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Biddadat x Dylan Hayes - Be That Way
Out Now - https://biddadat.fanlink.to/bethatway

Artwork by Jen Caywood - www.instagram.com/jencaywood/
Mixed by Jesse Field - www.instagram.com/jessefield__
Mastered by Matthew Wolk Mastering - www.matthewwolkmastering.com
Guitar performed by Demarcus Baysmore - www.instagram.com/demarcusbd
Drums performed by Xavier Lecouturier - www.instagram.com/xavierlecouturier
Music and Lyrics written by Dylan Hayes and Biddadat

---

Yeah I know that you've been waiting.
For someone special to come along. 
Try and remind you that I’m right here for taking,
And when I do, you always act like you forgot. 

What are you thinking when I catch your eye? 
Cuz I know that you be liking what you’re seeing. 
And when I say, please baby let me be the one,
You tell me no without giving a reason. 

I am not a perfect man. 
So much I don’t understand. 
But there’s no question in my mind,
If you let me, babe, I’ll do ya right. 
Guess I’ll wait another day. 
That’s just fine. Be that way. 
Keep letting you lead me on.
Just don’t make me wait too long. 

Don’t wanna hesitate. 
That’s fine. Be that way. 
Don’t have to complicate it. 
That’s fine. Be that way. 
Girl I love you so much. 
I know you feel the same, so why keep waiting? You can be that way. 

Really want take you seriously. 
Guess I’m hanging around until you decide
To make this real or keep on playing with me. 
Girl you know I got the goods, so just be mine. 

Tell me what I'm doing wrong.
I wake up after you are gone. 
Am I not enough to make you stay? 
That’s just fine. Be that way 
Baby you can let me go,
If you prefer to be alone.
Oh I hope you let me in,
Cuz I got so much love to give ya. 

Don’t wanna hesitate. 
That’s fine. Be that way. 
Don’t have to complicate it. 
That’s fine. Be that way. 
Girl I love you so much. 
I know you feel the same. 
Don't have to complicate it.

Be That Way (feat. Dylan Hayes)

Biddadat - Heartbreak
Out Now - biddadat.fanlink.to/heartbreak

Artwork by Jen Caywood and Matt Haughton - www.instagram.com/jencaywood/ - https://www.instagram.com/mattdhaughton/
Mixed by Jesse Field - www.instagram.com/jessefield__
Mastered by Matthew Wolk Mastering - www.matthewwolkmastering.com
Drums performed by Xavier Lecouturier - www.instagram.com/xavierlecouturier
Music and Lyrics written by Biddadat

---

I guess it’s finally time I write that song about you. 
I guess I’ll post it online and feel bad.  

Everyone digs a good song about a sadboi break up. 
Everyone digs a new wrong way to act. 

I didn’t make it seem like we’d be together always. 
I didn’t make it feel right hanging on. 

Now I dunno know what I’m doing here. It’s all forsaken. 
I don’t know what I’m doing here at all. 

It’s not cute. I’m not jokin. It’s heartbreak.
I'm not through feeling broken. It gets harder every day.
Maybe you were never hopin to see me change. 
So confused cuz I keep choosing heartbreak.

I always thought that a selfless love was how we’d make it. 
I just want you to be happy with life. 

I’m tryna figure out how cuz now my heart is breaking. 
Now I just lay around, break down and cry.

Heartbreak

WACK DETECTOR EP - Stream Online by clicking on "Buy"

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WACK DETECTOR

DECIMATOR

INHUMAN

Welcome back to The Great Metal Debate podcast. Today we’re reviewing the latest release from Indian heavy thrash veterans Kryptos titled Decimator, which is released on July 5th through AFM Records. Founded back in 1998, Decimator is their 7th full-length album.  Let’s check out this new album Decimator and see how it stacks up.

The tracklist begins with “Sirens Of Steel” which debuts in epic fashion before transitioning into galloping riffs.  There’s a touch of thrashy-ness here, but is more like thrash-influenced true metal than a thrash band that wears its trad metal roots on its sleeve. The guitars are very forward in this one, with lots of lead accents throw in throughout, sometimes more and sometimes less successfully. The vocals are thrash-ish, with the lyrics rasped out in lightly goblinesque fashion by singer and guitarist Nolan Lewis.

“Fall To The Spector’s Gave” sets a rollicking sonic core with strong riffing and a sing-songy verse. There’s some good stuff – I really enjoyed the guitar lead break as well as the vigorour climax. I just could’ve used a bit more variability in the vocal melody, which is extremely repetitive in its presentation. A small change up there could have improved  the song immeasurably.

A cheesy 80s metal intro transitioning into a generic 80s metal riff is what greets us for “Turn Up The Heat,” the next track in the listing. That comes across as harsher than I mean – in some ways I’ve giving a compliment. This is every bit as engaging and dynamic a track as one might routinely find on an Accept or Metal Church album back in the day when those bands were fresh and relevant.

Similarly constructed albeit a bit different in the details of its execution is “Electricity.” This is perhaps a cautionary tale to artists that when you give a song such an energetic title you’d better be certain the music delivers in like manner. It is a fine song – a mid-paced rocker that has the nostalgic feel of some metal anthems of oldGood riffs, but an underwhelming chorus structure.

Track 5 “Solaris” is a soft guitar piece that is only slightly past a minute and a half in length, segueing into the title track “Decimator.” I get some definite Painkiller-era Judas Priest vibes on “Decimator,” with the pulsating double bass and plunging sonic guitar dives. Unfortunately, the riffing is somewhat stale and repetitive. There’s no progression or twists here – a minute in and you basically can predict how the remainder of the song will sound.

With “In The Shadow Of The Blade” we find one of the album’s most compelling melodies and some nice interplay between the rhythm and lead guitar lines. It’s somewhat paint-by-numbers in the song construction, but the simple approach works well here. Yet again I yearn for a bit more variability in the vocal presentation. If the singer could have gone up even half an octave on the final verse it would have truly made the track explode.

Next up is “Pathfinder” which has a pleasant if predictable primary riff and some nice, timely tempo changes. However, I thought the composition missed opportunities in the transitions between verses, choruses, and breaks, with those changeovers seeming to happen somewhat ham-handedly. Another track that was fine for what it is, but could have been better.

The album concludes with “We Are The Night,” a mid-paced track that almost has a 70s rock mood to it, or at least NWOBHM feel. The lead break is really tasty, and the riffing throughout is enjoyable. This might be my favorite track on the album, leading me to wish the band had given me more of this approach and, by inference, gone with less of what I’d heard earlier.

Ultimately I’ll say that Decimator is worth checking out. You won’t hate what you hear, but I don’t know if many will love it either. I’m giving Decimator a 5 out of 10 rating. You can purchase Decimator from AFM Records. Follow them on social media and be sure to watch for the band going out on tour soon to support the release.

The Great Metal Debate

Metal Debate Album Review - Decimator (Kryptos)

May improve on later, but close to done. Look up what a "driftless area" is, and it'll tie in the narrative. 

*squid emoji*

Lac du Rêveur

Driftless Area

TripAnge

This crap is made with freeware, mild autism, and most likely with alcohol.

Enjoy!

Or don't. I'm not your fucking mother.

Podcast where Gomthog and co-hosts engage in lively debates on heavy metal music as well as interviewing artists and reviewing albums.  Occasional explicit language.

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