Boy George Karma Chameleon

A cheeky little bootleg as part of my 'RetroPhobia Project'

Boy George - Axel's Jackin Situation

Tracklist : Phi Phi // Back To The Old School  Part 14
  
1  -   Boy George  -  Jesus Love You (Generations of Love)
2  -   Murk  -  Reach For Me 
3  -   Luvspunge  -  Didn’t I Give You Dub
4  -   Mischief  -  Dirty Cash (Bootleg Remix)
5  -   Funky Green Dogs  -  Fired Up
6  -   Tony Di Bart  -  The Real Thing
7  -   Robert Owens  -  I’ll Be Your Friend
8  -   Adamski  -  Killer
9  -   Urban Soul  -  Alright
10 -  Prayer  -  Imagination
11 -  Freak Power  -  Turn On Tune In Cop Out (Pizzaman Remix)
12 -  Depeche Mode  -  Doesn’t Matter (Bootleg Remix)

Phi Phi // Back To The OldSchool Part 14

This is a cover version of "Do They Know It's Christmas (Feed The World)by Band Aid written by Bob Geldof and Midge Ure and was released in 1984. Tribute Band Aid is  made up of some of the leading tribute artists of today. The song was produced by Joe Hier of Hollywood U2 better known as Hollywood Bono and Stevie Adams (Hollywood Edge. Mixed and Mastered by Stevie Adams. Enjoy the song and to donate to the cause please visit http://www.bandaid30.com/donate  Thank you an Happy Holidays from Tribute Band Aid!

"Do They Know It's Christmas" (Feed The World) By Tribute Band Aid

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054 - Ministry Of Sound 'Dance Nation 2' mixed by Boy George - Disc 2 (1996)

Chris Isaak - Wicked Game (Boy George and Roland Faber Rework)

Boy George & Roland Faber Present Reworks 2

Boy George & Roland Faber vs Kim Carnes & Mike Vale - Bette Davis Eyes

Beatport: http://btprt.dj/2f1tgFF

@toughlovemusic

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Hold On (Radio Mix)

Buy on Beatport

Tough Love & Roger 'S-Man' Sanchez - Hold On ft. Boy George (Get Twisted Records)

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562 - The Annual II - Disc 2 mixed by Boy George (1996)

Somebody To Love Me

Mark Ronson feat Boy George - Somebody To Love Me (Congorock Remix)

Real Name : Philippe Toutlemonde

Genre : Melodic Techno

Born : 30th October 1963

Residence : Northern France

DJ CAREER
Dj Phi Phi’s career started in 1985.
One of most reputed belgium night club requested Phi Phi as resident DJ at “At The Villa” in 1987.
Following the several ascension as resident Dj at all biggest & famous nightlife in clubs such as Boccaccio Life (Destelbergen-Be) and Cirao (WaregemBe) in 1993. He was Phi Phi resident dj at Cafe d’Anvers in 1994, Tour & Taxi (1996), Fuse, Oxygene, Pulp (2001) & Barocco.
Known all over Belgium for his “Phi Phi Legendary Monday’s” at Extreme (Affligem, Brussels) between 1994 and 2002.
He has been played at worldwide Clubs & Festivals as Tomorrowland, Legacy Festival, WMC, Nikki Beach (Miami), Privilege (Ibiza), Noxx (Anvers), Fuse (Brussel), Pulse Factory with headliners such as Paul Van Dyk, John Digweed, Sasha, Oliver Lieb (LSG), Laurent Garnier & Danny Howells..

PRODUCER CAREER
Debut music producing started in completely french collaboration with Philippe Van Mullem in 1989 with, inter alia, UNA (Emotion, Can you hear me..), HONEY C (Stop the disease, Desire..), INNERTALES (Odysee, Voices Of Sirens..), QUADRAN (Eternaly, Free your mind..) and following the Quadran Debut Album “VOYAGE” which is kick-started movements of melodic & uplifting trance.

In 1995, Phi-Phi and French Dj-Producer Gregory Dewindt debut massive revelation “PHI PHI & GREG D – Jesus Trip” (X-Stream / DIKI Records) which has definitely burned the nightlife and got lot of influences, the most famous tune in belgian DJ scene and still a legendary track today, then this greatest seller announced the following amazing Duo classic & popular release “L’Odysee Of Love” & “Contact” on Bonzaï Trance Progressive.

Label brand Mackenzie Recordings founded by Stef Garner & Patrick Fasseau trusts to Phi Phi whose both tracks “Magma” & “Jungles Trip” cames out in 2003.
Then Stef Garner and Phi Phi, under the nick name “DB Movement”, released the house track “Funk Shaker” (WORK Records) in 2005 and both tracks “Rotation” & Evidence” (LCD Recordings) in 2013.

Phi Phi & Airwaves started kind of very british progressive sounds inspired of Bedrock style. Influenced so far by Sasha & John Digweed, their tracks such as “Back on track”, “Breeze on the nile”, “The Horn”, “Vanilla” & “Finesse” signed on BONZAI PROGRESSIVE get on top in best seller Beatport and Itunes in 2013.

2014 saw the new collaboration with Label founder IFONIKA RECORDINGS and friend, Roddy Reynaert. Their First E.P “Platinum” & “Neurotrope” has been released on special “Underground Series” on Roddy ‘s Label IFONIKA.

From 2015 to 2017, “Atlan”, “Believe”, “Mayhem” “Circulation” “Haarp” “Aokighara” “Tempora” “Cirao” + Remix were released with Roddy on BONZAI PROGRESSIVE rec.
“Tour & Taxi” “Corossol” and a remix of G-Brown “This is who we are” on SUFFUSED Rec

Plus alone projects : “Alone” “Hiccup” “Esteem” “Breaking Danger”
and compilation PHI PHI In The Mix 004 on BONZAI PROGRESSIVE.

2019 saw the new collaboration with Manu Riga and the release on BONZAI PROGRESSIVE of “Moon Dust” Those Who Left Us” and “Voyage a Goa” “Larmes Dans La Pluie” …

For now he has got several new projects in the pipeline and has his monthly podcast program ‘Mouvement Perpetuel’ that has become a regular club concept in 2019!
In 2020 Phi-Phi celebrates his 35 years as being a dj and producer with a club, event and festival tour!

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
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Hey, Gareth here, I'm a graphic designer who start designing for clubs, parties, and labels in the late 90s. Back then, mix CDs were the holy grail of both design and music. I loved them.

But I wasn't the only one, mix cds were the soundtracks of our nights, our days, our afterparties and lives, for everyone. Yet in today's internet age, the art form has been lost (or just changed) to 2-3 hour online mixes and streaming videos, which just don't create the same magic your CD collection did. Just 60 minutes of music and incredible artwork.

The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

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Also, we try to help you find and buy them again by sharing Discogs links on all featured CDs and or direct links to labels where possible.

* We fully support labels and artists. If any disc creates a copyrighting issue let me know and it will be immediately removed. 

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About Gareth:
Digital creative type, gamer, music lover and occasional DJ. Currently living between Dubai & Seoul after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @asapgareth on Instagram. Or you can check our my design work at www.acid.works

Hollywood U2 - U2 Tribute Band, based in Los Angeles, (Joe Hier : Vocals, Stevie Adams: Guitar) Pays tribute to the over 45 years of music and the iconic tours of U2's career.  Hollywood U2  performs Nationally and Internationally. To book visit www.hollywoodu2.com

From underground phenomenon to emerging star of the world’s biggest dance floors: the hottest fresh face of international dance music hails from Italy: Congorock.

In only two years, with the single Babylon, the remix of Somebody to Love (Boy George/Mark Ronson), and One (Swedish House Mafia), Rocco Rampino has earned the respect of the most famous names in the game, like David Guetta at the legendary Cocoricò of Riccione where he recently shared the console. The Leccese’s powerful electro-house sound and his tropical deejay sets have gained the support from Afrojack to Diplo, from Tiësto to Benny Benassi, from Martin Solveig to Duck Sauce and the Crookers. They’re all expectantly awaiting spring 2013 for his debut album to drop on Ultra Records.

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