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The aqua scroll flask pictured to the left is very typical in design and likely dates from the 1840s to mid 1850s. It is classified as GIX-12a in McKearin & Wilson (1978) and has a straight flared finish (sheared/cracked-off with some re-firing), blow-pipe pontil scar on the base, and was made in a two-piece key mold. Click on the following links for more images of this pint scroll flask from different views: side view; base view; shoulder/neck close-up view. Click quart scroll flask to view a image of a quart sized example blown in aqua glass with an applied double-ring finish. This quart scroll also has an iron pontil scar, is classified as either GIX-1 or 2, and likely dates from the mid to late 1850s. (A colorful grouping of five scroll flasks dating from the late 1830s to the late 1850s is also shown at the top of this section above.) To the right is pictured a similar pint scroll flask which classifies as GIX-15 in the previously noted reference. It is an unusual yellow green color with a cracked-off finish which received little if any re-firing to smooth the sharp surface. Click thumbnail image to enlarge. In 2022, the author of this website analyzed an assemblage of pint (and quart) scroll flasks recovered from the S. S. Arabia which sank in the Missouri River just upstream from Kansas City, MO. in September 1856. (Click HERE to view a photo of some of the flasks. Photo courtesy of the S. S. Arabia Museum, Kansas City, MO.) All of the inspected pint flasks were from this same GIX-15 mold as this pictured example based on the number of points to the two stars on each side and the surface of the glass which has an "orange peel" effect (from the unpolished iron of the mold) on one side but is smooth on the other (which was apparently polished). Like with most of non-glassmaker marked scroll flasks, McKearin & Wilson just noted the glass maker as "Unknown." However, when the flasks were excavated from theS. S Arabia (winter 1988-1989) some or all of the wooden cases noted that the flasks were made by Christian Ihmsen & Sonsof Pittsburgh, PA. (Hawley 1998:137). Unfortunately, none of the wooden cases could be preserved and saved. Many of the pint scroll flasks off the S. S. Arabia had the same light to medium yellow-green glass coloration as the pictured flask, though at least as many were of a bluish aqua color also. All of the quart examples on the S. S. Arabia were of the latter aqua coloration and may have been the product of another company. Of interest, all of the 96 scroll flasks found on the ship (8 cases) were without corks or contents indicating that they were purchased from Ihmsen to be refilled by the unknown purchaser somewhere upstream of Kansas City on the Missouri. For more information on the long lived complex of Ihmsen Glass Companies see the article on the subject at the following link: Ihmsen Glass Companies. Sunburst flasks: Another very popular style of early figured flask is referred to as the "sunburst" flask, which encompasses various types based on the molded design on the body. Sunburst flasks are among some of the oldest of the figured flasks dating as early as 1812 to 1815 and as late as the 1840s for a few. Most are believed to have been primarily made by various New England glass works. Sunburst flasks are covered as Group VIII in McKearin & Wilson (1978). Sunburst flasks were made in only pint and half-pint sizes. They all have pontil scars - either glass-tipped or blowpipe types - indicating early manufacture. Colors can vary somewhat widely, though the large majority are in shades of olive green and olive amber, various other true greens, shades of amber, and aqua. Finishes are typically straight (sheared) or cracked-off (or subtle variations like the rolled, flare, or globular flare) typically with with obvious re-firing; and occasionally

Patriots Clip ?Hawks As Long Draws Nearer To Century Mark

Pokémon: Beginner's Guide (21st Century Skills Innovation Library: Unofficial Guides) Full
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Z17li President McKinley: Architect of the American Century Full
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In this great American story, acclaimed historian Robert Merry resurrects the presidential reputation of William McKinley, which loses out to the brilliant and flamboyant Theodore Roosevelt who succeeded him after his assassination. He portrays McKinley as a chief executive of consequence whose low place in the presidential rankings does not reflect his enduring accomplishments and the stamp he put on the country’s future role in the world.Republican President William McKinley in his two terms as president (1897 – 1901) transformed America. He established the US as an imperial power. Although he does not register large in either public memory or in historians’ rankings, in this revealing account, Robert W. Merry unfolds the mystery of how this bland man managed so much powerful change.McKinley settled decades of monetary controversy by taking the country to a strict gold standard; in the Spanish-American war he kicked Spain out of the Caribbean and liberated Cuba from Spain; in the Pacific he acquired Hawaii and the Philippines through war and diplomacy; he developed the doctrine of “fair trade”; forced the “Open Door” to China; forged our “special relationship” with Great Britain. In short, he established the non-colonial imperialism that took America into global preeminence. He expanded executive power and managed public opinion through his quiet manipulation of the press. McKinley paved the way for the bold and flamboyant leadership of his famous successor, Teddy Roosevelt, who built on his accomplishments (and got credit for them).Merry writes movingly about McKinley’s admirable personal life, from his simple Midwestern upbringing to his Civil War heroism to his brave comportment just moments before his death by assassination (it was only six months into his second term when he was shot). Lively, definitive, and eye-opening, President McKinley resurrects this overlooked president and places him squarely on the list of one of the most important."
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Delicious indeed! I made this tonight using the ingredients we had on hand, due to the quarantine restrictions. Had to substitute cuties (clementines) for the oranges, olive oil instead of vegetable oil, omitted the sriracha sauce, and we ran out of corn starch so half the chicken we just ended up dropping in oil without breading. Everything turned out amazing! Served it over rice, and paired it with asparagus sautéed with red peppers, and sweet onions. Thank you for the recipe!
Thank you for this comment. I was actually reading through them to see if the recipe author ever addresses this issue. I thought the sauce tasted amazing but the second I added it to the chicken, my nice crunchy fried coating turned to absolute mush. I was wondering if there was a better way to keep the chicken crispy (like Panda Express does, even as the Orange Chicken sits in the heated pan for extended periods of time). Maybe it would be better to fry the chicken with a batter coating to keep the crunchy layer?
Food fiction lovers will especially enjoy the South African recipes written out at the back of the book. After reading Recipes For Love And Murder, we can only fuel our book lists with tea and biscuits.Read Recipes For Love And Murder: Amazon| Goodreads 7ad9723583

Recipe For Reading: New Century Edition Recipe For Reading Nina Bloom

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There are some restrictions in how you can use our sound effects and music, but they all make sense. You can't claim them as your own or distribute to other folks. You can't use the sounds in isolation; they must be mixed into other audio or visual elements in your project. But you can use them for a live theatrical performance, for instance if there is creaking door or a thunder roll that occurs offstage. That would be a perfect live performance use for our sounds. You can read all about this in our End User License (link below).
Specialty EffectsSpecialty effects include sounds that are designed to be used for objects and places that exist only in our imaginations. You might use special effects in cartoon, fantasy and science fiction productions. They would enhance the production by creating a special sound for a space transporter, the magic of a genie's brass lamp, or for gigantic purple people eater cartoon animals.
Identical copies of this sound are RICOCHET - TOM AND JERRY GENE DEITCH CARTOON RICCO 01 on the Turner Entertainment Co. Sound Effects Library, GUN, RICOCHET - SHORT THIN RICOCHET, BULLET 01 on the 20th Century Fox Sound Effects Library, GUN, RICOCHET - SINGLE RICOCHET, BULLET 13, GUN, RICOCHET - SINGLE RICOCHET, BULLET 22 on the Universal Studios Sound Effects Library, and Guns Military, Bys Riccos - Riccos - Several Synthesized. Some Sound Cartoony Many Different Variations. Very Good - on the Soundelux Sound Effects Library. Two variations of the sound called ZIP, CARTOON - RICCO ZIP OUT 01 and 02 can both be found on the Rocky and Bullwinkle and Friends Sound Effects Library. 7ad9723583

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This is the page of Century Gothic font. You can download it for free and without registration here. This entry was published on Monday, October 17th 2011, at 02:51 PM and was placed in the Bold catalog. Version of the Century Gothic is Version 1.50. This page was viewed 72922 times. File was downloaded 89591 times.
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"Fascinating from the first page to the last—you won't be able to put it down." —Southern LivingA rollicking true-crime adventure and a thought-provoking exploration of the human drive to possess natural beauty for readers of The Stranger in the Woods, The Lost City of Z, and The Orchid Thief.On a cool June evening in 2009, after performing a concert at London's Royal Academy of Music, twenty-year-old American flautist Edwin Rist boarded a train for a suburban outpost of the British Museum of Natural History. Home to one of the largest ornithological collections in the world, the Tring museum was full of rare bird specimens whose gorgeous feathers were worth staggering amounts of money to the men who shared Edwin's obsession: the Victorian art of salmon fly-tying. Once inside the museum, the champion fly-tier grabbed hundreds of bird skins—some collected 150 years earlier by a contemporary of Darwin's, Alfred Russel Wallace, who'd risked everything to gather them—and escaped into the darkness.Two years later, Kirk Wallace Johnson was waist high in a river in northern New Mexico when his fly-fishing guide told him about the heist. He was soon consumed by the strange case of the feather thief. What would possess a person to steal dead birds? Had Edwin paid the price for his crime? What became of the missing skins? In his search for answers, Johnson was catapulted into a years-long, worldwide investigation. The gripping story of a bizarre and shocking crime, and one man's relentless pursuit of justice, The Feather Thief is also a fascinating exploration of obsession, and man's destructive instinct to harvest the beauty of nature."
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HSOEE 21 Lessons for the 21st Century Full
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**THE NUMBER ONE BESTSELLER**In twenty-one bite-sized lessons, Yuval Noah Harari explores what it means to be human in an age of bewilderment.'Truly mind-expanding... Ultra-topical' GuardianHow can we protect ourselves from nuclear war, ecological cataclysms and technological disruptions? What can we do about the epidemic of fake news or the threat of terrorism? What should we teach our children?The world-renowned historian and intellectual Yuval Noah Harari takes us on a thrilling journey through today's most urgent issues. The golden thread running through his exhilarating new book is the challenge of maintaining our collective and individual focus in the face of constant and disorienting change.Faced with a litany of existential and real crises, are we still capable of understanding the world we have created?'Fascinating... compelling... [Harari] has teed up a crucial global conversation about how to take on the problems of the 21st century' Bill Gates, New York Times'21 Lessons is, simply put, a crucial book' Adam Kay"
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Harmonia Mundis Century Collection - A History Of Music[mp3]l

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Shâh Khoshin was a great 11th century mystic who lived in Lorestân. It is reported that he was the first to introduce zekr-e jali in spiritual assemblies, accompanying it with chants and musical instruments, including the tanbur. The Suite that is performed here differs from other versions of Shâh Khoshini and is imbued with a majestic and somewhat strange kind of beauty.2 The richness of the sound expresses the sort of fervor that never lets the soul rest, even during the most peaceful segments of the piece, enjoining it to free itself from the grip of materiality.
Nakisâ and Bârbad are two characters from Ancient Persia, both famous court musicians for the Sassanid King Khosrow Parviz in the early years of the 7th century. In Kurdish gnosis, they are thought to be linked by an absolute, unfailing spiritual love, similar to the one that united Joseph and Jacob or Jesus Christ and John the Baptist. In spite of having to undergo the trials of separation, they overcame all the obstacles before them and were finally reunited. Ostad Elahi was fond of honoring their memory and would often say their names aloud when he included their melody in the middle of an improvised passage.
This piece is given an unexpected and original interpretation, reminiscent at times of the variations on the same theme found in the Najaf melody (see Track 1). Although it is a modal piece, dominant and tonic alternate. The ﬁrst section is prolonged by a prayer Ostad Elahi particularly liked, inspired by a basic melody (gushe) of classical Iranian music called Mansuri. The sung text is a prayer from Shâh Khoshin, a great Kurdish saint from the 11th century who elevated the tanbur to a sacred level.
2L's latest choral release, Hymn to the Virgin, features Oslo's chamber choir Schola Cantorum under the direction of Tone Bianca Sparre Dahl (SACD/CD & BD, 2L-095-SABD). Disc 1 is an SACD/CD, disc 2 a Pure Audio Blu-ray disc that offers the music in four formats: 24-bit/192kHz LPCM stereo, 24/192 DTS HD MA 5.0-channel, and "mShuttle" FLAC and MP3 for use in portable devices. The master recordings were made in 24/352.8 DXD PCM.Pure Audio BD's "Unique Selling Proposition" is that it allows for navigation of these audio-only programs without the need for a television or monitor to be connected to the audio system. That is accomplished by use of the colored buttons that are standard on BD player remote controls. Last I heard, interested parties had petitioned the Audio Engineering Society to recognize Pure Audio BD as an audio-engineering standard.The music on Hymn to the Virgin extends from Bruckner's Ave Maria to contemporary works such as Lauridsen's O Nata Lux, Whitacre's Lux Aurumque, and Gjeilo's Tota Pulchra Es. (There is an official and wonderful video of the Bruckner here.) I found the Gjeilo a pleasant surprise&#151;it had more backbone than other of his works I have heard, which sometimes struck me as innocuous crunchy noodlings. A great pick for the audiophile choral-music fan on your list.By now, most choral-music fans are aware of England's "supergroup" choral ensemble, Stile Antico. Their latest release, The Phoenix Rising, features Tudor-era works by Byrd, Gibbons, Morley, and Tallis (SACD, Harmonia Mundi HMU 807572). The unifying theme is that those works first came to widespread attention in the 1920s, owing to their having been compiled and published in the Carnegie UK Trust's vastly influential anthology Tudor Church Music. It's another predictably great Stile Antico disc, but if you're unfamiliar with the group, I think the best introduction remains their Music for Compline (SACD, HMU 807419), which I praised in the December 2007 issue.If you're prepared to open your wallet or checkbook a little wider, an eye-popping bargain is to be had for $150 or less. Deutsche Grammophon is celebrating their early-music impr

Harmonia Mundis Century Collection - A History Of Music[mp3]l

Hi, I'm Lauren Johnson, a singer-songwriter from Nashville, Tennessee. My music is all about telling stories and connecting with people through shared experiences. I draw inspiration from a variety of genres, including country, pop, and folk.

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Hey, I'm Sarah Lee, a singer-songwriter from Chicago, Illinois. My music is all about connecting with people on a deep emotional level and expressing the things we sometimes can't put into words. I draw inspiration from a variety of genres, including pop, R&B, and soul.

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