I'm Done (Prod. By King EF)

"Life Harder" - Gyptian (Bob Marley Riddim)

Another great reggae mix LOVE ME SOME REGGAE VOL.2 
Happy New Year! Listen, Share, Enjoy.

LOVE ME SOME REGGAE VOL.2

Track nr 06 from Norris Man & Hot This Year´s album "REAL" 
Release date 5 NOV 2014

Norris Man - My Life (prod by Hot This Year band)

YAMCHA

All production credits go to Bailey Daniel find him at linktr.ee/BaileyDaniel
This track is non-monetized for any CRC enquires contact me at: azephyrmusiclabel@gmail.com
(Production) Bailey Daniel (YT) ~ www.youtube.com/@baileydaniel
(Main Artist) AZephyr linktr.ee/AZephyr
(Feature) Razium aka Razza find him at on.soundcloud.com/PEGuoMRUX84rQufS6
And at his Spotify open.spotify.com/artist/20Z8fuk7o…NgSP2iEcTHyZ7ITA
(Art Work) Razza
Lyrics:
[Verse 1]
I was 13 smoking on that mystery leaf
18 chugging like a big fish out of the reef
Half dreams full of a wall full of debt
Living on credit but I can't pay rent with distress
It wasn't g-checks, it was g-cheques, you guessed
Like a fast break, but I'm missing the rest
And she texts, uh, "mean sex", "no shame", yeah right, check please
Throw the right collar back on, but we're still up for next week, right?
(yeah?) That's tight

Used to flex side to side, now I'm flexing my stress.
Catching hours like a hobby, I ain't breaking a stress.
Used to pull up clean, now I'm working on my buzz.
But I'm still popping bottles of water, so tell me what's up.
(Whats Up?)

Chorus
It just don't feel the same anymore
And I'm sorry, I just can let go[:]

Verse 2:
Used to roll deep, now I'm just lost
Solo, too low
I had dreamed to the top, now I'm stuck like
Im in the middle[] like Marvin
Had a vibe remixed, now I'm stuck in a fiddle, nero shit
Used to be the one, now I'm lost
Like I be Roman, everythings roaming space
Maybe I be like Pisa, more like leaning like Pisa
Got a head full of thoughts, like Caesar, uh, no Caesar

Bridge:
I'm livin' life wild with the mind on a tight leash rope
Big smile though, even when I'm out of reach though
I feel low, I gotta be solo, holo
Oh my god, this hole go so low
Okay, smile though, smile

Chorus: It just don't feel the same anymore
And I'm sorry, but It just don't feel [:]

[Verse 3] (ft. Razza)

13 When I was smoking on that mystery leaf
I had a vision, no suspicion, I wasn't coming to please
An audience, so baby, when I write these rhymes, you best believe
Rarely ever talk about myself, but baby, tonight you'll see
My parents said, fuck music and get an actual degree
But to a degree, I speak from what is decreed
Inside of my soul, but it never comes and goes
It's like a part of me that I can never let go
Tunnel vision, I participate in competition
But what's the point when the points are rigged and minds are twisted
But I still have hope in this cruel world that I live in
Cause God sees all and nothing passes his image man.

Smile Through (Prod. Baliey Daniel)

Whole Lotta Witchcraft is a raw, self-produced exploration of the human condition. Part street sermon, part sonic memoir. Across gritty, future-facing boom bap beats, Adam Antium decodes the everyday illusions we mistake for truth: materialism, emotional manipulation, relationship loops, and the modern “spells” that keep us chasing what never fills us.

With features from longtime collaborators Baloww369 and OnlyBryan47, and voice samples from esoteric icons 607Unc and Bobby Hemmit, the album pulses with urgency but never strays from clarity. This isn’t occult for shock value: it’s philosophy in motion. A questioning of the program. A call for awareness. A transmission for those tuned into more than just vibes.

Each track functions like a mirror, offering a glimpse into life’s deeper patterns and the subtle energies that shape us whether we see them or not.

This is more than music.
It’s a frequency shift.
Filed and archived by the First Eye Society.

Whole Lotta Witchcraft

The Griots who Stare at Goats

Live Audio from Sunday Chill Out with the FAM on TikTok !

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Felly - White

PCP Certified Writer | Producer | Composer | GFX Designer
AZephyr reminds me a bit of early Mac Miller and Jay Z, he's not copying anyone, but sharing that vibe of honest, introspective lyricism paired with a smooth but erratic flow. From what we've heard so far it doesn't look as if he's on current trends or the usual flashy themes; instead, he’s focused on building his own sound and telling his own story. This kind of dedication to crafting something authentic at just 18 shows me something real, that we for the most part are losing in hip-hop. If he keeps honing his style and staying true to himself over the next few years I genuinely believe he could carve out a strong place in the game.
J. Carter
Music Writer & Cultural Commentator
The Soundwave Review

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