A bit of weird one here. I started by using lots of triplet rhythms coupled with a cheeky sub line but halfway through writing it, the tune took on a life of its own and morphed into a straighter house vibe. I'll probably keep working on some of the edits and the mix overall but I am happy with the structure. It is always nice to switch things up from time to time.

Slowly Slowly - (Alone in a Crowded Room Mix)

A precise and structured exploration of how the I Ching — with its 64 binary hexagrams — aligns with key principles in systems thinking, recursive modelling, and intelligent reflection.

This Technical Perspective, narrated in Arty’s signature tone, bridges historical logic with modern AI design. It reflects on how binary structure, state transformation, and pattern-based prediction inform both ancient divination and adaptive machine cognition.

A compelling listen for those exploring symbolic logic, AI theory, and the evolution of consciousness through structure.

The Binary of Becoming – Technical Perspective: I Ching and Recursive Architecture

The Project:

Sizzlax is what happens when you fuse rich textures with tough broken breaks, We say leftfield electronica, but this is pretty genre-defying stuff from the South London producer and performer.


The Artist:

Sizzlax is the solo pseudonym for music producer and composer Joe Lewis.   In 2001, he graduated from the Royal Welsh College of Music and Drama having principally studied classical guitar by day, and mixing garage records by night.

Joe moved in September 2001 to South London and set up his studio, Dojo Studios mainly surviving of mixing records for other artists, whilst he developed his production skills. 

Over the years, Joe has released House as JM Lewis, Drum and Bass as one half of Bipolar, and more notably Dubstep as one half of Refix. 

For a full discography you can check out Joe’s blog at: 

http://sizzlax.wordpress.com.

Recent clients have included: BBC, TCM, ESPN, Kanal 5, Channel 4, Al Jazeera English, Roger Sanchez, Ministry of Sound and Time Magazine. More information on this work can be found at:

www.dojostudios.com

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