Composed by 彭智烨 Zhiye PENG (2025), for 3 electric guitars, 2 violoncelli and contrabass

The Sleepy Tree

The song was created on January 23, 2019 and has now been remastered
 
My first orchestral music. :)

Phantom - Times of sadness and joy ,,2019" ( Remastered)

Experience the warm, intimate sound of acoustic jazz with this original composition, featuring expressive piano, deep double bass, and delicate brushwork on drums-all recorded and performed by myself.  With its uplifting vibe and positive energy, it creates a feel-good atmosphere that lifts the spirits and sets the perfect mood.

Deszcz

Distraction

An intense little piece built on a passacaglia bass line. I used a binary form and the bass line inverts in the B section. I've also layered different meters so that the bass line moves along in 4/4 while the melodies are in 3/8. The percussion and piano part are in 4/8 and 5/8.

Passacaglia (Andante Inquieto)

melodic

Am i getting too weird with the chord progessions?

Stayplease

Commissioned by the Tzlil Meudcan Festival. Premiered on July 4th, 2023.

Clouds of White is a political piece. It is based on the idea of extreme political parties that have no intention of compromising, even when their ideology becomes more important than the citizens who they are supposed to represent.
This one movement piece contains three sections. The beginning and end are messy and restless, while the middle part is the unattainable utopia. At that point, a well known song is quoted, enabling the instruments to feel at home, in a familiar setting derived from jazz music. At the very end of the piece, the pitch disappears completely, representing a world without compassion and kindness.

Clouds of White, for Saxophone and Double-Bass (2023)

Beat on MK3 0205

This is a drone piece for an upcoming album under a new band name.
Made with violinist "Goose"

Drone of Denial, or "An Excerpt From the End of the World"

Brick and Mortar, a contra alto clarinet trio, showcases the contra alto clarinet's brilliance as both an accompaniment and solo instrument. The first movement begins with a rhythmically consistent theme, highlighting the power of the instrument's lower register. This is followed by a somber and intimate second movement that utilizes the contra alto clarinet's silky upper register. The third movement concludes the work with an intense rhythmic pattern that supports a melody passed among all three voices.

D.S. Musiks 

Brick & Mortar - 3

Brick & Mortar - 1

Brick & Mortar - 2

Piano: sample
I played the drums and contrabass (Kontakt 8)

Freddie Gibbs – Space Rabbit / Flossy remix

[Intro]
She moved like silence on a wire,
never near, yet always there.
He spoke in heat, in held desire,
a signal hung in open air.

[Chorus]
It’s a cosmic conversation –
no words, just deviation.
A breath between collisions,
a drift of old decisions.
They never touch, but still they burn,
in orbits that will never turn.

[Verse]
She never stays, just flickers in the room,
a whisper in the filament, the curve of afternoon.
He holds his orbit, tethered to her trail,
drawn by what escapes him,
forever just to fail.

They speak in silences, pulses and delay,
in glances bending space between the things they cannot say.
A table left half-set, a coat not quite unhooked –
each charge a quiet gesture,
each word a page she took.

[Chorus]
Between the sparks, they almost meet,
in every pause, a heartbeat skips a beat.
The closer they align, the more they spin,
like gravity afraid of giving in.

[Verse]
He builds her shelters out of open hands,
she passes through like photons through the sand.
Still, she lingers – scattered in his chest,
not as a lover,
but a question never guessed.

[Bridge]
Not touch.
Not light.
But something like a name
held tight in the breath
before it’s ever said.

[Chorus]
Between the sparks, they almost knew,
the shape of love in something true.
Not flesh, not flame – but resonance,
the ghost of one impossible dance.

[Outro]
She leaves with nothing.
He stays with less.
And somewhere in the absence,
they coalesce.

A Cosmic Conversation [Extended Version]

© 2025 NEXAI Beats, NEXAI Records
Composer: Andreas Undrum Noer, SUNO AI

(Verse 1)
I was drifting through the silence
Like the wind without a name
Empty skies and endless islands
Every sunset looked the same

I was dancing in the dark
No rhythm in my heart
Cold waves pulling me apart
Till you lit a spark

(Pre-Chorus)
You didn’t say much, just stayed
Like you knew I’d break
But your presence made the quiet
Finally feel safe

(Chorus)
Now I’m free with you
Like the ocean knows the moon
You pulled me through
All the shadows I once knew
Now I breathe in color
Float like summer
Weightless too
I was lost, now I’m alive
I'm free with you

(Verse 2)
We don’t talk about the sorrow
We just let it fade away
Built a fire for tomorrow
Even when the sky turns grey

You were calm inside the storm
A lighthouse in the snow
With you I’m finally warm
And I’m not alone

(Pre-Chorus)
You didn’t fix me, just saw
Who I used to be
But your light became the rhythm
That set me free

(Chorus)
Now I’m free with you
Like the ocean knows the moon
You pulled me through
All the shadows I once knew
Now I breathe in color
Float like summer
Weightless too
I was lost, now I’m alive
I'm free with you

(Bridge)
Even when the nights fall long
I still hear your steady song
You remind me I belong
That I’ve been strong
All along

(Final Chorus)
Now I’m free with you
Like the stars that chase the blue
You pulled me through
Turned the darkness into truth
Now I dance like fire
Hearts climb higher
Sky in view
I was lost, now I’m alive
I'm free with you

Free With You (Folk Country Mix)

strings in F Major

Here I'll be uploading drone until I run out of upload space.

NEXAI Beats is where cutting-edge AI meets limitless creativity. Based in Telemark, Norway, this genre-fluid artist creates music that transcends boundaries, spanning Drum and Bass, house, chill, hip hop, and experimental soundscapes. Using artificial intelligence as a key collaborator, NEXAI Beats redefines how music is made, producing tracks that are fresh, dynamic, and emotionally charged. Dive into a diverse world of sound, where every track is a fusion of innovation and artistry.

Contact: hello@nexaibeats.com

I’m a composer, multi-instrumentalist, educator and co-founder/owner of D. S. Musiks. I love to write for woodwind instruments, specifically solo and chamber music works. I have a passion for double feeds, low clarinets, and recorder/flute, but also love to write for all instruments. I am dedicated to the creation of solo works for auxiliary instruments and find the greatest joy in life when sharing my music and performing. Please visit dsmusiks.com for a full catalog of my works as well as works by many other composers!

I've been making music since I was 15. My dad had a keyboard at home, and I started experimenting with sounds on old 8-bit computers. Early influences were artists like DJ Krush and DJ Shadow – I was really into trip-hop back then.

These days, I focus more on chillout and downtempo, but I love exploring different styles. I often start with samples, which I usually modify – either by adding my own sounds or converting them into MIDI to reshape and build entirely new tracks. It's a blend of inspiration and transformation.

I currently use BandLab and a Maschine Mikro MK3 to create, though I used to work in Reason and Fruity Loops back in the day.

Over the years, I’ve released a few official records, and I’m proud to be the only Czech artist to release an EP on the Dusted Wax Kingdom label.

Music is my therapy – it keeps me grounded and helps me express what words sometimes can’t. Thanks for listening.

Note: In light of the recent AI breakthroughs, we feel it's important to clarify that we've been working with voice modulation since the mid-1990s – originally inspired by David Bowie's album Outside. Our approach predates AI-driven tools and is rooted in treating the voice as an instrument, shaped and sculpted through earlier technologies.

We fully understand that questioning authenticity may not be the intention – but it's worth remembering that all electronic music is, by nature, mediated and transformed. Even Nietzsche pointed out how modern tools shape us: inserting paper into a typewriter already creates a distance that handwriting does not. Perhaps birdsong is the only truly authentic sound. 🐦

Writes original song lyrics and takes custom lyric requests under the artist name Meo Wibe. This platform is also home to the creative collaborations of the Psychonaut Collective (Meo and The Psychonauts). Thank you for your support and appreciation.

Batya Frenklakh (b. 1992) is an Israeli composer. The most striking aspect of her music is that it cannot be categorized under a single genre. Her style is primarily influenced by modern and contemporary classical music, but equally by pop, indie, and electronic music, as well as by Baroque and Classical music. She is interested in a certain degree of minimalism, in flowing energy and rhythm that draws listeners in, and in using scales and chords as timbres rather than within traditional harmonic contexts. Her compositions are often driven by extra-musical ideas that shape both the structure and the sounds she uses, often touching on social themes.

Batya has completed a second master's degree in composition at the Anton Bruckner Private University under the direction of Prof. Carola Bauckholt ('19-'21). Previously she studied with Mr. Dan Yuhas ('14-'17) and Mr. Reuben Seroussi ('17-'19) at The Buchmann-Mehta School of Music at Tel Aviv University.

Her works have been performed by notable ensembles, orchestras and soloists, such as the Israel Contemporary Players, Meitar Ensemble, Neue Vocalsolisten Stuttgart, Schallfeld Ensemble, Divertimento Ensemble, The Israel Chamber Orchestra, The Israel NK Orchestra, Sharon Kam, Saar Berger, among many others. She has attended masterclasses with Francesco Filidei, Franck Bedrossian, Clara Iannotta, Fabien Levy, Mauro Lanza and Manuela Kerer, and took part in several projects, such as composing in collaboration at Labor Beethoven 2020 and constructing musical representations at the Biennale Urbana (Venice).

She won the 3rd prize of the Klon Competition Scholarship and received a master's degree scholarship from The Colton Foundation, a scholarship for excellence in a memory of lawyer Dan Ben-Basat, the Rotary Club Wels Stipendium 2019/20, and a scholarship for composing after the Israeli poet Aviva Or-Shalom.

Music has been a part of my life since childhood - learning, experimenting, and playing various instruments along the way. I graduated from music school, and my experience in choral singing, playing in bands, and taking part in various music projects has shaped my style and creative approach. This website serves as my musical portfolio, showcasing my work and artistic vision. Every track here is fully arranged, recorded, and performed exclusively by me, born out of a deep need for self-expression and the pursuit of unique sounds. I continuously refine my craft by broadening my musical perspectives and drawing inspiration from a variety of genres and cultures. A multi-instrumentalist at heart, I am always exploring new tones, inspirations, and ways to tell stories through music.

In addition to composing and producing music, I am also passionate about photography. On my SoundCloud, each track is accompanied by a photograph that I have taken and prepared myself—carefully chosen to reflect the mood and atmosphere of the piece.

If you enjoy my work, you can buy me a coffee.
Thanks for your support! 🎶☕
https://buymeacoffee.com/matekrypinski

If you are interested in cooperation, please write me an email.
mateuszrypinski@gmail.com

Hey, my name is Uli Vollmer. I am 28 years old. At the age of 17 I taught myself how to play the piano.  3 years later I got my first request to produce the music for a short film.  And that's how i came to orchestral music. And now I am producing classical TrapBeats too. Here you can hear what has come of it over the years. Enjoy listening ❤️
PS : my music is only emastered, so don't be surprised about the dull sound

I have 3 Spotify profiles link to them in the bio.
Music Student Available sound installation work contact

New tracks tagged #contrabass