Not even an enemy encounter is enough to give you the energy to raise your head. If only you could cry your enemies away, that would make life so much easier. Ugh... why do I even bother writing these descriptions, nobody's going to read them anyway

Made with CGMusic

Drowning In Desire

Huh? Since when could you swim? I guess you picked up that ability somewhere along your adventure, but you certainly don't remember anything like that. Weird. Well you never learned how to breathe underwater. Or maybe you did... but i'd rather not try, just in case.

Made with CGMusic

Inside the Reactor

I know you're working on solving a really complicated puzzle, but I think you might want to take a break for a bit. Like, RIGHT NOW.

Made with CGMusic

Hurry up!!

Raise the rods, oh god, lower the rods
AH!! Add coolant! MORE COOLANT.
GAH! I FORGOT TO LOWER THE RODS!
AUGH! THE COOLANT PUMP IS JAMMED!
SHUT IT DOWN! SHUT IT DOWN!!!
what do you MEAN "not authorized" who designed this!?
The heat its'- AuH! It's going-- NOOOOOOOOOOOOOO!

Reactor Meltdown (bad ending)

Chapter 3 theme.
The only thing worse than the cold are the ice puzzles.

Made with CGMusic

Freezing Fridge

If it's a fight you want, I'll treat you just like the others

Short track plays when you level up
Created with CGMusic

Level up!

Apply your stat points or change your configs.

Made with CGMusic

Stat Matrix

This one I wrote myself, though the leitmotif in the background came from a music generator. This track plays after you complete the character creator and before you start the game.

Walk into Reality

Main theme for chapter 1

Made with CGMusic

Desolation And Hopeless

If you use a certain type of move enough times, you will gain an affinity for it. Keep on using and you'll enter an Affinity Transition, allowing you to get stronger in that affinity but also gain a few weaknesses as well. You will also gain a style based on how you play the game which further augments your abilities. If you don't like the style affinity you end up with, tough luck. This is who you are. You can detransition back to your original form at any time, but doing so will make you way more miserable than embracing your true self. You will get opportunities to try different affinity styles later in the game. 

Made with CGMusic

Affinity Transition

The boss theme for chapter 3. An extremely obnoxious fight made even more annoying by the ice physics causing you to slip and slide around. It makes you so angry, you could just explode in rage.

Made with CGMusic

Ice Cold Emma C.

Muzik Genesys M7 Lydian

computer generated based on first letter of each word in a sentence.  In this case a news headline:  "Lisa Page, Ex-F.B.I. Lawyer  Who Criticized Trump, Says Bureau Failed to Warn Her of Stalker"  = L P E L W C T S B F t W H o S

Alphamusic - News

A beacon of light shines over the district, bathing its residents in a hallowed glow. A respite of safety within a desolate place, or so you would think. Be especially careful, the residents of the false light may seem harmless, friendly even, but they're as empty as the rest. They'll make you feel good, in that their attacks will bypass your defences. If they do a good enough job distracting you, you won't even notice your light fading. That being said, the belua here are lulled into a false sense of security, so I don't think you'll find much conflict here. Just keep an eye on your vitals at all times.

Made with CGMusic

Joy is the opiate of the masses [Dark Fold]

Please enjoy “Incantation II,” the seventh piece from my new album “NetWorks 11: Unfamiliar Order.” 

NetWorks is a music-generating algorithm that seeks to tap into the ceaseless creativity, and organic coherence, found in nature through fine-tuning the connectivity of networks, which channels how information flows through them, and the rules that modify the information as it interacts via their nodes.

Constraints on the connections and interactions between the parts of systems are central to their coherence. Alicia Juarrero in her book, Context Changes Everything writes: “Coherence-making by constraints takes place in physical and biological complex systems small and large, from Bénard cells to human organizations and institutions, from family units to entire cultures. Entities and events in economic and ecosystems are defined by such covarying relations generated by enabling constraints.”

“Incantation II” consists of eight interacting voices. Voices can interact such that, for example, the depth of vibrato performed by one voice can influence the timbral characteristics and movement through 3D (ambisonic) space of a note played by another voice.

Headphone listening is recommended as the piece was mixed using ambisonic techniques.

Unfamiliar Order

Incantations II

Incantation II

A short piece generated from mathematical data (Kaprekar Numbers) using my Algorhythmics  composition system

Kaprekar Sonatina

I made this with Sonu. all my other stuff is made by me :)

Crypto Greens

I play blues guitar, dobro and bass guitar, but not here. This site is for my experiments in computer generated music - that is, music entirely created by a computer program without manual intervention. You can read more about how my algorithmic music is created on my website at https://sites.google.com/site/dickpountainspages/home/music/automusic.

Composer, educator and interactive media artist and professional dedicated to creativity and multidisciplinary collaboration. Interested in constructionist approaches to new media education and how interactive technologies and complexity theory enhance and expand the creative process in the traditional arts, new media and game design.

Developed NetWorks, a body of musical work as well as an interactive music-generating algorithm based on scale-free networks. Developer of ~zomes, a sound synthesizer based on a-life models. 

Interest in metacreation dates back to Voices From The Edge of Chaos (1998), a CD of emergent, self–organizing computer music. Received a FACTOR international distribution grant and was subsequently awarded a residency at Lovebytes Labs in Sheffield, England (1999), to produce a piece for Digital Space CD and CD ROM of “innovative new work using digital sound and multimedia”.

the dead are the original silent majority

New tracks tagged #computer generated