Estudio Burritos

Golpe Bajo

(
///variables globales proxies
~mel_n= PatternProxy(Pseq([[0,43],3,7,[12,17],15,[19,31]]-12,1));
~mel_g= PatternProxy(Pseq([[0,43],3,7,[12,17],15,[19,31]]-24,1));
~mel_a= PatternProxy(Pseq([[0,43],3,7,[12,17],15,[19,31]]+[12.25,17],1));
~mel_0= PatternProxy(Pwrand([~mel_n,~mel_g,~mel_a],[0.8,0.1,0.1],inf));
~rm_0= PatternProxy(Pseq([1/3,1/8,1/8,1/8,1/8,1/4],4));
~rm_1= PatternProxy( Pseq([1/3,1/2,1/4,1/2,1/4,1/2],4));
~rm_t= PatternProxy(Pseq([1/6],6));
~rm_2= PatternProxy(Pseq([~rm_0,~rm_1,~rm_t],inf));

~ampv = PatternProxy(Prand(Array.rand(6,0.1,0.5),inf));
)

///cambios
(
~mel_n.source = Pseq([[0,43],3,7,[12,17],15,[19,31]]-12,1);
~mel_g.source = Pseq([[0,43],3,7,[12,17],15,[19,31]]-24,1);
~mel_a.source = Pseq([[0,43],3,7,[12,17],15,[19,31]]+[12.25,17],1);
~mel_0.source = Pwrand([~mel_n,~mel_g,~mel_a],[0.8,0.1,0.1],inf);
~rm_0.source = Pseq([1/3,1/8,1/8,1/8,1/8,1/4],1);
~rm_1.source= Pseq([1/3,1/2,1/4,1/2,1/4,1/2],1);
~rm_t.source = Pwrand([1/12,1/6],[0.5,0.5],6);
~rm_2.source= Pwrand([~rm_0,~rm_1,~rm_t],[0.7,0.2,0.1],inf);
~ampv.source = Prand(Array.rand(6,0.1,0.5),inf);
)


///Toca
(
~scape = Pdef(\scape, Pbind(\instrument,\pinky, \note+24, ~mel_0,\dur,8,\ata, Pwrand([3,5],[0.9,0.1],inf), \sus,Prand([0.01,8],inf),\rel,Pwrand([2,4,6],[0.2,0.4,0.4],inf),\lpf,Pwrand([400,12000],[0.9,0.05],inf),\sel,Pwrand([0,1,2,3],[0.4,0.4,0.1,0.1],inf),\amp,~ampv,\sal,Prand([0],inf)))
);

~pinky.stop
~pinky2.stop

(
//wrap
//~wrap.set(\ff,0.05,  \mfi, 0.5)11
~wrap = Synth(\wrap);
//verb
//~rev.set(\rum,300)12
~rev = Synth(\verb);
//13
~shif = Synth(\ff);
//10
~gran = Synth(\gran);
)

(
~pinky = Pdef(\init0, Pbind(\instrument,\pinky, \note, ~mel_0,\dur,~rm_2,\ata, Pwrand([0.0001,1],[0.9,0.1].normalizeSum,inf), \sus,Prand([0.01,0.5],inf),\rel,Pwrand([0.0001,0.1,0.1],[0.5,0.4,0.1],inf),\lpf,Pwrand([400,12000],[0.9,0.05].normalizeSum,inf),\sel,Pwrand([0,1,2,3],[0.4,0.4,0.1,0.1].normalizeSum,inf),\amp,~ampv,\sal,Prand([0,0,0],inf))));
)
~pinky.play(quant:(0.5))

La fe de nuestros padres

livecoding_131222

Piñata

Extract of Chemical Intention - generative music installation made with Csound

Chemical Intention Extract

MORE ROAR! is an entropic synthesiser and degenerative artwork. 
 
The more you play it, the more its sounds degrade, become re-ordered. Every restart, a different rate of degradation. ‘Raw’ sound weathered into noise and silence. 
 
MORE ROAR! is a collaboration between Dirty Electronics and Agnes Cameron with printed circuit board artwork by Tellamont.

All sounds from MORE ROAR! Excerpts and overdubs.

More info at: www.dirtyelectronics.org


MORE ROAR! Excerpts

Sound Ferry

Blogpost for Code & More:  https://blog.illestpreacha.com/drone-day-2025-soundferry

For Drone Day 2025 (https://droneday.org/, Sound Ferry would act as a ferry transporting these drones to their destinations and as all trips, their paths will vary. Which is represented through the effects made post SonicPi coded composition.

Poem:

Distances may vary
On the Sound Ferry
As some flourish
Even if off beat
While others nourish
By feeding on the sounds
That maintain their ground
Pouring in so deep
To the ocean floor and around

SoundFerry

Monde ADN Music AI | Golden Girl

Reproduce Aftertaste Livecode Improv Feat WingedRhino and DrummerBihari

Monde ADN Music AI 
Have fun!

#AIMusic #MusiqueIA #AIArt #FutureMusic #NewMusic #AIComposed #GeneratedMusic #MusiqueGenerative #MachineLearningMusic #DeepLearningMusic #TechMusic #InnovationMusicale #AIComposition #AlgorithmicMusic #CreativeAI #AIAudio #AISound #SynthAI #HumanAICollaboration #CreativeCoding #SoundDesignIA

Since 2003, John Richards has been exploring the idea of ‘Dirty Electronics’ that focuses on face-to-face shared experiences, ritual, gesture, touch and social interaction. In Dirty Electronics process and performance are inseparably bound. The ‘performance’ begins on the workbench devising instruments and is extended onto the stage through playing and exploring these instruments.

www.dirtyelectronics.org

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