ALBUM BFAN Link - https://bfan.link/bartokosmos

Bartokosmos Album Snippet

Etsuko Hirose, piano • Quatuor Elysee :
Vadim Tchijik, violon (plages 1 à 3) - Pablo Schatzman, violon (plages 4 à 7) - Andrei Malakhov, alto - Igor Kiritchenko, violoncelle

07 - Bartok - Quintette - Sz23 - Poco A Poco Piu Vivace

06 - Bartok - Quintette - Sz23 - Adagio

Zoom in: a universe unfolds in minute detail. Sound under the lens. More music at www.caricatunes.com.

Microscopia

A fairly daft little piece, based on one of Bela Bartok's "Romanian Dances".

Bart, OK?

Mutige Neuinterpretation_ Clara Barry verbindet Bartók mit Jazz _ WDR 3 Hörstoff – neue Klassik-Alben (22.11.2023)

Ching Juhl performed a live recital at Indiana University in 1988.

Bartok 8 Variations on 2 Themes for Solo Viola - 4th Movement

Eleven Ősz a Bartókon, Jáki Móni - Manna Délelőtt Péter Petrával 2025. 09. 23.

Bartók - from Mikrokosmos Sz. 107 Vol. 6, (Nr. 153) - Dance in bulgarian rhythm n. 6

Bartók - from Mikrokosmos Sz. 107 Vol. 6, (Nr. 152) - Dance in bulgarian rhythm n. 5

Bartók - from Mikrokosmos Sz. 107 Vol. 6, (Nr. 151) - Dance in bulgarian rhythm n. 4

Bartók - from Mikrokosmos Sz. 107 Vol. 6, (Nr. 150) - Dance in bulgarian rhythm n. 3

Bartók - from Mikrokosmos Sz. 107 Vol. 6, (Nr. 149) - Dance in bulgarian rhythm n. 2

Bartók - from Mikrokosmos Sz. 107 Vol. 6, (Nr. 148) - Dance in bulgarian rhythm n. 1

Creation with environmental sounds - sound design workshop.
Sounds recorded with ambisonic and xy microphones.

Recorded at the following locations:
Budai Arborétum: https://maps.app.goo.gl/fHQrzFX4o4t7AmWD9
Kifolyó Projekt: https://maps.app.goo.gl/DbcPuVAuExYtWTPr7


I had a wonderful time on the course; thank you to the organizers!

https://adapterujbuda.hu/

Arboretum Ambient (Soundscape / Music)

Cubist Morphologies explores what happens when early-modern classical geometry collides with the pulse of contemporary club music. Inspired by Béla Bartók’s fractured motifs and the layered perspective of cubist painting, each track transforms classical structures into electronic forms through continuous sonic morphing.


This is club music built not for spectacle, but for perception:
a dancefloor seen through the lens of cubism — rhythmic, geometric, melancholic, and persistently alive.

Purely instrumental.

Lento ma non troppo

Petrouchka Grand Carnival

Minty The Pedantic Pedestrian is a graphic artist and web designer by persuasion, an experimental electronic musician and comedic wordsmith by inclination. He has been doing THIS SORT OF THING for more years than you'd care to believe... in fact, since before the internet was merely a twinkle in somebody's eye.

Minty's more obvious musical influences include Eno (and/or Fripp), Krautrock (particularly Faust and Can), Frank Zappa, pre-DSOTM Pink Floyd, '70s dub, Miles Davis (especially in his Electric Voodoo Space Funk period), Mahler, Stravinsky, not to mention the whole gamut of '70s Prog-Rock (I told you NOT to mention it!)

The following people have testified that The Pedantic Pedestrian is a dirty collaborator: Rabbit Show Reject, Evil Demented Bunny, Rabbithole Sam (The Glass Virgins), Rabid Sow Reject, Mervyn Purviss (Absolute Zero), Johnson's Gridling Band, The Future of Rock &amp; Roll?, Teaset Body Review, Blue Wails On Blit Street, TV By Tears, Ken Dead &amp; The Dodgy Men, Art Ratz, The Christmas Trees, The Male La La's, Stevie Chunder &amp; The Fake Vegetable Reichstag (Magic Cow), The Unconventional Choir of Smelly Nurses, The Darkening Scale (Renaldo &amp; The Loaf / The Music Is Taboo), Purblind Rabbit, JoXfield ProjeX, DJ Ben Espiritu, CC:PP (Cries of Calliope), Cloudland Blue Quartet, Tim Webb (Net Prophet)... and anyone else who'll have me!

Starting March 20th 2025, the adventure of Caricatunes begins. Every day a new discovery, a playful little melody, or a quirky tune sent out into the world. The idea? At least one minute of music each day that brings a smile, takes an unexpected turn, or simply offers a joyful moment of chaos...

DJ Bootsie (Ugar / BBE Records - Budapest, Hungary)

DJ Bootsie, the  Hungarian interpreter of turntables and sound samples, provides an exact, up to the beat, and in-depth account of his given psychological and musical state every 5 years. His debut album The Silent Partner was released in 2004 while we had to wait for his next one, entitled Holidays in the Shade, till 2009. Another half-decade later, his third album is to be released this fall. While the new record takes a plunge into the dark depths of a familiar musical universe and psyche, it also opens a path for something new.

  His debut album The Silent Partner was released on the Ugar label in 2004. At that time, Bootsie had laid all his cards on the table and since then he continues to work in the same vein: drawing on electronic beats, urban Hip Hop, Hungarian folk music and culture in general, jazz and experimentation, contemporary music and sound painting, film score, while also expanding and breaking the boundaries of traditional music genres. Bootsie’s predominantly instrumental pieces are characterized by epic structures and intimacy. His compositions are stations of an inward journey, created out of self-discipline and self-monitoring. Besides the Hungarian fans of the genre, his album also caught the attention of audiences abroad. Music by Bootsie was featured in such prominent places as the Buddha Bar Compilation (Vol. 7) , DJ Cam-My playlist, Mercedes Benz Mixtape, Marc Cain, Vogue Germany, CSI tv series, etc.)
His second (and third) solo album Holiday in the Shade was released under the renowned British label BBE in 2009. Featuring two New York MCs (Vast Aire and O.C.), the album received great reviews from all over the world, further increasing Bootsie’s prestige. 

Predominantly preferring to compose and produce music alone, Bootsie also performs his pieces live. Initially he played solo, then with his Trio; in recent years, there are two formations accompanying him: a quartet of saxophone, drums, guitar, keyboards and a turntable, or the acoustic big band with violin and wind instruments. The former is more traditional by predominantly playing Hip Hop and jazz while the latter also puts emphasis on contemporary elements of film scores and folk music.

His talent is recognized beyond his fans. Sometimes he receives exciting requests from surprising sources. He composed music for the 2011 film titled Ticket by Oscar-winner animator Ferenc Rófusz. In 2012, he revised two movements of Ferenc Erkel’s historic opera László Hunyadi commissioned by the Hungarian State Opera; success led to further commissioned work to rearrange two Wagner pieces, Götterdämmerung - Twilight of the Gods and Das Rheingold - The Rhine Gold. In the same year, his track Horseriders Toward The Abyss was used for opening the fireworks at the St. Stephen’s Day celebrations of Hungary. 


As a solo DJ, as well as with his live band of various setups from trio to eleven-piece small big-band, he played at a myriad of clubs, concert venues and festivals in Hungary as well as abroad (in Latvia, Russia, Romania, Slovakia, Czechia, Austria, Germany, the Netherlands, Belgium, France, the UK, USA, Spain, Portugal and China).

The Allegro Identity album (4th) live debut was recently held at the Palace of Arts, this was his third performing return to this holy shrine of top venues of his homecountry.

Follow me on SoundCloud:

https://soundcloud.com/bpstudio

on Facebook:

https://www.facebook.com/bpstudiomusic

Fresh songs can be found here:

http://soundcloud.com/bpstudio/sets/bpstudio-newest-tracks

New releases:

http://soundcloud.com/bpstudio.hu/sets/new-releases

Producing music in various styles including movie, game music.

Contact: either send a private message in Facebook,  SoundCloud or visit my webpage, where you can use the contact dialog.

Clara Barry is Americano-Swedish artist based in Paris (France) and Lausanne (Switzerland)
Violinist, singer, arranger and composer, looking for collaborations with all sorts of artists 
Feel free to share and comment :)

New tracks tagged #bartok