The Maybe Waltz

Piano solo sur le thème du prélude de bach enregistré avec iphone 13pro

2 of 21 days(BOLAMU BUAYO ELEKI)

The 12tet version of the same piece for microtonal guitar, drums and cello, however somewhat different and with more piano parts. 2025

Music for Drums, Cello, and Three Pianos

shit ass

A modern rendition of the absolute classic 'Moon Men,' reimagined with unique, rock-inspired undertones. This updated version combines timeless nostalgia with fresh, bold musical elements, making it perfect for family get-togethers, parties, and gatherings. Featuring vibrant, dynamic rhythms and a catchy, upbeat melody, this rendition of 'Moon Men' offers something for all ages to enjoy. Whether you're planning a fun evening with loved ones or just looking for an energetic, feel-good track, this version is the ideal choice. Its captivating blend of classic vibes with modern rock energy guarantees it will keep everyone engaged and entertained, making it a perfect soundtrack for memorable moments.

vsauce moon men rock remix

بحكيلك عن الايام- رامي صبري Cover زياد جمال ❤️🎵

كلمات : 
وبحكيلك عن الآيام مابين نفسي وبين روحي 
وببعتلك بقلبي سلام وأخر يومي قبل ما أنام 
بنام متغطي بجروحي 
وبكتبلك بعيني دموع 
وبمسحهم قوام تاني 
وبنكر لو في يوم موجوع واقول عادي ومش موضوع 
حاجات مابقتش هماني 

وبقول ياريتك وبقول ياريتني 
وبأيه ياريت كانت في يوم أصلا فادتني 
وبقول نسيتك علشان نسيتني وأحفظ كرامتي قصادي وقصاد ناس شافتني 
..
ماعنديش نيه وأستعداد 
أكمل في الفراق تاني 
هنفضل طب لأمتى معاد وبتعشم يكون في ميعاد 
أشوف حتى لثواني فراقك خد كتير مجهود ويوم عن يوم ياخد مني 
ونفسي في أي  ردود ولو كان الآمل موجود هترجع امتى طمني

بحكيلك عن الآيام - زياد جمال (Cover) | Bahkelak An El Ayam - Zyad Gamal

EDMONDX LOVE TRACK

Composed by Alannah Jennings, this score was recorded live by Woodwind Quintet in Windmill Lane recording studio in Dublin, Ireland 

The Snowman

winter never ends

Reject Trouble

On Bright Days — Giovanni Gastoldi (duet for two baritone ukuleles)
A bright, quick-stepping dance from the late Renaissance, originally published in Giovanni Gastoldi’s Balletti of 1591 — a collection famous for its clear rhythms, cheerful refrains, and light-hearted spirit. These pieces were loved across Europe and inspired later composers from Morley to Hassler.

In this modern two-ukulele arrangement, the music keeps its original character: joyful, buoyant, and full of sunlight. The interlocking lines of the duet create a lively dialogue, like two voices trading steps in a shared dance.

This recording is my small offering to the arranger, whose music brings people together day after day.

Arranged by Ellen Whitaker. 

Played (both tracks) on baritone 'Oli L1 acacia with LR Baggs 5.0 pickup.
Recorded from pickup and condenser microphone CAD GLX1200.
Reverb added in Reaper - OriRiver plugin.

On Bright Days (20251201) 'Oli baritone

admiring the beauty of ladies of South Africa

hush caramima

Découvre avec nous tous les rouages  du marketing agricole

l'image de marque by Agrolink

D218 is an American musician, composer, producer DJ, and sound engineer.

AGENCE DE MARKETING AGRICOLE
° Conseils
° Stratégie Markéting
° Design

Indépendant artist, author and composer, my songs are not all reflection of my life, but influenced by the life around me, pianist since a long time, but time has made me have to adapt to compose songs, so I also started playing drums, bass and guitar, easier to write beats,
All my compositions are recorded in my home studio. MAO/DAW.
I sing on some songs, but I prefer to let my friends dress my creations, I don't like my duck voice🤣, so if as a singer you want to collaborate with me, I have lots of instrumental pieces that are just waiting to be finished with a beautiful male or female voice....i’m open for collaborations 👍, just send me message😉

Alannah is a Dublin based composer, sound designer and filmmaker, passionate about music and visual media. 

 A graduate of Trinity College Dublin, Alannah received a BA in Music, specialising in composition.  She is currently undertaking a MA in Scoring for Film, Television and Visual media at Pulse College, Windmill Lane, Dublin. 

In 2022, her composition The Rainstorm was premiered by the Gramophone nominated Fidelio Trio. She has also composed for ensembles, such as the Trinity Orchestra, Irish Chamber Choir and Dublin String Quartet. In 2023 and 2024, her compositions were shortlisted for the Finding a Voice Emerging Composers competition .Her piece Sakura Tree was debuted by the Darragh Morgan of the Fidelio Trio in November 2023. 

Alannah also composes, directs and produces for screen, with her short films selected for both national and international film festivals, such as the Louth International Film Festival, Rome International Film Festival, Dublin International Film Festival and Underground Film Festival. 
This is a collection of some of her works.

To all concerned: 
I am announcing publication of my new book, NOW AVAILABLE:
https://www.routledge.com/Maqam-Melodies-Pitches-Patterns-and-Developments-of-Music-in-the-Middle-East-and-other-Microtonal-Writings/Thoegersen/p/book/9789815129052
My book, Polytempic Polymicrotonal Music, is available on Amazon. 
https://www.routledge.com/Polytempic-Polymicrotonal-Music-The-Road-Less-Traveled/Thoegersen/p/book/9789814968294

I have a new album out through Magic&Unique Group Records on Spotify and other digital streaming platforms:
https://open.spotify.com/album/5qWHmcvyAemvVn2TJH1bio?si=OD5TmPptQ-ypr8WOI0EZKA&nd=1

https://whitecentipedenoise.com/products/peter-thoegersen-facebook-cantos-cdr-flea
My CD via Flea label has been out since April, 2021, featuring the wonderful Lore Lixenberg singing over my microtonal piano accompaniment
Hope you enjoy it!

https://www.newworldrecords.org/collections/vendors?q=Peter%20Thoegersen

From the liner notes on my CD now available on AMAZON and New World Records:
"The author of these notes has spent his life explaining radical music, and the music on this disc may be the most radical I've ever written about. Peter Thoegersen (b. 1967) is not yet a name known to the music world; not for any lack of connection to other famous musicians, but because he came to composition late, and because his artistic aims are so broad and complex that they have taken years to evolve. His aesthetic is well defined, and he is upfront about having a name for it: "Polytempic Polymicrotonal Music." That means he has musical layers simultaneously moving in different tempos, plus, even more radically, that he has different microtonal scales playing at the same time. Few composers have aimed at such fervent and heterogeneous multidimensionality. And yet, while Thoegersen's music can seem overwhelming at first, running through it is a level of charm and simplicity that belies the initial impression.

In total, these three pieces emphasize a particular side of Thoegersen's output. The image his music creates of ornately mathematical structures filled with intuitively friendly melodies maps on to the personality of the man himself: outspoken and acerbically ruthless in his musical opinions, Thoegersen is also marked by a jolly sense of humor and an inexhaustible love of cats and other animals that make him ultimately less imposing and more personable than he might seem at first. The same can be said for his music. And by going further than anyone else has gone in terms of this particularly American concept of fusing the polytempic with the polymicrotonal - extending and combining the conceptual worlds of Ives, Cowell, Nancarrow, Partch, Carter, even Frank Zappa and many others - he has created a special place for himself within American music."                                                             

-Kyle Gann (from the liner notes)

New tracks tagged #classical