¿A qué se debe el gran impacto público que una película de distribución independiente, como La sustancia, ha tenido en un público masivo?
La respuesta automática sería el tema al centro del filme: las exigencias físicas y estéticas que demanda una sociedad a todos sus integrantes, no sólo a los jóvenes y adultos sino también a quienes se vuelven mayores y ya no pueden competir en profesiones que demandan belleza estándar y cero imperfecciones (como la de actriz de cine).
Sin embargo, lo más interesante de La sustancia no está ahí. Esas preocupaciones ya han sido tratadas de mejor manera en otras partes, incluyendo por cierto Reality +, notable corto de la propia Coralie Fargeat. La clave del filme y su notoriedad parece residir en la particular estructura que escogió para contar su historia: la del "fairy tale", el clásico cuento de hadas con magia, reglas, prohibiciones, princesa y bruja incluidas; sólo que en este caso, ambas están contenidas en el mismo envase. "Recuerden: ustedes son una". Ying y Yang, juventud y madurez, belleza y fealdad, bien y mal. Todo parte de la misma cosa. De eso y más se habla en este podcast.

#547 Reality + (2014) y The Substance (2024), de Coralie Fargeat

Hosts Josh and Jamie and special returning guest critic and author Violet Lucca discuss a double feature inspired by her new book "David Cronenberg: Clinical Trials" with one of his earliest inspirations in sci-fi paperback cover artist turned experimental filmmaker Ed Emshwiller's RELATIVITY (1966) and one of Cronenberg's more unloved and forgotten passion projects, the psychological drama SPIDER (2002) starring Ralph Fiennes as a Freudian schizophrenic whose subjective mind provides Cronenberg with dreamy and depressed experimental form of the film. 

Next week's episode is a patron-exclusive bonus episode on 90s Stephen King adaptations by horror legends: THE DARK HALF (1993) + THE MANGLER (1955), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast

Intro // 00:00-15:53
RELATIVITY // 15:53-1:01:07
SPIDER // 1:01:07-1:56:36
Outro // 1:56:36-1:59:38

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367 - RELATIVITY (1966) + SPIDER (2002) ft. Violet Lucca

crash
gotta acknowledge my health a lil bit
but i don't think train stopping or coming to an end
still i fear
still i fear

i'm fucking off now
driving real fast now
evil gene is gone now
the scene is bloodied and how?!
i think the ... kickin in
muscle easin and im feelin sleek
thank god for psychiatry
just thinkin this life is fantasy
just thinkin i fear the crash again
i say again as if it's imminent 
getting so lost in this music shit
gotta acknowledge my health a lil bit
but i don't think train stopping or coming to an end
still i fear
still i fear
i think im fucking off again

Skeleton

Intermission (Crash)

"The Shrouds" had its world premiere at the 2024 Cannes Film Festival, where it received mixed reviews but has steadily been growing in appreciation (as all David Cronenberg films do) as it screened at more film festivals, including TIFF and NYFF Film Festivals. The film is Cronenberg's most personal to date as it deals with the grief he went through following the passing of his beloved wife of nearly 40 years. Cronenberg was kind enough to speak with us at the New York Film Festival about his work on the film, which you can listen to below. Please be sure to check out the film, which will open in NY & LA theaters on April 18th before expanding nationwide from Janus Films & Sideshow on April 25th. Thank you, and enjoy!

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Interview With "The Shrouds" Director/Writer David Cronenberg

On this episode, JD and Brendan review David Cronenberg's new film THE SHROUDS!

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Review: The Shrouds

Uses sampled voice clips from a few places:

- 1983 film Videodrome (mostly voice clips, but a few sounds too)

- Homer from The Simpsons

- An answering machine message from Hunter S. Thompson ( specifically the beep from the answering machine and a few words. It's towards the begining and goes like:


[beeps]

"Dio
I uh yeah
[beeps]
Dio
Uh
Audio video)


----‐-------


The "lyrics" appear in the following order:

"Civic TV: The one you take to bed with you" - Videodrome

[beeps]

"O...
I uh yeah"
[beeps]
"O...
Uh Audio / video" - Hunter S. Thompson

"The television screen...
Has become the retina of the minds eye.
The television screen...
has become the retina of the minds eye.
That's why I refuse to appear on television...
except on television." - Videodrome

"Soon all of us will have special names.
Names designed to cause the cathode ray tube to resonate." - Videodrome

"Teacher!
Mother!
Secret...
lover..." - Homer Simpson

"TELEVISION!" - Homer Simpson

"Teacher!
Mother!
Secret...
lover..." - Homer Simpson

"TELEVISION!" - Homer Simpson

"Teacher!
Mother!
Secret...
lover..." - Homer Simpson

"TELEVISION!" - Homer Simpson

"TELEVISION!" - Homer Simpson

"TELEVISION!" - Homer Simpson

"TELEVISION!" - Homer Simpson

[Beeps]

Nemesis (Hypothetical Death Star)

We're back with a huge episode as 13-year-old Alistair's "Slasher Year" continues with MY BLOODY VALENTINE (1981) and SCREAM (1996). Al also watched their first film by Cadaverdad's favorite filmmaker, David Cronenberg: SCANNERS (1981). And stay tuned for Grave Digging where we chat briefly about FRANKIE FREAKO (2024) and PG: PSYCHO GOREMAN (2020). We also reference a handful of old episodes here, including...

"Who the Al is Harry Warden?" - https://soundcloud.com/cadavercast/episode-69-who-the-al-is-my-bloody-valentines-harry-warden?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing&si=6326bad7d09a4c6ead8a3ecac74849e8
Our review of Wes Craven’s SWAMP THING (1982) - https://soundcloud.com/cadavercast/episode-48-swamp-thing-1982
Our review of BIG TROUBLE IN LITTLE CHINA - https://soundcloud.com/cadavercast/episode-43-big-trouble-in-little-china-1986

You can support CadaverCast with your ratings and reviews on Apple Podcasts and sharing the show with your friends (or enemies). We sure do appreciate it!

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Theme: "Proto Apocalypse" by Al Burnham
Series cover art by Angel Onofre

Episode edited by Al Burnham and Jef Burnham

© 2025 Al Burnham & Jef Burnham

160 - My Bloody Valentine (1981), Scream (1996) and Scanners (1981)

A psychosexual thriller that's neither psychosexual nor thrilling enough, The Shrouds is a disappointment. There's great promise to businessman Vincent Cassel's invention of a technologically advanced shroud that creates a 3D model of the decaying body it houses, when we're shown the lust with which he observes his deceased wife's corpse. The film is peppered with recurrent imagery of her disfigured body, and its importance to Cassel's character is constantly reinforced, but the film is too talky, its imagery too bland, and its plot too convoluted to make the most of it. A shame.

Recorded on 6th August 2025.

453 - The Shrouds

On this episode, we discuss the career and evolution of the great David Cronenberg, and why is films have aged extremely well over the years!

Panel: Kristin Battestella, Megan Kearns, Jaylan Salah

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Thanks for listening and be sure to subscribe on your podcast app of choice! insessionfilm.com/subscribe

Women InSession: David Cronenberg Retrospective

cinefile [ pillcell pt. 2 ] ***AUDIOCRACK***

A podcast by NextBestPicture.com that reviews the latest film releases and discusses various topics within the world of film and the awards race.

A Silver Bolo Award-winning, family-friendly monster movie podcast. 13-year-old Al and CadaverDad Jef Burnham discuss getting cinematically spooked and (in Al's Monster Stampede) how to stay safe should you find yourself trapped in a horror movie!

Also, follow us on Twitter (@Cadaver_Cast) and Facebook (@CadaverCast), and subscribe to us on Apple Podcasts so you don't ever have to miss an episode! 

"The coolest, most adorable podcast I've ever heard!" -Korina C.

"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and well informed, if not necessarily on all aspects a particular work gives rise to, certainly in terms of knowledge of cinema in general and considerable experience of watching different types of movies and watching movies in different types of ways. It’s not a review. It’s a conversation." - José Arroyo.

"I just like the sound of my own voice." - Michael Glass.

Welcome fellow SLEAZOIDS!!! Come along as hosts Josh Lewis and Jamie Miller (and, occasionally, guests) go down the rabbit hole of 20th century genre fare from the most influential canon classics to the the trashiest exploitation films we can get our hands on. Each week is a double feature—grindhouse style—where we discuss two films loosely related by subject, genre, actor, filmmaker or franchise and at the end of each episode, along with our HONORARY SLEAZOIDS (click on over to our patreon to become one), we decide on ratings and rankings for each film that's covered. Join us as together we work to uncover the best genre films of 20th century.

The best movie reviews, news, and podcast out there! Two guys that know movies and love talking about them!

Un podcast acerca de películas que no nos avergüenzan. 
Conducido por Juan Pablo Vilches y Christian Ramírez

New tracks tagged #david cronenberg