Experience a deep, nightly meditation with this binaurally-enhanced 432Hz improvisation on a close-miked Steinway. Drift away.

Nightly Meditation in 432Hz: Binaural Journey on Steinway (part1)

The journey continues in Part 2 of this nightly meditation session. Further explore the depths of your mind with our binaurally-enhanced 432Hz soundscape on a close-miked Steinway.

Nightly Meditation in 432Hz: Binaural Journey on Steinway (Part 2)

Immerse yourself in the richest sounds of my Steinway D, finely tuned to 432Hz. Recorded close mic, this is the pinnacle of my tuning journey. Listen and feel the serenade.

Serenade on Steinway D: The Perfect 432Hz Tuning

A Fleurieu & Kangaroo Island Sound Map (FKISM) site, added in September 2024. Read more here:  https://www.tristanlouthrobins.com/fleurieu_soundmap/sites/LYB015.html

Recorded in the early evening as the tide makes its into Lady Bay, a pair of microphones (with heavy windjammers fitted) are spaced apart a few metres and sit atop a large mass of dried seaweed, otherwise known as 'wrack'. These big stacks of wrack were a fixture of my childhood visits to Lady Bay, and at this time of the year (late Summer/early Autumn) are thoroughly dried and tend to elicit discrete rustling sounds when the wind shears across them. In this recording, you can hear the twitch, squeak and rustle of the wrack intimately foregrounded, whilst the sound the lapping tide, distant birdsong and purr of traffic can be heard on the periphery.

FKISM: Wind on wrack, incoming tide at Lady Bay, March 2024

Rediscovering Music: A Fusion of Art and AI
After a 27-year hiatus, music called me back—not for nostalgia, but for innovation. The piano and drums have rekindled my improvisational talent and rhythmic passion. As an AI Evangelist and engineer, I’ve harnessed cutting-edge technology to enhance my creative process, utilizing tools like Sonic Pi, VST plugins, and machine learning to bridge MIDI and text. This journey has culminated in 845 original songs, each an instant ephemeral creation born from improvisation with piano rhythms and advanced AI algorithms.

I steer clear of mainstream music and do not listen to any music, forging a curious path of singularity that reflects my unique artistic vision. This extensive body of work showcases the seamless blend of art and technology and the limitless possibilities when passion meets innovation.

Update Dec 24: Transitioning to Advanced AI Research
After 2.5 years of dedicated music creation, I have almost switch  from all business activities to focus exclusively on advanced AI research and Music. As a musician whose dream of pursuing music was set aside 30 years ago, I now strive to promote AI for all, with a special emphasis on education with my creation, the "Genius Coach Framework". I believe in AI's transformative power to shape the future and am committed to making it accessible and impactful for everyone. While I stepped away from music creation two decades ago, my recent return bridged art and technology in new and exciting ways, paving the path for innovative advancements in AI and honoring my enduring musical legacy.

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).

New tracks tagged #closemic