A Fifth of Beethoven
No doubt, 'The Fifth of Beethoven' is one of the most popular and famous compositions in the history of classical music as well as being one of the most often performed. This version is based on Robin Thicke’s 90’s top 40 hit with his version 'When I Get You Alone'
https://www.molenaar.com/details/1/19183/en

A Fifth Of Beethoven (arr. Rob van Reijmersdal) - Ludwig van Beethoven

https://www.molenaar.com/details/1/21018/en

Chanson d'Amour (arr. Johan de Meij) - Wayne Shanklin

Nottuln
Concert Ouverture for Concert Band
Nottuln is a festival overture that was created for the wind orchestra of the same-named community. The repeatedly recurring fanfare combines a G major and a G minor subject simultaneously, which results in a rather exotic feeling. It is complemented by an evolving majestic theme, which is only fully harmonized by the trumpets at the last appearance and thereby colored by sparkling woodwinds and pulsive drums.

https://www.molenaar.com/details/1/20741/en

Nottuln (Concert Ouverture for Concert Band) - Julien Meisenzahl

Festa Latina
Latin Party
An up-tempo rhythmic Latin-style piece, with lots of incidental percussion to propel the music to a triumphant climax. Melody and harmony are key elements, and every instrument group has something interesting to contribute in this sparkling arrangement.
https://www.molenaar.com/details/1/20702/en

Festa Latina (Latin Party) - Peter Boris Koval

Amadeus Favorites
This work contains 5 themes by W. A. Mozart. These themes have been transformed – with due respect to their original conception – into a more contemporary sound idiom. In this way the arranger hopes to offer musicians of all ages an opportunity to get familiar with the music of one of the foremost masters of music. The themes used are: 1. Allegro from Eine Kleine Nachtmusik (1st part), 2. Sonate Facile (1st part), 3. Turkish March, 4. Symphony in G minor (1st part), 5. Rondo from Eine Kleine Nachtmusik (4 th part).
https://www.molenaar.com/details/1/18983/en

Amadeus Favorites (arr. Koos Mark) - Wolfgang Amadeus Mozart

American Triptych
https://www.molenaar.com/details/1/18626/en

American Triptych - Roger Roger

DUNKiRK
Dunkirk is a French city that served as a backdrop for the Allied military operation between May and June 1940. Known as Operation Dynamo, it consisted of the evacuation of Allied troops that had been encircled by the Nazi German army during the Battle of Dunkirk in full invasion of France. Almost the entire British Expeditionary Force, part of the Belgian army and three units of the French army had to evacuate the beaches and the port of Dunkirk before the German offensive. In spite of the bombings and the cornered by the German military, they were able to rescue more than 300, 000 soldiers. José Alberto Pina has tried to reflect the most dramatic moments of this operation. The composition is divided into small sections. It begins with ''The Prologue'' where the main theme of Dunkirk appears, followed by ''The mole, the beach'', where the long wait was taking over the soldiers. In ''The bombers'' you can hear how little by little these planes were getting closer to take a nosedive and destroy the lives of the soldiers. ''The Dunkirk Spirit'' is a term in the British press that refers to the solidarity of the British people as they played a fundamental role, using small boats to get close to the beach and help with the transfer of soldiers. ''The Failed Evacuation'' is related to how the soldiers try to survive while trying to climb the big ships, but the bombers end up sinking without the possibility of surviving. In ''The Hymn'', the melody of the beginning of the work is listening again on the trumpet, now developed throughout the orchestra and with great lyricism and nobility to finish with ''The Successful Evacuation'', where the full orchestra along with the drums will put a spectacular ending to this fantastic composition by José Alberto Pina.
https://www.molenaar.com/details/1/20713/en

Dunkirk - José Alberto Pina

The Bermuda Triangle
El Triángulo de las Bermudas
Inspired by the legend of The Bermuda Triangle, José Alberto Pina tells us in this symphonic poem other less well-known legends of the Bermuda Island as well. In particular, we refer to a legend of love that is set on the beautiful sandy beaches surrounded by crystal clear water. It tells that couples who kiss under the Moonshine will be assured of good fortune and happiness. All these elements, masterfully assembled in this wonderful composition, take us on a 20 minutes journey around the mysterious waters of Bermuda. Enjoy the idyllic setting of this paradise.
https://www.molenaar.com/details/1/19180/en

The Bermuda Triangle  - José Alberto Pina

E.T.
Adventure on Earth
Steven Spielberg made this big box office success film 'E.T.', telling the story of a boy, named Eliot, and his friendship with a fascinating little alien 'E.T.'. The film score, written by the internationally famous composer and conductor John Williams, brings their 'adventures on earth' back to life. This science fiction fantasy appeals to the imagination of both young and older people. Ton van Grevenbroek signs this fine orchestration for symphonic band.
https://www.molenaar.com/details/1/7433/en


E.T. Adventure on Earth (arr. Ton van Grevenbroek) - John Williams

Piet Hein Rhapsodie
Hollandsche Rhapsodie
The Piet Hein Rhapsodie was originally written by Peter van Anrooy for Symphonic Orchestra. This rhapsodie is based on on the Dutch song De Zilvervloot (Spanish treasure fleet) by J.J. Viotta en J.P. Heije. For the higher level orchestra's

https://www.molenaar.com/details/1/6781/en

Piet Hein Rhapsodie (arr. Willem Steijn) - Peter van Anrooy

01 Symphonia Sacra I. Entree Et Aspersion
02 Symphonia Sacra II. Litanies
03 Symphonia Sacra III. La Verité Salutaire

https://www.molenaar.com/details/1/19352/en

Symphonia Sacra Prt. 1,2 and 3 - Désiré Dondeyne

Check out this LIVE recording of the Stonebriar Wind Symphony on May 25, 2025.  To learn more and order your copy of the sheet music, visit https://www.petehazzard.com/music/concert-band.

New Mercies I See for Wind Ensemble

American Pastorale (Choral Symphony)
Commissioned by High Point University
Music by Kevin Day, Text by Kincaid Rabb

Premiered by the High Point University Chorus and Wind Ensemble
Dr. Brian Meixner, Conductor & Director of Bands
Dr. Marc Foster, Director of Choirs

I. Pacific Surfliner 
II. New Orleans to Hattiesburg 
III. Grand Canyon Railway 

Sheet Music Available:
https://murphymusicpress.com/search?q...

@kevindaymusic  
@kincaid_rabb

American Pastorale - HPU Chorus and Wind Ensemble, Brian Meixner

March to Mars
The concert march March to Mars was written for a composition-contest of the Norwegian Broadcasting Corportation (EBU). This spectacular work was composed by Julius Steffaro, a pen-name of Jan Stoeckart, who also employs several other pweudonyms: Jack Trombey, Petr Milray and Willy Faust. In this way he has been able to add a large number of works for windband to his name. March to Mars has been elaborated and scored by Johan de Meij, who also did the arrangements for windband of Honky Tonk Ragtime and Cake Walk Phantasy from this composer.

https://www.molenaar.com/details/1/7111/en

March to Mars (arr. Johan de Meij) - Julius Steffaro

Blue Tango
Leroy Anderson was the son of Swedish immigrants. He studied music and foreign languages at the famous Harvard University before starting a brilliant musical career. He was a great church organ player, a fine conductor a great composer and mostly the successful arranger for the famous 'Boston Pops Orchestra' conducted by Arthur Fiedler. He turned into one of the very big champions of the musical 'novelty' with hits such as 'Belle of the Ball', 'Bugler's Holiday', 'Sandpaper Ballet', 'The Syncopated Clock' and 'The Typewriter' (all these items have also been published by Molenaar Edition). In was in 1947/48 that Anderson was obsessed by a tune which was to become his world famous 'Blue Tango'. He choose 'tango azul' as title, but this did not sound very commercial. (Usually Anderson first choose a title and then composed a piece, but in this case he did the opposite). The Decca label released this piece on the second Anderson long playing record in october 1951. Unexpectedly Blue Tango became the big success and made its way into the Top ten. Between january and halfway june 1952 one million records with this tune were sold. It was the very first instrumental piece to reach the top of the hit parade: it was number one for seven weeks and remained fifteen weeks in the top of the charts.
https://www.molenaar.com/details/1/8392/en

Blue Tango - Leroy Anderson

At World's End
Pirates of the Carribean
The soundtrack of the movie picture 'Pirates of the Caribbean': 'At World's End', released in May 2007, was composed by one of the 'masters of the soundtrack’, Hans Zimmer. Erik Rozendom made a faithful and extremely well sounding arrangement of this fine score which, in the meantime, has become very popular. This arrangement can possibly call on the vocal capacities of the musicians of your band.
https://www.molenaar.com/details/1/20704/en

At World's End (Pirates of the Carribean) arr. Erik Rozendom - Hans Zimmer

Lights in the Mirror
Lights in the Mirror was een compositie-opdracht van de Yahata High School Band (Fukuoka, Japan) ter gelegenheid van hun 30e jaarlijkse concert in augustus 2016. De titel van het stuk verwijst naar een gedicht van de rector: Kijk altijd in de spiegel naar je eigen hart, en bewandel het pad van de eerlijkheid. U zult genieten van dit gedurfde en dynamische werk, dat met zijn stevige ritmes en heldere harmonieën elk publiek zal bekoren. Ook zeer geschikt voor concoursen.

https://www.molenaar.com/details/1/20353/nl

Lights in the Mirror - Naoya Wada

Cry me a River
from the album "Crazy Love" - Michael Bublé
Cry Me A River is een Amerikaanse standard, geschreven door Arthur Hamilton, uitgegeven in 1953 en in eerste instantie bekend geworden door de uitvoering van Julie London. Op de CD 'Crazy Love' (2009) van Michael Bublé was 'Cry me a river' de openings song. Hij maakte er een swingend big band arrangement van. Dit arrangement is van oorsprong geschreven voor Harmonie met solo zang maar is ook beschikbaar voor alt of tenorsax, trompet, bariton of trombone.

https://www.molenaar.com/details/1/19486/nl


Cry Me A River (arr. Bert van Cruchten) - Arthur Hamilton

Fourth Symphony, Part 1- Elegy
Fourth Symphony, Part 2- Intermezzo
Fourth Symphony, Part 3- Tarantella

https://www.molenaar.com/details/1/7262/nl


Fourth Symphony, Part 1,2 and 3 - Alfred Reed

Molenaar Edition is a publisher of sheet music for Concert Band, Fanfare and Brass Band. Molenaar Edition also has its own CD label, MBCD, that releases 3 to 4 CDs , a year.

The company was founded in 1933 by Pieter Jan Molenaar under the name Molenaar’s Muziekhandel. In the 1970s, his sons Jan and Bob joined the growing company. The name was changed to Molenaar’s Muziekcentrale, and later to Molenaar Edition BV.

Kevin Day (b. 1996) is an award-winning, multi-disciplinary composer, jazz pianist and conductor based in Las Vegas, Nevada. Internationally acclaimed as one of the world’s leading musical voices, Dr. Day’s work is known as a vibrant exploration of diverse musical traditions from contemporary classical, jazz, R&B, Soul and more. A unique voice in the world of classical music, Dr. Day takes inspiration from a broad range of sources, including romanticism, late 20th century music, jazz fusion and gospel. Across all areas, his work explores the complex interplay of rhythm, texture and melody across genres. 

Dr. Day burst onto the musical scene in 2018 with his Concerto for Euphonium, which has since gone on to become a Classic FM sensation and has been recently performed by the United States Marine Band. Since then, some of the world’s top instrumental soloists, wind bands, chamber ensembles and symphony orchestras have commissioned and performed his works, including the Cincinnati Opera, Houston Symphony Orchestra, Fort Worth Symphony Orchestra, Dallas Winds, Nu Deco Ensemble, Boston Brass, Capitol Quartet, Puerto Rican Trombone Ensemble, Syrinx Quintet, Sheffield Chamber Players and many others throughout the United States, Canada, Austria, Taiwan, South Africa, Australia and Japan. Dr. Day is the recipient of numerous awards, including a Copland House Residency Award, the MacDowell Fellowship for Music Composition, the BMI Composer Award, the TCU Alumni Outstanding Young Professional Award, a three-time ASCAP Morton Gould Finalist, a finalist for the ABA Sousa-Oswald Award, a finalist for the NBA Revelli Award, and many more. 

Dr. Day’s original opera, Lalovavi: An Afro-Futurist Opera in Three Acts, will premiere at the Cincinnati Opera as the lead work in its ground-breaking new Black Opera Project. The work is the first of three commissioned by the Cincinnati Opera as part of its initiative to engage Black creators in developing new works celebrating Black stories. As part of the project, Dr. Day is collaborating with renowned director Kimille Howard and librettist Tifara Brown, who’s recognized as one of the country’s leading performance poets. Other recent works include his acclaimed Concerto for Wind Ensemble and Birds in the Cathedral, as well as Ignition, commissioned by the Boston Symphony Low Brass and Unquiet Waters, commissioned by Jordan VanHemert.

In addition to his work as a composer, Dr. Day also enjoys an active career as a jazz pianist. Passionate about collaborations that reimagine and advance the future of jazz as an art form, he brings his extensive musical background to the stage and studio as improviser and collaborator. He’s currently working on a debut solo album. His music has been featured on numerous high profile releases, including albums by Thomas Mesa and Michelle Cann, The Alias Chamber Ensemble, Jeremy Wilson, Jarrett McCourt, and Nicki Roman.

He holds degrees from Texas Christian University (TCU), the University of Georgia, and the University of Miami. He has studied composition with Dorothy Hindman, Charles Norman Mason, Peter Van Zandt Lane, Emily Koh, Gabriela Lena Frank, and Neil Anderson-Himmelspach.

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