Enjoy this beautiful Organ Choral-Prelude of Johann Ludwig Krebs, played by me! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Krebs J. L. - Choralvorspiel "Ach Herr, mich armen Sünder" Kwv514 (organ)

Enjoy this beautiful Organ Choral-Prelude of Johann Ludwig Krebs, played by me in a different recording! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Krebs J. L. - Choralvorspiel "Ach Herr, mich armen Sünder" Kwv514 (organ) alternative recording

Enjoy my interpretation of this Music for Harpsichord by J. S. Bach! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Bach J. S. - "Allegro Solo Cembalo" from Sonata Bwv1019 (harpsichord)

last pray scene of Marie Antoinette before his death in prison. 

The last chapel pray soundtrack - MARIE ANTOINETTE reine sacrifiée

Enjoy this beautiful Harpsichord Piece of George Friederich Haendel, played by me! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Haendel G. Fr. - Fuge in c Hwv610 (harpsichord)

Performed with the Silentwoods Collective on June 1st, 2025

Elizaveta Kozlova, soprano
Ela Kodzas, violin
Jimmy Drancsak, violin 
Andrew Koutroubas, cello
Jonathan Luik, double bass
Dani Zanuttini-Frank, theorbo 
Nicola Canzano, harpsichord

Alessandro Scarlatti: Su l'ora appunto (La Fenice)

Enjoy this beautiful Sonata for Harpsichord of Johann Adolphe Hasse, played by me! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Hasse J. A. - Sonata op.7 n.4 (harpsichord)

Listen to a short demo of “Ah, de las mazmorras”, a beautiful solo for alto composed anonymously for the Feast of St. Peter Nolasco in 1677, with lyrics by the great Sor Juana Inés de la Cruz — the Phoenix of Mexico and the Tenth Muse. Made famous by Ensemble Elyma, this piece is arranged for alto, violin, and continuo.

This is an audio demo for reference. The complete Sheet music PDF edition includes 49 measures across 3 cleanly engraved pages, perfect for study or performance.

📘 Full score available here: https://payhip.com/b/rOwlM
📧 For custom scores or other baroque editions, contact: classicalbackingtracks@gmail.com

Ah, de las mazmorras – Sor Juana Inés de la Cruz (DEMO)

🎵 Title:
“Vado a morir” from La forza dell’amore e dell’odio – Orchestral Karaoke Demo

📝 Description:
This is an instrumental backing track (rehearsal instrumental track) of the aria “Vado a morir” from La forza dell’amore e dell’odio by the Neapolitan composer Francesco Araja — the first Italian opera ever performed in the Russian Empire.

This version is in B minor, just like Cecilia Bartoli’s acclaimed 2014 recording on her St. Petersburg album.

Instruments: Violin I, Violin II, Viola, and Continuo.
Fully arranged and produced to give singers a clean, authentic accompaniment for practice or performance.

📘 Get the full orchestral backing track here: https://payhip.com/b/AnsGb
📧 For custom baroque and early opera backing tracks, or to order new pieces: classicalbackingtracks@gmail.com

“Vado a morir” (DEMO) from La forza dell’amore e dell’odio – Orchestral Backing Track

Enjoy this beautiful Sonata for Harpsichord of Carl Philipp Emanuel Bach, played by me! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Bach C. Ph. E. - Sonata in c Wq 48/7 "Prussian Sonata" (harpsichord)

Welcome! I'm Arturo de Aguirre-Escorza, a professional music producer and editor of historical scores, specializing in:

– Realistic and expressive backing tracks using premium orchestral libraries (Orchestral Tools, Berlin Series, etc.)
– Baroque, Classical, and Early Music carefully transcribed to modern notation
– Tracks for singers, choirs, instrumentalists, or educational and performance purposes

📩 Contact me for commissions or licensing:
📬 classicalbackingtracks@gmail.com
🛒 Explore my store with backing tracks and sheet music: https://payhip.com/ClassicalBackingTracks


#BackingTracks #BaroqueMusic #VirtualInstruments #EarlyMusicProduction #HistoricalPerformance #ChoirTracks #OperaBackingTracks

light has no reason to be without shadow

la lumière n'a aucune raison d'être sans l'existence de l'ombre

Carlo Cozzula was born  in Sassari in 1971.
In 1994 he obtained the Experimental Magistral Diploma with the highest grade; in 1996 - under the leading of Hedda Vignanelli Illy – he graduated, with the highest marks, in Organ at the Conservatory of his city and next year, he graduated in Harpsichord at the Conservatory "B. Marcello" of Venice. 
He has studied Choral Music and Choir Conducting and also studied piano at the concert levels since 1985.
He performed on all the instruments as a soloist in chamber ensemble also with vocal soloists, accompanying several polyphonic complexes, among which the "Cantori della Resurrezione" by A. Sanna, with whom, in 2000, he collaborated for a recording of music by G. B. Platti (Bongiovanni Records), and with whom he performed in a concert in July 2003 in the Basilica of the SS. Rosary of Lourdes (France).
He was the main organist at the Monumental Church of S. Maria di Betlem (Sassari) and at the Basilica of S. Gavino (Porto Torres). 
As an organist, in October 1997 he was invited for a tournée in Germany, performing in prestigious places, including Limburg, Wiesbaden, Lorch, Frankfurt, as soloist and chamber musician, in concert seasons including well-known soloists such as W. Stockmeier, R. Haas, M. Pirenne, U. Krupp, W. Rockel, J. Von Erdmann.
He was invited again for the October of 2003 to give a concert at the “Orgelsommer 2003” in St. Josef Church (Frankfurt), achieving great success, playing in a schedule with some of the most famous and acclaimed organists on the world scene, such as J. Parker-Smith, Th. Trotter, H. Vogel, P. Pincemaille, D. Zaretsky, P. Pietiläinen.
In 2007 he was called a part of the Jury of the 1st Art Competition "Il Filo di Arianna", at the Baja Hotel in Cannigione (Sardinia). 
He taught Music Theory and has been pianist accompanist of lyric singing classes at the Civic School of Nuoro, taught in State Schools.
Recently he has edited the Italian translation - in World Premiere - of the essay of 1846 written by the French F. Levacher D'Urclé: "Manual didactic problems in relation to the study of the anatomy of the hand" and also the thesis by M. Punt "The Straube Code-Deciphering the metronome marks in Max Reger's Organ Works".
As a composer, he is the author of music - original and not - dedicates to the international singer Teresa Salgueiro. He is also the author of a series of Concert Transcriptions for organ - even in World Premiere - from the piano and symphonic repertoire, and for pf. from the original organ repertoire, but also from accurate choices concerning the world of jazz, fusion, Brazilian music, French chansons and Soundtracks.
One of the piano transcriptions has already been recently included in a piano recital. These compositions are already available to the international artists such as: Philippe Raskin, Mariangela Vacatello, Irene Veneziano, Simone Pedroni, Igor Roma, Gloria Campaner, Antonio Pompa-Baldi, Alexei Volodin, Roberto Plano, Maurizio Baglini, Andrew Litton, Sandro Russo, Nicholas McCarthy, Ramin Bahrami, Thomas Ospital, Stephen Tharp, Thierry Mechler, Joseph Nolan, Danilo Rea, Enrico Pieranunzi, Carisa Marcelino and Clare Hammond.

Described as “versatile” and “dramatically convincing” (Voce di Meche) and praised for her “impassioned phrasing” (OperaWire), Elizaveta Kozlova is an active performer and music entrepreneur who has been presented nationally and internationally. 
Ms. Kozlova has appeared as Gretel (Hänsel und Gretel) with Chicago Summer Opera, Flora (The Turn of the Screw) at Mannes School of Music, Susanna (Le Nozze di Figaro) with New York Lyric Opera, Pamina (Die Zauberflöte) with Manhattan Opera Studio, Amore (L'incoronazione di Poppea) with Berlin Opera Studio. Elizaveta Kozlova has performed as a soloist at the Weill Recital Hall of Carnegie Hall, and at the Moscow International House of Music. 
Elizaveta won an Encouragement Award at the Metropolitan Opera Laffont Competition Arkansas Region in 2024. She is the recipient of the Jaume Aragall Award and the Apròpera Award from the 2023 Camerata Sant Cugat Competition in Sant Cugat, Spain. She was a semifinalist at the Houston Saengerbund Competition in 2021. 
Elizaveta is the founder and the artistic director of The Chagall Project for which received the 2020 Marin Alsop Entrepreneurship Award at Mannes School of Music. 
Ms. Kozlova received her Bachelor’s and Master’s Degrees in Voice at Mannes School of Music.

New tracks tagged #baroque music