Gary Lloyd Noland, piano, performs RIBZUBA SHTUPPER from his SIXTY LURID ALBUMBLATTS, Op. 88, No. 19 (June 12th, 2023). For more information on composer Gary Lloyd Noland, please visit his website at: garynolandcomposer.com

RIBZUBA SHTUPPER from SIXTY LURID ALBUMBLATTS, Op. 88, No. 19

Gary Lloyd Noland, piano, performs PARISH - PRIG SWAINING POLECATS from SIXTY LURID ALBUMBLATTS, Op. 88 No. 51 (June 12th, 2023). For more information on composer Gary Lloyd Noland, please visit his website at: garynolandcomposer.com

PARISH - PRIG SWAINING POLECATS from SIXTY LURID ALBUMBLATTS, Op. 88 No. 51

Gary Lloyd Noland, piano, performs I GREW UP IN A HEADBOX AS AN AIRHOLE FREAK from his SIXTY LURID ALBUMBLATTS, Op. 88, No. 34 (June 14th, 2023). Other performers featured are his five anagrammatic alter-egos: Orlan Doy Glandly, Darnold Olly Yang, Lon Gaylord Dylan, Dolly Gray Landon, and Arnold Day Longly, all of whom together(the composer included)unite to form the redoubtable Pimpleton Procrasturbation Ensemble. For more information on composer Gary Lloyd Noland, please visit his website at: garynolandcomposer.com

I GREW UP IN A HEADBOX AS AN AIRHOLE FREAK from SIXTY LURID ALBUMBLATTS, Op. 88, No. 34

Gary Lloyd Noland, piano, performs CRAZY QUILT REMEDY from his SIXTY LURID ALBUMBLATTS, Op. 88, No. 14 (June 16th, 2023). For more information on the composer, please visit his website at: garynolandcomposer.com

CRAZY QUILT REMEDY from SIXTY LURID ALBUMBLATTS, Op. 88, No. 14

Jimbo, Lilmackstypebeat, Ken Vybz, London Dj, Korean-English, Lildiablox, Jeff The Fool, Jedi Mind Tricks, Litkillah,, Libre,Freestyle, Lilindigo, Kidneydonor, Kultúrális, King Alaric, Jesus Is Coming Soon, Kag, Kellerkinder, Lumière Quand Même, Minimal/Deeptech, Km², Kadesha, Luistersketch, Korg Prologue --, Kelevra, Kaygusuz, Marteen, Phill Da Cunha , Kaleema, Karlek,  Joshanddess, Klimaatvisie, Lakásbérleti, Lonerist, Jkidd, Knowledge!, Justinherbert, Kairikibear, Joindre-L

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Comprovisation and concept by Vesa Lehko, Luis Mireles-Flores
Text by Luis Mireles-Flores
Performed live Oct 8 2023 Forum Box Helsinki by 
Laponia Ensemble: 
Santeri Kaipiainen-vocals, Jorma Tammenmaa-el.guitar
Luis Mireles-Flores-jarana +vocals, Elisa Vistuba Lorca-cello,
Vesa Lehko - bass clarinet, Joona -harmonium

Drifting - a la Deriva

Comprovisation & poem by Vesa Lehko
Performed live @ Kaekuu festival, Sammati 7/2023
by Helsinki Improvisers Orchestra

Once I Met John Cage - Live@Kaekuu

Anime Instrumental, (Pretty, 300 Bpm, ಜಾನುವಾರು, Aleemrk, 4-4-2, Archiviostorico, Bassremix​, Ain’T, मुफ्त संगीत ऐप, Arcane Enemy, Berline, 專注於你夢想中最好的生活, เมนูอาหาร, 1966, Accusational, Ambienti, 197,Modern, (Ninja, 715,  Octopus Black, Comebacklataa Musiikkia Ilmaiseksipistes Instrumentales, 10k Motorola, デコニーナ, Afters, Andredrath, Beatrice, (2050), ..????..,  Abstrakt Psytrance, $Uicideboy$ Type Beat 2021, Aint Too Long 2, 3mdr, (Easy, Background Music No Copy, संगीत लगता है, Bestpractices, Aight

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A collective improvisation on a sketch of mine in 4 parts, by the Miam Improvisation Ensemble, recorded in December of 2022.

The piece narrates four stages of synthesis/life; water, earth, fire, and air. Each stage is reflected through a new musical idea in instrumentation, rhythmic structure, and in texture.

Pseudorganic Synthesis traces becomings and un-becomings at the core of our being; the coming together of a consciousness, in excepts, constantly harmonizing and deharmonizing in the balance of a collective voice.

Credits:
Nihal Kurtuluş, Ersin Şahin, Gökçe Göknel, Miray Eslek, Ali Reza Saral, Selçuk Ener, Bardia Hafizi, Jashiin. Amy Salsgiver

Special thanks to Emre Tenker for the sound.

Pseudorganic Synthesis

George Christian - Teclados
Edson Dantas - Bateria
Cristiano Figueiró - Baixo

Gravado durante o segundo ensaio da Afluentes Trio por George Christian no LABMUSAS (UFBA) em 3 de maio de 2024. Edições finais por George Christian.

Jam II, Ensaio 03-05-2024 (ou Oração Alucinógena)

This is a trio for two winds keyboard et Korg modules 
Etienne Rolin Alto flute Bansuri Basset Horn Glissotar
Hans Tonino Piccolo, flute, Bass FLute
Peter Sterk Piano DX7 Korg sound modules 
Rotterdam Studio recording 25.26 April 2024
the complete album is on etiennerolin.bandcamp.com

4 Miles' Manner (alt) (boost Mids Synth)

Short clip from the outro part of Letters - Syllables - Words. Recorded in Helsinki Improvisation Orchestra's concert in April 2024. 

Juha Rautio - composition, conduction
Melik Turunen - melodica
Luis Mireles-Flores - charango
Ari Lehtinen - drums
Katja Lamberg - baritone saxophone
Vesa Lehko - tenor saxophone, clarinet, bass clarinet
Elisa Wistuba Lorca - cello
Santeri Kaipiainen - vocals
Joona Hulmi - piano, flute
Jaakko Kuikka - shakuhachi
Jux Kinnunen - electric guitar

Juha Rautio: Letters - Syllables - Words - a piece for Helsinki Improvisers Orchestra

Originalmente lançado na compilação "Hominis Canidae - 15 anos (LADO B)": https://hominiscanidae.bandcamp.com/album/hominis-canidae-15-anos-lado-b 

"Noite Magenta" teve um nascimento "laboratorial" e tentativo em sua primeira forma para, em seguida, tomar uma alquimia e uma forma própria como comprovisação instrumental. Trata-se de uma peça que reflete nossa identidade enquanto grupo, como também guarda uma existência misteriosa em si mesma.

Cristiano Figueiró - baixo elétrico, programação eletrônica 
George Christian - guitarra elétrica, órgão elétrico
Edson Dantas - flauta transversal, percussão

Composição e produção de Cristiano Figueiró, George Christian e Edson Dantas
Engenharia de som e gravação: Cristiano Figueiró
Gravado no LABMUSAS em junho de 2024.

Noite Magenta (2024)

Sutra Heterophonies . For four Instruments
Five heterophonic variations inspired by Sandeep Bhagwati's « Sutra »
Performers:
Elinor Frey: Baroque cello
Guy Pelletier: Bass flute
Wesley Shen: Japanese Shō
Showan Tavakol: Iranian Kamancheh

Sutra Sketches . Excerpts: Illusion

Roozbeh Tabandeh is an Iranian composer, born in Shiraz and now living in Montreal. Having a Master’s degree in architecture, he is also known as an interdisciplinary artist, conductor, violinist and Iranian Santur player. He studied music composition at Concordia University under the supervision of Sandeep Bhagwati and Georges Dimitrov. At the same time, he extended his violin technique with Clemens Merkel. Before moving to Canada, he studied music composition and performance with some of the best-known Iranian musicians, including Hossein Dehlavi, Kambiz Roshan Ravan, Arsalan Kamkar, Shojaeldin Lashkarloo, Masud Gharib Zadeh, and Masih Mosallai. He has also participated in conducting masterclasses held by Manuchehr Sahbai (former conductor of the Tehran symphony orchestra). In March 2019, he received the Frederick Lowy Scholars Fellowship to pursue his Ph.D. research-creation project on the subject of interrelations between music and architecture, and the notion of space in Iranian auditory culture under the supervision of Professor Sandeep Bhagwati at Concordia University, in Montreal.

Tabandeh established the “Hengam Orchestra” in Shiraz, Iran, which was active for nearly ten years, conducting the orchestra from 2002 to 2011. Later, he founded the “Hengam String Quartet,” in which he played the first violin for numerous performances and concert tours presenting western classical repertoire as well as Iranian art music. He has been the artistic director of many concerts and stage works in both Canada and Iran.

His compositional style is a blending of Western Eurological art music with several elements of Iranian national music as he brings the experience of several musical cultures and artistic disciplines to his work as a composer and instrumentalist. His music has deep roots in both worlds and combines his extensive experience in Western music theory with that of the traditional Iranian. He is now exploring solutions to the challenges and issues of composing in a globalized culture.

Tabandeh’s compositions are performed and recorded by several ensembles around the world, including the Quatuor Bozzini in Montreal, Ensemble Arkea under the baton of Dina Gilbert, Orchestre Symphonique de l’Isle with Cristian Gort as the conductor, and the Iran String Orchestra under the direction of Manuchehr Sahbai.

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

hit music only experimental sums dos make sans

Após o final da Afluentes Ensemble, três dos integrantes do grupo decidiram formar um núcleo-base como Afluentes Trio em 2 de maio de 2024: George Christian (guitarra, teclados), Cristiano Figueiró (baixo, eletrônica) e Edson Dantas (bateria, sintetizador e flauta). O resto é história.

New tracks tagged #comprovisation