Estudio Burritos

Golpe Bajo

(
///variables globales proxies
~mel_n= PatternProxy(Pseq([[0,43],3,7,[12,17],15,[19,31]]-12,1));
~mel_g= PatternProxy(Pseq([[0,43],3,7,[12,17],15,[19,31]]-24,1));
~mel_a= PatternProxy(Pseq([[0,43],3,7,[12,17],15,[19,31]]+[12.25,17],1));
~mel_0= PatternProxy(Pwrand([~mel_n,~mel_g,~mel_a],[0.8,0.1,0.1],inf));
~rm_0= PatternProxy(Pseq([1/3,1/8,1/8,1/8,1/8,1/4],4));
~rm_1= PatternProxy( Pseq([1/3,1/2,1/4,1/2,1/4,1/2],4));
~rm_t= PatternProxy(Pseq([1/6],6));
~rm_2= PatternProxy(Pseq([~rm_0,~rm_1,~rm_t],inf));

~ampv = PatternProxy(Prand(Array.rand(6,0.1,0.5),inf));
)

///cambios
(
~mel_n.source = Pseq([[0,43],3,7,[12,17],15,[19,31]]-12,1);
~mel_g.source = Pseq([[0,43],3,7,[12,17],15,[19,31]]-24,1);
~mel_a.source = Pseq([[0,43],3,7,[12,17],15,[19,31]]+[12.25,17],1);
~mel_0.source = Pwrand([~mel_n,~mel_g,~mel_a],[0.8,0.1,0.1],inf);
~rm_0.source = Pseq([1/3,1/8,1/8,1/8,1/8,1/4],1);
~rm_1.source= Pseq([1/3,1/2,1/4,1/2,1/4,1/2],1);
~rm_t.source = Pwrand([1/12,1/6],[0.5,0.5],6);
~rm_2.source= Pwrand([~rm_0,~rm_1,~rm_t],[0.7,0.2,0.1],inf);
~ampv.source = Prand(Array.rand(6,0.1,0.5),inf);
)


///Toca
(
~scape = Pdef(\scape, Pbind(\instrument,\pinky, \note+24, ~mel_0,\dur,8,\ata, Pwrand([3,5],[0.9,0.1],inf), \sus,Prand([0.01,8],inf),\rel,Pwrand([2,4,6],[0.2,0.4,0.4],inf),\lpf,Pwrand([400,12000],[0.9,0.05],inf),\sel,Pwrand([0,1,2,3],[0.4,0.4,0.1,0.1],inf),\amp,~ampv,\sal,Prand([0],inf)))
);

~pinky.stop
~pinky2.stop

(
//wrap
//~wrap.set(\ff,0.05,  \mfi, 0.5)11
~wrap = Synth(\wrap);
//verb
//~rev.set(\rum,300)12
~rev = Synth(\verb);
//13
~shif = Synth(\ff);
//10
~gran = Synth(\gran);
)

(
~pinky = Pdef(\init0, Pbind(\instrument,\pinky, \note, ~mel_0,\dur,~rm_2,\ata, Pwrand([0.0001,1],[0.9,0.1].normalizeSum,inf), \sus,Prand([0.01,0.5],inf),\rel,Pwrand([0.0001,0.1,0.1],[0.5,0.4,0.1],inf),\lpf,Pwrand([400,12000],[0.9,0.05].normalizeSum,inf),\sel,Pwrand([0,1,2,3],[0.4,0.4,0.1,0.1].normalizeSum,inf),\amp,~ampv,\sal,Prand([0,0,0],inf))));
)
~pinky.play(quant:(0.5))

La fe de nuestros padres

livecoding_131222

InternalSounds
Blogpost: https://blog.illestpreacha.com/mathober2023internal

#mathart #mathober #mathober2023 #mathober3 #internal

Sound Coded in #sonicpi @sonic_pi
For the 3rd Prompt Of Mathober: Internal, Area will be represented Internal. An Area is the interior of a shape. InternalSounds takes the area & circumference/perimeter formulas for circles, squares and triangles and sonifies them into a SonicPi Composition. 

Poem

Shape and Sounds
Escape to be Loud
Loud to elevate
Their Voice
To be heard amongst the Noise
So it doesn’t evaporate

 #creativecoding #coding #livecoding #computermusic
#newmedia #scifi #sounddesign #mathematical #math 

#codeart #programming  #programmer #newmediaart #creativecodeart 
#dailyart #generativeart #digitalart  #mtl #scifiart #writingcommunity #geometricart sonfication #ambience

Mathober: InternalSounds

Extract of Chemical Intention - generative music installation made with Csound

Chemical Intention Extract

MORE ROAR! is an entropic synthesiser and degenerative artwork. 
 
The more you play it, the more its sounds degrade, become re-ordered. Every restart, a different rate of degradation. ‘Raw’ sound weathered into noise and silence. 
 
MORE ROAR! is a collaboration between Dirty Electronics and Agnes Cameron with printed circuit board artwork by Tellamont.

All sounds from MORE ROAR! Excerpts and overdubs.

More info at: www.dirtyelectronics.org


MORE ROAR! Excerpts

Sound Ferry

Blogpost for Code & More:  https://blog.illestpreacha.com/drone-day-2025-soundferry

For Drone Day 2025 (https://droneday.org/, Sound Ferry would act as a ferry transporting these drones to their destinations and as all trips, their paths will vary. Which is represented through the effects made post SonicPi coded composition.

Poem:

Distances may vary
On the Sound Ferry
As some flourish
Even if off beat
While others nourish
By feeding on the sounds
That maintain their ground
Pouring in so deep
To the ocean floor and around

SoundFerry

# OT Noise Ambinet...
live_loop :DeepBell do
  sample :perc_bell, rate: rrand(-0.05, rrand(0.01,0.1))
  sleep rrand(0.1, 5)
end

load_samples(sample_names :ambi)
sleep 2

with_fx :ixi_techno, mix: rrand(0,0.5) do
  with_fx :reverb, mix: 0.8 do
    live_loop :harmonics do
      sp_name = choose sample_names :ambi
      sp_time = [1,0.125,5, 2].choose
      sp_rate = rrand(0,5)
      s = sample sp_name, cutoff: rrand(70, 130), rate: sp_rate * choose([0.125, 0.5, 1, 5]), pan: rrand(-1, 1), pan_slide: sp_time
      control s, pan: rrand(-1, 1)
      sleep sp_time
    end
  end
end



OT Selected Ambinet 2026

Dronner2

DRONEEER_WITH_LIVECORDING_2025SEP12_AT_FATLIZARD

La pieza es un loop infinito, no termina. Es solo un fragmento, amplificado, como documentación. 

Aquí el texto original que compartí a principios de el 2025:

Esta pieza comenzó de imaginar cómo suena el flujo de medicina por mis venas.

De años observando mis venas mientras me inyectaban, o me inyectaba, y ver similitudes entre esas estructuras con los ríos, con las raíces de los árboles.
También surgió de cuestionar las reglas: tanto de lo que es “música” como de lo que es “correcto”.

Río.generaFlujo() es un programa para Arduino/ composición / pieza sonora - que, más que dar respuestas, genera preguntas.

Este programa para Arduino consume datos geográficos del río Santa Catarina, los revuelve y selecciona aleatoriamente puntos (latitud y longitud). Estos se normalizan y alimentan hasta cuatro osciladores a la vez. Esa “sonificación” genera un flujo que suena como agua, pero también como bichos, como grabaciones de campo, como vida.

La máquina también guarda memorias. Tocar el sensor unido a la jeringa hace que se registren configuraciones de osciladores. Así la pieza alterna entre curvas nuevas y recuerdos. Flujo e interacción. Movimiento y memoria.

En esta máquina encontré una forma de nombrar cómo entiendo mi cuerpo y mi vida hoy: como una red de sistemas interconectados que se alimentan del contacto, que escuchan, que recuerdan. Para mí hoy, vivir no es controlar ni clasificar, sino rendirme ante ese flujo infinito que es estar vivo, aprendiendo de cada interacción antes de que se acabe mi batería.

rio.GeneraFlujo()

DOUMO ARIGATOU
Based in Tokyo


Audius on here
https://audius.co/taito_otani

Soy un programador en Ciudad de México, experimentado con la programación y la música cómo formas de dialogar con lo no-humano.

Since 2003, John Richards has been exploring the idea of ‘Dirty Electronics’ that focuses on face-to-face shared experiences, ritual, gesture, touch and social interaction. In Dirty Electronics process and performance are inseparably bound. The ‘performance’ begins on the workbench devising instruments and is extended onto the stage through playing and exploring these instruments.

www.dirtyelectronics.org

Popular tracks tagged #creativecoding