Bluebird Blues

Deny The Stars - Acoustic Remix

Round 6 of Legends Comp wahoo

prompt is to represent perseverance, so i made bossfight music against the manifestations of Fear and Doubt and whatever, insert fancy depressing metaphor about falling stars

wish me luck, I need it xD

Composed in Flat.io

Starfall - Legends Comp. '24 R6

Fantasy Drama

This is my orchestral arrangement from the piano piece "Suite Espagnole" by Isaac Albéniz.

The piece contains many markings of dolce, cantando, legato, and cantabile. With that in mind, I went for an intimate arrangement that used solo voices for many of the parts to create a similar mood established by Albéniz.

Suite Espagnole, No. I - Granada

Suite Espagnole, No. I - Granada (Serenata) - Orchestral Arrangement

Counter Point for String Quintet

Lament

just a non live take from one of my hardest tracks to date

wanna bounce (demo).alp

This Track is dedicated to my lovely Kids (L+M)

Evolution of Humanity (Original Mix) [Premastered]

contraBow lynched

Composed by 彭智烨 Zhiye PENG (2025), for 3 electric guitars, 2 violoncelli and contrabass

The Sleepy Tree

The song was created on January 23, 2019 and has now been remastered
 
My first orchestral music. :)

Phantom - Times of sadness and joy ,,2019" ( Remastered)

Experience the warm, intimate sound of acoustic jazz with this original composition, featuring expressive piano, deep double bass, and delicate brushwork on drums-all recorded and performed by myself.  With its uplifting vibe and positive energy, it creates a feel-good atmosphere that lifts the spirits and sets the perfect mood.

Deszcz

Distraction

An intense little piece built on a passacaglia bass line. I used a binary form and the bass line inverts in the B section. I've also layered different meters so that the bass line moves along in 4/4 while the melodies are in 3/8. The percussion and piano part are in 4/8 and 5/8.

Passacaglia (Andante Inquieto)

melodic

Am i getting too weird with the chord progessions?

Stayplease

Commissioned by the Tzlil Meudcan Festival. Premiered on July 4th, 2023.

Clouds of White is a political piece. It is based on the idea of extreme political parties that have no intention of compromising, even when their ideology becomes more important than the citizens who they are supposed to represent.
This one movement piece contains three sections. The beginning and end are messy and restless, while the middle part is the unattainable utopia. At that point, a well known song is quoted, enabling the instruments to feel at home, in a familiar setting derived from jazz music. At the very end of the piece, the pitch disappears completely, representing a world without compassion and kindness.

Clouds of White, for Saxophone and Double-Bass (2023)

Beat on MK3 0205

putting in 110% effort into procrastinating 💪

- I compose stuff and occasionally make clean edits of songs
- Just a heads-up, I repost a lot lol
- I do not own any of the cover art

Stay awesome & have a great day ツ

Hi! Welcome to my Soundcloud page! My name is Jonathan Lindgren and I'm making music as a hobby. 
If you like what you hear, press the follow button or press a like on your favorite songs.

I hope you'll enjoy the visit! :)

Hi@All, i am 36 years old and  just Love to make Music.

I've been making music since I was 15. My dad had a keyboard at home, and I started experimenting with sounds on old 8-bit computers. Early influences were artists like DJ Krush and DJ Shadow – I was really into trip-hop back then.

These days, I focus more on chillout and downtempo, but I love exploring different styles. I often start with samples, which I usually modify – either by adding my own sounds or converting them into MIDI to reshape and build entirely new tracks. It's a blend of inspiration and transformation.

I currently use BandLab and a Maschine Mikro MK3 to create, though I used to work in Reason and Fruity Loops back in the day.

Over the years, I’ve released a few official records, and I’m proud to be the only Czech artist to release an EP on the Dusted Wax Kingdom label.

Music is my therapy – it keeps me grounded and helps me express what words sometimes can’t. Thanks for listening.

Batya Frenklakh (b. 1992) is an Israeli composer. The most striking aspect of her music is that it cannot be categorized under a single genre. Her style is primarily influenced by modern and contemporary classical music, but equally by pop, indie, and electronic music, as well as by Baroque and Classical music. She is interested in a certain degree of minimalism, in flowing energy and rhythm that draws listeners in, and in using scales and chords as timbres rather than within traditional harmonic contexts. Her compositions are often driven by extra-musical ideas that shape both the structure and the sounds she uses, often touching on social themes.

Batya has completed a second master's degree in composition at the Anton Bruckner Private University under the direction of Prof. Carola Bauckholt ('19-'21). Previously she studied with Mr. Dan Yuhas ('14-'17) and Mr. Reuben Seroussi ('17-'19) at The Buchmann-Mehta School of Music at Tel Aviv University.

Her works have been performed by notable ensembles, orchestras and soloists, such as the Israel Contemporary Players, Meitar Ensemble, Neue Vocalsolisten Stuttgart, Schallfeld Ensemble, Divertimento Ensemble, The Israel Chamber Orchestra, The Israel NK Orchestra, Sharon Kam, Saar Berger, among many others. She has attended masterclasses with Francesco Filidei, Franck Bedrossian, Clara Iannotta, Fabien Levy, Mauro Lanza and Manuela Kerer, and took part in several projects, such as composing in collaboration at Labor Beethoven 2020 and constructing musical representations at the Biennale Urbana (Venice).

She won the 3rd prize of the Klon Competition Scholarship and received a master's degree scholarship from The Colton Foundation, a scholarship for excellence in a memory of lawyer Dan Ben-Basat, the Rotary Club Wels Stipendium 2019/20, and a scholarship for composing after the Israeli poet Aviva Or-Shalom.

Music has been a part of my life since childhood - learning, experimenting, and playing various instruments along the way. I graduated from music school, and my experience in choral singing, playing in bands, and taking part in various music projects has shaped my style and creative approach. This website serves as my musical portfolio, showcasing my work and artistic vision. Every track here is fully arranged, recorded, and performed exclusively by me, born out of a deep need for self-expression and the pursuit of unique sounds. I continuously refine my craft by broadening my musical perspectives and drawing inspiration from a variety of genres and cultures. A multi-instrumentalist at heart, I am always exploring new tones, inspirations, and ways to tell stories through music.

In addition to composing and producing music, I am also passionate about photography. On my SoundCloud, each track is accompanied by a photograph that I have taken and prepared myself—carefully chosen to reflect the mood and atmosphere of the piece.

If you enjoy my work, you can buy me a coffee.
Thanks for your support! 🎶☕
https://buymeacoffee.com/matekrypinski

If you are interested in cooperation, please write me an email.
mateuszrypinski@gmail.com

Hey, my name is Uli Vollmer. I am 28 years old. At the age of 17 I taught myself how to play the piano.  3 years later I got my first request to produce the music for a short film.  And that's how i came to orchestral music. And now I am producing classical TrapBeats too. Here you can hear what has come of it over the years. Enjoy listening ❤️
PS : my music is only emastered, so don't be surprised about the dull sound

Conceptual artist who happens to make noise.

All my tracks are organized into playlists for ease of listening!

OONARK is an ANvers born artist 

UNITE

trying

New tracks tagged #contrabass