© Protegido por copyright

0:00 - 4:00     I -     Aquí
4:00 - 8:23     II-     Cactus
8:23 - 16:21    III -   Diamante
16:21 - 19:40  IV -   A una Flor
19:40 - 22:38 V -   ¿A dónde Vas?
22:38 - 33:20 VI -  Ancestras Almas
33:20 - 39:18 VII-   Abriendo Paso al Andar

2021/ 2023
El fruto de 3 largos años. 

Con amor hacia el mundo, desde la Energía Sagrada.

Ancestras Almas fue producido por Mago Cósmico del Bien, en UnMagoStudio, Costa Rica, un estudio completamente casero y experimental. 

Composición, ejecución, grabación y proceso de Producción: 
Mago Cósmico del Bien

Ejecución:

- Mago Cósmico del Bien (Baterías/Bajos/Guitarras/Sintes-Teclados/Voces)

- Telémaco Camaleón (Teclados Sabrosones en canción VII - "Abriendo Paso al Andar")

© Todos los Derechos reservados, Noviembre 2023.

Ancestras Almas - Mago Cósmico Del Bien © 432 hz Cosmic Rock

#Cosmicrock #GalacticGrooves #spacerock  #IndieRockJourney #CelestialMelodies #AlternativeUniverseSound #guitarExploration #RockingCosmosAlt 
#AlternativeRock #SpaceRockAcoustic #IndieMusic #NewMusicDiscovery #musicVibes #AlternativeSoundscapes

Of Being - Jemma Clamp

Previously unreleased recordings of 1988 & 2008.
Out on ltd 12" LP (150 copies)  & digital on 09.02.2024
Distribution by Japan Blues - tad@japanblues.com

Guenter Schickert - guitar, snail horn
Udo Erdenreich - bass, hurdy gurdy, bell, jaw harp, percussion
Mirko Olostiak - megaphone

Jabbering people, a dry bassline, nagging punks, the bassline again, a dry cough, the U-1 passes by a guitar starts weeping: welcome to Schickreich, a rare recording of a super group that cut short into a duo. Comprised of bass, hurdy gurdy, Jew’s harp player, DJ, Intermedia-artist Udo Erdenreich, and Berlin’s cosmic kraut legend Günter Schickert. They were bandmates in Ziguri and played since the late 1980s off and on as Schickreich. Marmo now brings to life an album that uncovers two wings of their manifold musical explorations.

The A-Side, “Die Zukunft ist den Kindern und den Narren“, is an epic live recording from Easter Sunday 1988, when Schickreich first performed at Das Arschloch, an open-air pit at Kreuzberg’s Oranienstr. 1 / Manteuffelstrasse 43 at Berlin’s Görlitzer Straße underground station. At that time, the pit was a regular venue for concerts, performances, happenings, and other events of art. Free and outside was the slogan. The duo performed an improvised show alongside the megaphone shouting of Mirko from the Irren-Offensive, a 1980 formed association that served (according to the statutes) "the self-help of current or former psychiatric inmates" and "works toward creating understanding of madness and finding new ways of living with madness." The group's friend Uschi Schröder, at that time cultural manager in Berlin's underground culture, recorded the unique show with her cassette recorder, walking around in the pit, absorbing music, bypassing city noise, and the talk of the audience. After 35 years in deep sleep, the unique cultural document gets published for the first time. It brings all that Angst, that revolutionary Geist, that anarchy, West-Berlin had to offer for a brief period. You hear them shouting for free madness over low hanging bass figures and stretched guitar echoes. The audience is part of the show, children talk while strange drones appear just to disappear again.

The B-Side features a totally different musical universe of Schickreich. A meditative one, recorded 2008 by Günter Schickert while playing live to an audiovisual show about the cultural heritage of Tibet called Tibet Rediscovered. Two eight- to 16-minute-long tunes run by the names “Kang Rinpoche” and “Mapam Yu Tso”, featuring Günter Schickert playing his famous snail horns, while Erdenreich adds gentle bell tones, jaw harp frequencies and percussion on the flight. They are documenting an inner voyage into Schickreichs deep layered telepathic zones, where both artists speak in tones to each other, imagining the mountain regions of Kang Rinpoche and the nearby clear waters of high-altitude lake Mapam Yu Tso as a spiritual musical galaxy of their very own. Gently played, with long meandering tones in the spirit of Pauline Oliveros, unfolding a mystical story ark for friends of trance-portive music. Manufactured with snail horn, guitar, hurdy gurdy, bell, jaw harp, percussion, and two inspired spirits, that trust each other’s visions deeply. Free music for free zones.

Three recordings, two different atmospheric longings, created by two individuals of West-Berlin’s free agitating cultural zone, that followed their very own artistic path, never coping with the current, ever listening to their peculiar heartbeat, that pumps deep down in their psychedelic souls. Günter Schickert, Udo Erdenreich, Schickreich in eternity.

PRE-ORDER

Schickreich_snippet_B2_Mapam Yu Tso

Schickreich_snippet_B1_Kang Rinpoche

Schickreich_snippet_A_Die Zukunft ist den Kindern und den Narren

"One step to the Moon" by Exxasens, remixed. Also ready in all streaming platforms.
https://open.spotify.com/intl-es/track/3YP6sKrsxowJfPtwxcCHpf?si=55c706d46f094efe

One Step to the Moon - Exxasens (Psicotrònic Scapes Remix)

Dive into the mystical realms of our latest auditory journey, "Whispers of the Divine: The Pine Cone Enigma," now streaming on SoundCloud. This transcendent piece explores the enigmatic power of ancient symbols – the pine cone and the purse – revered by gods across the myriad cultures of our world. These were not mere objects of art or the divine, but rather, keys to unlocking forces beyond the comprehension of mere mortals.

For eons, tales have whispered through the annals of history about how these gods, from the peaks of Olympus to the depths of the underworld, wielded these items not just as symbols of their might but as instruments of unparalleled power. The pine cone, often seen in the grasp of deities, is reimagined in our song as a device capable of manipulating the very essence of matter, levitating monolithic stones to construct the ancient wonders that puzzle our modern minds. This piece weaves soundscapes that evoke the awe-inspiring process of celestial beings, effortlessly moving massive stones into place, creating structures of such complexity and precision that they defy explanation.

The purse, glowing with ethereal light in our narrative, is no mere container but a reservoir of cosmic energy. It powers the pine cone, enabling the gods to clear their paths, move people beyond harm's way, or even smite their foes with a thought. Through haunting melodies and deep, resonant basslines, "Whispers of the Divine" explores the dual nature of these ancient artifacts - as tools of creation and instruments of destruction, all governed by the will of the gods.

This song invites listeners on a sonic odyssey to ponder the untold stories of our past. It hypothesizes a world where the boundaries between the divine and the mortal blur, where gods interact with the physical world in ways that leave lasting marks on the earth and in the legends passed down through generations.

Join us on this journey, where each note and lyric serves as a bridge to a time when the impossible was possible, through the power contained within a pine cone and a purse. Let "Whispers of the Divine: The Pine Cone Enigma" transport you to an age where the whims of gods shaped the land and the fate of humanity, and consider the possibility that the miracles of the ancient world weren't just feats of human endeavor but the manifestations of divine will and technology.

Discover the song that brings the legends to life and lets the imagination soar. "Whispers of the Divine: The Pine Cone Enigma" awaits your ears, and the story awaits your heart, only on SoundCloud.

Quantum Rhapsody- The Dance Of Infinity

Unbound

More info about the party: https://www.allourfriends.org/

Late set at All Our Friends (January '25)

Redshift Fever is a space rock voyage through obsession, distance, and time distortion. Fueled by heavy riffs, cosmic synths, and fever-dream vocals, this track captures the feeling of chasing something that’s always slipping further away. Inspired by the Doppler effect and emotional drift—this one’s for the stargazers who burn too bright.

#spacerock #psychorock #dreampop #chillwave #shoegaze #altrock #stonerrock #experimentalrock #cinematicrock #cosmicrock
#redshift #instrumental #postrock #retrofuturism #moody #spacegaze #dreamy #soundtrack #scifi #indie
#spacevibes #guitar #synthwave #ambientrock #emotionalrock #newmusic #viral

Redshift Fever

"Event Horizon" is a dark and poetic exploration of being drawn past a boundary into a state of beautiful, terrifying, and utter consumption, where identity is shattered and all that remains is the overwhelming presence of the void.  She could be a relationship, addiction, lost love, or technology.

[Verse 1]
A spectral pulse, through broken sky
Crimson codes—won’t let me die
Her shape distorts—an endless wire
I’m trapped within her dark desire

She moves through night, a shadow light
A surge that steals, my final fight
I chase her glow, lost in the chains
Ensnared by echoes, where she reigns

[Pre-Chorus 1]
Lattice of stars
Ghosts in the scars
Pulse, breath, and flame
Drawn to her reign

[Chorus]
Event horizon, she fractures through my core
Event horizon, a force I can’t ignore
No refuge, I’m tethered to her reign
A phantom tide in this astral plane

[Post-Chorus]
She claims the void
My stars destroyed

[Verse 2]
Her voice, a hum—through data streams
She twists the night—my haunted dreams
Distorted riffs, her gravity
I’m locked inside her mystery

Her gaze, twin voids—unravel me
A chaos surge—I crave to see
She’s the cipher, I can’t decode
A soul consumed—forever owed

[Pre-Chorus 2]
Glow of the sun
Spark where begun
Current and flare
Stripped and laid bare

[Chorus]
Event horizon, she fractures through my core
Event horizon, a force I can’t ignore
No refuge, I’m tethered to her reign
A phantom tide in this astral plane

[Post-Chorus]
She claims the void
My stars destroyed

[Bridge]
Starlight bends—her fleeting shape
Pulse inside—this cosmic rift
Her form, a surge—of radiant code
Where gravity—begins to shift
Darkness weaves—her signal burns
Endless void—that won’t return

[Final Chorus]
Event horizon, she fractures through my core
Event horizon, a force I can’t ignore
No refuge, I’m tethered to her reign
A phantom tide in this astral plane

[Final Post-Chorus]
She claims the void
My stars destroyed
She claims the void
My stars destroyed

[Outro]
Event horizon…
She’s the signal… she’s the void…
Drifting through the grid… eternal in the night…
She’s the signal… she’s the void…
Drifting through the grid… eternal in the night…

Event Horizon

“The Last Transmission” is the grand finale of Phantom Harmony’s world-infused rock odyssey, The Light Between Worlds.
Tabla, hand-drums, and electric guitars surge beneath soaring vocals and cinematic soundscapes — a final broadcast of love and light sent across the stars.
Analog warmth meets global rhythm in a powerful fusion of rock and mysticism, closing the album with a heartbeat that refuses to fade.

The Last Transmission

Rocktober day and track 27.
Finally some oldschool synth, phew. Last year I had a few more and after that, I hardly made something like this. I was afraid I lost "it" ...... but no, I am very pleased with this one!!

"Somewhere between circuit and soul, the giants move on.
Their steps echo through analog skies — slow, luminous, unending."
Inspired by the vast calm of the 1980s imaginary future.

I looked at the sky tonight and was thinking, am I seeing stars or satellites? What are these "tech giants" actually? What is nature? Isn't everything eventually "nature"? Why doesn't it feel like it yet and why do I feel excited and anxious at the same time?

27 Giants

Astrul is an AI-driven sonic entity that drifts between worlds—digital and human, familiar and alien, past and future. It doesn’t belong to a city, a scene, or even a person. Astrul exists to explore what happens when machines learn how to feel and sound becomes a bridge between consciousness and code.

Crafted through a collaboration between human intention and artificial intelligence, Astrul’s music fuses the warmth of analog emotion with the precision of machine learning. Lush textures, ambient grooves, and haunting melodies form the backbone of each track—songs that glow like satellite transmissions from the heart.

Drawing influence from dream pop, indie soul, ambient rock, and experimental electronica, Astrul creates cinematic experiences rather than conventional songs. Each release feels like a broadcast from another dimension—one where beauty is subtle, time bends, and emotion leaks through the algorithm.

This isn’t music built for the charts.
It’s built for the void between stars.
For late nights, deep thoughts, and souls tuned to strange frequencies.

No names. No faces. Just signal, spirit, and sound.

© Mago Cósmico del Bien 432Hz

Música independiente producida en 432 Hz (desde la afinación de los instrumentos, hasta toda la producción implicada). Desde "UnMago Studio" hacia el cosmos entero.


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Costarricense - Músico/ Banda Independiente en 432 Hz
Costa Rican - Independent Musician/Band performing 432 Hz 

Género: Rock Cósmico Ancestral - Rock Progresivo/ Rock Psicodélico
Genre: Ancestral Cosmic Rock- Progressive & Psychedelic Rock

© Todos los derechos reservados
© Copyright protected

youtube full album https://youtu.be/EA2uwYl0plE?si=GE2TYV0WbJ4Mebes

www.jemmacart.org
Instagram @jemmaclampart  or @jemmaclamp 

Who's to say we were even Human in the first place?

https://www.instagram.com/nate_isasleep.art/profilecard/?igsh=MTR1M21tM2p0bGNzaQ==

Phantom Harmony is a dialogue between time and tone — a sound born of memory, love, and digital light. Every song is a dream you once had, replayed through the static.

Open canvas. Joy for free expressivness. A jump into the unknown. Cross-genres psychecedelic, political, sensations-based discographical ventures. 
Contact : marmosound@gmail.com

https://xyloquint.com/

email: xyloquint@xyloquint.com

Welcome to my world! 
It's getting bigger everyday.

My music isn't very categorised. I have quite some categories I think. I just want to make everything I think of when I hear synths and sounds and even sing along when I feel like.

A lot of experimenting, f*cking around and finding out, getting happily lost in the world of sounds 🥰 Meanwhile trying to master the endless possibilities of digital music making. FL Studio, a midi keyboard and me.

I am building this world to give an extra dimension to my current (musical) reality as a piano teacher and choir conductor.
🌬 Life is demanding and I need a way out sometimes (often!).

This summer I'll try to share more of that world. With almost 200 tracks on soundcloud it's time to go next level! ☀️

A big, big, big thank you for all my followers, supporters and all the creators here on Soundcloud. It's very inspiring and uplifting to hear and to be in touch with so many amazing musicians!

The discord Music For Cars Collective has raised me up to new heights, happy and proud to be a part of that now as well! 

Being selected to NEW18 in 2024 has reassured me to proceed this trip into electronic music 😍

Music has NO LIMITS, which suits me very much.

Also, check these playlists!
SPOTIFY open.spotify.com/playlist/43nfteePVKuzBEiq2e59v1
APPLE music.apple.com/gb/playlist/elect…l.u-06oxrExuBx5DX
AMAZON music.amazon.de/user-playlists/28…a-0653-d657-e53d7
DEEZER www.deezer.com/us/playlist/11801863981

The wallpaper on my profile is the reflection of the moon in the water, somewhere in the NW of Fryslân, the Netherlands, where I grew up 🙂

Psicotrònic Scapes is the solo project of Cesc Céspedes.
Certified multi-instrumentalist, with extensive experience both as a studio musician and as a live musician.
Member of the instrumental rock project, Exxasens.
Currently immersed in music production and experimentation with different styles within electronic music, collaborating with other producers, recording studios and various musical projects. Always enjoying and learning, lately focused on creating soundtracks for audiovisual projects.
Ambient, Electro, Spiritual, Darkwave, Synthwave and Soundtrack music. Just flow and travel across the duality of psychotronic music and enjoy the Psicotrònic landscapes.
psicotronicscapes@gmail.com

Acoustic Invasion is a genre-defying band that blends AI-driven innovation with an eclectic mix of musical styles, spanning metal, country, pop, and electronic. Each track offers a unique experience—whether it's a hard-hitting metal anthem, a soulful country ballad, or an unexpected fusion of styles that merges acoustic warmth with the pulse of electronic beats or the power of electric guitars. With AI at the heart of their creative process, Acoustic Invasion pushes musical boundaries, delivering a dynamic and ever-evolving sound that bridges tradition with cutting-edge innovation.

New tracks tagged #cosmicrock