Free download

To buy this beat:  http://robfel.bandcamp.com/track/low-low
Video:  https://www.youtube.com/watch?v=1MQ047KjWRY

Download "Waking Up To Sirens" here:
http://robfel.bandcamp.com/album/waking-up-to-sirens

Felly - Low Low (Prod. by Felly)

A live recording of Twisted Willows catchy tune Summertime Ease. Enjoy the chilled vibes fam. X

Summertime Ease (Live at Momentum Studios)

HATE DRUGS teams up with producer Cory Reyes to craft the second release of Young Tide Records, "Beach Weekend", for a refreshing blend of Indie-Rock with some nostalgic tones of the 50s-60s. Enjoy this digital stereo mix of Beach Weekend.
~ STAY TROPICAL ~

Sleep When We're Dead

Never Wanna Leave

Twisted Willows debut single Crystal Ball

Crystal Ball

Lyrics:

Won’t turn you away
Won’t be a fool oh walk astray
Cause you are a joy
Not making one mistake
You know I’ll stay

You’re good for my soul
Everything you touch turns right to gold
Let’s see we go
Anywhere as long as you’re the
One I get to hold

I know that you are everything
I need oh nothing more
Stay right where you’re at
Oh baby I’ll go make the call
Boy I see, boy I believe that
You and me are here for good
For good, for good, oh
     Forevermore. 

You’re looking at me
With those eyes so true and free
Oh I wanna be
What those eyes somehow see in me

I know that you are everything
I need oh nothing more
Stay right where you’re at
Oh baby I’ll go make the ball
Boy I see, boy I believe that
You and me are here for good
For good, for good, oh
     Forevermore.

Can you be the dream
That’s whispered in my ear x2
Can you……
	Be the whisper in my ear

I know that you are everything
I need oh nothing more
Stay right where you’re at
Oh baby I’ll go make the ball
Boy I see, boy I believe that
You and me are here for good
For good, for good, oh
     Forevermore.

Forevermore

At present, the sonic sea is awash with over-saturated kicks, pitched down broken hats and busted toms; typically cascading through a spooky pad sequence or some low quality YouTube rip of a Boyz II Men verse. Like any trend in music - people catch on - then every Tom, Dick n’ Harry cracks Ableton 9 on their Dads 2013 Dell laptop and start pumping their stuff into every corner of the sonisphere from their throne constructed from Man Utd bed sheets, fidget spinners and ambiguously used tissues...

Look, we like a miss-shaped and dishevelled house belter as much as the next man but - just like any other genre or sub-genre of music - there are of course “good” and “bad” attempts at production within a respective format. New boy, Helter’s 4 track “Polaris EP” on Beachy Head is an example of the “good” shit - and very good shit it is indeed.

“Die Waiting” opens up the EP with a bang. You’re hit fairly sharpish with a thudding kick, counterbalanced by a squelchy stab sequence - shortly-after kissed by the vocal sample which runs true throughout the track. Colourful pads and bass-heavy toms then bleed into the mix while the track constantly evolves in structure and ferocity. All-in-all, “Die Waiting” is an instant classic and has been exquisitely crafted from start to finish - one to fill almost any scenario with immeasurable hype.

Artist: https://soundcloud.com/HelterMusic
Label: Beachy Head
Release date: 29th Sept 2017

Cop here >>> https://beachyheadmusic.bandcamp.com/album/polaris

Pre-order

PREMIERE: Helter - Die Waiting [Beachy Head]

Tommy & Linda - EP

Beach Bums

jrd. - beachy

an honest attempt to capture a mood and time period

breathe

4 Eastern Suburban lads playing killer tunes

For bookings email twistedwillowss@gmail.com

i have no idea what i'm doing

thanks for visiting and listening! feel free to use any music you want, just give credits!

< side account >

follow https://soundcloud.com/achoosneeze

Tommy & Linda grew up in the frigid town of Juno, Vermont. While other children were being serenaded by lullabies and playing house, the soundtracks in Tommy and Linda’s nurseries were the likes of Brian Eno and Kraftwerk. Linda was presented with an analog synthesizer for her 4th birthday whilst Tommy was combing through his parents' record collection for anything with that familiar, rhythmic beat. Cue the 1988 Juno Middle School Spring Talent Show. Amidst the auditorium chaos, the curtains drew back to illuminate a stealthy Linda perusing the keys of her trusty synth. As the oscillating sounds made their way to Tommy, he undoubtedly knew this was the same song he was planning to cover just moments later. Most people in this situation would find themselves in disarray, but Tommy found his musical mate.

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