20/02/2022, Symphony Salon (Tokyo, Japan) , performed by Tatsuto MASUDA (Piano)
Recording : Jun ISHIKAWA
Illustration : Runa TSUJITA
Video : https://www.youtube.com/watch?v=s02j7OLjLXc
Analyse (in Japanese only...): https://note.com/nodus/n/n198fe8b75a90

2022年2月20日、Symphony Salon（門前仲町）にて収録
ピアノ：増田達斗
録音：石川潤
イラスト：辻田留菜
動画：https://www.youtube.com/watch?v=s02j7OLjLXc
分析記事：https://note.com/nodus/n/n198fe8b75a90

Étude sur le bégaiement I –d'après Haydn– (2022) pour piano

Title: echontologies
Year: 2025
Performers: Jeffrey Zeigler (cello), James May (voice, electronics)

echontologies [voice, cello, electronics]

Flots Reanimation 2

Vinny Golia: Improvised Solo Soprano Sax
Navid Navab: Machine Improvisation and real-time processing (Max/MSP)

Plunge

Live concatenative resynthesis of William Walton's Bagatelles 2 and 3, driven by an analogue synth, and created with CataRT. Guitar performed by Morgan Buckley, synthesis by Ev Buckley

Guitar Concatenation

https://en.wikipedia.org/wiki/John_Cage#1950s:_Discovering_chance


BufRd with Env.perc


http://soundcloud.com/jake-nodge/sets/tribute

__________________________________________________________
pic: http://en.wikipedia.org/wiki/File:John_Cage_Laugh.png

experiences no. 2: I Ching String

Reconstructed Memories

Clarinet + Tape piece. Tape part consists of analogue synthesiser and digital concatenative synthesis and processing of live clarinet.

Clarinet + tape

Improv with Tom Riley

Navid Navab is a Montreal based alkemist, composer/improvisor, programmer, and sound designer. A graduate of Ontario Royal Conservatory of Music, Concordia University’s Electroacoustics and Computational Arts program, and McGill Music Technology, he has been working for the past several years creating deeply expressive media instruments synthesizing research at IRCAM, CRIMMT, CNMAT, Topological Media Lab and Matralab. 

Interested in the poetics of gesture, and embodiment, his work explores the social lives of objects and the enrichment of their embedded performative qualities. Navid uses gestures, rhythms and vibrations from everyday life as basis for real-time sound generation, resulting in augmented acoustical-poetry that enchants improvisational and pedestrian movements. 

Navid has collaborated with many great improvisers and artists including Jean Derome, Constantinople Ensemble, Lori Freedman, Vinny Golia, Pierre Tanguay, Coat Cooke, Rainer Weins, Rohan de Saram, Mei Han, Lan Tung , Zata Omm Dance Project. His investigations, which range from compositions to responsive architecture, urban interventions, theatrical interactive installations, and improv-based performances, have been presented at various festivals and events in Vancouver, Austria, Canada, UK, California, Paris, Romania, Paris, New York, Houston, and Chicago. 

Very Sharp Knives is the music/performance alias of Ev Buckley, an Irish audionaut who makes music out of built environment databases and suchlike. He can also be found occasionally doing art or sound design, or improvisation with synthesizers.

Masahiro Aogaki (b.1991) is a Japanese composer currently based in Paris. In his recent compositional process, Aogaki has demonstrated a keen interest in redefining the identities and the integrities of instruments, voices, and texts, while also recontextualizing existing musical languages. Inspired by the poetry of Romanian surrealist Ghérasim Luca, he particularly explores the phenomenon of “stuttering” that characterizes Luca’s works, influencing his musical compositions.

In 2017, he obtained his Master’s degree in Composition from Tokyo University of the Arts under Ichiro Nodaira, and later graduated with highest honors unanimously from the Paris Conservatory (CNSMDP) in 2022, where he worked with Stefano Gervasoni, Luis Naón, Yan Maresz, Grégoire Lorieux, Yann Geslin, and Oriol Saladrigues. In 2022-23, Aogaki participated in the IRCAM Cursus led by Pierre Jodlowski and Simone Conforti. His first portrait concert took place in Paris in July 2023, and his piece Dé-monologue –Cinq poèmes de Ghérasim Luca– was nominated for Le Tremplin Musical of the Fondation Prince Pierre de Monaco in the same year. From 2023 to 2025, he was appointed composer-in-residence at the Conservatoire Claude Debussy in Paris’ 17th arrondissement, collaborating with Ensemble Court-circuit.

His works have been performed by various ensembles such as Orchestre de Picardie, Orchestre de Caen, Ensemble Intercontemporain, Ensemble Court-circuit, Ensemble Fractales, loadbang, Bux Ensemble, Ensemble Reconsil, Ensemble Eins, Ensemble Muromachi, Ensemble Next, Collettivo_21, and Duo Jeux d’Anches, among others. Aogaki has participated in numerous masterclasses and received guidance from composers and ensembles including Tristan Murail, Allain Gaussin, Philippe Manoury, Thierry De Mey, Jean-Luc Hervé, Marco Momi, Jaime Reis, Sivan Eldar, Joji Yuasa, Misato Mochizuki, and Diotima Quartet.

He has been awarded grants from institutions such as the Meiji Yasuda Cultural Foundation, the Nomura Foundation, the Agency for Cultural Affairs of Japan, the Kakehashi Foundation, and the Centre International Nadia et Lili Boulanger.
 
Some of his works are published by BabelScores.

PhD student exploring accessible digital musical instruments| MSc Music, Mind and Brain| BSc Sound and Musical Instrument Technology

James is a composer, improviser, writer, and photographer.

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