Written, perfumed and produced by Robbie Gennet
Brown Earthling Music 2025

Need to Breathe

Written, perfumed and produced by Robbie Gennet
Brown Earthling Music 2025

LYRICS:

Stepping on the highwire
Lighting of the night fire
Handling the cold liar
Suffer from your own fate
Writing out the due date
For when you expire

Dreaming of the cold steel
How we think we don’t feel
Memories you can’t steal
Hunger for the good times
Fumbling the mad rhymes
Cannot make a bad deal

And you don’t think that I
Would mistake you for a killer
And you don’t seem to mind
That I’m bringing on the thriller

Shedding of the snakeskin
Feeling like a has been
Got the revelation
Shaking in the meal line
Wounded on the front line
Why the hesitation

The Thriller

A bit of 60s/70s inspired Gothic Horror. Imagine Mary Shelley and the gang, stoned out of their skulls, alternately telling and writing horror stories in a dark, haunted house by Lake Geneva. It is, of course, a dark and stormy night and there are strange things afoot. The Daffodils won't leave them alone, and there is something in the woodshed. Ken Russell is directing them.

All made with Arturia VST's, mainly the B3, Vocoder, Mellotron, CMI, Clavinet, Mini and Pigments. Mastered with Ozone, but pushed to the limit to give some extra retro.

Blood and Daffodils

Like vibes, only chives, like... instead. Or something.

Positive Chives

A slapping ridiculously funky disco house song I made focused on clavinet rhythm funk!

Clav II

A quick musical sketch recorded in 20 minutes during our daughter's bath time 😂

Non-Alcoholic Margaritas

The title says it all... 
Words & Music: J. Kruft Van Rossum
Performed and recorded by Jerome Van Rossum
Rhodes: Eric van de Bovenkamp
Drums: Darby Todd, Erik Dekker
Background female vocal: Johanna Delgado
YouTube video available with performance by G.E.E.K. https://www.youtube.com/watch?v=sfu97dBpVc0
Image: JVR with ChatGPT

Ignorance Rules the World

Ignorance Rules The World (Original Version)

another example in my 'isolated tracks' series, this is a short snippet from 'The Get Down' by the Eclectic Collective, featuring just the clavinet chorus along with Josh's slick bass riff and some nifty percussion from Ken.  

here's the full song with the detailed description:
(likely a different sounding mix than you've heard before)  😎

https://soundcloud.com/user-432503709/the-get-down-mark-mix-audio

The Get Down (ISOLATED clavinet with rhythm section)

Slow instrumental jam, electric bass, bass synth, drum beat, clavinet, synths with Gustavo Bulgach (saxophones)
@gustavo-bulgach

de parte de quien?

A tender jazz-funk/sophisti-pop duet where two voices truly “see” one another. Rhodes, clavinet, horn section and brushed kit cradle D-minor verses (94 BPM) that bloom into a radiant, harmony-stacked chorus. Male-female interplay (Norah Jones/Lianne La Havas vibe) invites slow-dance replays.
For industry: intimate-to-anthem arcs ideal for drama/relationship sync; lyrical universals (“seen,” “recognised”) and clean instrumental breakdowns. For curators: Duet Gems, Late-Night Jazz-Pop, Soulful City Lights.

Through Your Eyes

➽ Youtube  https://www.youtube.com/@logical_miracle
➽ Tiktok @logical_miracle
➽ Instagram @logical_miracle

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Welcome to Logical Miracle, a project where a lifelong dream meets the cutting edge of technology, brought to life by two passionate creators, one a musician and songwriter, the other an edu tech enthusiast who turns ideas into reality.

Like many, my journey started with big dreams as a child. I imagined myself as a musical genius, learning to play the recorder and later moving on to the violin and guitar. Back then, I had no idea how challenging the music industry could be. As life moved on, new adventures like jobs, holidays, and eventually starting a family took over, and my musical dream slowly faded into the background.

But the story didn’t end there. Over the past 40 years, technology has evolved in incredible ways, creating opportunities that were once unimaginable. Social media has reconnected us with old friends and memories, while AI and music software have revolutionised how we create and share music. The music industry, once an exclusive club, has had to adapt, leaving space for new voices to emerge.

This is where Logical Miracle was born, a collaboration between my love for music and the technical genius of my partner. For years, I wrote poems, not realising they were songs in waiting. Today, with the help of AI, music production software, and my tech-savvy partner, we’ve brought those words to life. The dream of working in a big studio isn’t necessary anymore; with the right tools and expertise, we’re able to create professional-quality music right from home.

Logical Miracle is the result of this collaboration. It’s not just a musical project, it’s a testament to the power of dreams and the possibilities that technology brings. What started as a simple idea has blossomed into something much bigger, a dream shared and fulfilled. Now, it’s time for our music to be heard.

So, whether you’re here to discover something new or to support two dreamers who have turned their passions into reality, we hope you enjoy the music of Logical Miracle. Your feedback means the world to us, if you like what you hear, let us know. And if not, that’s okay too, just be kind in your comments. Either way, we’ll keep creating, inspired by the knowledge that our partnership and technology have made this dream possible.

Thanks for listening, and welcome to the world of Logical Miracle.

𝚃𝚞𝚗𝚎𝚜, 𝚗𝚘𝚒𝚜𝚎𝚜, 𝚋𝚎𝚊𝚝𝚜, 𝚍𝚊𝚏𝚝 𝚜𝚝𝚞𝚏𝚏

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

The home of Brown Earthling Music and the music of Robbie Gennet.

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Jerome Van Rossum is a Dutch composer, multi-instrumentalist, producer, arranger and band leader. He started his career in New York with a variety of bands, theater companies and record labels, releasing his first solo album "Diplomatic Immunity" in 1998 (Irma Records). His latin-funk Orquesta Mata Buena played clubs and festivals in the US, and later in Europe, when Jerome moved back to Europe. Jerome is now back in the studio, recording new musical projects, some of which will appear here on SoundCloud.

The musical life of Brad Frost, which often involves playing music with his wife and brother.

New tracks tagged #clavinet