Some Kinda Way: part 1 (without)
By Connor D'Netto

Music composed by Connor D’Netto
Performed by Jason Noble (clarinets)

Produced and mixed by Connor D’Netto and Ben Gibson
Recorded at Gasworks Recording Studio by Ben Gibson and Daniel Kassulke
Mastering by Lawrence English at Negative Space
Album Art by Connor D’Netto

This project has been supported by the Australia Government through Creative Australia, its arts funding and advisory body, and the Queensland Government through Arts Queensland.

Some Kinda Way

Some Kinda Way: part 1 (without)

Some Kinda Way: part 3 (through)

Music composed by Connor D’Netto
Performed by Jason Noble (clarinets)

Produced and mixed by Connor D’Netto and Ben Gibson
Recorded at Gasworks Recording Studio by Ben Gibson and Daniel Kassulke
Mastering by Lawrence English at Negative Space
Album Art by Connor D’Netto

This project has been supported by the Australia Government through Creative Australia, its arts funding and advisory body, and the Queensland Government through Arts Queensland.

Some Kinda Way: part 3 (through)

Some Kinda Way: part 2 (over)

Music composed by Connor D’Netto
Performed by Jason Noble (clarinets)

Produced and mixed by Connor D’Netto and Ben Gibson
Recorded at Gasworks Recording Studio by Ben Gibson and Daniel Kassulke
Mastering by Lawrence English at Negative Space
Album Art by Connor D’Netto

This project has been supported by the Australia Government through Creative Australia, its arts funding and advisory body, and the Queensland Government through Arts Queensland.

Some Kinda Way: part 2 (over)

58.2 Peaceful Dance, Harp, Clarinet, Improvisation 20251207-2

58.1 Walk in the Breeze, Harp, Flute, Clarinett, Improvisation 20251207-1

Ce tableau en noir et blanc laisse apparaître la forme d’un animal aquatique, une sorte de poisson aux contours flous et indertéminés, noyé dans un environnement opaque. 
C’est cette allure maladroite et fuyante, contrastée par la rondeur du trait, qui m’a fait penser au timbre de la clarinette dans le grave ; j’ai donc décidé de lui écrire une pièce pour ensemble de quatre clarinettes et une clarinette basse. Cette formation a la capacité tout à la fois de retranscrire la malice des traits du poisson quand elle fait entendre le grave en piqué, comme la solennité induite des tons sombres du tableau quand elle sonne comme un seul orgue.

Piscis Malitiosus

Full MIX VIDEO link 👇
https://www.youtube.com/watch?v=sUy59Qt-DR8&list=PLtDwVlmFItT28aXARq9CPJSiVailHh_Dn

Turned the studio into a mystic vibe zone for this one. 🌿

Here is a live session we recorded recently: while she spins a deep, tribal selection, I’m improvising on the fly with my soprano sax, clarinet, and flute. No strict script, just pure flow and interaction between the electronic beats and acoustic winds.

(And yes, we know the tiger-girl rug on the wall steals the show 🐯✨).

This set goes from slow, meditative downtempo into some groovy organic house rhythms. Perfect background for your creative work, yoga practice, or just zoning out after a long day.

art.ahimsa ft masohi - Mystic Ambient Downtempo Mix 2025 with sax | flute | clarinet (Ecstatic Dance & Ethnic Vibes)

A nyelv pillérei összeomlanak, néhány pillanatra új fogalmak képződnek. 

Hallgassuk Gyüdi Eszter  csodálatos halandzsázását, Panna Szöllősy Vágó, Csaba Klenyán, András Szalai, Tamás Zétényi megkapó közreműködésével. 

Egy Márió Z. Nemes vers alapján. 

The pillars of language collapse, for a few moments, new concepts emerge.

Performed by Eszter  Gyüdic (soprano), Panna Szöllősy Vágó (harp), Csaba Klenyán (clarinet), András Szalai (cimbalom), Tamás Zétényi (violoncello)
Performed by Eszter  Gyüdic (soprano), Panna Szöllősy Vágó (harp), Csaba Klenyán (clarinet), András Szalai (cimbalom), Tamás Zétényi (violoncello)

Based on a poem by Márió Nemes Z.

Lan Ratland Kavá

TOQUE A OGGÚN Y SHANGÓ (2018)
Live recording of the Danish premiere, on December 5th, 2025.
Añá International Ensemble 
Flutes: Liam Mallet, Clarinets: Horia Dumitrache, Saxophone: Henriette Jensen, Percussion: David Hildebrandt, Piano: Talvi Hunt. Guest conductor: Mathias Reumert.
Notes on TOQUE A OGGÚN Y SHANGÓ by Dr. Iván César Morales.
Algunos críticos han denominado la música de Aguirre como: “salida de los infiernos” y “no para los débiles de corazón”. “Toque a Oggún y Shangó” no es una excepción en el catálogo de Aguirre, y sigue ahondando en la exploración de uno de sus conceptos fundamentales: el “monodrama strumentale”. 
Su discurso musical es la expresión metafórica de un mundo (ir)real penetrante y transgresor de prodigiosa energía y eficacia comunicativa. En estrecha complicidad con sus intérpretes, siempre de probado virtuosismo y desenvolvimiento polivalente,  Aguirre conforma los trazos de un entorno sonoro-ritual multi y micro-sensorial. Aquí convergen,  bajo una densa mixtura polidireccional, complejos contrapuntos, intrincados diseños rítmicos, saturadas sonoridades microtonales y amplios espectros de alturas y ruidos (uso de técnicas extendidas), junto a una gama de recursos físicos gestuales de elevada riqueza sígnica.  Aguirre aprehende cuanto elemento encuentra a su alcance para hacer realidad en su obra los más velados y estrepitosos efectos que logran caracterizar, en paralelo, el mundo subjetivo (quasi psicodélico) y representacional de las ancestrales ceremonias afro-cubanas. Y es que “Toque a Oggún y Shangó” es una obra que está intrínsecamente relacionada con la esencia cosmogónica de los ritos afro-cubanos. Con la metafísica existencial del Eggun, del Orisha, del Mpungo –que son los espíritus contenidos en las fuerzas incontrolables de la naturaleza– y con toda su impredecibilidad, su energía descomunal y su pavor.
Dr. Iván César Morales Flores. Profesor de la Universidad de Oviedo, España.

TOQUE A OGGÚN Y SHANGÓ (2018)

A track from the film "The Ugly Chickens", directed by Mark Raso, produced by George R. R. Martin, and adapted from the short story written by Howard Waldrop.

No Trespassing (from "The Ugly Chickens")

Composer | Performer | Producer | Artist

www.connordnetto.com 

_____________________

I'm interested in improvisation, mostly with piano, sometimes with other instruments.

https://louisaguirre.cargo.site/
https://www.youtube.com/channel/UCpHP3DQe90w6q6uD_kY-UAw/featured?view_as=subscriber
Louis Aguirre (f. 1968) Cubansk komponist bosiddende i Danmark. Aguirre er uddannet som komponist i Cuba, Amsterdam, men fortsatte studierne efter han flyttede til Danmark i 2004, og afsluttede solistklassen i komposition ved Det jyske Musikkonservatorium i 2007. Aguirre er en stærk og original stemme i dansk musikliv. Hans værkliste, med mere end 200 værker, inkluderer: opera, orkester- og kammermusik, soloværker, vokalmusik, koral-, elektronisk- og didaktisk musik. Han er en aktiv del af musiklivet i Danmark og Nordjylland, bl.a. ved sit arbejde som medlem af komponistgruppen Snow Mask og som kunstnerisk leder af Snow Mask Ensemblet. En række af hans værker er inspirerede af den cubanske Santeria religion og de religiøse tekster fra området.

i'm a composer for film, tv and the concert hall.

you will find selected tracks from scores, concert works, and some delectable leftovers here 🍰🎵

📸 by www.blapp.space

New tracks tagged #clarinet