Groove Blac is an artistic perspective of why "The Black Man" has NEVER lost his groove. The overstanding of being the worlds muse through the eyes of the most loved and feared living organism on the galaxy 
- Crab Eagle 
Follow @ElevatedChapter1 & @OGBlacman & BrotherGreatness On All Social Media Platforms.

Groove Blac

$Austin,, 빡센비트, Aprobar, 03-11-2021, ＃新しい音楽, 光よ, Aligne, Duki Mixtape, “Inefficient, 131housemusic, Alloutwar, (Wayfarers, 10-11-22, Albéniz, 080, Abeltonlive, Aaaao55+765+7660, Dethray, Dlaczegobitcoinspada, 太陽の神, پوتین،, Bonesaw, ٢٠٢١, ي, Best Covers, Atove Fabian, (14th, Alex Agabiou, (Beatsmack,  Compiled, Aemed, Ascendedmasters, Avondcircus, چیست, Bella, Associate, ภาพถ่ายปรากฏการทางดาราศาสตร์,, Adını

Animestation studio background DOWNLOAD

Live from outside of SCOPE we chat it up with Martha A Wade and Reisha from the Women’s LIVE Artist Studio. They had a wonderful journey from Chicago to Miami Art Week. They talk with us about process of showing at the fair and some insights on the interactions with attendees and how it all working into their plans for the studio. Time is a premium so this short interview is only an introduction to the good work they’re doing in Chicago. Your boy, JBarber, ends the episode with some reflection on the last year as we welcome in 2024.  Listen, subscribe, and share!

Episode 180 topics include:
participating at SCOPE

raising money to come to Miami Art Week

Women’s LIVE Artist Studio

interacting with the SCOPE crowd

supporting young women artists

having tough conversations with colleagues

From the Women’s LIVE Artist Studio website:

The Women's LIVE Artist Studio (WLAS) is a vibrant hub nestled within the heart of Navy Pier, Chicago's premier indoor tourist destination, boasting over 9 million visitors annually. Our Gallery is dedicated to showcasing the artistic talents of women artists from the local community.

Through daily live art demonstrations, we invite our visitors to witness the creative process in action. We represent a supportive community of 30 female artists from diverse backgrounds and mediums, all sharing a common commitment to empowering women in the Chicago art scene and advocating for equal recognition and opportunities.

See more: Women's LIVE Artist Studio website + Women's LIVE Artist Studio IG @womensliveartiststudio

Follow us:

StudioNoizePodcast.com

IG: @studionoizepodcast

Jamaal Barber: @JBarberStudio

Support the podcast 

www.patreon.com/studionoizepodcast

SNP 180 Miami Noize pt 2 w/ the Women's LIVE Artist Studio

Join Leah Grace as she dives into the mind of Nic[o] Brierre Aziz, the talented Haitian-New Orleans artist, Yale MFA Sculptor, writer, and all-around great person. Hear about the struggle to release and sell one's work, the influence family and heritage have on his work, and his perspective on what makes art "black". 
His work is community-focused, using under-discussed parts of his personal history as well as collective histories to mold the future. 
He has written for many publications, such as HuffPost, Terremonto, and Hyperallergic.

EP 2: with Nic[o] Brierre Aziz

Your boy JBarber manage to sit with two people from the Studio Noize fam while down at Miami Art Week. First up is Ben Muñoz, Chicano printmaker we talked to at Print Austin. JB met up with Ben and attended a bunch of the satellite fairs like Untitled, NADA, Ink, Prizm, and Pinta. We recorded a conversation riding in traffic after leaving Pinta. You get our fresh relfections on the day including how shows create a vibe, impressions of the work at the show, the best things about Miami, and more After that it’s the man himself Jeremiah Ojo, Founder and Managing Director of Ilèkùn Wa (an art business advisory firm). Jeremiah selected two artist to showcase at SCOPE and that lead to a conversation about what it means to show at the an art fair. What does an art career look like with being at Miami Art Week as the big goal?  Listen, subscribe, and share!

Episode 181 topics include:
different fairs at Miami Art Week

Pinta - the Latin American art fair

creating a vibe an an art fair

comparing the work you see at the fair

participating in Scope Art Fair

curating for art fairs

increasing visibility and audience

defining what you want in your career

Benjamin Muñoz (b. 1993) is a Dallas-based multi-disciplinary artist whose practice spans painting, installation, and monumental printmaking. Muñoz grew up in the vibrant Chicano culture of Corpus Christi, Texas, which boasts the country's largest Day of the Dead celebration, lowriders shows, and unique food culture. The middle child of artist brothers, Muñoz found his voice by reflecting on his heritage, upbringing, and current surroundings.

 J. Olayinka is the Founder and Managing Director of Ilèkùn Wa (Our doors), an art business advisory firm, facilitating & cultivating opportunities for visual artists of African descent to create, sustain and thrive.

Over the last decade, J. Olayinka has become a sought after arts and culture management consultant, working internationally in artist professional development, gallery management, and art fair operations. His collaborative work with minority emerging contemporary artists, art institutions, corporations, and collectors has carved a pathway of connectivity for creative professionals throughout the African Diaspora and on the continent. Having worked with a number of black-owned, fine art galleries throughout the African Diaspora, J. Olayinka has forged an alliance of artist collectives and galleries in North America, Europe, and Africa working uniformly to economically advance the artistic and cultural production of their communities. 

See more: Ben Muñoz website + Ilekun Wa Website





Follow us:

StudioNoizePodcast.com

IG: @studionoizepodcast

Jamaal Barber: @JBarberStudio



Support the podcast 

www.patreon.com/studionoizepodcast

Miami Noize pt3 w/ printmaker Ben Muñoz and art consultant Jeremiah Ojo

Hey ya’ll hey!

Thanks for tuning into Episode 104 of Tellemtiptoldyou—"Whose Life Story Are You Writing?”   What do the films American Fiction, One Drop:  The Bob Marley Story and Mea Culpa have in common?  In this episode I want to share with you my ideas about how these three films in Black culture are a model for what more of us need to be thinking about.

Let me give you a hint about this week’s episode.  We are either authors of our own life’s story, or we are a character in someone else’s version.  This week, I want you to think about the story you’re telling and why.  I also want you to think deeply about who benefits when you don’t control your own narrative.

If you’re interested in learning more about the Sacred Self program, please visit:  https://www.thefreshmanbootcamp.com/sacred-self-six-week-masterclass-and-group-coaching. 

I’d love to hear what you think about this week’s episode.  And, if you’re really wanting to unpack the ideas around Black history, spirituality, or culture, please consider being a guest on the podcast.  Send me an email at drtip@tellemtiptoldyou.com.  I’m a life coach helping folks reach holistic success over here while being your FAVORITE HBCU Prof!  

After you tune in, let me know what you think of this episode by leaving me a 5-star review. 

Take care of each other so we can build together.  #tellemtiptoldyou

For more on Tellemtiptoldyou (the podcast on Black History, Black Spirituality, and Black Culture, be sure to follow Dr. Tip on Instagram (@tiffanydphd) and Facebook (@tellemtiptoldyou).  Be sure to subscribe to our website, www.tellemtiptoldyou.com, so that you never miss an update!  And, if you want to send us a message, our email address is drtip@tellemtiptoldyou.com

Hosted by:  Dr. Tip 
Guests on this episode: none

TAGS: #MetaNarrative #BlackHistory #Storytelling #BlackCulture #BlackArt #BlackWoman #LifeCoachforBlackWomen #tellemtiptoldyou #podcast

Ep 104 Whose Life Story Are You Writing

Today on the Noize we got printmaker, Tenjin Ikeda! he has been making art as for over 30 years and its been a journey across all kinds of mediums. From painting, to dancing, to sculpting, to printmaking, Tenjin has been open to where his talents and opportunity take him. We learn about Tenjin and his philosophy on making work. We nerd out a little bit on carving and relief printmaking masters like Latoya Hobbs, Elizabeth Catlett and more. Tenjin talks about a turning point print for him, how his spirituality inspires his work and what he’s learned by being in exhibitions over so many year.     Listen, subscribe, and share!

Episode 183 topics include:
doing art for 30 plus years

finding printmaking

carving tips and secrets

developing compositions

what piece was a turning point in his eyes

the differences between mediums

experience gained from exhibitions

offering critique to younger artists

Tenjin Ikeda is an Afro-Puerto Rican artist born and raised in Brooklyn, New York on October 30, 1968. At a very young age learned the importance of tradition and heritage from his mother. He taught himself how to draw at an early age and he was hooked, he has been seriously making art for 30 plus years using the various mediums of painting, sculpture, and printmaking. He attended the School of Visual Arts in New York first focusing on graphic design and ultimately Fine Arts where he felt more freedom to express himself. It was at the Art Students League that he discovered printmaking, which has been his focus for the past 20 plus years. “It is my desire to continue to visibly show the richness of my ancestry to the world.” He has various works in private collections in the US, Canada, Mexico, Bahamas as well as acquisitions by The Schomburg Center for Research in Black Culture, The Print Club of Albany, and the Art Student’s League. Tenjin’s work has been featured as cover art and illustrations for various books. He has been included in “Modern Printmaking” an up coming book of 30 contemporary printmakers by Sylvie Covey.

Tenjin, also worked for 6 years as an artist assistant to Richard Artschwager and with artist Keith Haring on a mural project Mr. Haring did at Woodhull Hospital in Brooklyn, NY. He has participated in-group shows in different parts of the United States, Ireland, Japan as well as Spain and Australia.

See more: Tenjin Ikeda’s website + Tenjin Ikeda’s IG @ify.chi.chiejina

Follow us:

StudioNoizePodcast.com

IG: @studionoizepodcast

Jamaal Barber: @JBarberStudio



Support the podcast 

www.patreon.com/studionoizepodcast

Expressions in Linoleum w/ printmaker Tenjin Ikeda

It’s an instant classic for you today on the Noize! We got the wonderful LaNia Roberts on the show and she came with all the energy, honesty and transparency that we needed in our studios. LaNia talks about how she got her big personality, empowering herself through art and the inner thoughts that artists feel and don’t often speak on. There is a truly awesome story on how she got to her style of painting that is a must here for any artist trying to find their way. You gotta rate the show 5 stars just for that! Its all that good art talk that you need in your life with a young woman artist that is blazing a trail in these art streets. Listen, subscribe, and share!

Episode 184 topics include:

being a young artist at SCOPE 

getting empowerment through art

how LaNia developed her personality

creating systems to support your practice

the big shift in painting

Stan Squirewell as a mentor

overcoming the fear of growth

what artists believe about themselves

LaNia Roberts, born in 1996 and hailing from Louisville, KY, discovered a profound means of self-expression in visual art amidst her early struggle with identity. Supported by numerous scholarships as a first-generation college student, she pursued a degree in Painting at Syracuse University's Visual and Performing Arts School. LaNia culminated her academic journey in 2019, achieving a degree in Painting from Syracuse University and traveling to over 12 countries across three continents since attending art school. Presently, she resides in Louisville, KY, fully engaged as a professional artist. Her practice has also expanded into an online-based social art practice, empowering millions worldwide to embody radical self-compassion, love, and acceptance, with over 200,000+ followers between Instagram and Tiktok. Most notably, her artistic endeavors have garnered her the representation of the esteemed Claire Oliver Gallery in Harlem, New York City.

See more: LaNia Roberts’ website + LaNia Roberts’ IG @laniaroberts

Follow us:

StudioNoizePodcast.com

IG: @studionoizepodcast

Jamaal Barber: @JBarberStudio



Support the podcast 

www.patreon.com/studionoizepodcast

Being Spectacular w/ artist LaNia Roberts

Can't Decide

Hey ya’ll hey!

Thanks for tuning into Episode 107 of Tellemtiptoldyou—"Sankofa:  The Art of Reclamation”   What do The Book of Clarence, Cowboy Carter, and the Black Arts Movement have in common?  In this episode, I talk about the role of art (and Black literacy) in multi-layered communication.  (the TikTok creator I referenced about the sonar pings is @ragandboneshopoftheheart)

I’d love to hear what you think about these ideas.  And, if you’re really wanting to unpack the ideas around Black history, spirituality, or culture, please consider being a guest on the podcast.  Send me an email at drtip@tellemtiptoldyou.com.  I’m a life coach helping folks reach holistic success over here while being your FAVORITE HBCU Prof!  

After you tune in, let me know what you think of this episode by leaving me a 5-star review. 

Take care of each other so we can build together.  #tellemtiptoldyou

For more on Tellemtiptoldyou (the podcast on Black History, Black Spirituality, and Black Culture, be sure to follow Dr. Tip on Instagram (@tiffanydphd) and Facebook (@tellemtiptoldyou).  Be sure to subscribe to our website, www.tellemtiptoldyou.com, so that you never miss an update!  And, if you want to send us a message, our email address is drtip@tellemtiptoldyou.com

Hosted by:  Dr. Tip 
Guests on this episode: none

TAGS: #thoughtleader #BlackHistory #BlackEducation #BlackCulture #BlackArtsMovement #BlackArt #BlackLiteracy #LifeCoachforBlackWomen #tellemtiptoldyou #podcast

Ep 107 Sankofa The Art Of Reclamation

Your boy, JBarber, has been teaching at the Penland School of Craft and now we’re back with new Studio Noize! We found David Harper Clemons in a weaving cabin making broaches, print, sculptures and drawings. David is also the HBCU tour coordinator for Penland. We talk about the HBCU tours and how to get more diversity into artist communities. David talks about his curiosity with materials in making his functional and wearable art, the value of Black narratives in objects and what you need to be a great metalsmith.  Listen, subscribe, and share!

Episode 185 topics include:
gettting into metals

HBCU tour at Penland School of Craft

bringing diversity to Penland

metalsmithing vs jewelry

the attention to detail

top 3 skills of a metalsmith

curiosity for materials

Black narratives in objects

importance of surfaces and touch

David was born in El Paso, Texas and spent much of his life in Austin, Texas.  Initially he began his undergraduate career attending Tulane University in New Orleans, Louisiana, pursuing a degree program for Biology Art.  He attended the program for two years before returning to Austin to complete his BFA at the University of Texas in Austin, with a primary emphasis in painting. He earned his MFA in Metalsmithing in 2007 from San Diego State University. David taught in the art department at the University of Arkansas in Little Rock, Arkansas for 10 years. During 8 of those years he was responsible for creating and heading the Metalsmithing and Jewelry Department. In 2018 he relocated to Penland, North Carolina to dedicate his time to be an independent artist and workshop instructor.  Much of his work embraces the craft of Metalsmithing and it’s collected history of techniques and objects. The resulting works rendered in metal, mixed media, and hand made artist books are vehicles to communicate ideas surrounding identity, narrative, and forays into material and process-based work.  He has exhibited in numerous exhibitions including: Craft in America: Expanding Traditions, Different Tempers: Jewelry & Blacksmithing, RE/ACTIONS, and has work in the permanent collection of the Arkansas Art Center in Little Rock, National Ornamental Metal Museum. Yale Contemporary Craft Museum, Ollie Trout Collection at the University of Texas in Austin. 

See more: David Harper Clemons’ website + David Harper Clemons’ IG @harperclemons   

Follow us:

StudioNoizePodcast.com

IG: @studionoizepodcast

Jamaal Barber: @JBarberStudio



Support the podcast 

www.patreon.com/studionoizepodcast

Black Objects w/ David Harper Clemons

Everyday Is BLACK HISTORY(TG)

YaWa

Peep my interview with Holly G, founder of Black Opry and Black Opry Records

Holly G on founding Black Opry, WTF moments with Willie Nelson + artists we should know

A wind-blown memory, translated into drums, tape hiss, and grace.
This remix moves like branches in slow motion – grounded yet free.
Inspired by motion, spirit, and the silent strength of stillness.

Made with Ableton, tape, and dust.
Cover art by Cola Santina: "balancing force and flow" 

👣 More: https://rasmenelik.bandcamp.com

Gold in the Air of Dust (Remix)

Just sharing my story with you all <3 Thankful for all the love.

No loops. Just breath, hiss & memory.
A dip in the diaspora — vibrations from the in-between.
SP-404, Ableton, Koala, Maschine, PO-33 & presence.

These are horn scriptures.
Dusty offerings for those who feel time differently.

– R A S M E N E L i K

Omertà THE REAL 1 OF NONE.🗡️🦅
This just the beginning. 
DR1)Ahead of my time. (N.S.A. No Spexifix Agenda)

Welcome to Palette Chats. Join Leah Grace Craig as she delves into other creators' minds and discovers what is happening in the world of up-and-coming artists.

New tracks tagged #blackart