has sung works by composers Kitty Brazelton and Nick Brooke, and regularly performs the operas of composer/sound artist Joe Diebes.

Queer 𝔢𝔠𝔬𝔩𝔬𝔤𝔦𝔰𝔱 (っ◔◡◔)っ
𝔓𝔬𝔢𝔱𝔦𝔠 𝔞𝔠𝔱𝔦𝔳𝔦𝔰𝔪 🪢 𝔞𝔯𝔱𝔦𝔰𝔱𝔦𝔠 𝔯𝔢𝔰𝔢𝔞𝔯𝔠𝔥 w. Becoming Species
sonic experiments based on 𝔡𝔢𝔢𝔭 𝔩𝔦𝔰𝔱𝔢𝔫𝔦𝔫𝔤 🌀 𝔳𝔦𝔬𝔩𝔞

WEB RADIO - ATELIERS - EVENT

Station Station est une web radio associative basée à La Station — Gare des Mines
www.stationstation.fr

I create music and sound...for chamber ensembles, soloists, occasionally large ensembles, and often including electronics.  I also improvise using my trombone, laptop, or both.  THESE ARE MY SOUNDS.  Please enjoy!

New tracks tagged #assemblage