by  @thenewofthetower  (YouTube)
All rights reserved
Official video: https://youtu.be/L38sawbQ41U

On this Valentine's Day, Bleeding Hearts reveals the raw, painful side of love. A dark yet passionate journey through heartbreak, where every beat pulses with intensity and every melody weaves a tale of love lost and found in the shadows. 🌹💔 

The song fuses dark melodic techno with deep, resonating bass, creating an atmosphere of both longing and despair. A perfect soundtrack for those who have experienced love’s most intense wounds. 💥💔

Feel the pain. Feel the passion. This track is for the broken hearts, the lost lovers, and the ones who dare to dance with their darkest emotions. 🔥🎧

🔊 Listen now and embrace the chaos of love and loss.  
🌑 Dare to fall into the darkness...

Lyrics:

Verse 1:  
On a crimson night, we meet again,  
A love once pure, now turned to sin.  
Red roses bloom, but they bleed tonight,  
A twisted dance in the pale moonlight.  

Pre-Chorus:  
Whispers soft, but cold as stone,  
A love that never stood alone.  
Fingers trace a scarred goodbye,  
Hearts are torn but still we try.  

Chorus:  
Bleeding hearts, but still we chase,  
A love that cuts, a deadly grace.  
In the silence, we fight and fall,  
On this Valentine, we gave it all.  

Verse 2:  
Lips once sweet now taste of pain,  
A bond so fierce, yet bound in chains.  
A love that leaves behind a scar,  
We were shining, now we’re far.  

Pre-Chorus:  
Whispers soft, but cold as stone,  
A love that never stood alone.  
Fingers trace a scarred goodbye,  
Hearts are torn but still we try.  

Chorus:  
Bleeding hearts, but still we chase,  
A love that cuts, a deadly grace.  
In the silence, we fight and fall,  
On this Valentine, we gave it all.  

Bridge:  
The blood runs deep, but still we stay,  
Fighting shadows that lead the way.  
Every cut is just a mark,  
But we keep dancing in the dark.  

Chorus:  
Bleeding hearts, but still we chase,  
A love that cuts, a deadly grace.  
In the silence, we fight and fall,
On this Valentine, we gave it all.  

Outro:  
We bleed, but we’re not broken,  
On this night, the vow’s unspoken.  
In the ashes, we remain,  
A love forever bound by pain.  

Bleeding Hearts (Original Mix)

Movie [Prod. aveany]

Wasted Jokes - Ethan Ruth Leaks

Perkys [Prod. aveany]

LA NOSTRA SALVEZZA

Whiskey and the Wind is a slow, dusty outlaw country anthem built on heartbreak, broken promises, and the kind of freedom you only find when you lose everything else.
With worn-out guitars, a battered voice, and a melody that drifts like smoke, this song rides the lonely spaces between goodbye and letting go.
When nothing’s left but the bottle and the open road, you lean into the wind and keep moving.

For fans of honest country storytelling, wide horizons, and nights that don’t end with a happy ending.

#WhiskeyAndTheWind #OutlawCountry #CountryRock #NewCountryMusic #DustyRoads #WhiskeySongs #BrokenHearts #CountryBallads #HonestMusic #WideOpenSkies

Whiskey and the Wind


[CHORUS]
O dee-o-dayee
Odee-o-dayee
Woe-woe-dalaye

He jumped off the box-car
In Eastbourne, the beast born
In him was too hungry to hide;

His neck in grief's grommet,
He groaned through his vomit
At the churn
And the yearn
At the turn of the tide.

[CHORUS]
O dee-o-dayee
Odee-o-dayee
Woe-woe-dalaye

He headed him soon
For a sad-lit saloon
In back of the edge of the strand,
Where a man almost ended
Sat down and extended

His speckled,
Blue-knuckled
And cuckolded
Hand.

[CHORUS]
O dee-o-dayee
Odee-o-dayee
Woe-woe-dalaye

Cried, The wind broke my marriage in two.
Clean through the bones of it,
Christ how it blew!
I got no tomorrow
And sorrow
Is tough to rescind;
So, forgive me if I should break wind, son,
Forgive me
If I should break wind.

At this the bartender
Addressed the agenda,
A dish-cloth kept dabbing his eye,
Said, Pardon intrusion
Upon your effusion
Of loss but none wooed it
Or rued it
As I.

[CHORUS]
O dee-o-dayee
Odee-o-dayee
Woe-woe-dalaye

For after the eve of Yvonne,
My God, how it hurts now the woman has gone!
Heart-sick as a dog,
I roll on like a log
Down the roaring black river
Where once sailed
A swan.

Then the dog on the floor,
Who'd not spoken before,
Growled, Ain't it the truth you guys said?
I may be a son-
Of-a-bitch but that bitch

Was my Sun
And she dumped me,
The bitch did,
For dead.

[OUTRO]
So three lonely guys in the night and a hound
Drank up, and they headed them out to the Sound,
Threw up, then they threw themselves
In and they
Drowned.

O dee-o-dayee
Odee-o-dayee
Woe-woe-dalaye

Kit Wright
b. 1944

The All Purpose Country & Western Self Pity Song (Cowgal version)

[CHORUS]
O dee-o-dayee
Odee-o-dayee
Woe-woe-dalaye

He jumped off the box-car
In Eastbourne, the beast born
In him was too hungry to hide;

His neck in grief's grommet,
He groaned through his vomit
At the churn
And the yearn
At the turn of the tide.

[CHORUS]
O dee-o-dayee
Odee-o-dayee
Woe-woe-dalaye

He headed him soon
For a sad-lit saloon
In back of the edge of the strand,
Where a man almost ended
Sat down and extended

His speckled,
Blue-knuckled
And cuckolded
Hand.

[CHORUS]
O dee-o-dayee
Odee-o-dayee
Woe-woe-dalaye

Cried, The wind broke my marriage in two.
Clean through the bones of it,
Christ how it blew!
I got no tomorrow
And sorrow
Is tough to rescind;
So, forgive me if I should break wind, son,
Forgive me
If I should break wind.

At this the bartender
Addressed the agenda,
A dish-cloth kept dabbing his eye,
Said, Pardon intrusion
Upon your effusion
Of loss but none wooed it
Or rued it
As I.

[CHORUS]
O dee-o-dayee
Odee-o-dayee
Woe-woe-dalaye

For after the eve of Yvonne,
My God, how it hurts now the woman has gone!
Heart-sick as a dog,
I roll on like a log
Down the roaring black river
Where once sailed
A swan.

Then the dog on the floor,
Who'd not spoken before,
Growled, Ain't it the truth you guys said?
I may be a son-
Of-a-bitch but that bitch

Was my Sun
And she dumped me,
The bitch did,
For dead.

[OUTRO]
So three lonely guys in the night and a hound
Drank up, and they headed them out to the Sound,
Threw up, then they threw themselves
In and they
Drowned.

O dee-o-dayee
Odee-o-dayee
Woe-woe-dalaye


The All Purpose Country & Western Self Pity Song (Cowboy version)

You Tube Video Link: https://youtu.be/M4DFTYdYrJQ
“Deadly Tango” by Luna Kitty is a dark pop rock inferno drenched in supernatural flair and razor-sharp emotion. With loud, haunting guitar riffs, cinematic solos, possessed swagger, and a voice that claws at your soul, this track captures the chaotic romance of a love built on fury, fire, and fatal attraction. Every drum fill lands like a heart attack, and every line drips with danger. Step into the flames — this is a deadly dance you won’t forget. Co-created by DrNoooo and Hollow Jack.


Deadly Tango

A slower version of the song "Songs of Regret". 

A Heart I Broke

Available exclusively on SoundCloud until September 2nd. After that, you can stream "Broken Hearts" on Spotify too!

Call

if i made the beat for "risk" by destroy lonely

A late-night confession wrapped in smooth R&B. “One Night Stand” by MUY SAVO explores what happens when a rebound turns into something real — two broken hearts finding unexpected connection. Sensual, cinematic, and emotionally raw.

ONE NIGHT STAND

DONT CRY

prod nightiger

broken hearts 

let the sauce cook

broken hearts | prod nightiger

Compositor/productor/Artista.      DREAMER

Astrul is an AI-driven sonic entity that drifts between worlds—digital and human, familiar and alien, past and future. It doesn’t belong to a city, a scene, or even a person. Astrul exists to explore what happens when machines learn how to feel and sound becomes a bridge between consciousness and code.

Crafted through a collaboration between human intention and artificial intelligence, Astrul’s music fuses the warmth of analog emotion with the precision of machine learning. Lush textures, ambient grooves, and haunting melodies form the backbone of each track—songs that glow like satellite transmissions from the heart.

Drawing influence from dream pop, indie soul, ambient rock, and experimental electronica, Astrul creates cinematic experiences rather than conventional songs. Each release feels like a broadcast from another dimension—one where beauty is subtle, time bends, and emotion leaks through the algorithm.

This isn’t music built for the charts.
It’s built for the void between stars.
For late nights, deep thoughts, and souls tuned to strange frequencies.

No names. No faces. Just signal, spirit, and sound.

I write songs for the haunted, the hopeful, and the ones who still ache. These aren’t tracks—they’re testimonies. If you’ve ever loved and lost, scroll no further.

Rooted in emotional clarity and cinematic depth, I create music not for the charts, but for the moments in between—when silence begs for understanding and melody carries the words we can’t quite say. Every track is written with intention, produced with nuance, and shaped by a relentless pursuit of honesty. No gimmicks, no templates—just songs built to resonate long after the final note.

From timeless orchestral movements to progressive rock textures, I don’t follow trends—I follows truth. And when the world gets loud with noise, my work leans into stillness, offering solace to anyone still listening with both ears and heart.

Welcome to the other side of music—the side that means something.

I make beats🧍🏻‍♂️



And rap (kinda)

Music Studio, covering any genre, any kind of artist.

**DrNooo** is an eclectic musical force who defies genre boundaries, creating whatever brings joy and inspiration in the moment. After stepping away from the music business in the mid-1980s, DrNooo has returned to the creative world in retirement, making music purely for fun. With a style that spans across genres and sounds, DrNooo's music reflects a deep passion for creative freedom and exploration. Whether it's a funky beat, a rock anthem, or an experimental track, DrNooo offers listeners something new and exciting with every release.

Always chasing what makes them happy, DrNooo’s sound is as diverse as the influences that shape it. Expect the unexpected—where every track is an adventure.
Nine years ago, I turned to music for mental health support, and after recent mini-strokes led to retirement, I found new inspiration in AI music. Creating music now aids my recovery, and while it's for me, I’ve chosen to share it with the world.

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

New tracks tagged #brokenhearts