para piano, corno, clarinete, saxofón alto

aliento/angustia

A brief moment of a chess game in the mind of one of the players - written as an exercise on the circle of 5ths chord progression

Focused Intensity


Le Fil du silence est une pièce lente, presque immobile, tissée de souffles et de résonances.
Clarinette ténor, saxophone, koto : trois instruments issus d’horizons lointains, reliés par un fil invisible — celui du silence intérieur.
Pas de rythme fort, pas de mélodie marquée, mais un tissage d’ombres et d’échos.

Inspirée par l’esprit de l’erhu, même s’il n’est pas présent, la pièce s’inscrit dans une tradition minimaliste, presque méditative.
Tempo très lent (noire = 8). Écrite sans partition, à partir de l’écoute intérieure seule.

🎧 À écouter seul, dans le silence ou juste après.

Le fil du silence

The 25th anniversary of Final Fantasy IX is almost upon us and this game always had a very special place in my heart, that's why I wanted to make my own arrangement of the beautiful "Song of Memories" (also known as "A Song From Her Memory") using both virtual and real instruments. 

I truly hope you will enjoy it. 
https://youtu.be/UMsxTohwJfM?si=P5dI0Kv12XusqQza

Original music by Nobuo Uematsu 
Arrangement by Dorian Pinto (D0d) 

Property of Square Enix 
No copyright infringement intended

Final Fantasy IX | Song of Memories (Flute & Clarinet Cover)

Brick and Mortar, a contra alto clarinet trio, showcases the contra alto clarinet's brilliance as both an accompaniment and solo instrument. The first movement begins with a rhythmically consistent theme, highlighting the power of the instrument's lower register. This is followed by a somber and intimate second movement that utilizes the contra alto clarinet's silky upper register. The third movement concludes the work with an intense rhythmic pattern that supports a melody passed among all three voices.

D.S. Musiks 

Brick & Mortar - 3

Brick & Mortar - 1

Brick & Mortar - 2

Title: In the Eye of the Beholder | Album: Through a Foggy Pane | Artist: Mike Fitzgibbon

In the Eye of the Beholder

Written in 2016, The Oracle was constructed from a framework of 50 randomly drawn tarot cards, lending the work both an element of chance — in that the process of drawing the cards and their placement in five tarot spreads was random — and an element of “foreordained knowledge” — or pre-compositional structure, based on interpretations of those their cards and their positions. Its distinct aural experience is the culmination of classic aleatorism and modern formula.

Each instrument of the quintet represents an important part of the tarotscape: the violin, cello, flute, and clarinet represent the elements of Fire, Water, Air, and Earth, respectively. Each element and its instrumental representative interact with each other in the same way that our desires, experiences, and moods interact within ourselves. The piano represents all the Major Arcana of the deck: the major milestones we encounter in each of our lives. Its octaves are segmented to represent different branches of the Kabbalistic Tree of Life where each card falls. In other words, the closer to the Divine Source a card sits, the higher on the piano its melody lies, and vice versa.

The Oracle has thus emerged as a multi-faceted, deeply layered, story-driven reflection of the human condition. It unfolds into an engaging tale of emotion, power, and character that may be interpreted in countless ways, according to the listener’s personal experience.

SHARDS

Stream

The Oracle

Trudging Ever Closer (Orchestral)

⬣Aspiring Composer ⬣Could-be VO/VA if given 
⬣Story telling through melody + situational variations
⬣Garageband user lol ⬣Chiptunist ⬣Flutist
⬣Gamer ⬣Humanity Enjoyer

I’m a composer, multi-instrumentalist, educator and co-founder/owner of D. S. Musiks. I love to write for woodwind instruments, specifically solo and chamber music works. I have a passion for double feeds, low clarinets, and recorder/flute, but also love to write for all instruments. I am dedicated to the creation of solo works for auxiliary instruments and find the greatest joy in life when sharing my music and performing. Please visit dsmusiks.com for a full catalog of my works as well as works by many other composers!

I sell my code and music. I own a software studio named Light Anvil Software and I have an album named Infinitessimality that I'm working on.

🎼 Compositeur libre
Je compose sans instrument ou avec eux, selon l’instant : guitare, lyre, ukulélé, clavier ou instrument indien à une corde.
MuseScore me sert de clavier mental, GarageBand de chambre d’écho.
Pianos, hautbois, percussions lentes… Chaque pièce est une trace posée.

Je ne cherche pas l’auditeur. Je laisse simplement la musique être entendue.

Sarah Wallin Huff has enjoyed her work as a composer for concert halls and soundtracks since 1993. Her original compositions have been performed throughout the States and abroad, including the Exeter Phoenix Auditorium in Devon, England; the Mosman Art Gallery in Sydney, Australia; the Zipper Hall in Los Angeles; and the National Opera Center in New York City. As a violinist, violist, and 6-string electric violinist, she has extensive experience playing with diverse ensembles, as well as performing on various recording projects, large and small.
- Multiple GMA medal award winner
- Second-place winner of the Charles Ives Award (The American Prize)
- "Her music positively buzzes with energy…There is no doubting that Sarah Wallin Huff has a distinctive voice that is well worth hearing..." (Fanfare Magazine)
- "Her music is quite complex and unusual and yet…very easy to absorb and appreciate. There’s a lot to take in here…" (Baby Sue)
- "Sarah’s music has a classy, understated sound, yet it is baroque and ornate" (Artist Rack)

Music composer from France.

Inspired by cinema, video games and composers such as Nobuo Uematsu, Keiichi Okabe, Yoko Shimomura, Bear McCreary, Lorien Testard..

New tracks tagged #clarinet