Interview de David, bénévole forgeron de l'association Forge Itinérance de Vitry-sur-Seine, qui organisait des sessions de fabrication d'outils au festival Les Résistantes dans l'Orne en août 2025.
Pour plus d'infos sur l'association : https://forgeetitinerance.wixsite.com/ et
https://www.facebook.com/forgetitinerance/reviews?locale=fr_FR
Les pastilles musicales ont été enregistrées au même endroit, mais je n'ai malheureusement pas noté quelle était la formation. Sur le programme, je vois deux possibilités : la chorale féministe Tart'agueule, ou le chœur de femmes Aurora. Si quelqu'un·e parmi vous reconnaît ces fabuleuses voix, merci d'écrire au journal ! Fabien

Balado-diffusion #2 : Forge aux resistantes !

Morceau issu de l'album "15ème anniversaire Sekoly Taninketsa FJKM Ambavahadimitafo"﻿, un véritable "course contre la montre", mais avec l'aide de Dieu tout s'est bien passé, nous avons pu finir l'album à temps.
Auteur & compositeur : Rova Raharivonimbelo - Arrangements : Andry Rasoul - Réarrangements : Teza Ramiandrisoa & Nandrianina Raveloson - Mixage : Teza Ramiandrisoa - Basse, guitare, programmation batteries et percussions : Teza Ramiandrisoa - Claviers : Nandrianina Raveloson - Voix : Chorale Taninkentsa FJKM Ambahavadimitafo.

Soa Ihany

No longer mourn for me when I am dead
Than you shall hear the surly sullen bell
Give warning to the world that I am fled
From this vile world with vilest worms to dwell; 
Nay, if you read this line, remember not
The hand that writ it; for I love you so, 
That I in your sweet thoughts would be forgot, 
If thinking on me then should make you woe.
O, if (I say) you look upon this verse, 
When I (perhaps) compounded am with clay,
Do not so much as my poor name rehearse,
But let your love even with my life decay,
Lest the wise world should look into your moan, 
And mock you with me after I am gone.

- William Shakespeare

https://youtu.be/CDp92r5akTg

Sonnet 71

Morceau issu de l'album "15ème anniversaire Sekoly Taninketsa FJKM Ambavahadimitafo"﻿, un véritable "course contre la montre", mais avec l'aide de Dieu tout s'est bien passé, nous avons pu finir l'album à temps.
Auteur & compositeur : Rova Raharivonimbelo - Arrangements : Andry Rasoul - Réarrangement, mixage : Teza Ramiandrisoa - Basse, guitare, programmation batteries et percussions : Teza Ramiandrisoa - Claviers : Nandrianina Raveloson - Voix : Chorale Taninkentsa FJKM Ambahavadimitafo.

ny fitiavany

Mal ô mains 3 voix

Enregistrement de la répétition du 17.11.2025

Résiste (en live)

A work in progress for a choir in my hometown

And who by fire, who by water, 
who in the sunshine, who in the night time, 
who by high ordeal, who by common trial, 
who in your merry merry month of may, 
who by very slow decay, 
and who shall I say is calling? 

And who in her lonely slip, who by barbiturate, 
who in these realms of love, 
who by something blunt, 
and who by avalanche, who by powder, 
who for his greed, who for his hunger, 
and who shall I say is calling? 

And who by brave assent, who by accident, 
who in solitude, who in this mirror, 
who by his lady's command, 
who by his own hand, 
who in mortal chains, who in power, 
and who shall I say is calling? 

Tyl-Who by Fire (Leonard Cohen cover)

GUIDE_CANOPEE

This movement is the spiritual center of the concerto. It reflects my deep connection to the Tallgrass Prairie National Preserve in the Kansas Flint Hills—a place I consider a "Sacred Space". The music attempts to capture the feeling of standing on the Scenic Overlook, viewing the "ocean" of grass. It is a meditation on peace, vastness, and the quiet beauty of the American landscape.  Read more about the story behind this music in my memoir, "The Keeper," at michaeljcriss.com


Chorale

Originally composed May 2009, for Piano, Brass, and Percussion; which is pretty much what you have here as well, except Woodwinds are added.  You will find more than two styles: Jazz, Classical, and Brass Consort.  This arrangement is more of a transposition than an arrangement, which means, it follows the original fairly closely. although the AI assist does make the piano player behave like Oscar Peterson. 

Half Life Times 2

Samedi 13 décembre, l’église Sainte-Anne d’Arvor accueillera un concert caritatif avec la chorale gospel Cecile A & Sounds of Freedom. Une soirée chaleureuse et solidaire dont l’intégralité des bénéfices sera reversée à l’association Lazare, qui crée des colocations entre jeunes actifs et personnes sans-abri pour lutter contre l’isolement. Pierre et Sarah seront présents pour présenter le concert et les actions de l’association.

POSCAST - Pousse le son - Cecile A & Sounds of Freedom en concert solidaire

Notes *Future Music*
you´re wring about the structure... the "synth metal/industrial" is closer to the ending, ending itself at around 7:00. But its really cool how i made this actuallly because i just made several songs in one project, because i just made small things.... then i remembered that "synth metal/industrial" part, and it sounded soooo cool, like maybe someone famous would want to perform on it. But the funny thing is how i made it,,, because i took tape, and recorded the tape sscratches when you pull them off stuff. so thats why it swounds so glitchy but not in a digital and forseeable way... 😏 But actually i think they sound kinda like staccato monkeys screaming and kinda like pigs oinks, so its a veryyyy cool texture. BUt anyways, i thought the chorale at the beginning was just so freaking sick that i had to include it, and then i just made the whole project into one condensed  project or song and made adjustments where needed, some transitional stuff and just cutting and pasting and shit. I made this in 2021 btw... I made it almost 5 years ago while it just being there spread apart,,, that sounds like some serial killer vibes.....

Anyways was some Jimi Hendrix & Rush inspiration in the guitar parts that are kinda dreamy & floaty. Also shout out to daniel naroditsky, he died recently, which was super sad. I like watching his amazing chess strategy videos and speed runs. I sampled him in the song just briefly as an alien transmission, like this is all some alien radio station…. :P

Also can mention the first real part after the a cappella part is I feel, like a romantic evening in the city or something, it sounds kinda French tbh. Then a little piano story/adventure/refelection before diving into the Hendrix inspired guitar part. It has a super floaty, but also wavy part, while the drums keep up the waves with that shuffle feel. Then it glitches kinda, and then comes a Rush-ish part, sounds reminiscent of 2112, but only played anyways for like 10 sec before the whole scene starts to glitch again. - Danya quote about some consolidation or some Knight move I think. But anyways that’s the alien talking as I already had a bass octave ap on the mic, so it sounded almost like Darth Vader, but then I tried reversing it in another project. I used helium amp on the bass octave amp and it just sounded pretty weird, sounded like some aliens 👀 
Then I also duped the voice and replicated it through a robot voice amp :)

Anyways the sickest part was the part I called Trap Hop. Which is the part I was talking about «synth metal/industrial. But actually no keyboard was used to play those industrial sounds or whatever, it was just good ol´scotch tape :D 
So I managed to get some quirky sounds out of that, but I did use keyboard for the piano part though. Cause while the tape gently scratches, the piano is playing this really weird and almost ominous part. Like it’s kinda dramatic and funny and hyperbolic, but it also work really well. All I was trying to do was create trap really. So I used the tape originally planning to use it as like trappy hi hat.
Anyways fuck you Charlie Puth; but he’s actually very cool, just to point out that I was making recordings of random unrelated stuff 5 years ago, and implementing it seamlessly and coherently and fittingly and creating a unique and futuresque soundscape. Yes! 

_FUTURE MUSIC_ (D-em-O)

Une chorale de meufs parce que se retrouver pour chanter ensemble ça fait quelque chose : du bien, des frissons.
Ça permet de se (re)lâcher le temps d’une soirée, de se trouver des sœurs de chœur et de libérer sa voix, de se faire entendre !
 
Une chorale qui reprend des tubes pop mais aussi des chansons plus confidentielles.
 
Une chorale inclusive où TOUTES les meufs (dès 18 ans) sont les bienvenues, et où l’écoute et le respect sont des piliers essentiels au bon fonctionnement du collectif. Une chorale qui repose sur des valeurs féministes. 

On y chante comme on veut, comme on peut. Aucun prérequis ! 

Animée par Aline Le Matelot

I'm a musician from Norway. Hope you find enjoyment here :)

Composer, writer, and conceptual artist. I'm sober and a sexual abuse survivor. My music is my journal—a testament to art as a powerful tool for recovery. Thanks for listening.

La radio locale N° 1 de Lorient Bretagne Sud.
Infos locales, tous les tubes, des jeux et cadeaux.

Composing 50 years.  You will find every genre here.

A note about AI assist:

Regarding all my instrumentals, I composed the original works and possess the original manuscripts.  

My compositions are the source material, and for AI assist where used, I create the prompts and style instructions (which is time consuming and require hours of trial and error) at suno.com to produce the final version of the works which I feel are best. What you hear finally is at times the best of perhaps dozens of variations after much work is put in to produce the final outcome.  I try to find the right balance between what I composed originally, and what I envision is perhaps a better result with the assistance of AI.  I also aim for a realistic reproduction should live performance ever be a consideration.

For songs with Lyrics, I am the lyricist in every case, and the music is built from AI where I provide specific instructions as to style, genre, tone, key, and so forth. 

Some tracks are exceptions to the above descriptive process, and when this occurs that track itself will include how the track was developed in its description.

www.lagedefaire-lejournal.fr
Edité par une Scop, L'âge de faire relaie les initiatives visant une réappropriation citoyenne de l’économie, la création de lien social, un mode de vie plus écologique.

New tracks tagged #chorale