The Fevers - Hey Girl
By Niskens
-------------
PAROLES - LETRAS - LYRICS :

Hey girl, que vou fazer
Não sei viver longe de você
Sem seu amor eu não sou ninguém

Você se foi
Nem disse adeus
Eu já não sei
Onde procurar

Hey girl, preste atenção
Porque se não vai se arrepender

Um outro amor eu vou encontrar
Pode esquecer
Que um dia eu te amei
E por amar 
quanto eu chorei

Não leve a mal se falo assim
É que não sou
Quem você pensou

Mas se você voltar pra mim
Eu te prometo amor
Tudo esquecer

La, la, la, la, la, ou, uo
La, la, la, tudo esquecer
La, la, la, la, la, ou, uo
La, la, la, tudo esquecer
La, la, la, la, la
La, la, la, tudo esquecer
La, la, la, la, la, ou, uo
La, la, la, tudo esquecer
Oh, oh
La, la, la, la, la, ou, uo
La, la, la, tudo esquecer
La, la, la, la, la

Paroliers : Michelle Gilliam / John Edmund Andrew Phillips
© American Broadcasting Music, Inc.

The Fevers - Hey Girl, By Niskens

WLzk, SLIT - ELA JOGA NA MINHA CARA dfato

Ela Joga Vem Virada

TAXWELL - ELA JOGA SEM VIRADA (W/ MC POGBA)

LuAnne Rowsam stopped in to chat with Holly about a worthy fundraiser that she’s a part of. “Every Beauty Deserves a Bra” is happening NOW through August 23 at A Slice of Beautiful gift shop, located at 5 Public Square in Watertown (next to Vito’s Gourmet). Their goal is to collect 100 new or gently used bras for the homeless population. This effort is in conjunction with the charity I Support the Girls (ISTG). Over the past 7 years, ISTG has collected and distributed more than 21.2 million bras and hygiene products to over 4,200 social service organizations. Bras collected at the store will go to the Watertown Urban Mission for distribution to local women in need. A Slice of Beautiful will be open Monday- Saturday from 10- 4. Stop in by August 23 to help out and make a difference!

LuAnne Rowsam: Every Beauty Deserves a Bra!

Prod :  Dexter Yu

Rec/Mix : Caillou

Master: Funko

N'DOR <3

RIP MAXWELL

K.B.J

Sem Mais Jorrada

Ne-Yo disse que está cansado de canções de amor, mas não de Jersey Song.

NE-YO SO SICK JERSEY CLUB / FULLPEUF

The Germanic Walk

Banm Le Bras - Marc Rebel (Album2024)

"Jacuzzi" é uma faixa envolvente do artista Tozen, produzida por TozenBEATS e que fará parte do álbum "Ritmo, Amor & Poesia V2". A música combina elementos de hip-hop e R&B, criando uma atmosfera relaxante e sensual. As letras falam sobre momentos de descontração e conexão, utilizando a metáfora do jacuzzi para representar um espaço de intimidade e prazer. Com batidas suaves e melodias cativantes, "Jacuzzi" captura a essência do amor e da poesia, refletindo a busca por momentos especiais e a celebração das relações. É uma faixa que promete ressoar com quem aprecia um som contemporâneo e sofisticado.

Pelados na Jacuzzi

PELADOS NA JACUZZI (Prod.TozenBEATS)

Bu şarkıdaki tüm beste, söz ve düzenlemeler bana aittir. Şarkı, Suno.AI teknolojisi kullanılarak seslendirilmiştir. Tüm telif hakları saklıdır. İzinsiz kullanım, paylaşım veya çoğaltma durumunda yasal işlem başlatılacaktır. Şarkının veya sözlerin izinsiz kullanımı halinde gerekli adımlar atılacaktır. Lütfen emeğe ve yaratıcı sürece saygı gösterin.

Crimsonland Album

Suno 3,5 Agarta V2 (RansanTv Official Rock Version)

show notes:

gespielte Lieder:
The Smashing Pumpkins: Tarantula
Trent Reznor & Atticus Ross: Immigrant Song (feat. Karen O.) [originally recorded by Led Zeppelin]
Jim James, Elvis Costello, Marcus Mumford, Taylor Goldsmith & Rhiannon Giddens: Kansas City (feat. Johnny Depp)
Joni Mitchell: This Flight Tonight
IST IST: You're Mine
Joan Baez: Diamonds And Rust
The Dø: Keep Your Lips Sealed
Heart: Barracuda
Mastodon: Oblivion
Brass Buebe: Gimme! Gimme! Gimme! (A Man After Midnight) [originally recorded by ABBA]
Muse: Knights Of Cydonia
Black Sabbath: Heaven And Hell

mehr über den Heavy Metal Gallopp "eine Achtelnote, gefolgt von zwei Sechzehntel"
https://en.wikipedia.org/wiki/Heavy_metal_gallop

Zu den Abstracts des JOINT ANNUAL MEETING in Denver vom 9.-12. November 2023 der American Musicological Society (AMS) und der Society For Music Theory (SMT). https://cdn.ymaws.com/ams-net.site-ym.com/resource/resmgr/files/2023_annual_meeting/2023_abstracts.pdf u.a. spannend: Isaac Johnson: Galloping through Proto-Metal with Ritchie Blackmore, John Paul Jones, and Nancy Wilson": Black Sabbath are universally recognized as godfathers of heavy metal; Led Zeppelin and Deep Purple, however, provoke disputes. Musicologists such as Robert Walser and Susan Fast, sociologist Deena Weinstein, and other scholars and critics held Led Zeppelin and, to a lesser extent, Deep Purple as pioneers of metal almost as much as Black Sabbath. However, recent scholarship, reflecting metal's strong divergence from hard rock since the 1980's, has upheld Black Sabbath as the only progenitor of authentic heavy metal. Andrew Cope in Black Sabbath and the Rise of Heavy Metal Music (2016) even claims that Led Zeppelin had no influence on heavy metal, and that they operated within and inspired a hard rock idiom alone. Cope retroactively applies post-thrash developments in metal to a select part of Sabbath's discography while selectively analyzing mostly early Zeppelin tracks to label them as blues-based. This perpetuates a heavy metal/hard rock dichotomy that only became evident to musicians and critics in the late 1980s and ignores the fluidity and mutual exchange between hard rock and heavy metal in the 1970s. Using timbre-analysis tools developed by Cornelia Fales and Ciro Scotto, in this paper I trace the "heavy metal gallop"—a fast, repeated rhythm of one eighth note followed by two sixteenth notes in rapid succession—through its first fiery iterations in Ritchie Blackmore's Deep Purple guitar tracks on "Hard Lovin' Man" (1970), "Fireball" (1971) and "Highway Star" (1972), in a primitive form in John Paul Jones's thunderous bass on Led Zeppelin's "Whole Lotta Love" (1969) and "Immigrant Song" (1970) to its hitherto most realized form in "Achilles Last Stand" (1976). Jones's gallop was adopted by Nancy Wilson on the most famous galloping track of all-Heart's "Barracuda" (1977)-and along with the enveloping bass timbre of Zeppelin's "Nobody's Fault but Mine" (1976), Jones's influence is evident in the rhythm sections of countless metal albums from 1976 through early thrash, including the work of Iron Maiden, Judas Priest, Metallica, and Slayer. Though Zeppelin and Deep Purple were not "heavy metal bands," a close examination of one stylistic element shows their undeniable influence on the genre.

Zum Podcast One Song auf Sirius XM
Episode über Hearts Baracuda https://open.spotify.com/episode/04CeOqfmMqj1LuKiiCDTbN?si=8BnDdQRxRNiIt23mfKiGDg
Episode über Abbas Gimme Gimme Gimme https://open.spotify.com/episode/6P2EtMjavbq655zE8RCkQl?si=SljLA5_8QqCrQrkrILN56A

Daily Dougs Analyse von Mastodons Oblivion https://youtu.be/s4G7x6kvcbg?si=D4nFvHNo8drYhrrV

Mehr über die Brass Buebe https://www.brassbuebe.de/band/

Plättele No 41: Galoppierende Lieder

+1.000.000 Streams 📈
forged for forging.

🎶🎵 WELCOME TO MY DMCMUSIC CATALOG 🎶🎵
-
📧for license inquiries: sync(at)dmcmusicpublishing.com 🎵🎶

Bruxelles/Fortaleza 

N'dor🩸  

Joga Bonito

La soucoupance 🛸

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--------
un jour je partirai,
au-delà des mers,
au-delà des saisons,
au delà du coeur,
de ses mortifères raisons.

les souvenirs resteront,
avec eux, ce qu'il y de plus beau,
ce qu'il y a de plus fou,
ce qu'il y a de plus triste...

ne pleurez pas.
soyez joyeux, 
soyez heureux,

après tout, 
l'amour est là,

c'est le principal...
----------
Peace & Love for All
--------

TOZEN ORIGINAL 
Desde sempre!!!
.
Compositor / Beatmaker
Paraíbano
Residente de Rio das ostras.
Originalidade é nosso ponto forte
Fazendo musica desde 2006
Nada aqui cópia, tudo se cria..
Ritmo, Amor e Poesia.

New tracks tagged #bras