Dug out my favorite lead synth, the Typhon with the fantastic cloud reverb. Also in this one the warm Micro Q for the wavetable pad. But most fun is my latest purchase, a Mono Lancet. Very special filter, not really coming to its right here (arpeggio) but to play with in isolation I guess. First time I try to record a live take of the Typhon lead with my semiweighted keys. Kind of sloppy but I guess I have to practice the timing better. Bass also the Typhon.
Over all I am satisfied with all parts, bits and pieces. Digitakt does the glitchy beat and the mid noisy loop is a couple of Mirage samples that I loaded and swept with an lfo very fast.

Calm Game Music

Jam Video:-> 
https://www.youtube.com/watch?v=Ta7zQH1Rzm8

Analog Elektro Jam w/ RD-8 MKII, DeepMind 12 & Analog Four

Sacrifice

Long Distance

Another upbeat 80's synth pop wave thingy featuring almost only Deepmind 12 aside from the melody in the verses (Proteus drenched in Ableton phaser effect). I really dig the cabinet speaker effects on arpeggios that the Deepmind brings to the table here. Delay, reverb and chorus from Deepmind and Valhalla. The chorusy moogy bass from the Deepmind is also an emerging favorite of mine.

GOJU RYU Masters

Behringer Deepmind 12 analog synth exploration.
Recorded straight from the synth, multitrack recording. No external effects.
Enjoy.
Patch set by GEOSynths (and some by me).

DeepMind Exploration

DeepMind 12 - Infinite Spaces

Live performance video here:
https://www.youtube.com/watch?v=4Os9CUFFmYY&feature=youtu.be

I don't usually put my modular work on SC, but I made an exception for this one, as it's really not very 'modular' sounding!

State Azure - Gyroscope (Modular+Digitakt+DeepMind12)

Short improvisation on the DeepMind 12
Vid here: https://www.youtube.com/watch?v=C1-AY2k7YGY&feature=youtu.be

State Azure - The Magpie (DeepMind 12 live improv.)

First song off our forthcoming album, Space Hatchet II, which it itself a companion to our forthcoming game of the same name.

Like all our albums thus far, this one represents a shift in genre. This time we explore a much more synthy sound, largely paying homage to the synths of the 80's and touching on a modern Synthwave sound.

This song makes use of a number of synths in fact:

- Prophet '08
- Virus Classic
- TX81z
- MidiBox SID
- GameBoy DMG-001
- Deepmind 12

Likewise, it is a reintroduction of John's electric guitar work coupled with our tube pre-amp and a Memory Man for effects. Plus some software effects as well but those aren't as fun.

Straight To The Top

Producer of electronic, ambient and experimental music from the south coast of England.

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Bio:

Immersed in the synth-pop and electronica of the Eighties growing up in southern England, State Azure (b. 1972) found early inspiration in Jean-Michel Jarre, Tangerine Dream, and Vangelis. Deconstructing their tracks ignited his passion, leading him to develop a foundational understanding of electronic music theory, composition and production entirely by ear and experimentation.

He honed his skills as a keyboardist and producer within live bands before venturing into solo ambient/experimental territory. This self-taught journey fostered a deeply improvisational and emotional approach, free from the confines of formal training.

State Azure's sonic world is further shaped by influences beyond music, drawing heavily from science fiction, cosmology, physics, and technology.

Seizing the opportunity presented by the burgeoning online music scene, he launched the State Azure project to connect directly with listeners, debuting with the album 'Outlines' in December 2011.


Thanks for listening and leaving your comments/feedback, it's very much appreciated and really helps to keep me motivated and pushing forward.
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Releases:

"Disconnect" - Album released: 30/3/2014
https://stateazure.bandcamp.com/album/disconnect

"Snowblind" https://offworldrecordings.bandcamp.com/album/ofw034-transmissions-volume-4

"So Long, Eternity" - album released 21/3/2013
http://stateazure.bandcamp.com/album/so-long-eternity

https://itunes.apple.com/us/album/so-long-eternity/id628160193

"Candle" 2-track Single http://www.loodmarecordings.com/loodma0020.cfm

"Reminisce EP"  on Loodma Recordings http://www.loodmarecordings.com/loodma0016

"Outlines"  Album released 24/12/11 - Free or pay what you want. Download: http://stateazure.bandcamp.com/

"Passing City Lights" track - part of a compilation album "Beautiful Sounds Pt.1". A Loodma Recordings release can be found here. http://www.beatport.com/release/beautiful-sounds-pt-1/395218

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Other projects:
http://soundcloud.com/synapsia ambient/dark ambient.

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Contact: stateazure@gmail.com

Everything said has already been said! But…

Coronardefekt is an electronic music project from Halle (Saale), Germany, that has been developing the connection between sound, technology, and emotion since the early 1990s.

My journey began in 1992, when a fascination with electronic sound generation and synthesizers laid the foundation for everything that followed. Influenced by Depeche Mode, Front 242, Delerium, Front Line Assembly, Dead Can Dance, and many others, I began creating my own sonic worlds – dark, driving, and emotional.

My music moves freely between Electro, House, EBM, Hip-Hop, and experimental sound structures – everything that inspires, excites, and moves me. I produce with a variety of synthesizers and analog sound sources – including the Yamaha MOXF6, Microkorg-S, Deepmind 12, Arturia Microbrute, Yamaha DX7, and Behringer TD-3-BU – with Ableton Live as the creative hub.

Each track is created with a focus on atmosphere, texture, and emotion – an expression of my personal sound journey. So far, all releases have remained private, but the essence lies in the creative process itself: sound research, sound design, and the pure joy of electronic music.

I don’t see myself as a product, but as an ongoing experiment – a project that grows, transforms, and continually redefines itself.

“Music is not a destination, but an eternal journey – and the processing of emotions.”

Je suis un musicien autodidacte, électronicien amateur, qui aime composer et enregistrer de la musique originale ainsi que des covers sur synthétiseurs de musique.
Ici vous trouverez du matériel que je considère assez bon pour partager avec vous. 

Divertissez-vous, et n'hésitez pas à me faire part de vos commentaires. Merci de votre passage et revenez souvent! Vous pouvez aussi me voir à l'oeuvre sur YouTube, où j'y joue de mon instrument principal, la batterie. 
https://www.youtube.com/user/AlainHubert
---------------------
I'm a self-taught musician, electronic hobbyist, who likes to compose original music with synthesizers, as well as some covers of some of my favorite artists.

Here you will find stuff that I feel is good enough to share. 

Enjoy, and don't hesitate to comment. Thank you and come back often !
You can also check out my YouTube channel, where I play my first instrument, drums.
https://www.youtube.com/user/AlainHubert

Alain.

Ableton Live with a couple of va, analogs, fm, romplers and various hybrid synths via a MOTU 828x and of course vsts. Style includes all sorts of genres, I guess film and games is the theme. As long as it resonates in my head even if its sometimes only the gear talking. Anyway, thanks for listening.

Victim Cache was started in the summer of 2010 by John Quarles and Tim Soderstrom. We are an electro-indie band focused on trying to find new creative ways to integrate electronic sounds into music.

Producer of electronic, ambient and experimental music from the North coast of Italy. Subscribe to the channel, like, share. Thank you. 

▬ Follow me on Spotify ► https://open.spotify.com/intl-it/artist/7s4vWzcm3TI4vyjG7uOjfT
▬ Follow me on Bandlab ► https://www.bandlab.com/nativesoundproject
▬ Follow me on Bandcamp ► https://nativesound.bandcamp.com/music
 ▬ Follow me on YouTube ► https://www.youtube.com/@NativeSoundProject

🙏 If you'd like to support me, you can tip me on Ko-fi: https://ko-fi.com/nativesound or with Donorbox: https://donorbox.org/embed/make-a-donation-for-native-sound?language=en-us

Rosario Marcianò (Native Sound), in addition to being an author of essays, a documentary filmmaker and an independent investigator, especially expert in the field of clandestine geoengineering and geopolitics, is also a musical composer. Self-taught, since adolescence he has cultivated, among other things, a passion for art whose inspiring goddess is Euterpe. This passion, over time, has given rise to a style and inspiration transfused into instrumental productions of considerable emotional impact. 

His compositions, which tend to go beyond the boundaries of more or less codified genres or subgenres, tend to combine a tense, sometimes hammering sense of rhythm with melodic lines not devoid of a refined dissonance. Generally speaking, these creations can be traced back to the field of soundtracks accompanying dramatic films, thrillers, action films.

It is symptomatic that the motifs created are exclusively instrumental, we would say orchestral, so as to focus the enjoyment on the essence inherent to the art of sounds, without the intervention of the text which, although it can enrich the score, sometimes distracts from the heart of the inspiration. However, the titles, almost always coinciding with a single word or a syntagm of strong texture, introduce the forms and functions of verbal language to recover, so to speak, the eclipse of words.

The tracks are precisely fixed by incisive and pregnant titles, not only in relation to the phonic and melodic structure, but also foreshadowing abysmal themes: life, death, destiny, freedom, hope, nature, love, memory, meaning, power... They are the same contents that dot the section dedicated to the maxims: for this reason it seemed appropriate, indeed natural to us to match some pieces with precise aphorisms, as a harmonic complement. A music therefore to listen to, but also to read with a multisensory approach that involves soul and intellect, aesthetic pleasure and reflection.

Popular tracks tagged #deepmind 12