2fried Pt. 3 🫩🍃 (Prod. Chase)

Hurry and Scurry is a fast and playful orchestral track full of amusing energy. With bouncing pizzicato strings, lively woodwinds, sparkling xylophone, and light percussion, it perfectly captures the feel of a funny chase or mischievous adventure. Great for cartoons, kids’ content, comedy, or any project that needs a quirky and energetic mood.

Whimsy

Hurry and Scurry

Conceptualized Forsaken theme for "Gr33nGuyy", an OC I made up for fun.

Forsaken Gr33nGuyy Chase Concept

1984

Don't chase

Obscurity is a dramatic action chase cue that rises from fragile suspense into explosive motion.  
Polyrhythmic layers, distorted guitars, and electronic textures drive the music forward with urgency and cinematic force.  
It represents one of my approaches as a composer — combining complex polyrhythms with dramatic harmonies and the raw energy of my background as a metal guitarist.  


Obscurity

Kidnapper is a tense and bouncy rap track at 80 BPM, built on anxious energy and dark atmospheres. Perfect for storytelling about mafia heists, kidnappings, street fights, car chases, fire, and diamonds. The track’s driving rhythm and suspenseful mood make it an ideal soundtrack for crime scenes, high-stakes pursuits, and dramatic urban visuals, adding edge and intrigue to any film or YouTube project.

Kidnapper (BPM80)

Actin Crazy is a fast-paced hip-hop track at 140 BPM, packed with energy, relentless drive, and powerful beats. Perfect for dynamic chase scenes, street races, cowboy and horse action, lasso stunts, intense workout edits, gang themes, and displays of raw strength. The track’s high tempo and bold vibe elevate any content centered on motion, competition, and urban adventure, making every moment feel cinematic and unstoppable.

Actin Crazy

Phantom is an emotional and tense track at 136 BPM with a bouncy beat that carries a feeling of sadness and urgency. It captures the mood of someone rushing, running late, being followed, or involved in spy-like scenarios. Perfect for visuals of maritime storms, secretive pursuits, and high-adrenaline winter sports like skiing, it blends melancholy with dynamic energy and suspense.

Phantom

eat, sleep, baddadan, repeat // crankdat remix (dropdeadgorgeous edit)

I like bass music. A lot.
https://www.instagram.com/dropdeadgorgeousmusic/

I make music as I feel it. I don’t reply much, but I read everything. Don't take it personally.

Enjoy.

Producer  || Creator


Two shadows in the rain. One mask, one name. Truth behold, the alluvial gold.

My name is Adir Oudaei and I am a composer for film, television, games, and media. My musical voice blends orchestral writing with electronic textures, expressive guitar colors, and Middle Eastern influences—crafting emotionally grounded scores that support storytelling across genres.

Originally from Israel and now based in Budapest, I began my journey as a guitarist in a metal band—an experience that still shapes my approach to rhythm, texture, and sonic identity. My compositions often explore distinctive rhythmic patterns and polyrhythms, aiming to create bold and emotionally resonant sound worlds.

I hold a B.A. in Cross-Disciplinary Composition from the Jerusalem Academy of Music and Dance, where I studied with Zohar Sharon, Josef Bardanashvili, and Amit Weiner. I am currently pursuing an M.A. in Composition for Media and have recently continued my studies at the Franz Liszt Academy of Music in Budapest with Bella Máté and Balázs Ádám.

My work has been recognized with the 2024 Dean's Prize from the Faculty of Cross-Disciplinary Music and an Honorable Mention in the Prof. Haim Alexander Composition Competition. I have collaborated with GRAMMY-winning and Emmy-nominated composer Sharon Farber, contributing arrangements for concert and media projects. My scores include The Shelter, among other upcoming films.

I integrate guitar, piano, synthesizers, and oud into my scoring process, blending acoustic and electronic elements to shape a unique sonic identity for each project. I work fluently in Cubase and Sibelius, with additional experience in Logic Pro and Ableton Live. I have taught Cubase at the Jerusalem Academy and continue to offer private lessons in guitar, composition, and production.

I am now open to collaborations in film, television, games, and media. Let's talk!

BRG CEO
Crack$ aka CRAXXX aka DJ CRAXXXTER
2nd acc @craxxx2
#BenadrylMusic Soon

Hip Hop Beats | Pop | Rap | Trap | R'n'B Instrumentals.
Follow for updates about my newest works.
Requests: coscalabeats@gmail.com

See you at:
https://soundcloud.com/coscala_collab
https://soundcloud.com/coscala_beats_one
https://soundcloud.com/coscala_beats_two
https://soundcloud.com/coscala
https://soundcloud.com/coscala_one
https://soundcloud.com/coscala_two
and coscalabeats@gmail.com

Check for more music at
comedysounds.com

Hello and welcome! 
I create orchestral, comedic music, From lighthearted arrangements to relaxing, soothing tunes, my tracks are designed to bring joy and keep you entertained.

New tracks tagged #chase