@vileradio by mags
Volume 1 is "TURN UP THE MUSIC"
Thanks for listening


1. life lessons @vileradio
2. the volume @vileradio
3. christie @vileradio
4. stereo sound @vileradio
5. i just clicked this in @vileradio
6. put your headphones on @vileradio
7. the bpm @vileradio
8. we're done here @vileradio

vile radio vol. 1 - "TURN UP THE MUSIC" Spring 2025

它假裝柔和、甚至有一點溫情 vibe，但每拍都像有人穿著軟綿拖鞋踹你下巴——你還以為在被安慰

Sympathetic Stamp

W H I T E ~ M A T E R I A - (900 followers omg!)

Dark but melancholic broken shuffle breaks with uk future garage elements.

Bladerunner (Advanced Edit)

節奏非常快，但不冷血——反而像小孩在嬉鬧中不小心把房子炸了

Vicious Play

Start the Riot!

Start the Riot! (ATR Cover)

loops.05

everybody wants me (official demo)

Eddie Bazil explores advanced vocal processing techniques to achieve a clean, professional vocal track. He demonstrates how to control sibilance, tame resonances and apply quick corrective steps that enhance vocal clarity and ensure the performance sits perfectly in the track.

Chapters
00:00 - Introduction
00:30 - Common Vocal Track Issues
01:04 - Example 1: De-essing Sibilance
08:57 - Example 2: Taming Resonance With EQ
16:13 - Example 3: Reverb Ducking
25:22 - Example 4: Frequency Ducking

Track Credits
Example 1 - written and performed by David Plummer and Becky Bremner - https://www.smokinggoats.co.uk
Examples 2, 3 and 4 - ‘Puppet’ written, performed and recorded by John Walden, vocals by Yvonne McKeown

#SSLVocalStrip #FabFilterProDS #FabFilterProQ3 #FabFilterMBC #FabFilterProC #UnfilteredAudioTails #TokyoDawnNovaGE

Eddie Bazil Biog
Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands, including Art Of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra, and many more. By his 20s, he was working as a sound designer for Akai, Roland, Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie began developing libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Rob Papen, Arturia, and Propellerheads.
During this time, he trained in music production. He soon gained several prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, and was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. This led to him offering educational workshops and classes, and becoming a contributing creator and Forum moderator for Sound On Sound.
Recently, he was invited by the Recording Academy to become a professional member, approved educator, and mentor for their member base. Eddie now concentrates on providing private sound design and mixing/production tuition, and creating content for Sound On Sound magazine.
https://eddiebazil.co.uk/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

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Recording & Mixing

Vocal Processing Techniques

Show Notes

Vocal Processing Techniques | Podcast

eEeEEEeEeeeeeEEeeEego

A driving 130 BPM meditative trance journey built on hypnotic rhythm and pure tone. Stripped of excess, it focuses on the essence of trance: steady pulse, immersive flow, and entrancing clarity. Designed for deep dance-floor meditation and timeless movement. Tuned to 432mhz.

130bpm_meditation_432mhz

@vileradio by mags
Volume 1 is "TURN UP THE MUSIC"
Thanks for listening

1. life lessons @vileradio
2. the volume @vileradio
3. christie @vileradio
4. stereo sound @vileradio
5. i just clicked this in @vileradio
6. put your headphones on @vileradio
7. the bpm @vileradio
8. we're done here @vileradio

this is my newest Beat - called "Dust" fully produced by Simon Roots. raw sampling from vinyl into the mpc60. Check out that compressed 20khz sound from MPC60. One Lov

DUST (gritty 12bit 20khz)

NAKIRI ｘ NETLUST — DUSKWARE [v0.92]

"Loudcore" is a music sub-genre of Kidcore and Loudness War. Loudcore sounds loud but still cute, funny and playful. Tempo is 126 to 130 BPM. Structure is non-linear, cut, or distorted. Main kick is "Kidcore Kick". "Kidcore Kick" is also the main bassline. Main rhythm is "4 on the floor" only with Kidcore Kick on all 4 beats. Clap and snare are out of 4-on-the-floor rhythm. Loudcore accepts any non-Kidcore music and any non-musical sound, but has over compression (except Kidcore Kick), proper sidechain (triggered by Kidcore Kick), harsh gain staging (-3 dB for Kidcore Kick, -3 dB for over compression, -15 dB for sidechain threshold) and CC-BY license. This is a Kidcore/Loudcore song named "Over Compression". Release date is November 1, 2025. Genre is 100% Loudcore, 100% Kidcore and 1% Cut Progressive House. Tempo is 128 BPM. Musical key is D major. Structure is cut into: "Build-up - Drop - Outro". Main kick is "Kidcore Kick", at -3 dB, independent with over compression. Main rhythm is "Down with Vinahouse" (4 on the floor) in drop. Clap and snare are in build-up and distorted by over compression. Melody is synthetic, simple, repetitive. Chord progression is "G-A-Bm-A" and "IV-V-vi-V". Effect order of this song is: "12 dB leveler -> Static compression -> sidechain triggered by Kidcore Kick" and outside Kidcore Kick. Over compression includes both static compression and proper sidechain, has parameters such as attack time of 0, release time of 0.2 seconds, compression ratio of 20, and willfully ruins the entire Progressive House song. Static compression has -3 dB threshold. Sidechain has -15 dB threshold. The entire song has CC-BY license.
Key: D major
Tempo: 128 BPM
Genre: Loudcore, Kidcore, Cut Progressive House

Over Compression

Hien Q*** Le, born November 2, 2000, in Ho Chi Minh City. I'm a very gentle DJ, Music Producer, Minecraft Player, and FPT University Student. I love listening to music, watching train, watching news. In March 2019, when I was at class 12, I started watching train and mixing music. That time, I was good at the subjects such as Physics, Chemistry, Geography, English. In August 2019, I graduated the Nguyen Trung Truc high school in Go Vap district. From May to October 2021, I suspended watching train and tried to improve my health against COVID-19. I tried to listen to music at all of healing frequencies. Since December 2021, I continue to watch train, upload my train videos to YouTube, produce many songs as a DJ and music producer. In 2019, my genre was many of EDM genres. But now, my genres are Kidcore and Classical Music.

I'm Mona Ines, nice to meet you 💙 versus stuff out here cuz inside Every diva is MONA

i might have  to make a third account what the fuck

Hey! I'm making melancholic UK Future Garage, Drum and Bass, Breakbeat and Trance influenced tunes. If you like my tracks. hit the follow button(i'm gonna follow u back)! Also i do Dark Techno & D'n'B mixes. Yeah and one last thing, if you want to collab with me, hit me a message!

Beatmeter (Bremen, Germany)

Simon Roots schneidet euch Soundschnipsel aus Soul & Jazz Platten der 70er zu einer neuen Melodie. Drumbreaks werden mit alten Samplern aufwendig in einzelne Elemente aufgetrennt und zu einem völlig neuen Groove gebastelt. 90’s Golden Era Boom-Bap Sound ist vorprogrammiert. In seinem eigenen Studio kocht und verfeinert er die samplebasierten Beats mit analogem Equipment und versorgt Leute aus seinem Umfeld um Bunker Beats Bremen mit einem unverwechselbaren Kopfnicker-Stil. In der Fry Zeit Clikk war er unter anderem der kreative Beatbauer und spielte die Beats live von der Bühne. Nun arbeit er an seinem eigenen Stuff und lädt immer wieder Beat Skizzen hoch..

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(open lab) (finally)
🩶 — 333


//
//crdー @3snk
//
//🌐 @tdtillitsbackwards + @lethal-instinct
// “the heartless ally with whoever's the strongest.”
“”    -> gheist, nakiri, 2et, hechaic    “”

19 asd they/them

business: incarnatemus@gmail.com

@artbyform @goophouse @snaresociety @penis-label

New tracks tagged #compression