The second single from Angelo Trabace’s upcoming album, set to release in spring 2025.
Imagine a nocturnal waltz played on a Fender Rhodes, transporting you to a hypnotic and mysterious dimension. An obsessive polyrhythm of percussion and bass, intertwined with distorted electric guitars, unleashes a tribal and visceral energy. Piano, violin, and saxophone engage in free improvisation, adding depth and unpredictability. At its core, a cyclical voice expands into mantra-like harmonies, leading the listener on a unique and captivating sonic journey.

Lyrics
Abbash o’ Vratn’
Cresc’ sottaterr’
‘A radka dolc’

Credits
released January 22, 2025
Angelo Trabace: piano, fender rhodes, synthesizers, vocals
Alessandro Trabace: violin
Giuseppe Trabace: sax
Matteo Cantaluppi: electric guitar, bass, synthesizers, soundscapes, drums, sampling

Produced by Angelo Trabace & Matteo Cantaluppi
Strings arranged by Alessandro Trabace
Recorded by Matteo Cantaluppi & Pietro Bonaiti at Mono Studio, Milan
Mixed by Matteo Cantaluppi at Mono Studio, Milan
Mastered by Giovanni Versari at La Maestà
Artwork by Pietro Bonaiti (The photo depicts a work by the sculptor Vito Maiullari)

Written by Angelo Trabace

PUBLISHED BY CASSIS PUBLISHING © & ℗ Cassis Records (2024)

Abbash

Melanconie del lunedì

Le dichiarazioni in aula di ieri dei ministri Nordio e Piantedosi occupano gran parte della rassegna stampa di oggi con lanci di accuse tra maggioranza e opposizione, battute e inesattezze. 
Per Trump, il futuro di Gaza è diventare la “Riviera del Medio Oriente”. Netanyahu, al fianco del presidente USA, approva. Sempre negli Stati Uniti sarà proibito alle atlete trans di partecipare alle competizioni sportive femminili. Il presidente argentino Javier Milei segue Trump e abbandona l’Organizzazione Mondiale della Sanità. Il Partito Democratico è in grande difficoltà in Campania, tra il presidente Vincenzo De Luca alla ricerca di un terzo mandato e il tesoriere regionale Nicola Salvati agli arresti domiciliari. Lorenzo Rovagnati, amministratore delegato dell’omonima azienda produttrice di salumi, è morto in un incidente in elicottero. 

Il Milan batte la Roma a San Siro e si aggiudica la semifinale di Coppa Italia dopo aver concluso un calciomercato da "rivoluzione". 
Il tennis italiano avanza con Bellucci che si impone su Medvedev ai Master 500 di Rotterdam.

CARTACCE - Nordio e Piantedosi, Trump e Netanyahu

The Weekdy

La Fièbrve is an immersive performance that intertwines live painting, sound, and mixed reality to explore the theme of gentrification, drawing inspiration from the writings of Henri Lefebvre. The title, a wordplay between la fièvre (fever) and the philosopher’s name, reflects the feverish tension of the gentrified city— a living organism that burns and suffocates under the pressures of the capitalist system. Just as fever is the body’s response to an infection, the city reacts to its imbalances, revealing signs of distress and alienation.

This performance, curated and performed by Andrea Barbara Romita for Onirica and Dimensions DAO, takes place on February 8, 2025, during Arte Fiera Bologna 2025, Bologna ArtCity 2025, and Bologna Art Night 2025.

The sound art, composed specifically for the performance using the 3D sound databending technique, serves as a compass guiding me throughout the act, marking the passage of time and anchoring me to the present (especially in the disorienting context of wearing a VR headset). Simultaneously, it narrates the performance to the audience, unfolding like a story— a sonic narration that enhances the details and intensifies the pathos of the experience.

La Fiebrve

Kid Bona, Erikush, nove - Borgo Freestyle (prod. Klood)

Twilight barking echoes through the porticos 
As the swallows dance in group hysteria 
Maybe they can feel what’s going on in here
Everywhere beauty. Beauty by design. Beauty for its own sake.
Beauty for permanence & power.
& I’m telling myself
‘Surely beauty has its place. 
Feeling worth it. surely that’s pride without pride
& I long to deserve that dress. 
Could I ever, would it ever be seen on this badly tied bundle Imported from a colder place

Everything is fine
You know your place but where is mine 
Everything is fine, fine, fine
But not when you’re marked down by design

In the Piazza Majore stands a balladeer 
Offering with blind passion
Something I would only throw away
Such solid satisfaction
That his sentiment is worthy
But in my land his song’s just a comodity
Honey you’re selling something
It gets cheaper when you dress it up
I told you,
yes I told you I come from a colder place.

Everything is fine
You know your place but where is mine 
Everything is fine
I’m in the dirt and you’re divine 
Everything is fine, fine, fine
But not when you’re marked down by design

Every day I tell myself
‘You’re worth it girl, you’re worth it girl’ Everyday I’m throwing it away

BY DESIGN
TRACK 1 - THE ROAD TO PAYSANDU by JOANNA EDEN
RECORDED by Gerardo Alonso at his studio in Montevideo 
MIXED by Steve Stewart at Waves Studio, Cambridge
VOICE Joanna Eden 
BASS Andrés Lafone 
PIANO Hugo Fattoruso 
DRUMS Albana Barrocas 
GUITAR Guillermo Hill

If I met Joni Mitchell - and dared to speak to her (I find her simultaneously inspirational and terrifying) - I would ask her if I was right in my suspicion that she writes her lyrics first, as poems, then sets them to music.

The result is a lyric which has to be pushed and pulled by Joni, to scan. And that explains her incredible singing style to me. Exploring, surprising, ducking and diving, rushing then languishing. Liberated!
I haven’t written many poems but I wrote one as soon as I got home from Bologna. A catharsis. It didn’t feel like a song. It was too depressing, too deep. But then I remembered my hunch about Joni. I’d always started songs whilst noodling at the piano and then a lyric would pop into my head and I’d be off. Songs would decide what they were about as we went along!
Sitting at the piano though, a noodle wouldn’t come! But I’d longed to try a poem song. Maybe this one could be the first. I had the poem but would need a musical prompt. I googled ‘music written in Bologna’ and up popped Mozart’s Quaerite primum regnum Dei in D minor with it’s beautiful opening melody. Teenage Mozart’s masterpiece gave me just the prompt I needed to capture the majesty of Bologna and contrast it with the ‘car-park at the back of Sainsbury’s’ vista of my body dysmorphia.

By Design

[FREE] Detroit Type Beat - This Is What We're Trained to Do

This is my review of Lil Tony's Bodega. Located in the heart of Downtown Atlanta, Rapper Lil Tony Official wanted to bring his love of cooking to his city. These are my thoughts on this.

My Review of The Lil Tony Bodega (Hi Hat Roller Kosta)

Inner Sound Session 009

UK Singer-songwriter, mentor to Sam Smith

ran by @8clockwork
SHOUT OUT ALL MY GORE WHORES
SHOUT OUT ALL MY SLIT SLUTS
Welcome to My World!!!!!! 👹🦇🕯
- Olivia Tobias
I give really good hugs
@ozempicgang MANE SOUND CLOUD PAGE
💯We Have Been Blackballed By The Music Industry For Our Music For Many Years And Soundcloud Is The Only Way We Can Spread Our Legacy
Gang Affilitied
Send submissions for the Ozempic Gang Team & DJ Obese to Ozempicgang@gmail.com for Consideration.
Ozempic Gang (FKA Fat Gang)
Est. 2016
- DJ Obese
- Lil Root
- JakeReaperFromThe802
- Juggrich Jesus
- Deluca (RIP)
- Smookie
- Tony Yayo
- Malagwi
- Lil Blurry (honorary addition)
- BWCR
- The Cross Eyed Detransitioner
- Verbal Daddy Chub the Fetish Emcee
- E.P.E.W. (Eclectic Pagan Earth Warrior)
#RealFatShit

La webradio ufficiale dell'Università degli Studi Roma Tre. Seguici live su http://radio.uniroma3.it

in the back smoking drugs in the club

my mixes are dogshit btw, i literally do this stuff in my room

IL PRINCIPE DI SOUNDCLOUD
DETROIT TRAP BEATS 🔪🔪🔪
SEMPRE FRESCO SEMPRE AL TOP!!

Cassis is a label & publisher based in Italy

Since 2020

New tracks tagged #bologna