December 2012
This album was recorded when I was 10 years old, and my uncle Andrea Rabuffetti helped me to make it.
Tommaso Rabuffetti: piano, indian harmonium, melodica, eardrum, omnichord.
Andrea Rabuffetti: electric guitar, electric bass, maracas.

Beyer 98

Beyer 78

Beyer 74

Quartetto d'archi in stile quartale

WINNING PIECE OF THE 2ND EDITION OF THE ACHROME ENSEMBLE INTERNATIONAL CALL FOR SCORES 2018

Minue is the name of the cat that inspired this composition.
The work is structured in three sections, each portraying different characteristics of the feline. Two of these sections are contrasting, while the final one unites them.

The first section, "Stealth and Lightness", is built upon a single idea that gradually unfolds. Throughout the piece, this idea gives rise to intertwining lines that take on various shapes, chasing each other with delicate agility. When the musical material overlaps only partially, forming a “sound band”, a curious and leaping theme emerges—evoking the cat’s soft, springy movements.

The second section, "Uncertainty", has a slow and contemplative pace. It revolves around a primordial, ostinato element (like a drop of water falling into a still pool, radiating waves of varying height and amplitude), which creates turmoil and instability. Gentle and evocative lines overlap and surround the uncertainty of this ancestral element, eventually dissolving the sonic material and giving way to the final section.

The last section, "Expressive Ambivalence", revisits and develops the earlier material. The original idea has lost its structure and now merges with the rest, forming new sonic textures and layers. A hesitant theme appears at the end, introducing the ambivalence—one of the most typical traits of a cat. In the finale, the music fragments across time, with small ironic gestures echoing the cat’s behaviour.

Live recording
"A. Piatti" Hall, Bergamo
19 January 2019

Minue for ensemble [2019]

PERFORMANCE NOTE

The piano work takes its title from two lines of Maestro Mauro Crocetta's poem, “the scent / of the earth.” These lines immediately captured my interest from the very first reading, becoming a source of inspiration throughout the entire development of the piece.
Another element that sparked great interest is the cycle of life, which is the central theme of the poetic composition. In music, it is transposed through symmetrical principles, reflecting the natural process of the living being. The sharp contrast between life and death is expressed through broken rhythms and the melodic line; these two elements merge into a whole, creating continuity across the various sections. In my imagination, color transforms into fragrance, it comes to life. The work is in a single movement divided into five sections (A - B - cadenza - C - D).

First Prize at the National Composition Competition
Poetry in Music: Towards the Absolute by Mauro Crocetta
VIII Edition

First performance at the Sala Vittoria of the Ascoli Piceno Art Gallery
on September 28, 2024



Il profumo della terra


SIMC e Cappella Musica della Basilica di S.M.Maggiore in Bergamo 
CALL 2020 "NUOVE MUSICHE CORALI PER LA LITURGIA"

4 voci a Cappella SATB 
Francesca Longa, soprano
Marta Fumagalli, alto
Matteo Magistrali, tenore
Alessandro Ravasio, basso
Cristian Gentilini, maestro di cappella

26 settembre 2021

Offerimus tibi Domine (SATB)

for violin, guitar, drummachine, synthbass, synthpad, choir

A Random Day's Capriccio

Dreaming - Some Kisses

Questo brano è un esercizio artistico di rescoring su una scena di guerra tratta dal film "Macbeth" (2015), diretto da Justin Kurzel.

The Prophecy (scena di guerra)

"Each of my compositional efforts is a humble attempt to mirror the perfection of nature."

Nato il 18 Marzo 1998 a Castelfranco Veneto (TV).
Appassionato di musica fin da piccolissimo comincia con lo studio del pianoforte classico all’età di 8 anni. 

Si avvicina nella sua formazione a diversi stili di musica. Suona e collabora per svariati progetti di generi diversi come rock, pop, soul, funk, facendo esperienza nella composizione e nelle live performance. 
Nel 2018 dà vita al progetto musicale “Redrum” di cui è voce principale, tastierista e songwriter e con il quale pubblica i suoi primi lavori in studio.
Nel 2022 ottiene il diploma di primo livello al Conservatorio di musica A. Steffani di Castelfranco Veneto (TV) in Pianoforte Jazz e lo stesso anno si trasferisce a Milano per proseguire gli studi in indirizzo Popular Music al Conservatorio G. Verdi.

L’esperienza fatta in ambienti musicali diversi lo ha portato alla creazione di uno stile personale eclettico che spazia tra songwriting pop/rock, musica per immagini, e composizioni più underground e sperimentali.

New tracks tagged #classica