DJ IMPOSSIBLE é um nome a fixar, grande produtor e beatmaker da nova geração em Angola, reside em Luanda. Ja produziu para vários Músicos Angolanos, Moçambicanos e não só. Actualmente esta produzir o com Yarah, Puny, Alton Ventura e CoolStation. 

Produção & Estilos: Kizomba, Cabo-Zouk, Hip-Hop, Afro-Music e Candy Zouk.

@2013

Beats 4 By IMPOSSIBLE BEATZ

For many people, 90's was one of the best era for music production.
It's also true for Cap Verdian music ! 

For this first volume, i dig fresh records in my personal kitchen.
Cooked like a Granma's recipe, with love and affection.

Track ID on demand.
Like, share, comment and play it as much as you want.

I don't own the rights, i bought records and used it for good vibes and knowledge.
No MP3, no illegal downloading !

Mexe World

Cozinha Do Mexe - Cabo Verde 90's vol. 1

Here is the second volume of Cabo Verde 90's. The recipe is the same with a bit more of energy.
If last one was a starter, here i cooked a main dish !
Listen it carefully before the next portion ;)

Track ID on demand.
Like, share, comment and play it as much as you want.

I don't own the rights, i bought records and used it for good vibes and knowledge.
No MP3, no illegal downloading !

Mexe World

Cozinha Do Mexe - Cabo Verde 90's vol. 2

Here is my second receipe of Angolan spices !
Just a fast food cooking today for the angolan independance day (11/11) !!

As i said many time, 90's is one of my favourite era for music. I still focus on good tracks carefully curated from Granma's kitchen ;)

Track ID on demand.
Like, share, comment and play it as much as you want.

I don't own the rights, i bought records and used it for good vibes and knowledge.
No MP3, no illegal downloading !

Mexe World

Cozinha Do Mexe - Angola 90's vol 2

Of all contemporary Cape Verdeans, Cesaria Evora, "the Queen of the Morna" made the biggest impression internationally. However the first Cape Verdean to grace the American imagination was the harpooner Dagoo in Herman Melville's Moby Dick (1851). Cape Verdeans first arrived in United States as whalers in the late 1700's and have been coming ever since, bringing a distinctive Portuguese-African Kriolu flavor to communities across Southern New England and beyond. We'll take a step back in time and look at the rich cultural life of Cape Verdean neighborhoods, where great bands played mornas and coladeiras at local social clubs.  Our principle guide for this program will be historian Marilyn Halter, author of “Between Race and Ethnicity: Cape Verdean American Immigrants, 1860-1965.” She'll take us through the years as the Cape Verdean community navigated the turbulent waters of opportunity and identity in America long before the age of American multiculturalism. Then we'll jump ahead and explore current trends from the far-flung Diaspora's thriving music scene, ranging from hip-busting funaná to sleek cabo-zouk. All along, we'll be hearing from Cape Verdean-American musicians, from old-time guitar master Freddy Silva to rapper Mo Green, as they reflect on immigration, nostalgia, heritage, and what it means to be Cape Verdean in the United States.

Produced by Marlon Bishop
APWW #571

Black History Month: Kriolu in New England, The Cape Verdean-American Story

MDC - Kizomba Live Mix

Arms Deal, Central Africa

 Apa wa lila omona ka yuk u momenapo. 
(The full consequences of a deed are not reaped all at once) 
                                                                                 Umbundu proverb

The first sign of its approach is a thin drone that climbs 
Above the hum of insects in the tall grass.  After awhile 
It appears.  A stubby “T” hanging against the clouds 
Followed by a wispy black tail of burnt kerosene.  It 
Resolves itself into a bulky white aircraft that some call 
The “Whale.”  Even from a distance it looks dirty.  Worse 
As it comes in low with roaring engines to chase the 
Cattle off the cracked runway.  A turn and a last look 
For rocks or logs.  Satisfied, the monster lands and rolls up 
To the group of soldiers waiting by the roofless hangar. 
In front stands an officer who is ice behind his mirrored 
Sunglasses.  The plane rolls to a stop and the engines wind 
Down.  
                                                * 
A ramp drops and the pilot and loadmaster walk out of the 
Gloomy hold and into the sunlight.  With a nod from 
The officer, soldiers tramp into the plane and begin off-loading 
Long green boxes onto the tarmac.  The officer, the pilot, and 
the loadmaster scan the manifest and count boxes with dancing 
Pens.  While the plane’s crew rest in the emptying hold, 
Sunglasses points to a box and soldiers use a crowbar to 
Rip off the lid with a shriek.  Guns lie in perfect rows. 
The finger points again and another box reveals bullets.  
Another, grenades. 
                                                * 
Sunglasses nods.  A dirty suit staggers out into the furnace heat.  
From behind his medals, Sunglasses pulls out a small sack.  
Dirty Suit grabs it greedily and wedges a jeweler’s loupe into 
His eye. A small stone emerges from the bag.  He holds it up.  
Down.  Close.  Another stone comes out.  Then a third.  
The pilot sweats.  Sunglasses remains ice.  Dirty Suit finally 
Looks up and smiles.  The pilot sighs and holds out his hand.  
Sunglasses salutes and walks off.  The pilot spits on the sizzling 
Tarmac and signals the crew.  The cargo ramp closes as the trucks 
Roar off.  The aircraft’s engines spool up.  Power builds as throttles 
Open.  In minutes, the plane climbs into the innocent clouds.  The 
Cows wander back across the tarmac to the beckoning shade trees, 
Grasshoppers sing, and another revolution begins.

Andreas Morgner

Rainy Season  - 19:08:2016

A song dedicated to August 23rd - International Day for the Remembrance of the Slave Trade and its Abolition.

AREIA

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Genesis

Ivander Peps -Metade D Mi Z-BeatZ Pro Cabo-Zouk

The only one (Nha unico)

If you love Zouk, Afro-Beat, Kizomba, Taraxa, Cabo-House
Follow  My YouTube Page for new Music and Videos
https://www.youtube.com/channel/UCckET2CQjE8Yd8inWZVmUsg

DJ To’ Costa was born in Luanda, Angola and developed his taste for music and dance at an early age. His first influence of music came from his grandmother, who used to play the “Batuke” in one of the biggest carnival groups in Angola. His second influence came from listening to his mother’s records and her favourite singer Roberta Miranda from Brazil as well as listening to UB40 and Bob Marley and the Wailers. 

His interest in becoming a DJ arose when he used to frequent the local matinee and he fell in love with mixing beats. However, this interest was not to surface properly until he left for Lisbon and visited the best Afro club there, Kandando and heard the unique DJ Joao Reis. From that moment on he knew he would be a DJ. He collected a vast number of vinyl, CD’s and tapes, increasing his knowledge of Afro as well as European beats. 

His first opportunity at DJing came in London at a club named Sabura, which was run by the famous DJ Gerson Marino. From then on things snowballed. During his 16 years career as a DJ he played in various clubs in London varying from the best Afro-Luso clubs in the UK to mainstream clubs in central London.

Throughout his career he also participated in some music production, collaborated with DJ Joka Moreno as well as co-wrote some music. 

His aim is to take Kizomba to the mainstream dance scene worldwide. 

Afropop Worldwide is an internationally syndicated weekly radio series, online guide to African and world music, and an international music archive, that has introduced American listeners to the music cultures of Africa, Latin America and the Caribbean since 1988. Our radio program is hosted by Georges Collinet from Cameroon, the radio series is distributed by Public Radio International to 110 stations in the U.S., via XM satellite radio, in Africa via and Europe via Radio Multikulti. 

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