SequencerTally

Blogpost: https://blog.illestpreacha.com/mathober2023sequences

#mathart #mathober #mathober2023 #mathober20 #Sequences 

Sound Coded in #sonicpi
For the 20th  Prompt Of Mathober: Sequences,  SequencerTally takes sequences and turns them into a sound design via SonicPi Code. 

Poem

The Ordered List
Wants to Be Seen, Wants to Be Heard
They Decided to Split Into Thirds
For They Believe in the Power of Three
The Power That TheirVoices Combine
Will Be Able to Move Mountains Or At Least a Tree
That is the Wish From the Ordered List

 #creativecoding #coding #livecoding #computermusic
#newmedia #scifi #sounddesign #mathematical #math 

#codeart #programming  #programmer #newmediaart #creativecodeart 
#dailyart #generativeart #digitalart  #mtl #scifiart #writingcommunity #geometricart sonfication #ambience

SequencerTallly

Extract of Chemical Intention - generative music installation made with Csound

Chemical Intention Extract

ArcFulSounds

Submission for #WCCChallenge #Arc

Blogpost: https://blog.illestpreacha.com/wccchallengearc

For this week's Creative Code Challenge by @sableraph: "Arc", the arc is represented by the story arc of various circles communicating their stories.
Remixing a post WCCC submission for "Circles Creation" : https://blog.illestpreacha.com/wccchallengecirclecreations, where the focus is on the possible ranges of arcs that can be found in the 18 circles.
This week Language is #SonicPi
Arc Design
Provide a random assortment of 18 circles
Each circle has various arcs that communicates to the audience
By providing an opportunity of various inner arcs to be spoken through their area and angle within the circle.
Various random functions are used such as choose,use_random_seed, Time.now.to_i, dice,shuffle and plenty more to give a different voice each round
With additional filters, to see what they are trying to say in their character arc
Poem

Arc
Architecture
Of the features
Features that are identifiable
As these arcs are the parks
The landmarks
Of their area
That there are carriers
For the barriers
Of these arcs
That are modifiable

#creativecoding #coding #livecoding #computermusic #circles
#newmedia #scifi #sounddesign #mathematical #math
#codeart #programming #programmer #newmediaart #creativecodeart
#dailyart #generativeart #digitalart #mtl #scifiart #writingcommunity #geometricart sonfication #ambience #worldbuilding

ArcFulSounds

SonicOverload
Blogpost: https://blog.illestpreacha.com/wcccpersonalhell

#wccchallenge  #personalhell
For this week's Creative Code challenge by @sableRaph : Personal Hell, SonicOverLoad is coded mainly in #SonicPi with some #Python.

OverLoad Design

To Represent the topic, various SonicPi compositions were remixed and layered to represent that muddyness one would expect with the topic. To further follow the theme, a lot of the sounds were sped up to mimic an overload to the ears and the brain. The title and feeling was motivated by the concept of the movie: Lucy, where there seems to be a lot of pain associated if a brain were to download all information possible.

Poem

The Index
The Process
What sounds shall emerge
What sounds shall submerge
From this Process
Of adding an Index
What will this overload do
When the process adds more stress
That gets intense
In depth with the senses
What feelings will no longer impress
And which mentality will start to regress
As it is being suppressed


#creativecoding #coding #livecoding #computermusic
#newmedia #scifi #sounddesign #scifisounds 

#codeart #programming  #programmer #newmediaart #creativecodeart 
#dailyart #generativeart #digitalart  #mtl #scifiart #writingcommunity sonfication #ambience #mathart #idm

SonicOverLoad

Blogpost: https://blog.illestpreacha.com/napowrimogenmo2025nonnet2

For the 29th Poem of #NaPoWriMo/ #NaPoGenMo 2025, “AudioNonnet” is Coded in SonicPi as a 12 line Nonnet (A countdown poem with syllables decreasing each line from 12 to 1). With the remixing process, AudioNonnet contains 9 separate sections to replicate the musical meaning of Nonnet.

AudioNonnet

MORE ROAR! is an entropic synthesiser and degenerative artwork. 
 
The more you play it, the more its sounds degrade, become re-ordered. Every restart, a different rate of degradation. ‘Raw’ sound weathered into noise and silence. 
 
MORE ROAR! is a collaboration between Dirty Electronics and Agnes Cameron with printed circuit board artwork by Tellamont.

All sounds from MORE ROAR! Excerpts and overdubs.

More info at: www.dirtyelectronics.org


MORE ROAR! Excerpts

Sound Ferry

Blogpost for Code & More:  https://blog.illestpreacha.com/drone-day-2025-soundferry

For Drone Day 2025 (https://droneday.org/, Sound Ferry would act as a ferry transporting these drones to their destinations and as all trips, their paths will vary. Which is represented through the effects made post SonicPi coded composition.

Poem:

Distances may vary
On the Sound Ferry
As some flourish
Even if off beat
While others nourish
By feeding on the sounds
That maintain their ground
Pouring in so deep
To the ocean floor and around

SoundFerry

Paroles : DAN
Chant et musique : SUNO IA Music

Golden Girl : l'hymne soul des femmes d'affaires qui mènent la danse du luxe et du pouvoir.

"Golden Girl" est un titre Soul/R&B puissant et glamour qui dresse le portrait des femmes d'aujourd'hui, l'équivalent féminin et affranchi des "Golden Boys". Sur un rythme sophistiqué et des harmonies vocales audacieuses, la chanson explore la vie à 100 à l'heure : argent facile, voyages en jet privé, champagne coulant à flots et règne sur les marchés. Ce n'est pas qu'une question de luxe, c'est l'affirmation d'un statut, la célébration de celles qui ont brisé le plafond de verre pour s'asseoir à la table des puissants. Un titre pour les femmes qui jouent et gagnent.

Monde ADN Music | Golden Girl

# OT Noise Ambinet...
live_loop :DeepBell do
  sample :perc_bell, rate: rrand(-0.05, rrand(0.01,0.1))
  sleep rrand(0.1, 5)
end

load_samples(sample_names :ambi)
sleep 2

with_fx :ixi_techno, mix: rrand(0,0.5) do
  with_fx :reverb, mix: 0.8 do
    live_loop :harmonics do
      sp_name = choose sample_names :ambi
      sp_time = [1,0.125,5, 2].choose
      sp_rate = rrand(0,5)
      s = sample sp_name, cutoff: rrand(70, 130), rate: sp_rate * choose([0.125, 0.5, 1, 5]), pan: rrand(-1, 1), pan_slide: sp_time
      control s, pan: rrand(-1, 1)
      sleep sp_time
    end
  end
end



OT Selected Ambinet 2026

Dronner2

DRONEEER_WITH_LIVECORDING_2025SEP12_AT_FATLIZARD

La pieza es un loop infinito, no termina. Es solo un fragmento, amplificado, como documentación. 

Aquí el texto original que compartí a principios de el 2025:

Esta pieza comenzó de imaginar cómo suena el flujo de medicina por mis venas.

De años observando mis venas mientras me inyectaban, o me inyectaba, y ver similitudes entre esas estructuras con los ríos, con las raíces de los árboles.
También surgió de cuestionar las reglas: tanto de lo que es “música” como de lo que es “correcto”.

Río.generaFlujo() es un programa para Arduino/ composición / pieza sonora - que, más que dar respuestas, genera preguntas.

Este programa para Arduino consume datos geográficos del río Santa Catarina, los revuelve y selecciona aleatoriamente puntos (latitud y longitud). Estos se normalizan y alimentan hasta cuatro osciladores a la vez. Esa “sonificación” genera un flujo que suena como agua, pero también como bichos, como grabaciones de campo, como vida.

La máquina también guarda memorias. Tocar el sensor unido a la jeringa hace que se registren configuraciones de osciladores. Así la pieza alterna entre curvas nuevas y recuerdos. Flujo e interacción. Movimiento y memoria.

En esta máquina encontré una forma de nombrar cómo entiendo mi cuerpo y mi vida hoy: como una red de sistemas interconectados que se alimentan del contacto, que escuchan, que recuerdan. Para mí hoy, vivir no es controlar ni clasificar, sino rendirme ante ese flujo infinito que es estar vivo, aprendiendo de cada interacción antes de que se acabe mi batería.

rio.GeneraFlujo()

DOUMO ARIGATOU
Based in Tokyo


Audius on here
https://audius.co/taito_otani

Soy un programador en Ciudad de México, experimentado con la programación y la música cómo formas de dialogar con lo no-humano.

Since 2003, John Richards has been exploring the idea of ‘Dirty Electronics’ that focuses on face-to-face shared experiences, ritual, gesture, touch and social interaction. In Dirty Electronics process and performance are inseparably bound. The ‘performance’ begins on the workbench devising instruments and is extended onto the stage through playing and exploring these instruments.

www.dirtyelectronics.org

Popular tracks tagged #creativecoding