InternalSounds
Blogpost: https://blog.illestpreacha.com/mathober2023internal

#mathart #mathober #mathober2023 #mathober3 #internal

Sound Coded in #sonicpi @sonic_pi
For the 3rd Prompt Of Mathober: Internal, Area will be represented Internal. An Area is the interior of a shape. InternalSounds takes the area & circumference/perimeter formulas for circles, squares and triangles and sonifies them into a SonicPi Composition. 

Poem

Shape and Sounds
Escape to be Loud
Loud to elevate
Their Voice
To be heard amongst the Noise
So it doesn’t evaporate

 #creativecoding #coding #livecoding #computermusic
#newmedia #scifi #sounddesign #mathematical #math 

#codeart #programming  #programmer #newmediaart #creativecodeart 
#dailyart #generativeart #digitalart  #mtl #scifiart #writingcommunity #geometricart sonfication #ambience

Mathober: InternalSounds

Extract of Chemical Intention - generative music installation made with Csound

Chemical Intention Extract

AudibleCards

Blog for More Info : https://blog.illestpreacha.com/wccctarot

#wccchallenge  #Tarot #sonification  #livecoding #creativecoding #sounddesign #poetry

For this week's Creative Code challenge by @sableRaph: " #TarotCards ", 

Audible Cards is coded in #SonicPi by mapping the 22 cards in the Major Arcana to a particular sound. What you are hearing is the sound of a bunch of cards being read at the same time. 

The deck used for this is https://en.wikipedia.org/wiki/Rider%E2%80%93Waite_Tarot


Poetry


If the Cards had a heart
How would they speak,
Conduct their Interactions,
How will they take part,
in the conversations?
Will they be confident or meek?

AudibleCards

ArrayRankful
Blogpost: https://blog.illestpreacha.com/mathober2024potential

#mathart #mathober #mathober2024 #mathober4 #potential

Sound Coded in #sonicpi
For the 14th piece of Mathober2024: ArrayRankful takes the rankings of various arrays and shows the Potential(4th prompt of this year Mathober) of these rankings to make sound while coded in SonicPi. Then remixed for further potential sounds.
Poem

The Array and its List
Wants to Be Seen, Wants to Be Heard
They don’t mind to be Absurd
As The Power That Their Voices
When combined can live as rejoices 
Will it Be Able to Move Mountains Or At Least a Tree
That is the Wish From the Array List and the sounds they breathe

 #creativecoding #coding #livecoding #computermusic
#newmedia #scifi #sounddesign #mathematical #math 

#codeart #programming  #programmer #newmediaart #creativecodeart 
#dailyart #generativeart #digitalart  #mtl #scifiart #writingcommunity #geometricart sonfication #ambience


ArrayRankFul

Blogpost: https://blog.illestpreacha.com/napowrimogenmo2025nonnet2

For the 29th Poem of #NaPoWriMo/ #NaPoGenMo 2025, “AudioNonnet” is Coded in SonicPi as a 12 line Nonnet (A countdown poem with syllables decreasing each line from 12 to 1). With the remixing process, AudioNonnet contains 9 separate sections to replicate the musical meaning of Nonnet.

AudioNonnet

MORE ROAR! is an entropic synthesiser and degenerative artwork. 
 
The more you play it, the more its sounds degrade, become re-ordered. Every restart, a different rate of degradation. ‘Raw’ sound weathered into noise and silence. 
 
MORE ROAR! is a collaboration between Dirty Electronics and Agnes Cameron with printed circuit board artwork by Tellamont.

All sounds from MORE ROAR! Excerpts and overdubs.

More info at: www.dirtyelectronics.org


MORE ROAR! Excerpts

Sound Ferry

Blogpost for Code & More:  https://blog.illestpreacha.com/drone-day-2025-soundferry

For Drone Day 2025 (https://droneday.org/, Sound Ferry would act as a ferry transporting these drones to their destinations and as all trips, their paths will vary. Which is represented through the effects made post SonicPi coded composition.

Poem:

Distances may vary
On the Sound Ferry
As some flourish
Even if off beat
While others nourish
By feeding on the sounds
That maintain their ground
Pouring in so deep
To the ocean floor and around

SoundFerry

# OT Noise Ambinet...
live_loop :DeepBell do
  sample :perc_bell, rate: rrand(-0.05, rrand(0.01,0.1))
  sleep rrand(0.1, 5)
end

load_samples(sample_names :ambi)
sleep 2

with_fx :ixi_techno, mix: rrand(0,0.5) do
  with_fx :reverb, mix: 0.8 do
    live_loop :harmonics do
      sp_name = choose sample_names :ambi
      sp_time = [1,0.125,5, 2].choose
      sp_rate = rrand(0,5)
      s = sample sp_name, cutoff: rrand(70, 130), rate: sp_rate * choose([0.125, 0.5, 1, 5]), pan: rrand(-1, 1), pan_slide: sp_time
      control s, pan: rrand(-1, 1)
      sleep sp_time
    end
  end
end



OT Selected Ambinet 2026

Dronner2

DRONEEER_WITH_LIVECORDING_2025SEP12_AT_FATLIZARD

La pieza es un loop infinito, no termina. Es solo un fragmento, amplificado, como documentación. 

Aquí el texto original que compartí a principios de el 2025:

Esta pieza comenzó de imaginar cómo suena el flujo de medicina por mis venas.

De años observando mis venas mientras me inyectaban, o me inyectaba, y ver similitudes entre esas estructuras con los ríos, con las raíces de los árboles.
También surgió de cuestionar las reglas: tanto de lo que es “música” como de lo que es “correcto”.

Río.generaFlujo() es un programa para Arduino/ composición / pieza sonora - que, más que dar respuestas, genera preguntas.

Este programa para Arduino consume datos geográficos del río Santa Catarina, los revuelve y selecciona aleatoriamente puntos (latitud y longitud). Estos se normalizan y alimentan hasta cuatro osciladores a la vez. Esa “sonificación” genera un flujo que suena como agua, pero también como bichos, como grabaciones de campo, como vida.

La máquina también guarda memorias. Tocar el sensor unido a la jeringa hace que se registren configuraciones de osciladores. Así la pieza alterna entre curvas nuevas y recuerdos. Flujo e interacción. Movimiento y memoria.

En esta máquina encontré una forma de nombrar cómo entiendo mi cuerpo y mi vida hoy: como una red de sistemas interconectados que se alimentan del contacto, que escuchan, que recuerdan. Para mí hoy, vivir no es controlar ni clasificar, sino rendirme ante ese flujo infinito que es estar vivo, aprendiendo de cada interacción antes de que se acabe mi batería.

rio.GeneraFlujo()

Live Composition #13 - Arkaoda 10042016

DOUMO ARIGATOU
Based in Tokyo


Audius on here
https://audius.co/taito_otani

Soy un programador en Ciudad de México, experimentado con la programación y la música cómo formas de dialogar con lo no-humano.

RAW yaratıcılığı kendine özgü yöntemlerle ifade etmek için yola çıkmış bir ses ve görüntü grubudur.

eng: RAW is a live creative coding project doing Audio Visual Performances

Kullandıkları ses ve görüntü ham maddelerini eş zamanlı olarak programlayarak (live-coding) canlı performansa dönüştüren ekip Selçuk ARTUT (Replikas) ve Alp TUĞAN'dan oluşmaktadır.

Since 2003, John Richards has been exploring the idea of ‘Dirty Electronics’ that focuses on face-to-face shared experiences, ritual, gesture, touch and social interaction. In Dirty Electronics process and performance are inseparably bound. The ‘performance’ begins on the workbench devising instruments and is extended onto the stage through playing and exploring these instruments.

www.dirtyelectronics.org

Popular tracks tagged #creativecoding