The arrangement features epic breakdowns with orchestral stabs and rolling basslines that cascade through multiple key changes, building to euphoric hands-in-the-air moments with massive synth leads and tribal kick patterns.

Gravity

Praise and Worship

Pain you can’t spit out. Splinters in My Teeth is about choking on words that cut both ways, and finding catharsis in screaming them until they finally lose their edge.

Splinters in my Teeth

Inner Demons

Bliss(Instrumental)

Twenty-Four Seven

Heartless

Intro

So many deaths
Cold murders and
People trying their best
To survive
To live
In a hell full of gunfire and grief

Starvation
Its all out on the streets
Parents in camps that are struggling to feed
Their children who are beat (by pigs)

Salvation
Something they seek
They wont find it and die the next week
By filthy bastards who prey on the weak

Who are fueled by a false promise of land
Theyre fueled by a false promise of land

So many deaths
Cold murders and
People trying their best
To survive
To live
In a hell full of gunfire and grief

Salvation
Something they seek
They wont find it and die the next week
By filthy bastards who prey on the weak
A peace worldwide is something we all need.

Frontlines (Retrospect Pt.3)

Wretch
P**ies, Pegging, And Pepper Spray
POTATO PICKIN POWER SLAM

P**ies, Pegging, And Pepper Spray/POTATO PICKIN POWER SLAM

Wretch 
Multi Instrumental musician primarily Metal

Lazriel Fontaine is a critically acclaimed composer and avant-garde designer whose haunting symphonies and biomimetic architectural installations have captivated audiences across three continents. Born in Montreal to a family of classical musicians, Fontaine's early works blended traditional orchestration with found sounds recorded in urban environments, leading to his breakthrough piece "Concrete Lullabies" which premiered at the Venice Biennale in 2019. His design practice focuses on creating spaces that respond to human movement and emotion, with his most famous work being the shape-shifting pavilion at the Museum of Contemporary Art in Los Angeles.
However, Fontaine's artistic pursuits took an unexpected turn in 2021 when he became convinced that world governments are controlled by an ancient race of reptilian beings disguised as humans. This belief, which he claims was revealed to him through "frequency patterns" hidden in classical compositions, has increasingly influenced his work. His recent symphony "Scales of Truth" allegedly contains subliminal messages designed to "awaken" listeners to the reptilian conspiracy, while his latest architectural project—a bunker-like concert hall in Nevada—features walls embedded with crystals that he insists can detect "non-human energy signatures." Despite his growing reputation as an eccentric, Fontaine's technical brilliance remains undeniable, even as critics debate whether his conspiracy theories represent artistic commentary or genuine delusion.

Midwest metal/punk/hardcore forged in Youngstown, OH. 

New song "Diamonds and Ashes" out now.
EP coming soon.

Metalcore/Hardcore solo artist from Bulgaria
17y/o with guitar(s)


https://soundcloud.com/krome2thejungle - second account/lighter shit

instagram.com/tunsaree
instagram.com/krome.102
instagram.com/krome.explores

Glass Harbor is an emo/post-hardcore project built on raw emotion, jagged guitars, and late-night confessions shouted into empty rooms. Blending soaring choruses with throat-shredding screams, the songs sit in that space between desperation and catharsis — gritty, imperfect, and painfully honest. Influenced by the urgency of Underoath and the chaos of Hot Mulligan, Glass Harbor tells stories of fractured friendships, sleepless drives, and the ghosts we can’t outrun.

New tracks tagged #breakdowns