In this first movement that fuses the epic with impressionistic music, it is about reflecting a journey through the landscapes that accompanied that mythical place, through forest and mountains, until reaching a complete vision of the castle. In this movement the Camelot Theme appears for the first time, which is repeated as a leitmotif in other movements. 

En aquest primer moviment que fusiona l'èpica amb la música impressionista, es tracta de reflectir un viatge pels paisatges que acompanyaven aquell lloc mític, a través de  boscos i muntanyes, fins a assolir una visió completa del castell. En aquest moviment apareix per primer cop el tema de Camelot, que es repeteix com a leitmotiv en altres moviments. 

En este primer movimiento que fusiona la épica con la música impresionista, se trata de reflejar un recorrido por los paisajes que acompañaron aquel lugar mítico, a través de bosques y montañas, hasta llegar a una visión completa del castillo, desde una distancia que lo permita. En este movimiento aparece por primera vez el tema de Camelot, que se repite a modo de leitmotiv en otros movimientos.

Camelot Ouverture

Whether Lancelot's love for Guinevere was reciprocated or not, if a love encounter had occurred, this movement could reflect all the initial tenderness and loving passion until reaching a climax that clouded the lovers' senses.

Ja sigui que l'amor de Lancelot per Ginebra fos correspost o no, si s'hagués produït una trobada amorosa, aquest moviment podria reflectir tota la tendresa inicial i la passió amorosa fins a arribar a un climax que va embriagar els amants.

Ya sea que el amor de Lancelot por Ginebra fuera correspondido o no, si se hubiera producido un encuentro amoroso, este movimiento podría reflejar toda la ternura inicial y la pasión amorosa hasta llegar a un climax que embriagó a los amantes.

Guinevere and Lancelot (Love Scene)

This final movement takes up the main theme of the suite, the leitmotif of Camelot, develops it and incorporates a new triumphal theme, until reaching the final apotheosis.

Aquest moviment final recull el tema principal de la suite, el leitmotiv de Camelot, el desenvolupa i incorpora un nou tema triomfal fins arribar a l'apoteosi final.

Este movimiento final recoge el tema principal de la suite, el leitmotiv de Camelot, lo desarrolla e incorpora un nuevo tema triunfal, hasta llegar a la apoteosis final.

Camelot Finale

Already in his castle of Camelot, Arthur surrounds himself with brave and honest knights. Lancelot, Perceval, Gawain and others. During 12 years of peace, Arthur's knights fought in dark forests and castles against goblins, dragons and other beasts, and returned in triumph to Camelot to tell of their adventures at the round table where they met.
Ja al seu castell de Camelot, Artur s'envolta de cavallers valents i honestos. Lancelot, Perceval, Gawain i altres. Durant 12 anys de pau, els cavallers d'Artur combaten en boscos ombrívols i castells contra follets, dracs i altres bèsties, i tornen triomfals a Camelot a explicar les seves aventures a la taula rodona on es reunien.
Ya en su castillo de Camelot, Arturo se rodea de caballeros valientes y honestos. Lancelot, Perceval, Gawain y otros. Durante 12 años de paz, los caballeros de Arturo, combaten en bosques sombríos y castillos contra duendes, dragones y otras bestias, y regresan triunfales a Camelot a contar sus aventuras en la mesa redonda donde se reunían.

March to Camelot

In the moments before the meeting of an illegitimate love, the music reflects the tension, the doubts of the lovers, and announces the terrible consequences that can occur.

En els moments previs de la trobada d'un amor il·legítim, la música reflecteix la tensió, els dubtes dels amants, i anuncia les terribles conseqüències que es poden produir.

En los momentos previos al encuentro de un amor ilegítimo, la música refleja la tensión, las dudas de los amantes, y anuncia las terribles consecuencias que se pueden producir.

Intermezzo

Dark Celtic music about the life of Mordred the knight. This music is called Sir Mordred. We hope you enjoy listening to it!

#dark #celtic #medieval #mordred #knight #arthur #camelot #spooky

Dark Celtic Music - Sir Mordred

A chill, space-like, psychedelic without the brain, jam in E minor at 119 BPM in camelot 9A

The Smooth Jam

Medieval music about the adventures of Sir Tristan, a strong and noble knight of the Round Table. This music is called Sir Tristan. We hope you enjoy listening to it!

#medieval #middleages #tristan #medievalmusic #music #instrumental

Medieval Music - Sir Tristan

2019 lost files, unmixed, unmastered, raw

Camelot Freestyle

Tracklist:

1. Rise - Recondite
2. Levo - Recondite
3. High Above - Klur
4. Mandole - Trikk
5. Moments (Ben Böhmer & Nils Hoffmann remix) - Kidnap feat. Leo Stannard
6. Moon in the Desert - Camelõt
7. Floating - Klur
8. Rejkjavik - Joachim Pastor
9. To the Ground - Matt Fax
10. High Seas - Sainte Vie
11. Wonders - Eli Nissan
12. Unlocked - Teho
13. Lonestar Memories - Lehar
14. Cenote - Sainte Vie
15. Lamur - Guy J
16. Question Réponse - Worakls
17. Note Blanche - N'to

Uttoxeter

NLE Choppa - Camelot X Home - Resonance [mashup]

NLE Choppa - Camelot (hoodtrap remix)

A path inward. A clearing you can only enter from within.

This mix doesn’t start.
It steps in – quietly, like someone reopening a forgotten room inside themselves.
The first sounds are hesitant, barely beat-driven, more floating than focused.
Yet within them lies a direction: inward.

La Clairière Intérieure is not a club night.
It’s a journey through whispered soundscapes, where jazz fragments drift through lo-fi textures, soul vocals float in the fog, and the groove emerges slowly – only to go deeper once it arrives.

These tracks don’t tell a story.
But they open states of being:
Between Meditazione, Drift and Das Lied vom Stillschweigen, you pass through moods that live between thought and feeling – like night air flowing into a warm body.

Midway, the ground begins to move.
Chicago pulses enter. Jackin’ house grooves, dub echoes, Detroit nods. Yet nothing feels showy – it’s earthy, physical, real.

Later, the space expands again. The body grows lighter.
You realize: you’ve been somewhere that doesn’t exist on any map.

La Clairière Intérieure is not made for those waiting for peaks.
It’s made for those who listen. Who sense.
Who dance inside, even when no one is watching.

> The clearing is not a place.
It’s a state.
And if you reach it, you’ve already been there.



– by RhythmXP
Where rhythm dissolves into reflection.

La Clairière Intérieure

Ein innerer Pfad. Eine Lichtung, die nur du betreten kannst.

Dieser Mix beginnt nicht.
Er tritt ein – vorsichtig, wie jemand, der ein vergessenes Zimmer in sich selbst wieder öffnet.
Die ersten Klänge sind tastend, kaum beatgetragen, eher schwebend als zielgerichtet.
Doch in ihnen liegt eine Richtung: nach innen.

„La Clairière Intérieure“ ist keine Clubnacht.
Es ist ein Weg durch flüsternde Klangräume, in denen Jazzfragmente auf Lofi-Flächen treffen, Soulstimmen durch den Nebel ziehen und der Groove sich erst ganz langsam zeigt – und dann umso tiefer trägt.

Die Tracks erzählen keine Geschichte.
Aber sie öffnen Zustände:
Zwischen Meditazione, Drift und Das Lied vom Stillschweigen entsteht ein Raum zwischen Bewusstsein und Gefühl, ein Sound wie Nachtluft, die in einen warmen Körper zieht.

Ab der Mitte beginnt sich der Boden zu bewegen.
Chicago schiebt sich in die Struktur. Jackin’-House-Grooves, Dub-Akzente, Detroit-Verweise. Doch nichts ist prätentiös. Alles bleibt erdig, körperlich, ehrlich.

Später weitet sich das Feld. Der Körper wird wieder leicht.
Du spürst: Du warst an einem Ort, der nicht auf der Karte steht.

„La Clairière Intérieure“ ist nicht gemacht für Menschen, die auf Höhepunkte warten.
Sondern für die, die zuhören. Die spüren. Die in sich tanzen, auch wenn niemand hinsieht.

> Die Lichtung ist kein Ort. Sie ist ein Zustand.
Und wer dort ankommt, war längst schon da.



– by RhythmXP
Where rhythm dissolves into reflection.

La Clairière Intérieure

"If Ever I Would Leave You" ist a song from the musical Camelot. The  music was written by Frederick Loewe and lyrics and a book by Alan Jay Lerner. It is based on the legend of King Arthur as adapted from the 1958 novel The Once and Future King by T. H. White.

The original 1960 production, directed by Moss Hart with orchestrations by Robert Russell Bennett and Philip J. Lang, ran on Broadway for 873 performances, winning four Tony Awards. It starred Richard Burton as Arthur, Julie Andrews as Guenevere, and Robert Goulet as Lancelot.

Harp by Eilian Gwynn

We hope you'll enjoy!

If Ever I Would Leave You (Camelot - Loewe / Lerner - with Eilian Gwynn)

Medieval music about Sir Percival, a man of noble birth who was raised by his mother deep in the forest, and who didn't know anything but knights, swords, and horses, until he saw a knight for himself and wanted to become one, leaving for King Arthur's court. 

Though rather uneducated, and lacking in chivalry and the noble bearings of a knight, he has a natural innocence about him, lacking in some of the other knights, and he eventually proves himself to be a warrior and joins the Knights of the Round Table. This music is called Sir Percival. We hope you enjoy listening to it!

#medieval #knight #percival #middleages #camelot

Round Table

Medieval Music - Sir Percival

Medieval music about Sir Lucan, a servant of King Arthur who was in charge of the royal court, and a knight of the Round Table. Sir Lucan was one of King Arthur's most trusted knights and loyal companions and valiantly defended him and protected him throughout his life. This music is called Sir Lucan. We hope you enjoy listening to it!

#medieval #knight #lucan #arthur #camelot

Medieval Music - Sir Lucan

Just two people becoming the persons we were meant to become.

Hi everyone!

We compose medieval music, fantasy music, world music, sci-fi music, dark music, and other types of music. All the music here (with maybe one exception) is originally composed by Derek Fiechter & Brandon Fiechter who are twins who live in Indiana in the United States.

Also, any of our music can be used for non-commercial projects and videos. All we ask is that people credit us.

Here's our email address if you want to contact us about any business request or anything else:

dbfiechter@gmail.com


As for our beliefs, we're Christians who believe that Jesus is the Son of God.


Derek Fiechter & Brandon Fiechter

#medieval #fantasy #spooky #egyptian #world #instrumental #ost #elf #mermaid #fairy #music

All mixes on vinyl, mostly (dub) techno, minimal, neo-trance and deep house. Artwork by Pyracantha. Check his work at https://www.instagram.com/cornelisjames/#

Hi, I'm Rob.

I'm a singer, well you figured that out by yourself if you listened to my music....
I'm also Welsh, so what can I do?

I love music, so listening to all the great talent here on SoundCloud - whether it's raw or refined - is an immense pleasure. Thank you all for that.

I hope you get some joy out of listening to me.

Due to some health issues I'm not always capable to listen to your music, interact as much as I'd like to or reply to your comments in a timely manner. It doesn't alter the appreciation I feel for each and every one of you. Please bear with me.

Business Inquiries.
RestinPaperRecords@gmail.com

I have been studying music in Barcelona since I was six, specializing in piano. Beginning with my dealings with the world of amateur theater, especially of the musical variety, and given my performances as a pianist in recitals, concerts, and musical theater, the need to compose and arrange music arose. Little by little my passion took shape and gained importance in my life. In 2011 I composed some songs for the soundtrack of the Gayxample web series. The internet gives me the opportunity to feel free, inspired and stimulated to compose new works which come from my intuition as I keep integrating countless music styles that are part of my artistic and musical background. 
Estudio musica desde mi infancia en Barcelona, especializandome en piano. A partir de mi contacto con el mundo del teatro amateur, especialmente musical, y con mis interpretaciones como pianista en recitales, conciertos y teatro musical, surgio la necesidad de componer y arreglar musica. Poco a poco mi pasion por la musica ha ido tomando forma e importancia. En 2011 compuse algunos temas para la banda sonora de la serie web Gayxample. Internet me ofrece la oportunidad de sentirme libre, inspirado y estimulado a componer nuevos temas que surgen de la intuicion y de la asimilacion de un sinfin de estilos musicales que forman parte de mi bagaje musical y artistico. 

English Version-👇🏼​- 

RhythmXp ist kein DJ-Projekt. Es ist ein Zustand.
Ein auditiver Zwischenraum zwischen dem, was war, und dem, was sich nicht greifen lässt.
Meine Mixe sind keine Produktionen – sie sind Spuren.
Von Verlust, von Struktur, von Erinnerung.
Ich arbeite mit Resonanz, nicht mit Funktion.
Wer zuhört, bleibt. Nicht aus Neugier, sondern weil etwas ruft. 

For bookings, submissions or collaborations:
          ✧ rhythmxp.music@gmail.com ✧
----------------------------------

RhythmXp is not a DJ project. It is a condition.
An auditory in-between space –
between what has passed
and what refuses to be grasped.

My mixes are not productions –
they are traces.
Of loss, of structure, of memory.
I work with resonance, not with function.

Those who keep listening
do not stay out of curiosity –
they stay because something calls.


For bookings, submissions or collaborations:
         🌀 rhythmxp.music@gmail.com 🌀

📍 DJ RhythmXp
🔗 linktr.ee/rhythmxp

New tracks tagged #camelot