Loma Linda is the first track to be released from a collection of ideas that I began working on when I returned from California last year. It was inspired by driving through the desert from LA to Palm Springs and back. It was Coachella season, something I had overlooked and an overnight stay wasn't possible. After a meal at Paul's Restaurant, leaving Palm Springs as a storm broke. An hour later we arrived our destination, a dense block of brand new business suite hotels at the side of the freeway in Loma Linda.

Loma Linda

"Doch Doch" is an emotive electro journey that combines nostalgic textures with a driving, up-tempo beat. This track captures a blend of ethereal soundscapes and rhythmic repetition, evoking the introspective yet uplifting energy of true friendship. Featuring layered synths, reverberated effects, and electric guitar highlights, "Doch Doch" oscillates between calm elegance and vibrant energy, creating a unique soundscape that’s both magical and deeply personal. A tribute hidden in the beats, this song invites you to feel the unspoken bonds of loyalty and resilience.

Deutschkunde

Doch Doch

In His Eyes

Shemot is mapping a new way of thinking—one where contradiction isn’t failure.

Shemot's Rage

The shiny black beetle, a traveler so grand,
Was heading back home across the land.
His long journey done, the day's tasks complete,
He walked on the pavement, a triumphant feat.
He reached his small burrow, a welcome sight,
And nestled within, for the coming night.
His travels now over, his spirit released,
The little black beetle was finally at peace.

At peace

ХОРВАТ:
Трахнув москалиху прийшов додому тихо 
Позавчора було лихо 
І звуть мене двуликим
За Ющенка вуликами мій двір був утиканий
Чи то був просто тріп, чи справді така маза в Києві
Був з Троєщини файний улов, потім їв узбекський плов 
Не хочу щоб ця сука блядська вкрала мій флоу
Взяв кут, дістав свій кнут
Під звуки сексу згадую героїв Крут
Я той ще фрукт 
Мармеладні лестощі і багатий лексикон
Хто є автобот ну а хто десиптикон
Тілами шлюх атласних усіяний Мій трон
Поки ти ревіла я робив альбом
Поки вода кипіла в чайнику я викидав кондом 
Черговий
Вкотре використаний на благо
Балаган у нас в квартирі 
Шум і гам
Баклану в їбало чітко увійшов мій кулак - БАМ
Прямо в жбан
Слідкую за тим щоб на платформі не дали бан 
Питання одне чи ти є чи ти нє
Банан чи баклажан

IceHelly:
Пешеход, турист, студент , внук, пассажир 
Цей світ тебе переживав і опустил
з небес на землю, до хробаків
Да братан на деякі речі ти не маєш вплив 
Філософія детермінізму, да я да я знаю 
Що ти король анонізму , я і сам такий на світ дивлюсь через призму, своїх не здійснених бажань
док док док, зроби мені клізму
Бо це лайно мабудь з мене не вийде
Так я той ще екзотичний фрукт,  
Да в мене є свій екзотичний звук
Да я можу відправити в травмпункт

ХОРВАТ:
Символ для члена може потужним бути
А може принизливим
Ти можеш бути ницим і по низам рискати
А можеш ризик прийняти і піднятися на бал, влаштувати власний парад і отримати всіх дам
Я тобі задам питання, маєш вирішити сам
Чи ти творець свого щастя чи просто профан
Будеш на заправці пропан заливати чи на сцені життя тост за себе піднімати 
Бонг якісним стафом забивати
Не ставитися по вені забагато
Не дрочити в ванній і добре спати
Раз на день як мінімум срати
Ну і, звісно ж
Слухати Хорвата



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A hip-hop track with a driving beat and a dark, atmospheric feel, The song features a male vocalist rapping in Ukrainian, with a deep, resonant voice, The instrumentation includes a prominent bassline, a simple but effective drum beat, and a synth melody that adds a layer of tension, The production is clean and well-balanced, with the vocals sitting clearly in the mix, The tempo is moderate, and the overall mood is serious and intense, The song has a verse-chorus structure, with the vocal delivery remaining consistent throughout, The bassline is a simple, repetitive pattern that provides a strong rhythmic foundation, The drums consist of a kick, snare, and hi-hat, with occasional cymbal crashes to mark transitions, The synth melody is sparse and atmospheric, adding to the dark mood of the track, There are no obvious chord progressions, with the focus being on the rhythmic and melodic elements

Блядський фрукт

A silent figure, made of plastic and thread, With painted-on eyes and hair upon her head. She posed for the camera with stark concentration, Right next to the sign for Baobab station.

Baobab station

The comet speeds onward, a beautiful sight,
Tracing a path in the cosmic dark night.
Away from the Sun, to a cold, distant lee,
It races far out to its point of Aphélie.
The distance is great, the light grows quite dim,
At the farthest extent of the orbital rim.
It lingers a moment, for all eyes to see,
Before turning back from its dark Aphélie.

Aphélie

A thousand robots, standing tall,
A metallic army, answering the call.
In rows they stretch, a vibrant sight,
Blue, green, and pink, shining ever so bright.
On a white plain, they gather wide,
With textured lines, side by side.
A playful march, a future's gleam,
A robot multitude, a wondrous dream.


One thousand robots

Future Electronica brings innovative sounds and must-have grooves for future beat production to your Groove Agent library. Fusing elements of future R&B, trap, downtempo chill and future bass music, this cutting-edge expansion pack covers the sound of one of today’s most inspiring electronic music branches.

All 30 kits include a wide range of drum samples including subby kicks, tight hats and crisp snares. Additionally, every construction kit features several melodic one-shot samples like soulful chords, vocal chops and deep bass loops that perfectly accompany the included drum sounds.

Future Electronica also comprises a unique collection of preprogrammed grooves that can instantly be used to create a starting point for your production.
If you’re in search of inspiration to bring your beat productions to the next level, look no further! The future is here.

http://www.steinberg.net/en/products/sounds_loops/vst_sound_instrument_sets/future_electronica.html

Future Electronica Demo Full

Blue Leopard is a studio based project, mixing tape and electronic sound recordings into pieces that portray landscapes near and far. You might hear things like Roger Eno, Cluster, Boards of Canada or labels like Ninja Tune, Bluenote and late 20th Century Warp.  Blue Leopard began DJ-ing hip-hop and lo-fi electronica, before disappearing on a voyage of discovery, only to return to Suffolk and set-up the Blue Leopard Workshop, where listening to and experimenting with making sounds is the thing.

I don’t write songs in the traditional sense. I prioritize sound and theme over grammar or logical narrative. I often look between the moments we usually skip — the pauses, the loops, the unfinished thoughts.

It’s immersive, like film music — but you have to imagine the film.

I listen to myself. I write down what the song says.
Sometimes it says:
Can. Can’t. Fight. Bite.
Sometimes it says:
Text the moon, please.

You’re not supposed to “understand” it.
But you’re welcome to feel what it means.

This style — I sometimes refer to it as Beat Listened.

Амбітний павук у мальовничих витаннях про світове павутинне панування 😈🕸️🕷️

Steinberg has been providing award-winning, technologically advanced music and media production products for musicians and producers of music, video and film since 1984. Today, Steinberg is one of the world's largest manufacturers of audio software and hardware, with more than 2 million users worldwide. The Steinberg range of products has long since found world renown in all aspects of modern digital audio processing, and form the backbone of facilities specializing in music composition and production, mastering, restoration, broadcast, sound design, audio post for the film industry among many others.

I'm a French individual, born in 1970, and I vividly remember the advent of personal computer-based music production, ushered in by the first affordable digital keyboards and samplers. Music, and especially creating it with machines, is my enduring passion, though it remains a cherished hobby. My aspiration is to compose for modern dance companies, an endeavor I find incredibly fulfilling.

I'm fascinated by how technology enables us to craft intricate musical pieces and master music theory with greater ease. Throughout my life, music has been a steadfast companion during challenging times. My ultimate goal is to paint "emotional landscapes" using sounds and rhythms, evoking feelings and imagery through my compositions.

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