Parcae Beeps

Against The Clock

Cute-AI

A demo of sounds made using the Multi Fader Drone plugin. For more information go to https://jjridley.com/MultiFaderDrone

Beeps n Boops - MultiFaderDrone

Twinkle

a collection of tracks from many years ago , these songs come as a by-product of processing this life of mine took a while to let these out 

all in good time (ep)

rain may fall

gramps

a little perspective

enter

BrehCat FreeStyleee. Unreleased Falco, Happy Hardcore, Eurodance, and NewStyle Classixxx

BrehCat Putazzzoooo Mixxx 2025

RAWR UWU XD OWO MEOW Owo NYA uwU NEKO OwU-CHAN TeeHee UwU UwO Ehe~ Kawaii ~~

"Galactic Waifu"v1

HYPO

real happy with this one outside of one obvious mistake😞 

tracklist

Makai - Beneath The Mask
Lyder - Sea Of Thought (Crossing Avenue Remix)
Warung - Dino Love Triangle
Regis - Blinding Horses (Stable Boy Mix)
Normal Pleasure - Want You To Be My Friend
Angel Science - Shale
Toxe - Let You Look
Blast Head - Sky High
Tim French - Te Amo
Richie Hawtin/80xx - Creeper
Draveng - Dubbius Smink
Impérieux - Losers Queue
Burial & Four Tet - Nova
Grauzone - Eisbar
Luigi Tozzi - Uterus
DJN4 - Mind Expander XS
Normal Pleasure - The Path Forward (Long Edit)

imagination mix

practice 7

The instrumental track Zero Or More by Bert Crudd stands as a compelling study in the fusion of digital and analog recording techniques, illustrating how contemporary musicians navigate the juncture between two seemingly divergent sonic worlds. At its core, the piece leverages the precision and clarity of digital processes—the ability to manipulate, layer, and sculpt sound with virtually unlimited recall—while warmly embracing the tactile, imperfect charm of analog gear. This synthesis does more than merely juxtapose two modalities; it creates a richer sonic texture that is both modern and residually human.

From the outset, Zero Or More invites listeners into a sonic landscape where exacting digital synthesis codes mingle with the subtler, sometimes unpredictable characteristics of analog hardware. The digital components provide a clean backbone: precise tempo, pristine timbres, and highly controllable effects that can be endlessly iterated. In contrast, the analog elements introduce a sense of warmth, depth, and drift—qualities derived from tape saturation, transformer coloration, or the subtle nonlinearity of analog circuits. The resulting palette is not a sterile, overly polished digital construct, but a living soundscape that breathes and evolves.

Hitchcox's production choices reflect a deliberate interplay between these realms. Layering strategies often begin with digital frameworks—computer  rhythms, synthetic melodies, and electronically generated textures—that establish the track’s core architecture.

The significance of Zero Or More extends beyond its technical ingenuity; it also signals a broader cultural shift in record-making. In an era where digital production tools are ubiquitous, artists are reclaiming a sense of craft by reintroducing analog touchstones. This hybrid approach honors the history of recording—where engineers iterated across multiple passes, chasing a particular warmth or space—while still taking advantage of digital flexibility. The result is music that resonates with listeners who value both sonic clarity and textured character, a balance that can be hard to achieve when adopting a singular, purist approach. In the contemporary production landscape, the most compelling work often comes from a thoughtful synthesis of technologies, where the strengths of digital accuracy harmonize with the analog’s human warmth to create something that feels both innovative and alive.

Zero Or More

ran this through a genre checker and its 50/50 techno and acid house apparently. I just think its fun 

somethings coming

Very experimental work with many tricks mainly of the sampler, creating a unique banch of sounds, melodies percussions beeps and everything u hear ::)

Fun sampler games

Featuring original music composed, performed and produced by Dennis Hitchcox. Sonic exploration, mostly instrumental

I am a  PhD. student for biology from Tel Aviv. Listening and raving to electronic music for more than a decade. few year ago after many years of thinking of doing so, I have started to DJing. My experiment led me to easily collect the best music I know for several genres, from house to trance, from classic music to triphop, from jazz to glitch hop. I enjoy so much to play all my favorite genres . And THEN... i started to produce my own tracks, and that become one of my favorite hobbies, so far i am experimenting with favorite genres and try to understand what i like and what is my style.. :)   I am also a digital collage creator AKA trip_el_trip, you can see some of my art in the covers of my sets :) check out my art in the link below :)

I dont really want fame or money but eventually im gonna tour china

I kickit in a forest, passing time by producing various genres and styles of music. My main focus is on experimental bass and new gen wonky bass type shizz


ʕʘ‿ʘʔ

Montreal IDM Electronic Indie music artist ThirdTemple. Underground sleek, engaging and sometimes dark and psychedelic soundscapes. From gentler tunes to driven, spears of beats, ThirdTemple always finds the hook in the music, be it trance, IDM, big beat or something downtempo.

www.third-temple.ca

Designer Advocate for Education @ Figma... This is my soundcloud link... These tracks are nonsense noodling with synths and drums.

your mother and galactic waifu,
it was my childhood dream to be in the Max Rebo band, then I found out he died :(
Influences :
dying animals
crazy hobos
mushrooms
your mom

https://www.youtube.com/@aeonentfarm6461

Melbourne/Rotherham 

This is a collection of recorded dj mixes, original productions, unofficial remixes and edits.

Feedback always appreciated.  Thanks for listening.

New tracks tagged #beeps