Baggy! (Police Disco Lights)

Siberian Tract

My second real attempt at Breakcore. Title is just made up and has nothing to do with the song. I just like it because terrible titles are more interesting. I dont even remember where it came from. I just try to imagine the most horrible thing and put it into a song title lol.

Image is AI because I am poor and I cant draw for shit

Innocence lost at Sunday School

Radio Massacre International

Get the F* Off My Dick / Breathe (tad aggin blend)

Check out my mixtape. Here I used funky breaks and breakbeats from years 1999-2011 by Dynamo Production, The Fort Knox Five, Soopasoul, Skeewiff and others. Have a nice listening and practice.

Hit The Floor (Breakbeat Mixtape)

REMASTERED, REGROOVED, RESTRUCTURED, RE-EDITED, REMIXED & REPRODUCED BY THE JMAWAX CREW
Edits / Remixes / Waxes / Revamps / Re-Cuts / Re-Jams / Regrooves / Bootplates / Bootlegs 

Block Rockin' Beats: "We're about ready to rock steady"
UNDERGROUND REGROOVES, RE-EDITS , BOOTPLATES, ACETATES, MIXES, WAXES & CUTS
Dirty Militant Ghetto Grooves & Breakbeaten Fused Pulp Funk

GET FUNK'D - The French Connection (Seven Immortals Edit) BLOCK ROCKIN' BEATZ

Fog Lane

Acapulco Lips - “Fuzzy Sunshine” 
Los Palms - “Fooled Me”
Public Service Broadcasting - “Electra (Instrumental)”
The Emkays - “Let Love Walk Out Again” 
Master Peace - “Harley” 
Bee Bee Sea - “It’s All About The Music”
Multivitamines - “QQOQCCP” 
Upchuck - “Forgotten Token” 
Family Man - “I Cried Into His Hands”
Brainwasher - “At Least It Beats An Actor” 
Coral Grief - “Outback”
Martin Saint - “Private Party (Where The Means Meet The End)”
Endless - “Se Desvanece”
Daniel Romano - “Nocturne Child (Live)”
Jackie Mittoo - “Drum Song”
Aiyb Dieng - “Sabar”

The Pressure Drop Show 21st July 2025

Future’s “Too Comfortable” collides with The Chemical Brothers’ “Block Rockin’ Beats.”  
I flipped the swagger + that iconic break into a peak-hour club weapon. Enjoy the mash-up.

Stream more | https://beacons.ai/noctis.xo  
Learn more | https://www.noctismusic.com/

Follow NØCTIS  
IG: https://www.instagram.com/noctis.xo/  
TikTok: https://www.tiktok.com/@noctis.xo  
FB: https://www.facebook.com/profile.php?id=61569449595647

Disclaimer & Credits  
This is an unofficial mash‑up/bootleg.  
“Too Comfortable” © Future / Epic Records.  
“Block Rockin’ Beats” © The Chemical Brothers / Virgin Records/EMI.  

All rights belong to their respective copyright holders. No copyright infringement intended—promo use only.


TOO COMFORTABLE (BRB)

Cypher Funk

Lyrics:
Chasing tails around the sun
Blind dogs in their endless run
Somewhere there I’m wasting days
Running up my only ones
And I try and I try
But the tether’s too tight
And I try and I try
But the tether’s too tight
And I try and I try
But the tether’s too tight
And I try and I try
But the tether, tether
Cracks in all the surfaces
Let the cold and dirt come in
Through my walls and through my skin
I wanna throw it all out and start again
Ask if it was worth the weight
The words don’t always feel the same
When I die I guess I’ll see
The future holding hands with me

Tether

Afterhour

DJ G.I.D. – Electric Highway
(Live Vinyl Mix – November 2000)

📦 Finally cracking open my old CD archive… and this dusty jewel still plays like a charm after 25 years.
I originally made this mix for my groovy old B-Kadett, fitted with a proper subwoofer – perfect for long autobahn rides.
That’s where the name comes from: Electric Highway.

The mix starts off smooth and mellow, then steadily picks up speed: funkier, deeper, wilder.
Raw breakbeats, smoked-out triphop, big beat pressure and leftfield grooves set the pace.
But toward the end, things get seriously charged – pushing into technoid nu skool breaks territory with serious drive and bass pressure.

🎚 100% vinyl, no edits, one take
📀 burned to CD-R in 2000
⏳ rediscovered in 2025
🔊 bass still hits like it did in the Kadett

This was the sound of our Groovalistic parties – gritty, unpredictable, built for movement.
Originally shared as a promo-only CD-R for friends and bass heads.
Now finally online. Buckle up and ride.

#djgid #electricmix #groovalisticvibes #bkadettvibes #vinylonly #breakbeats #triphop #bigbeat #nuskoolbreaks #funkygrooves #technoid #leftfield #2000sound #livemix #dustyfingers #mixcloud #soundcloud

DJ G.I.D. - Electric Highway - Vinyl Mix - November 2000

her: rigby and mordecai vibez?

me:
بوتر، لحظة من وقتك من فضلك.

أحدهم يسرق مكونات تُستخدم في صنع جرعات متعددة العصير.

أعلم، أعلم. "لم أكن أنا يا أستاذ، لن أتحول أبدًا إلى فتاة وأمارس العادة السرية لأكتشف شعوري"، سمعت هذه الأغنية والرقصة من قبل.

عندما كنت في عمرك، كنت مثلك. هل أخبرتك يومًا أنني كنت أسرق شعر والدتك باستمرار؟ لقد أصبحت بارعًا في التخفي والجرعات لهذا السبب تحديدًا. لأتحول إلى والدتك وأُمتع نفسي.

هناك هذه المرآة... أو على الأقل، لم أعد أجدها، التي أظهرت لك أعز أمنياتك. كنت سأتحول إلى والدتك، أنظر في تلك المرآة وأشاهد نفسي أمارس الحب معها بينما يراقبني والدك، عاجزًا عن تغيير أي شيء.

كانت تلك أفضل هزات الجماع في حياتي يا بوتر. في يومٍ ما، ساءت الأمور،

قبل أن أجد طريقي إلى مكانٍ آمن، وجدني والدك، وظنّت أنني ليلي، فبدأت تداعبني.

شعرتُ بالسعادة يا  .Harry Potter  الفاكهة المحرمة ألذّ طعمًا.

أنت تعلم أن جرعة العصير لا تُغيّر صوتك بالطبع. ومع ذلك، لم يشكّ جيمس بوتر في شيءٍ عندما لم أتكلم. ابتسم وقال إنني أتعلم.

أوه، لقد تعلمتُ جيدًا. تعلمتُ ألا ألمس جرعة العصير مرةً أخرى. ليس لأنني كنتُ أخشى أن يحدث ذلك مرةً أخرى، بل لأنني كنتُ أخشى أن أرغب في ذلك. أن أبحث عنها.

جرعة العصير ومكوناتها محظورةٌ لسببٍ يا بوتر. الوصفة نفسها غير متاحة للطلاب.

تذكر ذلك، أليس كذلك؟

JUDAH AND THE LYIN' DJ Set

Jens Jakob is a boundary-pushing producer from Aalborg, Denmark, known for his relentless creativity and deep connection to the underground. With hundreds of tracks to his name, he's carved out a distinct space across house, techno, trance, and now, channeling the raw spirit of '90s UK breakbeat through his own bold, futuristic lens.

Jens Jakob studied electronic music at the Royal Academy of Music, earning a bachelor in Aalborg and a Master of Music (Cand. musicae) in Aarhus, combining academic depth with underground sensibility. From the high-voltage energy of Tækno Jens to the mind-altering psychedelia of Toxic Scientist, his solo work explores a wide sonic spectrum. He's also one half of collaborative duos Nordic Echoes and Apollo 420, where deeper rhythmic exploration meets layered sound design. His solo side-projects Sequency, Slambert, and Hope in Dope further stretch the edges of genre, diving into experimental and bass-infused territories.

As the founder of Unique Sound Records, he's not just creating tracks, he's building a universe. Whether solo or in collaboration, Jens Jakob's music fuses underground spirit with fearless exploration. This release is no exception, rhythmic, raw, and deeply rooted in the dancefloor.

Jens Jakob - Amen Acid

Maslow's may have defined and ranked our hierarchy of needs, but in "Felony," the latest posted track from mutant pop purveyors Interbay, what happens when your wants and your needs are both ill-defined and all encompassing?  

No wonder our vocalist has the blues!  He wants!  He needs!  OWWWWWWWWWWW!!!  

Take a big beefy breakbeat.  Add in some human beatboxing and wubby bass.  Throw some bassy synth pads into the mix at well.  Then, top all of that off with an assortment of blues guitars and some seriously overdriven blues vocals--that, my friends is a crime.  

Not just a misdemeanor either.  This...is a "Felony."  

(The title might not seem intuitive.  I think I was going for a "what can a limitless desire lead to?" connection between our vocalists wants and needs and their obvious pain that they can't satisfy any of them.)  

Like Moby, Primitive Radio Gods, and Fatboy Slim--I knew there could be good stuff mined from the intersection of electronic dance music, breaks, and gospel/blues.  I think the Interbay take on the crossing of these streams is, perhaps, a bit more aggressive than the others mentioned.  

Still works, though.  

At least I think so.  Your mileage may vary, and the only way to find out what your mileage, in regards to "Felony," might be...is to listen to it.  

I would also appreciate it if you gave this track a like, repost it, share it, leave a comment on it, add it to a playlist--that sort of thing definitely helps spread the word about Interbay beyond its current fragile parameters.  Thank you, in advance, for your assistance.  

What could help more than anything, though, would be for you to follow this page for more Interbay track drops.  Did you know that for over a year now, a never-before-heard Interbay track has been posted here every single day (so far!)?  It's true--and you can dive into the back catalog anytime you find yourself wanting proof...it's all there to find.  

I'm thinking that there should be some more guitar stuff headed your way--maybe some electropunk...maybe even some straight up punk rock?  (I mean, if it is good enough for Superman...and Lois...it should be good for you, me, and Interbay, too!)  

For now, though, enjoy this "Felony" from Interbay.

"Felony" *SoundCloud Exclusive*

Upbeat summer 

01 DJ Seinfeld, ATRIP - the one 
02 Jazzy, Philip George  - No Bad Vibes (Philip George Remix)
03 Drama, Neil Frances - Energy (Ewan McVicar Remix)
04 Interplanetary Criminal, Original Koffee - Slow Burner 
05 Eloq - Bells
06 Shermanology - Don_t You Leave
07 Joy Orbison, Overmono, Skiifall - Lippy
08 Lewis Taylor - I Feel It
09 Fold - Lotion
10 Champion, Four Tet, Skrillex, Naisha - Talk To Me 
11 Somepoe - Dance CD
12 Audiojack, Hannah Wants - Don_t Let Me Go
13 Cameo Blush - Essa
14 James Greene - Solars
15 Icarus, LENN - Last Night Felt Like the Future
16 Two Shell - ⋆₊˚vision✧‧⁺˖⋆.
17 PARISI, Clementine Douglas - Rain
18 Kareem Ali - Liberation
19 Four Tet - Into Dust (Still Falling)
20 Newman (I Love) - On My Mind

Don't leave me summer mix (July 2025)

I’m a bassist, but I also play guitar and keys.

https://lit.link/fankyamix

Influenced by funky, rock-infused electronic dance music—from punk rock and reggae/dub to the big beat sounds of the ’90s.
A unique soundscape shaped by the clash of digital waves and raw energy.

If you’re a lyricist and singer who likes my music, I’d be happy to create a track for you.
Since I produce music in between my day job, it might take some time (about 1–2 weeks), but feel free to send me a DM.
Depending on the lyrics, I may not be able to meet your expectations, but I’ll do my best.

パンクロック、レゲエやダブから90年代のビッグビートなど、ファンキーでロックでエレクトロなダンスミュージックに影響を受ける。
デジタルの波と生のエネルギーが独自のサウンドスケープを描く。

私の音楽を気に入っていただけた作詞家兼歌手の方、喜んであなたのためにトラックを作成します。
仕事の合間に音楽を制作しているので、少し時間がかかるかもしれません（約1〜2週間）が、お気軽にDMを送ってください。
＊歌詞の内容によっては期待に応えられない場合もあります。

MOVES DIFFERENT | SOUNDS DIFFERENT

INQUIRIES | MGMT@NOCTISMUSIC.COM

Indie/folk/electronic music. Musician/composer south west england

I'm an artist that likes to make cosmic sci-fi themed electronic music.

Unique Sound Records is a record label that specializes in Trance and Techno music. Founded in 2013 by Jens Jakob, with a mission is to discover and promote the best artists and music in these genres, across all their sub-genres.

We are always on the lookout for fresh, innovative sounds and welcome demo and podcast submissions through Soundcloud DM. If you're an artist looking to showcase your latest release, we offer premiere opportunities and invite you to reach out to us at uniquesoundrecords@hotmail.com.

Artwork by SNDR

Follow The Pressure Drop radio show on SoundCloud for a new episode every week! Send tunes - pressuredropshow@gmail.com. 

Tune in live every Monday, 5pm ET http://www.cjlo.com/shows/pressure-drop

I started making music back in the early 80s using Bontempi keyboard and an old Kawai K4 synth. Been playing in live bands but always wanted to introduce synths and drum machines to guitar music. I left the live band and wanted to make hip hop as I started listening to The Beastie boys, Run Dmc, Public Enemy, NWA but also really loved synth music so I have always tried to mix the 2 types of music which is now my signature sound. My music sounds heavy with huge synth parts, big bass lines and massive drum and old school drum machine Percussion. I hope you enjoy my tracks as much as I love making this type of music. SSP Beatworx.

JAM PIONEER
Maverick Producer, Arranger, DJ, Songwriter, Composer, Drummer, Percussionist, Audio Engineer, Remixer, Editor, Multi-Instrumentalist
(Jamming circa. 1983)
(DEEP HOUSE, HOUSE, NU-JAZZ, NU-FUNK, NU-DISCO)

Production & Remixing project enquires: 
deejaypiedpiper@gmail.com

An English judge had said so after the Jacobites’ great defeat at Culloden in 1746; a piper was a fighter like the rest, and his music was his weapon.

DJ G.I.D., a true pioneer of the electronic music scene in Koblenz / Germany, kicked off the very first Groovalistic Party in 1995, alongside his DJ buddies and friends, M-Pire and Oldcut. Throughout the '90s and '00s, they took over nearly every club in and around Koblenz, showcasing their distinctive blend of Electrofunk, BigBeat, Drum'n'Bass, Jungle, Breakbeat, Downbeat, and Dub. The Groovalistic Party soared in fame beyond the confines of Koblenz, often packing clubs to the brim, sometimes with crowds exceeding 1,000 people – sheer madness! This popularity allowed them to host renowned guests from Germany, Austria, and especially England, including DJs, live bands, and video artists. But the Groovalistic DJs Oldcut, G.I.D., and M-Pire didn't just stay local; they toured across Germany and neighboring countries.

Now at 56, G.I.D. remains a fervent vinyl enthusiast and passionate DJ. Once known for carrying hefty crates of records, he has since embraced digital DJing and amassed a vast collection of digital tracks. Always on the hunt for something new, he has continually broadened his musical tastes: from Downtempo to Global Bass, Electronic Worldbeats, and experimental Bass and Dubstep stuff, whether straightforward or playful – no two sets are ever the same. His sets are versatile, thrilling, and full of variety. We're all eager to see what musical journey he'll take us on next.

Post-punk, dance, indie, electronic, and mutant pop in various styles (seriously!)--new tracks being posted daily (every day for over a year, so far!)

Interbay is the new project of Peter Greyy (previously of Cremation Dance and DangerScience), based out of Seattle and Phantom Laboratories West.

New tracks tagged #big beat