My favorite Instrumental country & blues songs

Purchase Licenses

Desert Ghost Town (ID 1179)

You got my Horses (ID 1338)

Trees on the Hill (ID 1390)

Traveling to Louisiana - Soft Delay (ID 1174)

Traveling with Corina - Long (ID 806)

You get the Blues (ID 1201)

Escape Backdoor (ID 1282)

In a music industry hellbent on algorithmic trends and hollow flexes, Lux Coven shows up like a ghost with perfect aim. His new track “The Tool That Talks” sounds like a blues preacher from the underworld stumbled into a trap house with a harmonica and a war journal. And here’s the catch: the voice you’re hearing isn’t even his.

Lux Coven is a songwriter first, and a visionary next-gen performer who uses AI vocal synthesis to bring his haunting stories to life. Not as a gimmick — but as a delivery system for songs too heavy for mainstream throats to carry. And when he does drop a full solo album using his real voice? You’ll already know the name.

🔫 Southern Sermons in a Chambered Round
“The Tool That Talks” isn’t just a clever title — it’s a philosophy. The lyrics grip like a revolver passed down through bloodlines: dusty, lawful, poetic, and dangerous. Lux doesn’t glorify violence. He interrogates it. Guns, in his hands, become characters — prophets, betrayers, relics.

“Gun ain’t evil, son / It’s a mirror made of fire”

That line could’ve been scrawled in the margins of scripture. What we’re witnessing is a songwriter reclaiming symbolism — not through cheap metaphors, but through generational memory. It’s hip-hop as oral history, country as battle cry, blues as psychic residue.

🎛️ The New Age Outlaw Sound
Produced like an old vinyl found in a forgotten armory, the track unfolds in 432 Hz with ambient gun clicks, steel guitar moans, harmonica bleed, and whispered tape hiss. The AI voice — tuned to Lux’s specifications — croons and growls like a ghost of Delta blues past merged with future tech.

This isn’t autotune. It’s artificial resurrection. A hologram of pain, powered by human scars.

“They all strapped up / So I keep mine close—
Ain’t no mercy / When the steel gets chose.”

The hook feels like it’s been echoing across southern backroads since Reconstruction. But it’s brand new — because Lux is writing the past forward.

🧠 33:64 — The Clock That Doesn’t Exist
The album art is a Haitian-style oil painting of a lawless western town. But look closer — you’ll spot a digital clock frozen at 33:64. An impossible time.

For Lux Coven fans, this is standard procedure. Nothing is literal. Every number is a cipher. Every visual a sigil. Every song a riddle wrapped in trauma, faith, and divine revenge. That time stamp is not a glitch — it’s a test. Do you see what time it really is?

🩸 AI Ain’t the Artist — It’s the Bullet
Some artists use AI as a shortcut. Lux uses it as a weapon. It’s the bullet. He’s the gun. Every line is loaded. Every vocal manipulation is intentional. And when the time comes for the real voice to step forward, the message will already be felt in the bones.

This isn’t a tech stunt. It’s a spiritual tactic.

“The devil fears the man / who’s got one bullet left / and still chooses when to pull.”

That bridge alone cements Lux as one of the most dangerous pens in music today — with or without a mic in hand.

👁 FINAL VERDICT
“The Tool That Talks” is a declaration of artistic war — not just against genre limitations, but against the cultural amnesia plaguing modern music. It’s soul. It’s survival. It’s prophecy delivered through an AI shell — until the real voice arrives to finish what’s been started.

Lux Coven isn’t playing with machines. He’s training them to speak truth.

And the industry? They’re about to find out what it means when the tool starts talking back.

THE TOOL THAT TALKS

DOWN TO THE WATER featuring CELINE NIBIRU
walking down to the water 
river at the end of town 
down to the water
 gotta cleanse my soul 
gotta cleanse it all now
 walking to the water 
too much on my mind
 walking into the water
 gotta cleanse it all leave it all behind
 i've done too much in this life weighing on me 
done too much in this life 
of which i've gotta break free
goin down to the water 
going down to the end of town
 going down to the water
 gotta wash it all away give it all away now
 

going down to the water 
going down to the edge of town
 going down to the river gotta wash it all away gotta go before i drown 
gotta go to the water 
gotta give it all wash it all down 
gotta get to the river let it all go.

going down to the river gotta wash it all away gotta go before i drown 
gotta go to the water gotta give it all wash it all down
 gotta get to the river let it all go let it all go now
 down to the water 
down to the edge of town 
down to the water gotta wash it all away before i drown 
in my sorrows 
 wash it away
 coming down to the water
 coming down to the edge of town 
coming down to the river
 and i wash it all away before i drown 
rain down on me
 take away my misery
 rain rain down on me 
take away this pain and misery
 that rain down on me


DOWN TO THE WATER - DARK BLUES - THE WYRD ONE - (EARLY DEMO) FT - Celine Derval

WHY? - THE WYRDING WAY -  DARK BLUES BEATS - THE  WYRD ONE - COVER

This album is a raw, unvarnished journey into the heart of the American South during the mid-20th century, echoing the foundational sounds of Delta Blues. Each track tells a standalone
story of struggle, fate, and the pursuit of solace, steeped in the mystique and stark reality of the Delta.

Hard Times Rollin'

Chain Gang Blues

"Broken tribes blues" is a reverent ballad honoring the Levites’ sacred role. While others prepare for war, Levi stands apart—guardians of the tabernacle, carriers of divine presence. With solemn verses and a weighty guitar solo, the song captures the burden and beauty of spiritual service in the heart of the desert.

The Broken Tribe Blues - Inspired by Numbers 1:47-54

the last meal i ever had with my dad was fried chicken - inspired this song. please visit my bandcamp for downloads, cds & tshirts

Fried Chicken Blues

This composition was originally written for Anna Eriksson’s film E, as part of a creative collaboration we had discussed. Due to the timing of my production schedule — my music system only became fully operational recently — I was only able to complete the track after the final version of the film had already been locked for its upcoming premiere in August.

While it could not be included in the film, I’m releasing this piece independently as a standalone work. It remains deeply inspired by the themes, mood, and artistic atmosphere of E, and I hope it resonates with listeners in its own right.

Huge thanks to Anna Eriksson for the inspiration, and I wish her every success with the film’s premiere.

credits
released August 2, 2025
Written By: Parco Lee
Arranged By: Parco Lee
Guitar: Parco Lee
Harmonica: Parco Lee
Edited by: Parco Lee
Mixed By: Parco Lee
Mastered By: Parco Lee

The Dunes Of Void

Following Kingdom of Shadows, Obá Mystik presents Ashes & Shadows, the second chapter in a four-part Afro House epic. This project is the brainchild of Erikk Raphael and is released under Respawn Detroit Records (RDR). The album dives into the history and legacy of slavery — from capture and the Middle Passage to bondage, punishment, escape, and ultimate triumph.

Across 13 tracks, Obá Mystik blends Afro House, Delta Blues, Gospel House, and Tribal House into a sonic story of pain, survival, and celebration. Featured guest Elijah “Graveyard” Moore brings a cracked Delta blues voice to the story, while the River Jordan Choir raises the finale into a triumphant gospel explosion.

This project is Afrocentric music at its core — ancestral rhythms, storytelling through sound, and spiritual energy translated for the modern dancefloor. Perfect for fans of Afro House, Deep House, Tribal, Spiritual House, Delta Blues fusion, and Afro-gospel electronic music.

👉 Book 2 of 4 — the journey continues.

#ObaMystik #AshesAndShadows #AfroHouse #DeepHouse #TribalHouse #GospelHouse #Afrocentric #DeltaBluesFusion #AfroGospel #WorldElectronic #RespawnDetroitRecords #RDR #DJErikkRaphael

The Hot Box (feat. Elijah "Graveyard" Moore)

Sweet-Tooth Poison — an original blues-rock project about temptation, surrender, and the price of desire. Written first in Portuguese and adapted to English with AI to preserve meaning, prosody, and emotional tone. Smoky duet vocals, gritty guitars, and a late-night pulse fit modern blues-rock and alt-soul playlists.

Bitter Saints — an original alt-rock album on fractured faith, guilt, and small salvations. Built from Portuguese originals and faithfully adapted to English with AI to honor melody, cadence, and intent. Cinematic drums, widescreen guitars, and lingering hooks suit both festival-scale rock playlists and quiet headphone moments.

---
pt-BR

Sweet-Tooth Poison — projeto autoral de blues-rock sobre tentação, entrega e o preço do desejo. Composições nascidas em português e adaptadas ao inglês com apoio de IA para manter sentido, prosódia e emoção. Vocais em dueto, guitarras cruas e um pulso noturno, ideal para playlists de blues-rock moderno e alt-soul.

Bitter Saints — álbum autoral de alt-rock sobre fé rachada, culpa e pequenas redenções. Partindo de originais em português, foi fielmente adaptado ao inglês com IA para respeitar melodia, cadência e intenção. Bateria cinematográfica, guitarras amplas e refrães que ficam na cabeça — para grandes playlists de rock e escutas íntimas no fone.

Sweet-Tooth Poison (Radio Edit)

Sweet-Tooth Poison (Extended Version)

IL TEMPORALE

Hjeron O’Sidhe
Theatrical Director Hjeron O’Sidhe began working in the performance arts at a very young age. 
He was honored to receive personal tutelage in Celtic and Native American cultural mythology and storytelling over the last 15 years, and over the last 10 years in central and South American mythology and cultural studies. While living in London he studied photography, lighting techniques and video. 
During and after collage he founded “Sacred Earth Studios” a portable digital recording studio dedicated to ethnomusicology and the preservation of traditional sacred music from around the world. At the same time he composed the music for several bands and theatre productions touring eastern and central Canada. Feeling limitations in the music genre Hjeron returned to his roots in theatre forming Mythmaker Productions, a theatre company dedicated to re-empowering the ancient arts of storytelling by blending creative and performance arts of all genres.
Since 1999 Hjeron has written, directed, acted and composed the musical scores for 12 performances pieces focused on storytelling, movement and cultural/community empowerment.

DJ | Producer 🎧 Afro House • Tech House • Tribal
Headliner: Haus Of Pingk | Motor City, Ferndale, Royal Oak & Columbus Pride | Electric Forest – Renegade Afters
🌍 Gigs: Detroit, Toronto, Medellín + more
Founder: Respawn Detroit Records | Producer for Obá Mystik (Dancing Shadows, The Reaper Man)
🌐 www.djerikkraphael.com | 
🎧 soundcloud.com/djerikkraphael | 
📲 instagram.com/djerikkraphael
📩 Bookings: bookings@djerikkraphael.com

I'm DJ Erikk Raphael. I serve sensual rhythms and raw energy through Afro House, deep tech, and soulful club cuts. Every set is a story, and every drop is a release.

💋 **AfroDiziak** – a seductive series of Afro House mixes designed to awaken the senses and stir the soul.
🔥 **Haus WeRK** – my high-voltage club series built for late nights and sweat-soaked dance floors.

With over 90 live sets, this page is your portal to the vibes.

Equitarian Party. Thank You Guys! #SONGWRITER Lux Coven is a songwriter and creative visionary whose work blends raw storytelling, cinematic intensity, and forward-thinking innovation. Having sharpened his voice through years of writing, performing, and experimenting across genres, Lux Coven now channels his music through AI-assisted vocals — not as a replacement, but as a tool to bring his songs to life while he focuses on crafting, shaping, and selling music for a wider audience.

As an artist, Lux Coven represents growth, resilience, and reinvention. From his early days under the name Slipshred to his current evolution, he has embraced the power of technology without ever losing the authenticity of his message. His catalog reflects not only personal experience and hard-won perspective, but also a belief in music as a force that transcends boundaries.

With more than 80 tracks released and a vision that continues to expand, Lux Coven is both a songwriter for today and a voice for tomorrow — building a body of work that carries weight, meaning, and the unmistakable mark of an artist who refuses to stop growing.

Godvliet Records | Where Stories and Music Converge

Welcome to Godvliet Records, your destination for music that transcends genres, decades and speaks to the soul. 

Join us on this journey and discover music that moves you. Likes, shares, comments are welcome

Subscribe now and be part of our growing community of music enthusiasts.

Entre vídeos, tecnologia, drones, motocicletas, jiu-jitsu, pesquisa ciêntifica, games e música. Tudo isso me resume. Tenho vários projetos de media. E agora decidir pegar minhas composições e as divulgar.

Lobo Loco come from Göppingen Germany.
 <a href="https://www.paypal.com/donate/?hosted_button_id=GCQLRVURHHRDS" target="_blank">GIVE ME A TIP</a>
With ten learning for two years a little bit Piano,
but the teacher was a cholerical alcoholic.

With sixteen I started to learn Piano onesmore
without notes autodidactical.
With twenty also Acustic Guitar ... more and more
Instruments ... and so on.

- First Band 1989: "Satyr" (Metall)

- Up from 1990 started recording for myself
with SOFA SONG releases. Folk Songs, Singersongwriter Songs.

- First Solo Live Concert 1999: "Lobo Loco" (ON UNBRAUCHBAR)
- Up to 2011 diverse self Recordings (Folk, Electro, Jazz, Blues)

- Second Band 2012: "Hippie House Jam Band" (Funk & Soul)
- Third Band Project since 2014: "KieLobot" (Electro Jazz, Funk)
- Fourth Band Project since 2015: "Mushroom Funghi" (Krautrock, Spcacerock, Psychedelic Rock)

Músico, compositor e produtor independente.
Human Music. Ai Voice.

YT - https://youtube.com/@robertconnelyfarr
Bandcamp - https://robertconnelyfarr.bandcamp.com/ 

Robert Connely Farr grew up in the small southern town of Bolton, Mississippi, home of Charley Patton, Sam Chatmon, Bo Carter & Walter Vinson. He has been mentored in the Bentonia Style of the Delta Blues by Jimmy “Duck” Holmes since 2017. His 2019 release Dirty South Blues was met with widespread critical acclaim, including being named by KEXP’s Greg Vandy Top Albums of 2019 & earning Farr nominations at Canada's prestigious Maple Blues Awards for Songwriter of the Year & New Artist of the Year. He currently resides in Vancouver, BC but when he's home in Mississippi, he can be found at Jimmy "Duck" Holmes' historic juke joint - the Blue Front Cafe. 

delta blues / country blues / hill country / southern

“this isn’t Nashville bro country... this is soulful, lonesome what if Ol’ Hank we’re still alive Country Blues. Farr shares some of the best of the original Mississippi blues in a style that remains relevant today... he takes the lessons he’s learned & applies them to his original music without forgetting to honor the masters who came before him.”
American Blues Scene

"Farr... has a skill for blending the traditional w/ the modern world. He can conjure up both the brains & the brawn of Drive-By Truckers & the... spirit of masters such as Howlin’ Wolf or RL Burnside." 
Post To Wire

as heard on Reacher, Snowpiercer, Resident Alien 
dm for sync 

hear at #Bandcamp 
https://robertconnelyfarr.bandcamp.com 

robertconnelyfarr@gmail.com

#DeltaBlues #BentoniaBlues #CountryBlues #HillCountry #DirtySouthBlues #Mississippi #SouthernRock #DirtyBlues #HeavyBlues #music #love #songwriter #bluesmusic

Born from a sexual affair between the Devil himself and a Mexican woman, OneManBuzz! practiced any kind of degenerate villainy straight from his childhood, living a dissolute life...
Any chance to rise as his father's greatest pride was fulfilled with quite a taste and enjoyment, right until he met the human race, beings filled with contradictions, flaws and wickedness. So, he finally decided to walk on land wearing his "demon mask" and make the situation of this already drowning race... much worse. Half-Demon, Half-Human, he induces the poor bodies of "gringos y chicas" to dance when they listen to his guitar, causing an uncontrollable urge to laugh, a disgusting carelessness and love to thy neighbour! Best served with a bottle of Tequila, whisky, rhum, wine or, in the worst case scenario, with one (or two, or three) strong ales... GRRRRRRRRR!!!

New tracks tagged #deltablues