After work mix for Roof Top Party Marissa Park

After Work rooftop mix @ BeatArt

After Work@LykkeLand Marissa Park

Elbai, Frensch, Foodengineering, Emploi Des Handicapés, Dreazgotbeatz, Esponsais De José E Maria, Estudante, Elsumosacerdote, Exclusivelicensetypebeat, Elon , Elazzaz, Human Movement, Duniyan, Drake Fake Love, Electrocoustic, Ghane, Fooda, Edm_Sets, Free Sampled Type Beats, Dreamers Program , Garratt, Jjotta, Dururura, Electricitybooks, Editing Sound, Enclave,, Dream Lounge, Drinking Water Contamination, Gonçalves,  Free Trap Funk Type Beat, Gelip, Dzhafarov, Duquesne, Extatic, Drs., Freetypebeatdrake, Druhg, Francophile

Big Wednesday romantic background music (FREE DOWNLOAD)

Karneval Mix 2024 / Wagen46 / Dammer Karneval

Clap Boom

Clone attack

Initially, I considered titling this “Tools,” since the concept was to create both the music and the album cover purely using pre-existing tools in Logic Pro and Canva—an expression of creativity in the modern age (I also thought about taking a “Lateralus”-like approach—because, well… Tools).

But as the process unfolded, the album cover itself seemed to call for Xenakis. So, I sampled “Syrmos (1959),” layering it as an effect over the beat.

This led to an architectural yet chaotic permutation—where structured repetition justifies the blending of sounds that aren’t traditionally “functional.” Inspired by Xenakis, I played with the idea of “flux per area,” which can be reversed, like a “measure per flux.” (Also paying tribute to the Fluxus art movement).

Then came the blues guitar riff over the circle of fifths—a shift inspired by Bach’s Cantatas (e.g., Nos. 140 & 147) where the introduction of a second melody radically transforms the mood.

Also I write this in retrospect. I wasn’t thinking too much in the process—just following the flow.

当初、この作品のタイトルは 「Tools」にしようと考えていた。Logic Pro と Canva の、既存のツールのみを使って楽曲とアルバムカバーを制作するというコンセプトであり、現代の創造性を象徴する試みでもあった（また、Lateralus のようなアプローチを取ることも考えた——なぜなら…Tools だから）。

しかし、制作が進むにつれ、アルバムカバーそのものが「クセナキスの音を加えろ」と語りかけてくるように感じた。そこで、「Syrmos (1959)」 をサンプリングし、ビートにエフェクトとして重ねた。

その結果、生まれたのは建築的でありながら混沌とした変奏。反復が、「機能性」を持たない音の融合を正当化する。クセナキスの音楽に活用されている「フラックス・パー・エリア」という概念を探求し、それを逆転させた「メジャー・パー・フラックス」という発想にも行き着いた。（また、フルクサス運動へのオマージュも込めている。）

さらに、ブルースギターのリフを五度圏のサイクルの上に乗せた。これは、バッハのカンタータ（例：No.140 & No.147）に着想を得たもので、新たな旋律の導入によって楽曲のムードが劇的に変化するという手法を取り入れている。

と、振り返りながら書いています。制作過程の瞬間瞬間は流れに身を任せていただけだった。


Per Flux

SYNESTHESIA

Crate Data is a raw breakbeat journey through dusty vinyl memories and digital decay.
Unearthed rhythms, fragmented samples, and glitchy atmospheres collide in a sonic archive of forgotten grooves.

Crate Data

”‘Fungal Frequencies’ is a glitchy, meditative and playful electro track – inspired by the hidden communication network of fungi.
Using textures, glitch effects and subtle rhythmic shifts, the soundscape evolves organically.
Processed with SP-404 effects such as DJFX Looper, Reverb, Delay, and Isolator.
No quantization – the groove flows naturally, mirroring the nonlinear language of the mycelial world.
A first glimpse of my upcoming album.

Fungal Frequencies

I called this one Astral because it moves like stars in slow motion..drifting through dimensions, floating past gravity, with the energy of the stars. My dreamers, seekers, the late-night travelers with headphones as their compass will love this one.

Astral – A Jah Born Meditation 🔭✨

“Beats Break” is a sonic journey through the fragile rhythm of life. With a chill yet punchy breakbeat backbone, the track flows with smooth textures and atmospheric layers, only to remind you—sometimes, even the most seamless beats can fracture. It’s a nod to resilience, to the beauty in imperfection, and to the groove that keeps going even when things fall apart.

Beats Break

Smoke in ya Car

It starts with the Intro from Lion King and steps over to dance music with mashups from the 2000s and freshest EDM. Just enjoy and give your feedback. 

Duemmer Brand 2025 by Beatart

2x Grammy Winning Producer.
Sample Surgeon. Music Production Coach

..start the Day with a Beat
https://www.paypal.me/FlozillasUniversum
Yo, i’m Flo aka MachtaMorgan(;



<3Vinyl <3Tapes
<3diggin in the Crates since 2002

Mpc 2000xl
Mpc Live2
Mpc 500
Sp 303
Sp 404A
Sp Mk 2
Vestax 4Tracker
Vestax Pmc 06
Technics 1200
Ableton 11

makin‘Beats as an Artist since 2022

Probs 2 all my G‘s who makin Art in the Streets 🛸

Evolve now or be history. We don’t drop comments—we drop music.
This is AI/Human:-made  not perfect yet, but it’s real, it’s evolving, and it hits.

🎛️ Beats, Loops & Textures. 
🔹 Vinyl Dust
🔹 Deep Cuts
🔹 Sound Experiments & Organic Grooves

Seit 2007 aktiv als DJ unterwegs und seit 2013 teil des DJ Duos CeeOhh, welches vorher CODJTeam hieß. Anfänglich war ich hauptsächlich in den Genre Black und House unterwegs, wobei ich mich schon immer eher der elektronischen Musik hingezogen fühlte. Somit war die Zusammenkunft mit DJ Chrix die optimale Ergänzung. Ich konnte mich auf die elektronische Musik fokussieren und er auf “black Music”. Dies sind auch heute noch die Genres, mit denen wir hauptsächlich unterwegs sind. Durch den Wandel der Zeit und den eigenen Vorlieben, wurden meine Sets stetig schneller und somit auch gerne mit Tech-House und Techno befüllt. 
Ich bitte um stets ehrliches Feedback und hoffe auf Gefallen für meine Leidenschaft, der Musik.

Philippine born Electronic music artist jAishO brings a global perspective to his sound. He found his rhythm in Jacksonville, FL, immersed in the '90s hip-hop and P.L.U.R. electronic dance scenes. After a chapter serving as a U.S. Army MP, he reignited his musical journey in 2024. Every track is a reflection of personal hardship and a vast tapestry of life experiences. Dive into his world with the debut track "Reciprocate" (May 5, 2025) and first album "That's That Hz" (May 30, 2025).

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