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I Still Love You

That last Sublime Saturday was the right kind of unexpected. First-time guest Worth Planer wowed the crowd, a lot of whom happened to be his posse. He had us up and dancing with his rare, soulful sound. Best way for us to describe his sound is that he's a youthful man with an ancient Deep House soul. His style almost defies description. His selection and care in transition are uncommon and genuine expression. Thomas Fitzgerald started it all dark to set Worth up for the deep spike we knew he would give take advantage of for the win.

TRACKLIST:

Thomas Fitzgerald

NAVVI - To Know You
Henry Saiz - Our Discovery
Vinyladdicted, Jean Claude Gavri - Nym
Stone Roses - Fools Gold (Rabbit in the Moon Remix) (Edit)
Cassio Kohl - Broken (Urulu Dub)
Sugar Hill - Choose Among (Franco & Salla Rmx)
James Curd - Open Up Your Mind
Edo - Stand Up (Francesco Rossi Remix)
Cybordelics - Adventures of Dama (Tuff City Kids Music Hall Mix)
Tiger Stripes - All Night Long (Extended)
Tiga, Audion - Let's Go Dancing
Daft Punk - Revolution 909 (Edit)
Craze - Gimme Some More
Confidence Man - Does It Make You Feel Good? (Greg Wilson & Ché Wilson Remix)

Worth Planer

Kuniyuki Takahashi – Newwave Project #2
Ron Trent, Tkumah Sadeek – Cross Roads
Lou Bond – To The Establishment (Seegweed Edit)
Herbert – See You on Monday
Jill Scott – Spring Summer Feeling (The Ron Trent Mix)
Cosmic Force – Trinidad Bump
The Clash – The Cool Out
Moodymann – Downtown
Stephen Encinas – Disco Illusion
Al Tone – Remember Me (Edit)
Glenn Underground – 70’s Trip
Hugo H. – Chante’-vs-James (AKA The Same)
Jiraffe – Out’A The Box (Crazy Club Dub Mix)

Gelato Vero Sublime Saturdays 8 . 16 . 25

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I'm going places... places like the city sewers

As the son of a professional flamenco singer, Thomas has always been surrounded by music.  Exposure to flamenco influenced him because it has a dynamic range of emotions—from the "deep singing" style of cante hondo, to the more lively alegrias.  He has also worked in the corporate, independent, and online music industry for a number of years.  At one point he was a Content Manager for the Electronic Music genre at MP3.com, where he screened over 500 songs per day.  Exposure to a wide range of music explains the range of genres in his mixes—he uses whatever carries the mood.  From listening to Umm Kulthum's "Enta Omri" in his childhood, to New Wave and  Industrial as a teen, it became difficult for him to stick to one sound. Though vinyl was his original format of choice when he started in the 90s, the use of digital mixing has helped him better form soundscapes to expand your headspace.  Let him play with your moods for a spell.

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