Free Roddy Ricch Type Beat, Iisey, Glennswan, Fract, Holmdel, Neanderthal, Initiatives, Glitchinstrumentalsglitch, Invõker (Fr), Free?, Genres:, Fruits Basket Season 2, Hanszimmerman, Hesham Yassin, Imtheonewho, Msuic, Haffner, Fundo Hd, Gmeza, Génio,, Indiana Jones, Ilse, Hardedm, Gutelaunetechno, Free Yung Vision Type Beat, Personeel, Jake-Bugg, Fujairahcallgirlservice, Funny Alien,  Happy Pop, Lasta, Güllaç Peltesi, Househd, Free For Profit 21 Savage Type Beat, Fuckchurch, Fully Bad, Grootste, Hardlightsereia

Background Full media background FREE DOWNLOAD

The Creek by Joshua Vazquez - A WMWA(Where My Writer's At?) Production

Fatherhood and Alcoholism. A father expressing his grief and frustration towards his old partner; he will soon dive deeper and realize his anguish is a result of his own actions. A cycle of deflection and coping that we often use to detach ourselves from our own mistakes; an unfortunate subconscious mechanism that only serves to hinder us and our growth.

The Creek

I Am A Raver, Hel:Sløwed , Louiserademakers, Gozadera, Hans Reverb, Golden Showers, Illgates, Knowledge , Koffee+Kandee, Insomnia, Hörprobe,Undacava, Naofumi, Hackman, Hiring Family Members At Work, Haunted-evrr, Hiphop Rnb Instrumental, Karadeniz Kemence, Groove Cruise Cabo, Grace Mansion, Industekno, Hunting, Hakan Yavaşremix, Godlovesbass, Grabyourcopynow, Grey Passport, Introduction And Energico For Strings, House Music Hd, Kate Ryan, Instrumental,Pista,  H E L P, Gotnodrummer, Joe-Montaldo----------, Herec, Gulam, How To Trust Intuition, Gummies,, Guilherme, Happy Music No Copyright

Azhwar Poetry ambient background music FREE DOWNLOAD

These tracks were created out of the minds of friends and collaborating efforts of friends Ronnie Stapleton, Ira Jay Gold as enhanced by James Pimpinella . It was a concept dreamt up by first creating an ambience or reverb room to hear and imagine the song before it was even written. This technique is something we use to be creative.

Clean And Pure

Deflection 5.8.0

Download https://t.co/YoIGHMs2UE


In structural engineering, 
deflection
 is the degree to which a part of a long structural element (such as beam) is deformed laterally (in the direction transverse to its longitudinal axis) under a load. It may be quantified in terms of an angle (angular displacement) or a distance (linear displacement).A longitudinal deformation (in the direction of the axis) is called 
elongation
.


This equation can be solved for a variety of loading and boundary conditions. A number of simple examples are shown below. The formulas expressed are approximations developed for long, slender, homogeneous, prismatic beams with small deflections, and linear elastic properties. Under these restrictions, the approximations should give results within 5% of the actual deflection.


The elastic deflection δ \displaystyle \delta  and angle of deflection ϕ \displaystyle \phi  (in radians) at the free end in the example image: A (weightless) cantilever beam, with an end load, can be calculated (at the free end B) using:[1]


Building codes determine the maximum deflection, usually as a fraction of the span e.g. 1/400 or 1/600. Either the strength limit state (allowable stress) or the serviceability limit state (deflection considerations among others) may govern the minimum dimensions of the member required.


Deflection is about protecting one's self-image instead of taking responsibility. If one feels guilty or inadequate about something they did, deflection pushes that feeling away by shifting the focus on to something else.


Welcome to the NASA/JPL NEO Deflection App (NDA), a web-based interactive tool producedin collaboration with the Aerospace Corporation.This app is designed to provide insight into the problem of deflecting a threatening asteroidusing impulsive asteroid deflection, with special emphasis on using a Kinetic Impactor (KI) mission.Given a simulated asteroid on an Earth impact trajectory, the app can answer such questions as:



Note:
 The objects loaded into this app are 
not real
: they are all hypothetical, simulated asteroids. The trajectories and deflection calculations, however, use entirely realistic mathematical models.





Methods: 
 Twenty-four sound upper premolar teeth with Class II cavities were allocated to three groups (n=8). Restoration of the teeth involved the placement of an RBC (GrandioSO) in eight oblique increments (Group A) or Groups B and C were restored to within 2 mm of the palatal cusp in a single increment with bulk-fill flowable RBC bases (SDR and x-tra base) before the two occlusal cavity increments were placed with GrandioSO. Buccal and palatal cusp deflections were recorded postirradiation using a twin channel deflection measuring gauge. Following restoration, the teeth were thermocycled, immersed in 0.2% basic fuchsin dye for 24h, sectioned and examined for cervical microleakage.


Results: 
 The mean total cuspal deflection for the oblique incremental restoration technique was 11.26 (2.56) μm (Group A) and 4.63 (1.19) μm (Group B) and 4.73 (0.99) μm (Group C) for the bulk-fill flowable RBC bases. A significant increase in the mean total cuspal deflection for the incrementally filled GrandioSO compared with the SDR (P=0.007) and x-tra base (P=0.005) restored teeth was evident. No significant difference in the cervical microleakage scores was recorded between groups AC (P>0.05).


Conclusions: 
 The bulk-fill flowable RBC bases significantly reduced cuspal deflection compared with a conventional RBC restored in an oblique incremental filling technique with no associated change in cervical microleakage recorded.


When entering a traverse, I frequently have legal descriptions that utilize deflected angles. These are among my least favorite descriptions to traverse, and part of the reason is that entering them in Pro is not ve

Deflection 5.8.0

Chapter 3: "Deflection"
I was intentional to be less serious writing this song. I often feel pressure to have something to say when I’m rapping. There always has to be some deep message or whatever. This time I wanted to say the first thing that came to mind. So I did just that. I freestyled the first few lines and the rest flowed like water. this was my attempt at being cool. It’s an ode to my high school self. He was fearless and didn’t give two flying ducks about what the next person thought. his middle fingers were stuck up at all times ready to put a bitch in they place. His only concern was happiness. For years I put him away in the dark. I thought hiding him made me mature. But I’ve come to realize I need to be more like him as an adult. More carefree. More in touch with myself. Closer to God. More confident. This song is an active reminder of all those things.

Uglaaa Boi

TRACK:

Ernie Botts + the Miseries - Backyard Experiments in Noise
Not My Fault

Chad A. Carino

ALBUM:

While experimenting with a more nuanced songwriting process involving such steps as 'editing' and 'using a studio space that is not an echo chamber filled with noisy animals', Ernie Botts began creating songs that were more polished but still integrated the raw emotion and stuttering rhythms from earlier work. The result is a collection of songs that sound a bit like pop music transcribed to a decomposing merry-go-round's Wurlitzer, then performed by studio musicians primarily selected form high school battle of the band third runner ups. Although there are some solid songs, most of the release is uneven enough to preclude repeat listening. Prove us wrong!

LYRICS:

Empty face, blanket caution
Leaves me beyond
Redemption
Finding you secretly perched
On my shoulders
In daydreams
And you, have been in wheelchairs
And mistakes of dreams

I'm blaming you for all my mistakes
No matter how many years it takes
You've got me outside the gates
I'm blaming you for all my mistakes

Backyard Experiments in Noise

Not My Fault

#onlybombs

Artist: Lowerzone, Alchemiah
Title: Ya Habibi
Version: Original Mix

For infos & Licensing contact:
info@autektone.com

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Follow Lowerzone:

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Ya Habibi / Shake & Bake / Deflection

Ya Habibi (Original Mix)

Buy / Stream

ATK169 - Lowerzone, Alchemiah "Ya Habibi" (Original Mix)(Preview)(Autektone Records)(Out Now)

#onlybombs


Artist: Lowerzone, Alchemiah
Title: Shake & Bake
Version: Original Mix

For infos & Licensing contact:
info@autektone.com


Follow The Label:

http://www.autektone.com/store       (Buy the original #Onlybombs Merchandising)
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Follow Lowerzone:

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#Lowerzone #Alchemiah #Yahabibi #Shakeandbake #Deflection #Autektone #Autektonerecords #onlybombs #beatport #spotify #techno #technomusic #peaktime #Driving

Shake & Bake (Original Mix)

ATK169 - Lowerzone, Alchemiah "Shake & Bake" (Original Mix)(Preview)(Autektone)(Out Now)

#onlybombs

Artist: Lowerzone, Alchemiah
Title: Deflection
Version: Original Mix

For infos & Licensing contact:
info@autektone.com

Follow The Label:

http://www.autektone.com/store       (Buy the original #Onlybombs Merchandising)
https://www.facebook.com/Autektone
https://www.instagram.com/autektone/
https://twitter.com/autektone
https://soundcloud.com/autektone

Follow Lowerzone:

https://soundcloud.com/lowerzonetechno
https://www.instagram.com/lowerzone_music/
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Follow Alchemiah:

https://soundcloud.com/alchemiah
https://www.instagram.com/alchemiah
https://www.facebook.com/Alchemiah1/

Deflection (Original Mix)

ATK169 - Lowerzone, Alchemiah "Deflection" (Original Mix)(Preview)(Autektone Records)(Out Now)

Ernie Botts was the stage name that Chad A. Carino selected for himself when he got tired of the persona he had developed for performing under his given name. So, Ernie Botts is normal Chad A. Carino, and Chad A. Carino is the persona. Make sense? 
(he will be referred to as Ernie for the rest of this bio to reduce confusion)
The full title of Ernie Botts + the Miseries occurred when Ernie was working on recording solo, stream of consciousness songs (that would become the release The Art of Fading Thought) and realized he was writing for an audience of one. He claims to have decided that all audience members for any of his solo work would likely be miserable, and therefore claim the title of 'the Miseries'. Audiences, however, failed to play along at the sporadic live shows following the release of TAOFT in 2003.
Toward the end of 2003, Ernie began adding 'hacked' robotic toys to the MIDI triggers set up to play layered tracks at live shows, claiming to hypnotize audience members who listened to more than one song... to what end, no one knows. During this time, he disappeared due to serious illness for a month, and then reappeared with a new EP, Dysphoria. Apparently, this was recorded both in stream-of-consciousness and in the middle of treatment for the illness.
In 2005, the release Backyard Experiments in Noise revealed a more layered approach, even as the tempo shifts and complexity grew more unsettling than in previous works. Ernie disappeared again, for a number of years, before returning to the stage with a new outfit (Formulae). Outtakes and solo tracks recorded during this period were released as a new album in 2008, Unresolved History. This release was followed by a number of shows (with people instead of robots, this time!) in support of the album from 2008-2010. 
All  prior releases from Ernie Botts + the Miseries are being released in 'remastered' form in 2024. This seems like quite the gap.

Autektone Records is an Italian label with an authentic and specific techno imprint.
Founded and managed by T78 in 2016.

Please send your demo to: https://www.labelradar.com/labels/autektone/portal

I’m a lover of music 
🥺
👉🏾👈🏾
That pretty much sums me up 🤗

New tracks tagged #deflection