WE’VE MADE IT TO NUMBER 50!
TO MARK THE OCCASION WE’VE WENT BACK TO WHERE IT ALL BEGAN FOR US AT CODA, OUR FIRST EVER BOOKING - CAILÍN.

WE’RE SUPER HAPPY TO GET THIS MIX FROM CAILÍN TO MARK 50 EPISODES. LONG-TERM RESIDENT AT SUBJECT IN DUBLIN, 2 APPEARANCES ON BOILER ROOM AND A SOLID PRODUCER TOO, THERE’S A REASON SHE’S ONE OF THE MOST RESPECTED ARTISTS ON THE ISLAND.

NICE TO HEAR A MIX THAT DIGS A LITTLE DEEPER FOR A CHANGE TOO, SO LOCK THIS ONE IN FOR THE NEXT HOUR AND ENJOY!

@cailin1210

Coda Mix 050 - Cailín

"Reel Faith: Sign Language" (8-10-2025) - Rev. Carla Aday

Leaving Home (Coda) by George.
From Volume IX Side A of the Band of Georges.

Music and lyrics by G. Davies.
Composed 1st June 1987 circa 01:00am.

Recorded December 1987 to April 1991.
Mixed May 1991.
Lifted from cassette August 2025.

Copyright © 1987 & 2025 Wud Records.
Copyright ℗ 1987 Explicit Music.

Fun Facts:
Leaving Home (Coda) is actually a bonus track.
This coda was something we discovered at the end of the mix of Leaving Home.
It appears to be just some guitar noodling that happened once the take was finished and the tape was still running.
There's a certain poignancy to it, like a final farewell, so we included it here.
When the lyrics for Leaving Home begin, they are describing the scene in George's room in real time.
Some of the lyrics are by turn fascinating, wistful, poignant and telling.
There is rather a lot of reverb on here, from the same source as for Secret Subsociety.
The drum machine is again the Boss DR 220A.
The EDP Wasp also makes a few appearances.
Leaving Home was never performed by any band.
The bass was tuned to a drop-D for this song.

See also:
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/volume-ix-side-a/
https://www.wudrecords.co.uk/news/band-of-georges-release-permission-granted/
https://linktr.ee/wudrecords

Volume IX Side A

Leaving Home (Coda)

Downloads

Band of Georges: Leaving Home (Coda)

Hollywood-based guitar player, award-winning film producer, and one of the founders of the revolutionary new music streaming service that just launched, called Coda Music, which combines full social with music streaming.  He has a great story about auditioning for the guitar spot in Ozzy Osbourne’s band and has played countless shows in renowned venues such as Whisky-A-Go-Go, The Roxy, The Troubadour, and The Viper Room.  Over the years he has been a prolific session musician and producer, additionally working as a "ghost player" for top charting rock and metal bands, and he has recorded sessions in top L.A. studios.

NHTE 600 Ted Andre

ON THE FLOOR – Crypton & Illuszion ft. CODA
OUT NOW on Young Guns 🔥💃

Illuszion and Crypton teamed up for pure chaos on the dancefloor, blending bouncy uptempo with euphoric hardcore. CODA’s powerful vocals drive three unique drops. Premiered live at DOMINATOR Festival, now ready to tear up clubs, festivals, and your gym playlist.

🎧 Stream / Download → https://younggunsrecords.lnk.to/OnTheFloor
📀 Label → Young Guns

💬 Let us know your favourite drop in the comments!

Follow Crypton:
Instagram → https://instagram.com/cryptondj
TikTok → https://tiktok.com/@cryptondj
Spotify → https://open.spotify.com/artist/592FgKnDnLHT1jLLLwGjR2

Follow Illuszion:
Instagram → https://www.instagram.com/illuszion_uptempo/
Spotify → https://open.spotify.com/artist/1SxMLa74v5XKzGwdxWNhgp



Crypton & Illuszion ft. CODA - ON THE FLOOR

Eternal Truth – Aria da Concerto is a storm-forged operatic lament for baritone soloist and male chorus. Blending classical form with epic, modern intensity, it unfolds as a journey from silence into struggle, from fracture into revelation.

The aria begins with a solemn recitativo secco, invoking stillness before flame, silence before speech. The arioso rises with reflection, bearing witness to light even as time and truth are fractured. The choral invocation swells with collective strength, guiding the soul through silence toward resilience.

A darker chorus of voices and shadows follows — whispers, foam, wind, and fleeting words that cannot bind what endures. The cabaletta bursts in thunder and steel, a defiant surge where each wound refines, each stumble teaches, and no storm can sunder the vowed path.

At the aria’s heart lies the climactic expansion, a maxim delivered with operatic force:
“No blade,” is said, “cuts quite as deep,
As failure nursed to make us weep.
Let’s wear our pride like battle steel;
And embrace the truth that loss reveals.”

From rubble and sorrow blooms renewal — silence becomes guide, and tears give life to the soul’s flower. The return and transformation recall the opening lines but with greater power, reshaped by struggle.

The coda closes in sweeping inevitability:
So it was, and so it is,
Time will break, and time will mend.
At stillness’ edge, a hope unending extends,
And sorrow’s chain at last will end.

Forged in silence and storm, Eternal Truth stands as both lament and triumph: a testament that truth endures, unbroken by the passing of time or the weight of sorrow.

[LYRICS]

Rise, O soul, into the stillness,
Before the word, before the flame;
Here the sands hold their witness
Here the stars keep no count or name.

Time was whole before the fight,
Light was vast before the night;
Rise, O witness, and lift your sight,
Bear the truth to wake the light.
From the rubble, forge a tower,
So tears may nurse the soul’s flower.

There is motion deep within stillness;
It carries us onward, steady and true;
And opens the soul to living wholeness;
A timeless voice, guiding all we do.
From the rubble, forge a tower,
So tears may nurse the soul’s flower.

Words may follow as we’re walking,
Whispers follow, softly talking;
They break like foam upon the shore;
They fade like wind, they are no more.
What is said before us or behind us
Cannot bind us, or confine us;
The stone may strike, its fragments fly;
Yet truth endures; it cannot die.

Come, let us tumble; let us fall;
We accept it, one and all!
For in the breaking, there’s the sign,
The strength to rise is yours and mine.
Each stumble teaches, each wound refines,
It makes us stand with straighter spine.
No thief of fate, no storm shall sunder
Our vowed path, nor steal our thunder.

“No blade,” is said, “cuts quite as deep,
As failure nursed to make us weep.
Let’s wear our pride like battle steel;
And embrace the truth that loss reveals.”
Now the silence is our true guide,
And sorrow’s seed will turn the tide;
From the rubble, forge a tower,
So tears may nurse the soul’s flower.

Time was whole before the fight,
Light was vast before the night,
Now in the silence we will find our might,
From the rubble, forge a tower,
So tears may nurse the soul’s flower.

So it was, and so it is,
Time will break, and time will mend.
At stillness’ edge, a hope unending extends,
And sorrow’s chain at last will end.

A1-S1 Eternal Truth – Aria da Concerto (Operatic Lament • Baritone • Forged in Silence and Storm)

A standout cut from the Ballroom Records catalogue, Coda by Pammin is now featured in TEN: The Archive Series, Pt. 5 — a chapter celebrating the more melodic and house-driven side of our sound.

Defined by warm grooves and emotive atmospheres, the track highlights the refined, melo side of Ballroom’s Melodic House & Techno identity.

Enjoy listening!!!

TEN: The Archive Series, Pt. 5

Coda

Hurricane (prod. mahxltxl)

TRACK LIST

End of Line 
Psycho
Call me Von
freemymp3
Palo
Generation One 
Acid Psychosis
Blast Shadow
ADSR
Pitch Down
After Life
Eight Five
Is You Rollin
Oui Yeah
Supernova
Gettin Dis Paper
Acid Machine
Metro Obolon
Devil's Reject
A Very English Wind 
Streamline
REWE BOY
Filter Lock 
Too Quiet
Everybody In The Club
Xnthefloor
Gestaltwandler

Xela Coda Debut Set (Pegassi Support)

** Addy's Annual Bday beats --> tr.ee/addybdaybeats
ALL EVENTS --> www.djaddy.com/link 
ADDY INSTAGRAM --> www.instagram.com/addy_toronto 
ADDY FACEBOOK --> www.facebook.com/Djaddy.Canada

Free Download

Addy live @ Veld Music Festival 2025 - Bday Beats part 3

It's been a while since I put up a fresh techno mix. To be honest, I was kinda losing interest with all the tracks coming out trying to sound like Funk Assault clones (badly), so took a bit of a step back for a few months. Now the darker months are incoming, it feels like the perfect time for a set of nothing but fast-paced, dancefloor aimed heaters. Mostly new tracks with a few oldies sprinkled in. Enjoy!

Full Tilt

Sardinia and Brooklyn-based SONARA Records make an essential debut with an EP featuring David Mayer, Nico Stojan, and co-founder Tooker

Follow: @tookermusic / @sonararecords

Stay up to date on Instagram: www.instagram.com/whenwedipnews/

Premiere: Tooker - Coda ft. Winyo [SONARA]

Crazy my Beat is the fourth track of the second The anthology songs TV Anime soundtrack. Featured as the image song of Joseph Joestar as he appears in Battle Tendency, the track was originally sung by Coda and is now covered in English by Riverdude Covers.

Lyrics
It's too much to bear
I hate the thought to be caught unaware
The nightmare is calling
It's gonna be so DANGEROUS
Yeah

Even if it's fate
Running's too much as hassle here yeah
Whatever, I may as well dive in

READY? OK! FIGHT!

That necklace on your chest
Alluring all who came before
Swaying to a Goddess' Breath
Going back and forth

I'm declaring a war
Crazy My Beat
You're just as lame when you feel the heat
So fake them all out
And finish them with a single blow 
Yeah Yeah
My flaws
My cause
Make my blood beat
Fire my OVERDRIVE

Do you understand?
A little lie is all that justice needs
Your victory will come when your life is on the line
Yeah

A crimson bubble
A parting gift from him to me
His final plea
I'll use every opportunity to survive

READY? OK! FIGHT!

Lighting up the Red Stone
Cruelly dazzles in the light it's shown
A so called Ultimate Being
Well here we go!

Let the battle begin
Crazy My Beat
Using my breath to refine the deceit
I bluff my way through
Charades making me the hero
Yeah Yeah
My Honor
My Valour
Makes my manly tears
Put simply, it's VERY NICE

[INSTRUMENTAL]

I'm declaring a war
Crazy My Beat
You're just as lame when you feel the heat
So fake them all out
And finish them with a single blow 
Yeah Yeah
My flaws
My cause
Make my blood beat
Fire my OVERDRIVE



"Crazy My Beat" English Cover By: Riverdude

Walking down 7th Avenue on October 28th 2023, around 6 pm. Even though it's autumn, the temperature is high. It feels like summer. It's very humid and the street is crowded.
My phone (tucked in my pocket) starts to record on its own when I reach Times Square. 

The resulting one and a half minute long recording is the material for this particular soundscape, which I think captures the eeriness and the uncanny feeling I had that day. All sounds were processed on a Roland SP-404A sampler and recorded live to a stereo track. More soundscapes from various locations: https://isakanderssen.bandcamp.com/album/there-are-places-i-remember-2

New York City

Merry Christmas, Mr.Lawrence

PutItOn! (prod. Jxhn2k)

GRIDUK289 - 25TH BIRTHDAY LP

Seven Points Coda

Purveyors of Quality Techno

*We don't check the messages on Soundcloud, get in touch with us via Instagram

Our Residents:

vivi soulja
ig: onlynatsuu
tt: onlynatsuuu
ttv: onlynatsuu

10 Years of Ballroom Records
Shaping electronic music with
passion, vision & sound since 2015.

Demo Policy:

We’re always on the lookout for fresh talent! If you’d like to send us a demo, please follow these guidelines:

✅ Submit a private SoundCloud link (no file attachments).
✅ Include a short introduction about yourself.
✅ Add links to your social media pages.
✅ Please take a moment to check out our catalogue to ensure your music aligns with our label’s style.

Send your demo to: demos@ballroom.cc

Looking forward to hearing your sounds!

After years of drumming, I started learning Cubase a few years ago. At first, just to record the drums. Then I discovered my love for the keyboard. Sometimes I lack ideas, time, and motivation. But maybe I'll just keep going.

I’ve always lived at the crossroads of music and poetry — where feeling becomes form, and melody turns memory into meaning. Whether it’s a lingering jazz note, a well-placed rhyme, or a shift in tempo that tells a deeper story, I’m drawn to that quiet magic where art reflects life with a little more style.

My roots are in classic music — the kind that doesn’t chase the moment but lingers with you long after the last note. Over time, that love expanded into poetry writing and jazz — especially the kind that swings, speaks, and smirks all at once. Jazz, to me, isn’t just a genre; it’s a personality. A conversation. A little tilt of the head and a grin that knows more than it says.

When I set out to create an album, it’s rarely just a collection of songs. I approach it like a personal playlist — one that drifts and flows as if the entire tracklist were one long, uninterrupted piece. Each track leans into the next, shifting mood, pace, or voice, but always carrying the same thread of feeling. I want you to listen the way I do — not as a shuffle of moments, but as a cinematic arc. One breath that lasts an hour.

Lyrically, my work is rooted in lived experience. Sometimes it’s obvious. Other times it’s just the skeleton of a memory, dressed up in wit, irony, or longing. I draw from real-life events, then let the poet in me twist, stretch, or sweeten them to taste. Depending on the tone of the album — playful, romantic, nostalgic, or something in between — I try to keep the emotional truth intact while giving it a fresh coat of creativity. A little humor where it fits. A deeper dive where it hurts.

My newest jazz album continues this tradition — short-lined swing tracks, conversational duets, and tongue-in-cheek storytelling. It’s an homage to late-night alleyway ballads, rooftop serenades, and train station goodbyes — all bound together with a sense of charm and cohesion. Each song is its own little scene, but together they tell a story — one you can revisit with each replay.

Thanks for stopping by my profile. I hope you find something that earns a spot on your repeat-play list — a melody, a lyric, or a moment that feels like it was written just for you.

Country Club Christian Church is a part of the Christian Church (Disciples of Christ) denomination, located in the historic Country Club District of Kansas City, Missouri.

Dance music platform promoting emerging & establish talent from around the world in the underground electronic music space. We focus on what's important: The Music.

Curated by When We Dip.

Submit your music for Repost & Premiere => dancefloorromancer@gmail.com

Dirty, rolling dancefloor Drum & Bass
Send demos via wetransfer to gridrecordingsuk@gmail.com

DJ/Producer Addy, is a veteran of the Canadian scene and has risen trough the ranks of Toronto's thriving underground. His sound is defined by originality, creativity, exceptional technique, universal appeal and an uncanny ability to read a crowd, thrusting every dance floor into a euphoric frenzy. A product of the 90’s rave movement and mentored by its founding fathers, Addy developed an innate talent through dedication, attention to detail and a willingness to experiment. As his notoriety grew over the years, Addy was propelled to the forefront of club culture, securing long standing residencies at top venues Including the GUVERNMENT)and billed at events alongside major international artists. Demand is also on the rise for Addy on the global stage, where he has performed at events in major cities across North America and Europe including international festivals like EXIT, and an annual residency at BPM festival. Consistent impressive displays have resulted in numerous requests for return appearances and new opportunities. Addy's sets are distinct and iconic, characterized by intelligent programming, live mixing, seamless transitions and the frequent incorporation of 3 decks. A unique and progressive sound, fusing uplifting melodic and instrumental elements from classics and rare groove with subtle dark undertones layered over tech and tribal bass lines and rolling drums. When not travelling, Addy devotes much of his time to the studio, collaborating with top names and breakthrough artists in the music industry. His productions have caught the attention of major electronic label bosses and A&R reps with tracks and remixes signed to Mark Knight’s Toolroom Knights, Steve Lawler’s Global Underground compilation and John Acquaviva’s Definitive to name a few. His ‘Slavedriver’ remix was charted by Balance Promo and featured in a BBC Radio 1 Essential Mix. Respected by his peers and adored by his fans, Addy continues to grow as an influential figure in dance music and a dominating force behind the decks.

Hi! I'm Riverdude! I like to make covers of my favorite songs. If you have suggestions for me, please tell me. Please Share and subscribe to me.

Follow my Twitter @RiverdudeCovers

Follow my Instagram @riverdude9074

Contact: info@wudrecords.co.uk
SC don't do support so we're leaving, slowly. UK/EU rock label since 1984. Demos, oddities, archives, WIP. Releases on Bandcamp etc. AI-free zone. All reposts shared to BlueSky and 'X'.
Wud! You have just been wudded. ;-)

We're very sorry but we're still unable to reply to SC messages. We can read them but cannot reply. Please email info@wudrecords.co.uk instead. We answer most emails within a week.

ACTIVE ARTISTS:
Flicker, Dark Company, Pok the Bard, The Bastard Sons of Dennis

LEGACY ARTISTS:
Alchemeon, Clonk!, Dr Watson, The Ug Brothers, Alien Heat, Rough Terrain, The Subterraineans, The Addled Eggs, The Masters of Drone, Laughing Sun, Wud, Lemming Meringue, Sirius Rising, Now, Fooog Dinboffin and the Release, Mark Drower and the Everyones

ARCHIVE ARTISTS:
Andromeda, Critical Error, Dayglow, Demon Groove Lizards, Ember, Fruit Bats, Goodstaff, Guarana, Murdock, Prism, Pyg, Recluse, Search Party, Spacegoats, Stephen Yates, The Chillun, Watershed

* For DIY musicians:

Looking to grow your fanbase? Here's a proven strategy for success. It's a bit time-consuming at first because you need to work at it often. However, the awesome results will make it worth your while:

http://www.wudrecords.co.uk/miscellaneous/be-discovered-on-social-media

That article was published in March 2017. While some of the links may no longer work, the theory absolutely will. Try it for yourself!

* Unfortunately...

Due to brexshit, broken britain, rip-off britain, corruption, lies and bias in the media, bigotry, racism, intolerance, polarisation, the fact that some of our family members would not be allowed to remain post-brexit, state-sponsored child trafficking (yes, that's right, we said it - it's pretty shocking, start reading from here if you don't believe it: https://forced-adoption.com/), an increasing sense of frustration and exasperation, and general total weariness of being treated with nothing but derision, ignorance and contempt by the entire shebang since the early 80s, we decided enough was enough and moved our entire operation from brexeter in the uk to begin our grand brexodus in 2017. We are now brefugees, living in brexile very near the border of the Czech Republic, Austria and Germany. If you live in (the crumbling remains of) the uk, do yourself a favour and leave. The upgrade in life quality will blow your mind.

* What do we stand for as a label?

We support all independent musicians who are doing something we find interesting. Our team members all have formal music education qualifications.

We are against corporate brainwash muzak, their puppet friends in the mass media, and many other corporate activities. We will fight their desecration of music until either it stops or we die. 

We believe in helping others in the face of corrupt laws and a broken system. We are pro democracy, green energy and free speech.

We're politically liberal. We cannot support the republicans, maga or gun violence in the usa. We don't see there's any real difference, other than in name, between the christian far right in the USA and the taliban in Afghanistan.

In the uk we are broadly pro LibDem/Green/Labour/SNP. We are VERY anti-tory, bnp, ukip, and any of their friends and associates. We have no trust at all in the uk right wing press monopoly and the bbc. Beware the bbc and its claims of neutrality. It is the propaganda mouthpiece of the tory party. It even charges a propaganda tax called the licence fee. But we like Test Match Special and Radio 6, so does that make us hypocrites...? Hmm.

We support independence for Scotland, Wales, Northern Ireland and Cornwall. We support the individual and the underdog. We are anti-putin and his war, and pro-Ukraine.

Please notice the careful use of capitals. Capital letters imply respect!

We're only interested in the colour of your soul. Not your skin, hair or socks.

We like cricket! Most of us support Somerset County Cricket Club.

A DJ in Belfast for over 15 years now. Resident & co-founder of Coda. Fond of dogs, techno, hardcore and most genres in between ;)

For bookings, please contact: coda.belfast@gmail.com

From May 2025 most of my official releases will only be found on Bandcamp and other streaming services. This Soundcloud page will be used mainly for unreleased tracks and demo-recordings.

Now Hear This is a Tampa, Florida-based agency specializing in management, publicity, and related services.  The company president, Bruce Wawrzyniak, hosts a weekly podcast called "Now Hear This Entertainment," featuring interviews with guests who are having success in entertainment (primarily music), with the content presented in a way that not only entertains fans of that guest and fans of good music (interviews) in general, but in a manner that educates musicians, singers, songwriters – entertainers who want to learn from those who are being interviewed.  The guests come from a wide array of genres and locales.

New tracks tagged #coda