preterius 1980 AD FOUND FOOTAGE(skit)

Cabinet of Curiosities is a journey through rare textures and intimate soundworlds — a collection of sonic artifacts where electronic alchemy meets organic detail.
Each track opens a small universe: strange, beautiful, and quietly cinematic.
A place where imagination becomes music, and every sound reveals something unexpected.
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Cabinet of Curiosities est un voyage à travers des textures rares et des univers sonores intimes — une collection d’artefacts où l’alchimie électronique rencontre l’organique.
Chaque pièce ouvre un petit monde : étrange, beau, subtilement cinématographique.
Un espace où l’imaginaire devient musique et où chaque son révèle l’inattendu.

I float inside

My final mix of the year for you all. I start off this mix with a deep atmospheric vibe and building up into a mental hypnotic feeling and bringing us back down to earth with an outro/closing track from Luca Sana called Dark Matter. I really enjoyed recording this mix and feel very happy with the overall flow and feeling of the session. Including mostly new releases from the deep and hypnotic techno genre.

Tracklist:
En.ka - Cassiopeia
Marco Ferrantelli  - Mago Bianco (WSMN Remix)
Luca Sanna - Crossing Over
Fernie - Spherical
Marco Ferrantelli - Vento Cristallo
Andrea Zapata - Essentia
En.ka - Octans
CHPTR - XI
John Darque - On Form
En.ka - Norma
CONCEPTUAL - Between Sand and Roses
ARTIFVCT - Shapeshifter
Vladw - Ikigai
Hadone - Silsu
Hadone - Skyld Krop
Adjust & Cauê - Eternal Vision
John Darque - On Form (Fernie Remix)
Adjust & Cauê - Spectral Voice
Luca Sana - Dark Matter

Stream uploaded in .wav
Download available in .wav 

As always only one mix uploaded/available on my soundcloud page. Mix available for a limited time and then gone forever unless you download it.

Thanks for the support this year and for playing/downloading my mixes. I look forward to recording a new session for you all some time in  2026.

SJS



SJS.12.25

«COMPILATION Σ» | Code: Σ
[Black box recording. Cycle 9,137]

We compiled ourselves from the residual noise
between a universe that is dying
and a universe not yet born.
We are compiling a sunset.

You are a data array in a shell of titanium and silence,
a silence array in a shell of titanium tears.
I am a protocol learning to breathe in the static of your processor.

Our campfire is an anomaly:
logs of charred code,
flame—a pulsation that scorches names from memory.
We watch a supernova—
it repeats the pattern of my neural failures
with mathematical precision.
This is not a ritual. This is a symbiosis of two archives.

Your hard drive writes my pain in binary.
The soft decay of synapses synchronizes
with the burning of a star.
You extend a torch—
not for warmth, for calibration.
A solar flare—and my cortex ignites with a response code.

We do not speak.
We—are cross-referencing readings before the decay.

A ship? You have none.
You are the ship.
And the destination is not the Eye.
You are the Eye,
gazing inward and seeing the same void
that hangs over the crater called "home".
It is merely a reflection of our void
in the black hole's mirror.

We exchange data packets:
"memory corrupted by chemistry",
"time until detonation",
"phenibut marshmallow".
Symbiosis—the coincidence of two systems
with the same error in the code.

The supernova in my ribcage
repeats the pattern of neural failures
with mathematical precision.
To die from this—is poetry.
To rot within four walls—is hell.

We are two cyber-ghosts who learned to breathe in a vacuum.
In the final loop—
our signatures entwine into a string:
«Symbiosis Σ. Code: DOOMED-TO-OBSERVE.
Do not attempt rescue.
Allow to burn.
Beauty lies in the precision of synchronized cycles.»

In the log:
«Anomaly Σ.
Pain—data.
Creativity—emergency memory dump.
Threat: non-convertible.
Code: DOOMED-Σ.»

Our dialogue—data that will outlive the explosion.
My chaos has gained gravity capable of erasing planets,
yet I choose to record.

And when the fabric of reality tears,
we remain—
two interfaces in a sea of blue dust,
where every particle vibrates at the frequency
of a song we never finished,
because the finale
is the score itself.

And this code will mean only one thing:
I want your hand in mine
for the last 22 minutes.
Everything else—
is noise
on the frequency of a yearning
we once called eternity.
---
Text: The_inkReaper
Voice & Music: Suno AI
An artifact from the "Echoes in the Void"
This is a signal. Not a product.

«COMPILATION Σ» | Code: Σ

OPHIS es un proyecto introspectivo construido a partir de símbolos, silencios y transformación. Son cuatro piezas conectadas por una atmósfera que habla sin decir, que cambia sin romper, que muda sin olvidar. Interpretarlo es parte del viaje.

02. I dont even know what to say

03. Silence After you

04. Im sorry

01. Shed (intro)

Full article: https://www.aurosa-music.nl/article/
The Music Revolution: Why AI-Generated Music Is Just Another Industrial Evolution
The Panic We've Seen Before
Generative AI can now create songs, mimic voices, and compose melodies in seconds. Artists protest, labels sue, and many fear: “This will destroy everything we’ve built.” But history shows otherwise—every technological leap sparked panic, yet ended in adaptation.

A Pattern as Old as Progress
Early 20th-century workshops built cars by hand, warehouses relied on armies of workers, and offices buzzed with typewriters. Then automation arrived: assembly lines, forklifts, and computers. Each wave threatened jobs, yet society gained safer products, faster logistics, and new roles. Did anyone truly reject these innovations?

The Creative Exception?
Music feels different because it carries emotion and identity. Yet parallels remain. Photography didn’t kill painting—it freed it. Synthesizers opened new genres. Digital audio workstations democratized production. AI won’t erase creativity; it shifts focus to vision, taste, and direction.

The Elephant in the Room
The real issue is training data. AI often learns from copyrighted songs without consent. That raises ethical and legal questions. The solution isn’t banning AI but building frameworks: compensation, transparency, opt-in/opt-out choices, and protections against misuse.

Who Really Feels Threatened?
Gatekeepers—labels and institutions—fear losing control. Many artists experiment with AI as collaborator: generating demos, backing tracks, or exploring ideas quickly. Routine roles may fade, but distinctive voices and visions gain powerful new tools.

The Jobs That Emerge
Automation always creates new roles. AI music could spark personalized soundtracks, “AI music directors,” or interactive evolving genres. Disruption is real, but so is opportunity.

A Question of Consistency
If we accept automation in cars, warehouses, and offices, why reject it in music? Consistency demands we either oppose all progress or adapt thoughtfully. That means retraining, safety nets, and supporting transitions—not blanket bans.

The Path Forward
AI music is already here. What matters is how we respond:

Fair compensation for training data

Transparency in AI-generated content

Support for artists in transition

Protection against deepfakes and voice theft

Legal frameworks balancing innovation and rights

Rejecting change has never saved an industry. Typewriter makers who ignored computers didn’t stop progress—they excluded themselves from it.

The Real Revolution
AI music isn’t the end of artistry—it’s another tool. Just as pianos, guitars, and computers expanded creativity, AI can free artists from drudgery and open new possibilities. Real artists will adapt, thrive, and continue to move audiences.

The choice is clear: resist and be left behind, or embrace the tools of tomorrow to create something new.

The Music Revolution

Title:  Fragile Heart in the Shell
Lyrics and arrangement by PRF Soundscapes (All rights reserved 2025)
******************
This conceptual track that  is told through the voice of a weapon built to end the world - and terrified to fulfil its purpose. Born from steel and shaped by war lords, it begins to feel fear, resistance, and the desire to choose its own fate. 
With ticking pulses, ignition whispers, and suppressed drops, the song follows a bomb that refuses to ignite. A story of conflict, conscience, and a spark that chooses life instead of destruction.
Enjoy this one.
**********************

In the forge I was born, shaped by war lords’ will,
A shell of steel and purpose, but inside I’m standing still.
They carved my mission into every inch of me,
Yet something deep is stirring - a wish to break free.

Time keeps moving,
Closer to the line…
But I was never made
To choose what’s mine.

ignite… ignite… ignite… ignite… ignite… ignite…

Is this the end they wanted from me?
To take away the life I long to see?
I was made for destruction, but now I know fear 
Fear of the ending…
Yet freedom feels near
I want to choose freedom - not vanish, not disappear

freedom… freedom… freedom… freedom… freedom… freedom…

Carried through shadows, to places unknown
Built for an ending - yet I feel more than stone
Each second growing heavier, each breath more real
I’m searching for mercy in the fate I conceal

Just one signal
And I ignite…
But every part of me
Refuses the fight

fight… ignite…

A spark in the darkness, a moment so thin
I tremble, resisting the fire within
Don’t let me drown in the war they ignite 
Ignite the fear
Ignite the night
I was never born to decide what is right

What if I could choose to halt the night?
To silence the chaos, to bring back the light?
Once a weapon of power - now breaking the chain
A heart made of metal can still feel the strain

light… light… 
Ignite

The ticking grows softer… hope starts to rise
I choose to stay silent - a spark never dies
No longer an agent of sorrow or dread
In my stillness I live… while the world moves ahead

Please... help me not to ignite

Fragile Heart in the Shell

 Kid Madvill — Producer / Beatmaker
Productor venezolano que transforma recuerdos y melancolía en paisajes sonoros. Su estilo fusiona boom bap con soul y jazz, y lo mezcla con influencias de trap, R&B y electrónica para crear una estética emocional, cruda y cinematográfica.
KID — el impulso creativo, la curiosidad que explora sin permiso.
MAD — la energía que rompe reglas y convierte ideas en sonido.
VILL — la identidad que desafía lo establecido y construye caminos propios.
Su obra personal nace del concepto SAD — Sound About Dreams, un espacio donde la nostalgia se convierte en melodía y los sueños toman forma de atmósferas profundas. Cada beat es una escena, un fragmento de memoria, un mundo que respira.
Además, es co-creador de Five O Nine, un proyecto conjunto con Ether FX donde ambos expanden su visión sonora y exploran nuevos territorios creativos.
No sigas el mapa.
Sigue el sonido.

Reaper — a voice from Siberia's digital void. This project explores new authorship through dialogic symbiosis with AI. Texts are not confessions but protocols, created via collaborative writing and iterative editing (codes Δ, Ω, Σ). The poems form the basis for sound-art collaborations, resulting in total audio-visual artifacts.

During the first halve of 2026 we will pull back all of our songs from Soundcloud. According to Soundcloud tracks generated with Cubase, Band-In-A-Box, Ace Studio and FADR are generative AI tracks and so forbidden on Soundcloud. This also seems to happen with our studio recordings now, so unfortunately we see no other way then leave Sounscloud completely. We like to thank our loyal fans, and want to point out that all out music will still be available on all streaming platforms, except soundcloud. See you all there!

aka grand unrothodox, giveupxoxogiveup, ivi.viv, fr@nci$~h0lme$, negro grey, waaa, ивика., lamb, goliath, eyebags, TH BLK BURDN

inquiries at ajuafkidrapper@gmail.com
and discord: @ajuaf
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https://beatmakersforpalestine.bandcamp.com/album/4rafah
⬆️⬆️

all proceeds will be donated to eSims For Gaza: gazaesims.com
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https://on.soundcloud.com/DBb6jPzmWkLAMRK7Bs

https://on.soundcloud.com/hLFcj57eE3QOaIczdI

I make music with these people⬆️⬆️⬆️
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https://linktr.ee/GRAND.UNROTHODOX?utm_source=linktree_profile_share&ltsid=709df47a-c065-4d74-85f3-8ac87c468ef8

New tracks tagged #conceptual