– Esoteric and poetic; hints at the blending of acoustic purity with modern electronic/orchestral layers. [Instrumental] [Constant subtle Doppler-like pitch drifts and delays as the sound bounces off invisible rock faces; occasional faint shortwave radio crackle and far-off static ghosts weave through the strings.
Tempo free and breathing (rubato), around 60-70 BPM, key drifting between E minor and G major.
Dynamic range huge: from near-silent pp to sudden warm mf swells that bloom and vanish.
Mood: vast, sacred solitude, like hearing a lost soul practicing Bach partitas on the edge of the world while the mountains themselves learn to sing back in ever-changing voices.
No percussion, no other instruments, only the guitar and the endless mountain answering to the guitar, voices, and whispers. Pure acoustic hallucination.]

Nocturne for Dissolving Boundaries No. 1

subatomic particle shrieks No. 2

(2022)
Justin Saulnier = violon
Joseph Tsao = violon
Joey Machin = violon
Gabriel Vincent = violoncelle
Emmanuel Jacob Lacopo = guitare
Amelya Hempstead = mixing and production

Pyursummer Sleep'ns (First Movement)

Pyursummer Sleep'ns (Second Movement)

Made with garageband, classical guitar, and phone mic. Use headphones/earphones to hear harmonies well. Remember Takmina -- The Mind

My kind of woman 3 - 2026:01:24, 23.04

Eschaton... Eschaton...
Not the end, but the dawn...
New beginnings... unfold...
[Verse 1]
Woke up in the static, headphones on tight
Frequencies shifting in the dead of night
Old world fading like a distant dream
Glitching into colors we've never seen  
Layers unfolding, beats out of time
Experimental waves crashing in my mind
From chaos comes the spark, the light ignites
We're rewriting code under neon lights  
[Chorus]
Eschaton rising!
New beginnings call!
Immanentize the dawn
We're breaking through the wall!
Worlds colliding, hearts aligning
In this sonic rebirth flame
Eschaton new beginnings
Everything has changed!  
[Verse 2]
16 to 40, eyes wide open now
Discovering the edges, forgetting how
To stay in the lines, we bend the sound
Ambient horizons on infinite ground  
Pulses syncing, futures intertwined
Leaving yesterday's echoes behind
No fear in the unknown, just pure delight
Experimental freedom taking flight  
[Chorus]
Eschaton rising!
New beginnings call!
Immanentize the dawn
We're breaking through the wall!
Worlds colliding, hearts aligning
In this sonic rebirth flame
Eschaton new beginnings
Everything has changed!  
[Bridge]
(Glitchy breakdown building to lush synths)
Feel the shift... the veil is thin
Not an ending... let the new begin
Waves of light... carry us through
Eschaton whispers: this is for you  
[Outro]
(Layered vocals, fading into uplifting chords)
Eschaton... new beginnings...
Eschaton... forever spinning...
Dawn is here... the light is winning...
New beginnings...

Eschaton Ritual Part 3   2026

Moonlit Avantgarde Jam

Faerynth huumiis sučas ʔiisaak unchained millennia gleam, Vorath iron ḥaak̓ał descend, crimson sap carve landholder vein.


Walbryn castlethrone huumiis vast sere luminous stand, Iron decree monumental sučas felled, aurynth dust profane wind scatter.


Yellow orphinae fairyveil mist glossolal hymn watershed anima sing once, Root bleed silenced proph now, blockad hand mortal ʔiisaak tremble ward

Central walbrana luminth groves chronovae pulse living bind time bark breath, Profane harvest canopy throne tore, somnara echo sun-bleach grave trap.

Nuu-chah-nulth Inspired Lament _Ancient Forest Chant Whisper_ Verse 1-4

Work in Progress for FAWM 2026 Song #4 Words are on there way and more editing, of course! 

WIP Minus Words

In Toronto in the 80's I had a classical guitar teacher that introduced me to this piece. I learned it and have a memory of performing it, although I think I stumbled through it. I studied some more classical guitar at university in the 90's and had a chance to choose what piece to play at my final exam. I dusted off this piece and played a page or two for my teacher who said, "you don't have the fugue inside of you". So that was that, and I played the prelude from BWV 997 instead for my exam. In the last few years I've dusted off this kind of music again, with a focus I'm sure I didn't have when I was younger, but also having the luxury of no deadlines and time to devote to it. This fugue is still the most difficult classical piece I've practiced yet, and even while recording it I did few takes and fixed up some sections. The video includes vignettes of our landlord's Japanese garden. 

Arranged for guitar by Jean-Francois Delcamp. I changed some of the fingering and I used parts of another arrangement.

For this project I used:
Hans Schmidt Nylon String Acoustic Guitar
2 Apex 210 Microphones
Tascam US-1800 Audio/Midi Interface
Adobe Audition for recording, editing and mixing
Adobe Premier Pro for compiling the video
HAJAAN Flash F50 Gaming Desktop Tower PC - AMD Ryzen 5
Allen & Heath GL2400 mixing console
Vignettes of a backyard Japanese garden

Youtube link:
https://youtu.be/iU83_LlTYLU

Fugue In A Minor BWV 1000

The debut EP from classical guitarist Fred Springer

A Fancy, P. 73 - John Dowland

The Bungalows - Razvan Bezna

An Malvina - Johann Kaspar Mertz

My Gentle Harp - Thomas Moore, arr. Garcia

Romance - Niccolo Paganini, arr. Springer

This episode features a fascinating interview with the engaging young Brazilian guitarist, Gabriele Leite, discussing her new release Gunûncho, women composers, and so much more.  All audio tracks features on this episode are courtesy of Roncinante.  

Series 3 Episode 1:  Gabriele Leite

Brutal (Audre Lorde)

Moonlit Airsong_melancholy without complex melodies

Aux retrouvailles de l'instrument : un motif de guitare simple et circulaire, enregistré sans artifice. Une petite broderie sonore pour accompagner un moment de calme.  

At the instrument’s reunion: a simple, circular guitar motif, recorded without artifice. A small sonic embroidery to accompany a quiet moment.

Broderie à la guitare

Join us as we celebrate the remarkable contributions of women to this timeless art form, featuring insightful interviews, captivating stories and performances that showcase their talent and dedication.  Discover the heroines of the classical guitar and their enduring impact on music history and today.  Hosted by Bridget Gerard and Mariette Stephenson.

I do covers with garage band and a classical guitar. I take requests on comments

Des esquisses musicales captées telles quelles : une prise brute, simple et directe, très naturelle et presque sans retouches. 

Nous y expérimentons différents instruments :  
un piano digital Donner DEP‑20 et ses 238 sonorités,
un dulcimer des Appalaches Merlin M4 de Seagull,
une guitare espagnole Raimundo 104‑M,
et un violon ZEV‑VLN44.

Toutes les pièces sont enregistrées avec l’application « Enregistreur de voix facile Pro » de Digipom ou avec l’enregistreur Sony ICD‑PX312.

Pour un traitement minimal — coupes, fondus d’ouverture ou de fermeture, quelques effets — nous utilisons Audacity.

« classique » « néo-classique » « classique contemporain » « instrumental » « minimalisme »

[démo] [improvisation] [piano Lo‑Fi] [enregistrement brut] [traitement minimal] 

***

Musical sketches captured as they are: a raw, simple and direct take, very natural and almost unedited.

We experiment with different instruments: a Donner DEP‑20 digital piano with its 238 built‑in sounds, a Seagull Merlin M4 Appalachian dulcimer, a Raimundo 104‑M Spanish guitar, and a ZEV‑VLN44 violin.

All the pieces are recorded using the “Easy Voice Recorder Pro” app by Digipom or with the Sony ICD‑PX312 recorder.

For minimal editing — cuts, fade‑ins or fade‑outs, a few effects — we use Audacity.

“classical” “neo-classical” “contemporary classical” “instrumental” “minimalism”

[demo] [improvisation] [Lo‑Fi piano] [raw recording] [minimal processing]

Montreal-based composer and instrumental musician.

All "SWAYGROW MUSIC "composed and played by Roger Bruderlin on MIDI and Romantic Classical Guitars.  @  Earlymusicalinstruments.com

Fred Springer is an artist dedicated to sharing music and art with the world through performance, outreach, education, and online content. Having performed formal and outreach concerts on three different continents in countries including the United States, Argentina, Switzerland, and Canada, Fred has developed a compelling way to share his passion for the classical guitar with audiences across different cultures. He has been awarded prizes in solo guitar, ensemble, and mixed instrument competitions including the Troy University Guitar Festival, the Southern Guitar Festival, the Lone Star Guitar Festival, the Houston Classical Guitar Festival, the Classical Minds Guitar Festival, and the Big Bend Community Orchestra’s Young Artist Concerto Competition. He holds degrees in Classical Guitar Performance from the University of Texas at Austin, where he earned a minor in Art History, and Columbus State University, where he served as a graduate assistant in the Schwob School of Music.

Hi, I work as a music teacher at F.D Sinclair Elementary and Mcleod Road Elementary in Surrey, B.C. The music uploaded here is mine from my own projects or collaborations.

Ember Lou Larson is a progressive folk singer songwriter living in the mountains of Northern Arizona.

New tracks tagged #classicalguitar