Clarence G - Clarence G's Club
Erik Travis - Tic Tic Boom
Avi Loud + Liano - 2 Da Flo
Ole Mic Odd - Waka Jawaka
Erik Travis - Club Girl
Avi Loud - Landwalker
DJ Nehpets - Lay It Down
DJ Deeon - ExtaC (909 RZI Session)
DJ Hank - Traffic Control
DANCE MANIACS - Siren Drum
Nikki Nair - One Four Five
DJ Nehpets - Mario 2
Erik Travis, Rocco Travis, Keith McBride - Hundreds
Amadeezy - Beat Them Hoes Down
1905 - Fuck The Feelings
Lil Mz. 313 - Booty Bounce
Bitch Ass Darius - Dolphin Massacre
Detroit's Filthiest - Secure The Bag
Cybonix - Rock Your Body
Erik Travis - Intermission #1
DJ Assault - Ass-N-Titties (Dub)
DJ Rashad - Work 07
Kneco - Mt. Takwari
Mr. De' - Sex On The Beach 2000
HiTech - SPANK!
Sideswipe - Lose Yourself
Amadeezy - Broke Ass Motherfucker
K.P. & Envyi - Swing My Way
Black Electric - Black Electric
Starski & Clutch - East To West
Andrea Parker - Freaky Bitches (Alpha 606 Perreta Remix)

Planet V w/ Atrevido - May 29th 2025

Vinyl-only raw DJ mix. A bunch of old Chi records from 1985-1994

Chicago Special @ Filter, Tilos FM 2025-05-30

Dance With Me

Chicago Warehouse Pulse

Some of the Best Ghetto House Music Coming Out of Chicago!!!!

How We Do

Last of The Year (Whip That)

Back The Fuck Up (Vocals) - (From The Juke Jam Vinyl Album)

This tempo unleashes my beast mode. I'm constantly exploring moods, fast house, Detroit techno, Chicago ghetto house. It was during my debut at the best festival in Spain 🇪🇸 @aquasellafest 🔥 

2025.08.15 - Sirus Hood @ Aquasella Festival, Spain (Fast House, Detroit Techno, Ghetto Moods)

01 Galaxy Bloom - Nicola Conte and Nico Lahs present Tema Due [Schema] 2025
02 I'm Strong (Instrumental Mix) - Fingers Inc [R & S Records] 1990
03 Keep Rolling (De Gama Re-Groove) - Sourires [Samosa Records] 2023
04 Seven Mile - Louie Vega feat Moodymann [Nervous Records] 2022
05 Rising Son - Glenn Underground [Peacefrog Records] 1996
06 A little Acid - DJ Sneak [Frappé Records] 2023
07 The Ska Is The Limit (Dominic Dawson Dub Flex) - Laurel Aitkin [bandcamp] 2025
08 We All Need (Jezebell's Ghost Train Mix) - A Certain Ratio [Mute] 2024
09 Nocturnal - Liquid Groovy [Definitive Recordings] 1996
10 Willing and Able (Laroye Rework Extended Vox Mix) - Carl Carlton [bandcamp] 2025
11 Get It Up - DJ Minx (Extended Mix) [Snatch! Records] 2024
12 Feel My M.F. Bass - Paul Johnson [Dance Mania] 1994
13 Hit It - Darien [Dance Mania] 1995

360 Arial

Basement crate selections whippin round 140 techno, electro, hardgroove, and dubstep !

Catch the Hot Mix with @chris-b-wkdu Tuesdays at 10 pm eastern <3 <3

Tracklist

Hot Mix with Chris B 12/2/25

Particle FM is an intersection of different cultures, identities, and music styles. We are a DIY internet radio station building a platform for underrepresented artists to showcase their work and share their wildest tastes in music.

WKDU Philadelphia 91.7 FM - Drexel University's free-format, non-commercial, student-run radio station.

Stream worldwide at wkdu.org/listennow 

Thank you for listening!

press, questions, bookings: morningfactory@hotmail.com

Follow @MOODCHILD
Bookings: ed@arcade-talent.com
Brazil: eddie@wildsheepagency.com
Promos: https://tstack.app/sirushood/send

Biography:

Sirus Hood Biography 

Sirus Hood is a French artist. Age 10, his love for House Music was at the time fed by his older friends, giving him mixtapes recorded in a legendary club in Algiers. Few years later, he moved to Paris, and started his DJ career age 18 when he purchased his first vinyl turntables.
He quickly became a regular DJ at every Parisian club.
The journey continues, as he started to become a self-taught producer, preparing his new project under the name that we know today: Sirus Hood.

After refusing to do social media when the project started, he insisted on building his audience purely through the music and word of mouth first. Once these foundations were built he opened his socials with an instantly huge response from the public. A testament to his following. 
His music is influenced widely from the 80-90s’ Chicago House movement from warehouse & loft parties to the whole Balearic sounds of Ibiza.

Sirus Hood first releases on CUFF including “Welcome To The Hood” EP in 2014 and Dirtybird including “Third Eye” EP in 2016 kickstarted his name. 
Sirus Hood also released on labels like Rawthentic, Cajual, Sola, Wow!, Under No Illusion.

In 2020, his release “Rip Tide” EP on Jamie Jones’ legendary label Hot Creations marked a major step forward to his career. 

Few weeks later, Sirus Hood launched ‘Mood Edits’ on Bandcamp with Manda Moor, a concept of limited series of edited tracks available during a month and then deleted to be replaced by new volumes. He had this idea after realizing that in a world where a lot of DJs or listeners are digging rare cuts, the biggest problem of music nowadays is that it is too available. ‘Mood Edits’ is repeatedly supported by the heavy weights of the scene like The Martinez Brothers and Loco Dice.

DJ residencies in Sankeys Ibiza, Eden Ibiza, Ministry Of Sound in London, Social Club then Showcase in Paris gave him a platform and opened doors to wider audiences all around the globe. From Europe to South America, from Australia to South Africa, Russia to North America, passing by the Middle East, his travel patterns underline his ability to work with different crowds and cultures while illustrating his cosmopolitan, universal side. To him - music is one language and unit.

When Sirus Hood isn’t on the road, he spends most of his time in his ‘laboratory’ like a scientist to his music. He satiates his hunger of knowledge through research of new sounds, with his impressive studio gear collection. He challenges himself on every new track with different recipes. In the end, his goal is to produce tracks that sound different from each other.

Today, his work is regularly supported by big names in house music like Jamie Jones, Nina Kraviz, Marco Carola, Paul Johnson, Claude VonStroke… He frequently appears in the charts.

Klayman is a music addict since the age of 13, when his cousin (who worked in New York by that time) infected him with electronic music. As a DJ he first popped up at little house parties, but suddenly found himself in various clubs in Budapest. Due to a long-time clubbing experience across Hungary and Europe, he managed to absorb the knowledge of the dancefloors, which contributes in his DJ-sets. His heart still beats for the 90's house sound.

Between 2010-2014, he hosted a weekly radioshow on Tilos FM with White Rack called Lesson Zero, where they showcased a wide spectrum of music and invited tons of local DJ's along with playing guest mixes from Austria, Germany, Portugal etc.

After working two years in London he moved back to Hungary, and started a queer party series called Persephone with OMOH co-founder Alexandr in 2018, focusing on female, queer, trans folks, people of color, underrepresented communities and their allies.

Cue the bass…Deep in the heart of the ghetto, on the mean streets of Chicago’s infamous Southside, a music pioneer was born…
From the beginning, Thomas “DJ Slugo” Kendricks was influenced by his cousin, DJ Geno, a member of a local Chicago hot mix group, and other local icons such as the Hot Mix 5 (of Chicago radio). Slugo, with 20+ years in the game, over 20 albums in his pocket and over 50 CDs on the street, began a journey that lead him to become one of the original creators of a style of music commonly known as Ghetto House, more recently regarded as Juke.
Ghetto House, an urban dance sound created by inner-city producers from raw walks of life and derived from Old School House, is steeped with nuances from ghetto-life traditions and descriptions of the hood through rhythm. It moves beyond the just being and dives right into the metaphysical, with its rhythmic, infectious energy exciting the inner spirit and making folk return to their Motherland dance roots.
The magic struck Slugo at a high school dance where he asked the DJ if he could spin a couple of tracks. Although his set only lasted a brief 15 minutes, it ignited a flame that burns brighter than ever today.
From 1984-1987, Slugo honed his skills by observing the skills of his local heroes. Participating in heated DJ battles won him acclaim as a technical expert on the wheels of steel. He released his first truly professional mix tape Ghetto Mix Part III (1992). This tape landed in the hands of Ray Barney, CEO of the Chicago-based Dance Mania, one of the largest dance music labels in the world. Barney and Slugo formalized an agreement resulting in a long stream of releases on the Dance Mania label and affording Slugo the freedom to form his own label, Subterranean Playhouse.
During this same period, friend and fellow producer Paul Johnson introduced Slugo to a southern promoter, which culminated his professional merge into the rave scene. His unheard of Ghetto style of mixing quickly made him a favorite to tens of thousands of partygoers and promoters alike.
The release of the popular Cardboard Booty mix CD, called “the most influential ghetto house CD ever made” by London’s Underbeat Magazine, who also went on to call DJ Slugo, “the Ghetto-father of the American dance floor.” As his fame spread, releases with other national labels, such as Underground Construction, Dance Mania, GTI Records, Serotonin Records, Data Bass, CWAL Mob Recordings, Wide Records and Crosstalk International, Inc., as well as his follow up album, The Ghetto Don, flew off the shelves.
Taking his career to the next level, Slugo signed with the 1 electronic music booking agency in the United States, Teknomafia. With Teknomafia’s 10-year strong foothold on the nationwide rave, club & concert market as well as national distribution for his future releases, the only question that remained was where to begin. Slugo later said that this proved to be one of the best decisions made for his career. After Teknomafia shut their doors and in order to progress into mainstream music, DJ Slugo was the only electronic artist kept on the roster.
2002 saw Slugo returning to his roots with new projects, Where the Rats and Godzilla. Slugo calls these releases without a doubt, some of his best work. They have also without a doubt, exceeded the sales of nearly every other release he has done to this date and which lead to his wildly successful “Godzilla” track becoming a worldwide phenomenon.
After a yearlong respite to rethink his career path, Slugo is back in the game and taking the world by storm. Recent affiliations with England’s Wide Adventure and Crosstalk International, Inc. promise many great things to come.
“Imma keep making Ghetto House music because I love it!”
The saga continues…

For Bookings:

Email: bookdjslugo@gmail.com

New tracks tagged #dance mania