It's been a while after several months (though this song was created since 2016-2017?) but I finished another track. Rage of Ember is my first attempt at Eurobeat (a genre that I like but until maybe recently didn't have too many production tutorial/notes at least in English) which a relatively fast mostly energetic song with a mix of hard/soft sounds and synth/non-synth instruments. This was made around when Caustic 3.2 along my other Caustic song Frost was created and had new features like SawSynth, tempo changes, and scale lock which convince me to do stuff with Caustic since I like these new features and is basically a demo for Caustic 3.2 (Though I wonder if future devices can still run this app). While fiddling around with SawSynth thanks to playing with stuff like the pitch envelope, I accidentally created Eurobeat brass and so I decided to try Eurobeat. This also features a Trancegate sound because i thought that was cool and some tempo changes to give it a contrast of slower calmer ballad-esque parts with piano with the fast driving upbeat parts with synth/guitar. This uses a mix of my own sounds, with other presets (which I don't fully remember) and soundfonts. Maybe I got my groove back so maybe new music might be coming soon.

Rage of Ember

PAYOOT pAYOOTEE - by Leo Capri De Nardio & Cleo  Napri De Cardio

PAYOOT pAYOOTEE - by Leo Capri De Nardio & Cleo Napri De Cardio

Genucide - Leo Capri De Nardio & Cleo Napri De Cardio

Genucide _ Leo Capri De Nardio & Cleo Napri De Cardio

previously uploaded this at 1320bpm, but prefer it now as 150bpm

Wau pau 150 (Ruffin Tumble Memo Dix or do I mean Demo mix @150bpm)

Ei Aou (Raw demo. Pre-arrangement)

WARNING:
listening could SERIOUSLY inflame both ends of your body   ad infinatum spontaneum! E pluribus unum!
Collaboration and development welcomed.

I grew up hearing a lot of C&W due to my parents. And the usual Sinatra, and Dean Martin. Loved Dean Martin, and one of his heros, Louis Prima. When I was a toddler to young kid age, there was still a lot of authentic R&B style soul, funk, rocksteady, plus the usual UK R&B based stuff: Kinks, Faces.
ELO, and stuff, 
By thew time I hit my teen I got into making sure I had a cassette recorder ready for the John Peel show omn radio 1, and his World service one too. WOW! What an education THAT was.
Henceforth I started to head The cramps, Captai n Beefheart, Sex Pistols, 13th Floor Elevators, The sonics, The Hombres, The Meteors (early stuff only), Shockabilly, Bongwater, Early to mid career Hawkind, and a few recent ones, Gong, Planet Gong, Here & Now band, Steve Hillage, System 7, dsrum Club, Transglobal Underground, Throbbing Gristle, White Noise, Butthole Surfers, Ween, Beck, Feotus/J.G. Thirwell, Wiseblood, The Doors, Sam & dave, Rolling Stones, Authentic Hackney Acid Techno (Liberator Crew), Club Dog/Megadog, Eat Static, Ritchie Hawtin/Plastikman, The Orb, African Head Charge, The Scientist, Toots & The Maytals...

a litttle bit of classical, and learning african, brazilan, and caribbean poly rhythms into whatever I try to do.
All fairly rufty tufty raw demo stuff so far. Still deciding what arrangements go when and when.
but preferring just letting each groove evolve organically and not jiust going through scout badge conventions. It's all skiffle at the end of the day.
If at first folk think it's shite? KEEP GOING till it's good shite!

Hello, I'm Range6, a music producer/composer/synth programmer. I can produce Electronic, Pop, Rock, Hip Hop, and RnB and maybe more in the future! I first got an interest in music from music/rhythm games like DDR and DJMAX. One day I might make music for a music/rhythm game but maybe other games are okay too (It's not too likely to happen, though). I first discovered electronic music a while ago when I listened to music in genres like Synthpop, Dance-Pop, Eurodance, Trance, etc. but before I did not what what to call them aside from Techno or Disco, then I looked up Ishkur's guide which gave me a better understanding of electronic music. I began producing music at lunch breaks at high school since the staff did not want me to press too much on the keyboards when playing music games, and sometimes people wonder too much over the games I'd play on the school PC and also, I was bored. My influences are NAOKI (first and main primary inspiration to get into music production), Forte Escape, Croove, TAG, XeoN, DJ Yoshitaka, U1 (except for more recent songs), Banya, Yahpp, Tatsh, M2U (early songs), Ruby Tuesday, PON (later songs), DJ TOTTO, kors k (partially), Tsukasa, Cuve, Des-ROW, seiya-murai, DJ TAKA, L.E.D, Akria Yamoka (BEMANI works), Mr.T (from Konami), dj nagureo, London Boys, MSI, Masterboy, Hiroyoshi Kato (from noisycroak), Daisuke Asakura, NieN, nao.paradigm, Electronic Boutique, Rush, Keiichi Ueno, GUHROOVY, kinato, Toto, Telex, ABC, Kyle Ward, move, mind.in.a.box, Michael Jackson, Kansas, Eye Alaska, The Crystal Method, cranky, Clazziquai, kobo, makou, good-cool, Antique, ND Lee and PHQUASE.

New tracks tagged #caustic 3.2