In this episode of WAMCast Arielle Flinkman, WAM’s Studio Manager and Lead Engineer, talks about the joys and challenges of working in the studio, her experience in live sound at local Bay Area venues, and what she hopes for in the future of the audio industry.

This episode was made possible by our Spring 2024 podcast interns: Jessica Holland, Chloe Stamper, Zama Mngomezulu, Mae Vidanez, Dana Baskett, Kaitlin Goldin, Norell Sherman, and Mela Seyoum.

For more information about Women’s Audio Mission, visit us at womensaudiomission.org.

WAMCast Episode 4: Amplifying Local Sound at WAM's Studio, Featuring Arielle Flinkman

Recording, documentation, analyzes and actions from analyzed records must always be in place at all time in our technology, noise is damages, destruction and death to or in technology or in humankind.

Visit TikTok For More Details.
https://vm.tiktok.com/ZMk5afLon/

Noise Problem And Solution In Design

Immigrant Song - Led Zeppelin ( Rai - Remix )

Mixing and mastering made by myself on tracks i recorded, just to show my mixing skills. If you'd like me to mix or master any of your stuff feel free to call me, I do most of genres.

Gojira - Silvera (band Cover, LS Remix)

Remix 2025 eines RPJAM Studentenprojektes.
Coverversion von "John Mayer - Gravity" mit einem LOS-Band Kurs 2021
Fachbereich: Audio Engineering / Musik Produktion

RPJAM Gravity Cover 2025 (remix)

Diseñé y produje los audios utilizados en la radio, incluyendo cortinas, separadores y elementos sonoros, cuidando la identidad sonora del proyecto y su coherencia estética.

Apertura para radio estudiantil

Pisador 1

Cierre

Separador 1

Pisador 2

This beat is free for profit usage up to $500, please credit:
🎚 Prod. jaredcortum

For High Profit Usage (Streaming/Monetized Projects Over $500):
Usage: 👉 https://ko-fi.com/s/d8d4cce744

Exclusive Rights:
📩 jaredcortum@gmail.com
I do accept Chili’s gift cards, Walgreens coupons, and up to 2-day-old leftover boneless wings. Let’s make it happen.

📱 Collaborations / Beat Inquiries / Memes:
DM me on IG → @jaredcortum

💽 Beat Info:

🎵 Title: Drako

🎛️ Style: Dark Cinematic Boom Bap

🎤 Artists: Eminem x NF x Hopsin

🧠 Mood: Intense, story-driven, emotional

💥 BPM: 130

🎼 Key: Eminor

📅 Released: 2025

📜 Licensing Info:
✅ Free for profit up to $500 gross revenue (YouTube, TikTok, local shows, etc.) with credit
🚫 No Content ID claims / major label usage without license
💸 Want to go big with it? Purchase a license or hit me up for custom deals.

#typebeat #freestylebeat #basedetrap

Eminem x NF Type Beat – “Drako” | Dark Cinematic Boom Bap Rap Instrumental 2025 | Rap Type Beat

✘ Quer comprar este beat? Entre em contato pelo whatsapp (63) 99300-4848.

✘ Você poderá pagar por PIX, Boleto ou Cartão de Crédito (Pode Parcelar).

✘ Qualquer dúvida, entre em contato: comercial@masterholic.com

*Instrumental entregue em até 1 hora.
*Instrumental entregue mixado e com instrumentos separados.
*Acompanha contrato de exclusividade, royalties e permissão de uso.

📧Email de Contato ▸ comercial@masterholic.com
🎼SoundCloud ▸ @masterholic
💻YouTube ▸ www.youtube.com/@MASTERHOLIC.STUDIOS
💻Instagram ▸ instagram.com/masterholic.studios
💻Instagram ▸ instagram.com/lunar.mhlc

💰 Precisa de um Beat Personalizado? Entre em Contato 💰

[R$100] 21 SAVAGE Type Beat (prod. MASTERHOLIC, Arthur Lunar) 147BPM

We sat down with Maj, Marketing Manager at Shure, to talk about the legacy and innovation behind one of the most iconic microphones in audio history — the SM7B. From Michael Jackson recording Thriller to modern podcasters and The Weeknd’s vocal chain, this mic’s journey is wild.

Links:
Follow Boy Maj: https://linktr.ee/boymaj?fbclid=PAZXh0bgNhZW0CMTEAAafH5idBx2plutYrgSsUYRVijqffWdQwZ7qes3e-MysA3w8yFiZ32dD_MMjHZw_aem_v1O_cz5-kPKsnfyG9TMnsQ
Follow Poducer: https://linktr.ee/poducerpodcast

Working for Shure l The Microphone Everyone Uses (And Why)

David Mellor explores how the Yamaha NS-10M monitors became a studio staple and why, decades after being discontinued, engineers are still seeking out second-hand pairs.

Chapters
00:00 - Introduction
00:15 - Why NS-10Ms Became a Studio Staple
02:11 - Making Better Mixing Decisions
03:49 - A Second Pair of NS-10Ms
05:23 - Mixing With Missing Frequencies
09:11 - Reflex vs Closed Box Monitors
11:35 - Why Pleasant Isn’t Always Better
13:29 - Mixes That Translate
15:40 - Making Rapid Mixing Decisions
18:52 - The Case for Closed-Box Monitors

The Phil Ward Article - https://www.soundonsound.com/reviews/yamaha-ns10-story

https://www.soundonsound.com/sound-advice/yamaha-ns-10m-studio-monitors-sos-podcast

David Mellor Biog
David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording.

He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. David has also had over 600 works published in the field of production music. Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show.

David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, also returning to guest lecture at Surrey University. From 2001 until recently David has offered courses in audio online with Audio Masterclass. 

David now enjoys making YouTube videos for his 84,000 subscribers and releasing music on streaming services and Bandcamp for his dozen or so listeners.

YouTube - https://www.youtube.com/@audiomasterclass
Spotify - https://open.spotify.com/artist/6OkaDx4vB4O2ssUA5p4M8g
Bandcamp - https://davidmellor.bandcamp.com/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Recording & Mixing

Yamaha NS-10M Studio Monitors

Show Notes

Yamaha NS-10M Studio Monitors | Podcast

Eddie Bazil explores advanced vocal processing techniques to achieve a clean, professional vocal track. He demonstrates how to control sibilance, tame resonances and apply quick corrective steps that enhance vocal clarity and ensure the performance sits perfectly in the track.

Chapters
00:00 - Introduction
00:30 - Common Vocal Track Issues
01:04 - Example 1: De-essing Sibilance
08:57 - Example 2: Taming Resonance With EQ
16:13 - Example 3: Reverb Ducking
25:22 - Example 4: Frequency Ducking

Track Credits
Example 1 - written and performed by David Plummer and Becky Bremner - https://www.smokinggoats.co.uk
Examples 2, 3 and 4 - ‘Puppet’ written, performed and recorded by John Walden, vocals by Yvonne McKeown

#SSLVocalStrip #FabFilterProDS #FabFilterProQ3 #FabFilterMBC #FabFilterProC #UnfilteredAudioTails #TokyoDawnNovaGE

Eddie Bazil Biog
Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands, including Art Of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra, and many more. By his 20s, he was working as a sound designer for Akai, Roland, Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie began developing libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Rob Papen, Arturia, and Propellerheads.
During this time, he trained in music production. He soon gained several prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, and was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. This led to him offering educational workshops and classes, and becoming a contributing creator and Forum moderator for Sound On Sound.
Recently, he was invited by the Recording Academy to become a professional member, approved educator, and mentor for their member base. Eddie now concentrates on providing private sound design and mixing/production tuition, and creating content for Sound On Sound magazine.
https://eddiebazil.co.uk/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

About The Recording & Mixing Podcast Channel
On this channel you’ll find shows packed with hints and tips about getting the most out of the recording, mixing and mastering process.
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Catch more shows on our podcast channel.
https://www.soundonsound.com/sos-podcasts
Available on Apple Podcasts | Spotify | Amazon or wherever you get your podcasts.
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Subscribe to Sound On Sound:  https://sosm.ag/subscribe
Visit our main website (over 17,600 articles!):  https://www.soundonsound.com
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Vocal Processing Techniques

Vocal Processing Techniques | Podcast

made this with FL Studio and BandLabn, give me a shout out if you want to drop a verse to this, ,the title of the beat is "Ignite" so anything goes that sparks some fire!!   

#HipHopMusic #HipHop #HipHopBeat #TrapBeat #TypeBeat #WestCoastTypeBeat #WestCoastHipHop #Rap #Instrumental #Beats4Sale #AudioMixing #MixingAndMastering #DigitalAudioWorkstation #808 #151Bpm #FLStudio #MusicProducer #Producer #BedroomProducer #UndergroundHiphop #UndergroundArtist #BeatProducer #newmusic #song #play #trackid #trending #audio #rapmusic #edm #indie #soloartist #4lease

Ignite

In this episode of Poducer, we sit down with Zino B and Jimmy Bonks — producers, engineers, and co-founders of Channel Recording Company, a brand-new Chicago studio designed to feel like a living room while sounding world-class.

They share the story of transforming a raw warehouse into a fully treated space in Fort Knox Studios, complete with cedar diffusion walls, a 25×25 ft live room, and a glass-walled ISO booth big enough for a grand piano. We dive into their philosophy of hospitality-driven engineering, why “good sound should be the default,” and how creating a comfortable environment frees artists to focus on making their best music.

Beyond the technical build, Zino B and Jimmy reflect on their paths through the Chicago scene — from Joyride sessions with legends like Buddy Guy to Grammy-nominated projects, to building a community hub where artistry, collaboration, and care come first. They also tackle big topics like AI in music, the importance of “first listeners” in mastering, and how true fans sustain independent art.

📲 Follow Channel Recording Company: https://www.instagram.com/channelingcompany/
🎚️ Learn more & book sessions: https://channelrecordingcompany.com/
🎙️ Follow Poducer: https://linktr.ee/poducerpodcast

00:00 Intro — Channel opens to the public
03:15 From Joyride to Channel: credits, craft, and workflow
05:45 Designing for comfort: glass wall, open doors, quiet rooms
14:35 Building a studio (cedar, diffusion, floors)
23:50 What makes Channel different (hospitality + musicianship)
33:05 Chicago scene: world/jazz, Americana, blues lineage
45:20 AI & the “first listener” argument for human mastering
52:30 True fans, community, and sustainable careers 
57:40 What’s next: projects, outreach, and how to book

The Podcast for Producers

Watch Video

Channel — Inside Chicago’s Most Artist-Friendly Studio (w/ Zino B & Jimmy Bonks)

any of my beats... 🔇or💯‼❕❗‼⁉❗❕❓❔❔❔#musicproduction #FLStudioUser
#musicproducer  message me for use and/or collaborations. Insta@beven_matt

Revolutionizing human flight technology inspired by the wonders of bird flight. 

Join us as we making human flight the way of life. Stay updated with our latest accomplishments, challenges we experiences, and milestones.

Your presence is important to us. Thank you.

The Podcast for Producers



Watch on YouTube:
https://www.youtube.com/channel/UCijzViDaoVljjDXyEPTIwyQ?sub_confirmation=1

Art by: www.henryfeldman.com

<b>SOUND ON SOUND is the world's premier music recording technology magazine</b> - available in 5 formats: Paper, Web Sub, Replica, Full Issue PDF download or Tablet/Mobile apps. Based in Cambridge, England; independently-owned and continually published since 1985).&#13;
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Every month our UK and USA editions deliver consistently more pages than any competing title, packed full of in-depth product tests of Recording Systems, Music Software, DAWs, Virtual Instruments, Plug-ins, Synthesizers, Keyboards & Rack Modules, Music Computers, Samplers, Audio Interfaces/Soundcards, Mixing Consoles, Effects & Signal Processors — and not forgetting studio essentials like Microphones and Monitors.&#13;
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Plus the best Musician/Mix Engineer/Record Producer interviews you'll read anywhere. &#13;
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Our regular DAW techniques and practical 'how to' Tutorials offer no-nonsense advice for beginners and professionals alike, helping our global readership gain the most from their studio equipment.

Audio Engineering and more...
Recording, Mixing, Mastering, Production

WAM is a nonprofit dedicated to the advancement of women, girls and nonbinary individuals in music and the recording arts.
#ChangingTheFaceOfSound

https://www.youtube.com/channel/UC4gSya5gRkg5CGD2PGqHNYg

🎧 Técnica de sonido | Edición, Mezcla & Mastering
En Estudio Bel convierto tus ideas en audio que impacta y conecta. 
Música, Podcasts, Audiolibros.
🛠️ Logic Pro | Reaper | Pro Tools | iZotope

New tracks tagged #audioengineering