О Господи дай мамам силы

Взгляд

The sky is burning blood red
Ain't got no roof above my head
The river's rising, streets are drowned
But hell, I'm still the loudest sound

Preacher yelling "end is near"
I crack one more, pull up a chair
The four horsemen at my door
I tell 'em "line up, pour some more"

Burn it down, burn it down
I run this ghost town
Burn it down, burn it down
I call the shot now

Sirens wailing through the night
I got my fuzz box cranked up right
Mama told me pray for peace
I said "Mama, pass the gasoline"
The rats are eating through the wires

Uh, yeah, seen worse.
Still upright, mostly.
Don't need no luck, just another swig.
Warning label? Nah, that's just a suggestion.
I'll scrawl my name on the wreckage, then cheers to that.

You can wreck the block, I still roll through
Dust on my boots, yeah, I brought that too
Doors slam down, I grin and stride
Ain't no dead end gonna slow this ride

Burn it down, burn it down
I run this ghost town
Burn it down, burn it down
I call the shot now
Yeah, I laugh when the whole thing falls down

Yeah, the world is ending...
AND I’M THE LAST THING LEFT STANDING!

Ghost Town

Guitars, bass and keyboards by Robert Grigg

Night Sky Dreams

misterG of greenarrowradio chats with Kent Burnside ahead of the 8/19 show in Madison at  The Bur Oak with Ghalia Volt.

Kent Burnside

[Verse 1]
we used to be so close,
we were never ever apart.
we used to be so close,
we were never ever apart,
now you treat me so cold
and it's breaking my heart.

[Verse 2]
it used to be so easy,
to fall in love with you.
it used to be so easy,
to fall in love with you.
where did it go wrong,
what am i supposed to do?

[Chorus]
carnt we give it one more try,
forget the hurt and pain.
carnt we give it one more try,
and let it start again.
carnt we be like lovers,
and fall in love again?
carnt we be like lovers,
and fall in love again?

[Bridge]
If you still feel a spark,
don't leave it in the dark.
Say the words, say my name,
we can find our way back again.

[Chorus]
carnt we give it one more try,
forget the hurt and pain.
carnt we give it one more try,
and let it start again.
carnt we be like lovers,
and fall in love again?
carnt we be like lovers,
and fall in love again?





One more try

It’s okay
If you feel the sadness
Let it show
It's not madness

Ask for comfort
Ask for peace
Let your heaviness 
Soon be released

What’s on your heart
Lay it down
Release the weight
You'll come around

Nurture your soul
Take your time
You’ll be fine
You’ll be fine

Find the light
That brings your strength
Hope in sight
This is your day

What’s on your heart
Lay it down
Release the weight
You'll come around

Wrap it up in peace
Even in your struggle
You’ll find the light
You'll learn to juggle

In the shadows
A hand holds tight
Warmth in night
Remove your spite

Renew your strength
Feel the grace
Peace fills space
It's time to take

What’s on your heart
Lay it down
Release the weight
You'll come around

What's on Your Heart

Worn to the Soul

Dj Slava Light - Sweet love

Seduce Me

The Blues, new vocals, 17.8 2026

Kybernetické srdce is a dark and powerful rock track inspired by 90s arena rock, hard rock and blues rock, enriched with ambient and lo-fi textures. Huge roomy drums, driving bass, crunchy riff guitars, expressive wah leads and Hammond organ create a gritty analog sound that deliberately clashes with the cold digital world of the lyrics.

The story unfolds among neon lights, screens, corrupted signals and fading memories. Its protagonist searches for someone who is slowly disappearing into the digital world. Human touch has been replaced by code, a familiar voice becomes lost in streams of data, and what was once a real connection survives only as fragments somewhere between zeros and ones.

A charismatic male vocal moves from intimate, controlled moments to ferocious arena-rock power. The choruses expand into a huge bluesy anthem, while quieter breakdowns and glitch textures reveal the loneliness beneath the song's muscular rock exterior.

Kybernetické srdce combines the swagger and analog warmth of 1990s rock with a dystopian story about love trapped inside technology — a search for something real in a world where memories, relationships and even human emotions are slowly turning into data.

This track blends human songwriting with AI-assisted sound design. All lyrics, vocal phrasing choices, and creative direction were developed by Olja Arthur.

The result is a unique artistic expression shaped by emotion, atmosphere, and storytelling. The style blend 1990s arena rock chaos crew anthem 108 bpm gritty analog warmth Rock, Hard Rock, Blues Rock, ambient, lo-fi, Heavy Metal almost famous backstage energy without copying melody swaggering half time groove huge roomy drums fat toms driving bass crunchy riff guitars wah lead guitar hammond organ pads tape saturation crowd noise motel neon tour bus tension loading dock ambience raw commanding male chaos crew dj vocal sensual surgical mythic close mic spoken breakdowns with dangerous calm charismatic male lead vocal shifts intimate to ferocious theme under pressure meets radio black drummer under chaos goes silent into command center mode infj low latent storm reading promoters ego overdose betrayal moral spine diamond under pressure chorus huge bluesy triumphant bridge drops to toms and voice final chorus explodes with gang shouts i don t collapse i condense.

🙌 Enjoyed the track? Hit like, share it with your friends, and follow for more new releases every week!
Your feedback keeps the music alive. 🎧💫

© 2026 Olja Arthur. All rights reserved

Kybernetické srdce

An artist on Bandlab, hcustom guitars, produced a really cool acoustic rendition of the Stevie Wonder classic. Actually, kind of a cross between Stevie Wonder's original, and Stevie Ray Vaughan's more bluesey-rock version. I got together with my drummer and bass buddies, Craig and Moose respectively, and we added a few goodies to his already spectacular track. Craig's on drums, Moose on bass, and I'm on vocs and organ.

Superstition (Bandlab Collab)

Yup, back to using A.I. again.
If you want me to keep loading up here, comment please...... this one everyone seemed to love, so here it is again.
Yes, that is my real voice.

Don't care no more

I wrote and recorded this track in 1981. I was 21 at that time. I was very limited with recording equipment at that time and recorded this track with 2 reel tape recorders and numerous times of overdubbing. Mixing tracks was not possible. The whole song was eventually on one track. To get the balance/mix of the song right, I had to record instruments and voice with the right volume with the end result in mind. When I listen back im still amazed how I managed all that. I dusted off the old tape and refreshed it with a equaliser and compressor. I also added manual played drum to it

Koos van der Hoeven - Fancy Lady

I record cover numbers and original material in my Home/Studio...
Please feel free to Download and share my songs...
Thanks For The Support And Reaching  250.000+ Plays... for donations to keep Studio Going...paypal.me/Lonewolf368... Many Thanks...xxx
https://www.jango.com/stations/400953322/tunein
https://open.spotify.com/artist/6npLWuCuhPPntYhUFHlUKR?si=suYpKGdJQZaF8z9D3eWiSA

Musician. Mainly a drummer but i also sing, play guitar and bass.

It's a blessing to be able to create music and if someone enjoys my work, that's icing on the cake! All blessings come from God.

As a retired DOD Civil Service worker, I have time to record some. I have been recording at home sice around 1990 and some of my tracks are very old.  I‘ve had 50+ years in bands playing music of many types. I still play the club scene 3 to 4 times a month. Life is good!

I'm a Guitarist who likes to write, record and sing many styles of music. Please check out my tracks. I'm also enjoying the occasional collaborations.  Meeting some good friends on here and continuing to grow. Thank you for listening!


Es una bendición poder crear música y si alguien disfruta de mi trabajo, ¡eso es la guinda del pastel! Todas las bendiciones vienen de Dios. Como trabajador jubilado del Servicio Civil del Departamento de Defensa, tengo tiempo para registrar algunos. He estado grabando en casa durante unos 23 años y algunas de mis pistas son muy antiguas. He tenido más de 50 años en bandas tocando música de muchos tipos. Todavía juego en la escena del club de 3 a 4 veces al mes. ¡La vida es buena! Soy un guitarrista al que le gusta escribir, grabar y cantar muchos estilos de música. Por favor, echa un vistazo a mis pistas. También estoy disfrutando de las colaboraciones ocasionales. Conocer a algunos buenos amigos aquí y seguir creciendo. ¡Gracias por escuchar!

Raw blues-rock with grit, swagger, and soul. Fueled by heartbreak, rebellion, and late-night fire, Dirty Image blends acoustic roots with heavy riffs and howling leads. Each song cuts deep — from dark love tales to lone wolf anthems. Turn it up, pour something strong, and live the dirty truth.

Guitar Player, Producer now located in Çanakkale Turkey, still rocking hard...

Olja Arthur is a Czech electronic music creator with a deep passion for sound, emotion, and creative expression.

His journey with music began behind the DJ booth under the name Arthur, where he discovered a lasting connection to melody, rhythm, and the atmosphere shared between people and music. The influence of 90s sounds remains a strong inspiration — especially melodic, emotional, and groove-driven styles that carry both energy and nostalgia.

Today, his work blends modern technology with creativity. Using AI as a tool, he transforms ideas, moods, humor, and imagination into music, while also creating accompanying graphics and video content to complete the artistic vision.

His style moves across a wide spectrum — from EDM, trance, and electro-dance to cinematic, ambient, romantic, and experimental pieces. While he has clear roots in melodic music, he doesn’t limit himself and explores freely across genres, always guided by feeling rather than rules.

Nearly 600 tracks created in a short time reflect an intuitive and spontaneous approach. For him, music is not about boundaries — it is a space for freedom, creativity, and expression in all its forms.

n1F — Nice One Fail — ist ein System aus Sound-Identitäten. Statt eines einzelnen Künstlerprofils mit einem festen Stil entstehen hier mehrere „Welten" (Electronic, Rock, Urban, Voice), jede mit eigener Ästhetik, eigenen Personas und eigenem Klang. n1F ist der Rahmen, der all das zusammenhält.
Warum n1F?

Musik muss nicht in eine einzige Schublade passen. n1F ist der Versuch, unterschiedliche Klangwelten unter einem gemeinsamen Dach zu erkunden, ohne sich auf ein Genre oder eine Identität festzulegen — und dabei die Musik direkt nutzbar zu machen, statt sie hinter Rechten und Paywalls zu verstecken.

Was kannst du damit machen?

Du kannst dir die Musik anhören, sie über die verlinkten Plattformen streamen — und die veröffentlichten Titel für eigene Projekte verwenden. Details dazu gleich unten.
Lizenz: GEMA-frei & lizenzfrei

Die auf n1f.de veröffentlichte Musik ist GEMA-frei — sie ist bei der GEMA nicht angemeldet, du zahlst also keine GEMA-Gebühren, wenn du sie z. B. in Videos, Streams oder anderen Projekten verwendest.

Zusätzlich stelle ich die veröffentlichten Titel unter die Apache License 2.0. Kurz zusammengefasst bedeutet das:

    Du darfst die Musik frei nutzen, verändern und weiterverbreiten — privat wie kommerziell.
    Du musst den ursprünglichen Lizenz- und Urheberrechtshinweis beibehalten, wenn du den Titel unverändert weitergibst.
    Nimmst du Änderungen vor, musst du kenntlich machen, dass der Titel verändert wurde.
    Die Musik wird ohne Gewährleistung bereitgestellt („as is").

Das ist eine kurze, unverbindliche Zusammenfassung — maßgeblich ist der vollständige Lizenztext der Apache License 2.0. Ich bin als Urheber weiterhin Rechteinhaber der Musik; die Apache-2.0-Lizenz räumt dir ein weitreichendes Nutzungsrecht ein, ändert aber nichts an der Urheberschaft.

The brain needs daily direction to feel better.

I’m a dutch guitarist/song maker, living in Scotland. I make blues rock and  mellow rock  songs. I create guitar music for guitar lovers. My guitar plays the main role in my songs. With groovy and minimalistic play, I create authentic guitar music. No AI, mixing or recording software. No samples or electronic tricks. I play all the instruments myself  live on the tracks. Not too busy, not too crowdy. Less is more. My music is imperfect because it’s real. I have  my own signature  play and sound.

I have no paid promotion. Only organic stream growth. If you enjoy my music and want to support me , please simply like and repost it.

I am a one man band. I  use Classic '60s customised guitars (Stratocaster,Telecaster, Les Pauls, Gretsch Electromatic) , a ‘60s Precision bass, ‘50s/‘60s preamps, Alesis drum pads, Roland V Keyboard, analog mixing and a 24 track TASCAM  recorder for  an authentic vintage  ‘60s/‘70s sound.

Hi I'm Ross, and I'm a singer, musician, songwriter, and producer. Let's connect and share our creativity with one another!

"Let there be songs to fill the air..." Robert Hunter

Well, screw it!
I am bringing back all of my A.I. creations again.
One per day for now.....

New tracks tagged #blues rock