Early/mid 90's era breakbeat fuelled handbag house

"Rollin' X-press 1-4-0" by REIPEK

From "Lost in my 80's" EP / out Oct 31, 2014
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12 in 82

from "Lost in my 80's" EP  (2014)
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BUY (@Bandcamp)

Another Thriller

art from orchis_lox (Momo Ayase from DanDaDan)

Bailão Do Antares (frikke remix)

"You want to take a crack?  I'll give you a smack.
I'm a plus, you're subtract."  

Playing with a few new toys on this latest Interbay track (did you know that a new, never before heard by ANYONE, Interbay track is being posted EVERY DAY here on SoundCloud?  You should follow this page so you don't miss any.  AND you should go back and check out yesterday's posted track, "What A Way To Go"--it is a fun track and it got absolutely slept on!)  

Where was I?  Oh yeah, new toys.  

Plugins, whether effects or instruments, are tools for computer based music producers to be able to get the sounds that are in their head into a a shareable product so that you can also hear those sounds--but, they are also toys to experiment with, to find something unexpected, unplanned, and to go beyond the limits of one person's imagination.  

Two of the new toys (new to me, at least) feature prominently on this track. Zynaptic's Pitchmap Colors is the first one--using this plugin took a bog standard chord of mine and turned it into a whole vibe.  This track wouldn't sound like this without that vibe--and I have just barely scratched the surface with what I might be able to do with that effect plugin.  

The other new toy used for the first time on this track is the Typecast Text To Speech program.  In the past, I've either used royalty-free vocals (that don't always say what I want them to say), or Icarus-endangering sourced snippets (which carries with it some inherent risks...however much fun they are), a narration-specific text to speech program (much love to the Elevens for making many of these SoundCloud Exclusives possible)...but this is the first time that I could craft vocals from my words in a rap flow.  Now, I still have to do a lot of work on it to make it fit--and I'll admit, this is a skill that I intend on improving as I use it more in the future.  

But, for a first try?  I think it gets the job done.  

Of course, your mileage may vary.  

I worked backward from the royalty free sung vocal hook and built a "don't call it a comeback" narrative around it.  Granted, the full vocal and the narrative don't match up exactly--but the Tesla Cybertruck proves that "matching up exactly" may be overrated (or, depending on your keen eye, undervalued.)  

Also, don't read too much into the thumbnail today.  Falling back into line is a hard thing to find a visual representation for...  

There's a lot going on musically in this track (another new toy, Drumtraqs, provides the old school drums you'll hear in parts and there are a couple of new synth sounds making their way into the final mix of an Interbay track as well.)  

There are parts of this track that give me a Talking Heads, Remain In Light-era feel.  Not sure if you'll feel that, but I do.  Similarly, there's a section where I get a "Body Language" by Queen connection.  

Mea Culpa:  there are a couple of rough transitions here that might offer the opportunity for a re-edit/remix someday, but nothing so painfully bad that I couldn't share this original version with you today.  

Let me know if you agree by giving it a listen.  

And, if you like it--like it!  
Do all the things!  
Please!  
Thank you!

"Falling Back in Line" *SoundCloud Exclusive*

glaive - icarus (nathanchko edit)

When you hit play on today's Interbay track (posting new tracks every day, so far!), you're going to hear some very bright and brittle horns.  That's not what you typically get in an Interbay track.  

Then, a loping drum break comes in--giving a very chill vibe (what people of my generation called, for a few years, "world music"...because sometimes it was difficult for us to absorb that there were whole parts of the world with as many niche genres as we had in ours, only we couldn't be bothered to learn all of them...so we took a Sharpie, wrote on a cardboard box "WORLD MUSIC" and shoved it all in there.  Mea Culpa, but I'm working on learning all I can.)  

If you've followed this Interbay music project for any length of time, you know how little respect I pay to hard genre walls or style segregation.  Throw it all in a blender, hit puree...and VOILA!  A tasty Interbay smoothie!  And perhaps no track exemplifies that approach more than this one.  

I feel like Stefon (the Mulaney written, Hader performed SNL character) when trying to describe this track.  "This Interbay has everything.  Jazzy horns, synth pop keyboards, dirty low-fi grinding bass, dancehall organ, soulful vocals, afrobeat flourishes...and a Zombie Larry King singing songs from Hedwig and the Angry Inch."  (OK, maybe not the last one--but the rest are accurate.)  

This is another track where I feel like a remix at some point might be in order.  Though I thought it was cool when I did it, today, listening to the section near the beginning where it sounds like the volume rather dramatically gets louder five times in succession...and it really doesn't,  I'm not sure the effect works.  It might just sound like a mixing mistake (same with the incredibly bright horns.  Maybe I need to throw a french horn or a trombone in there so it is less brittle?)   There's also some fuzzy (but not overpoweringly so) distortion on a bass synthesizer line that I wanted to sound "lo-fi" but, again, I worry it sounds more like a mistake than a choice.  (I swear, it WAS a choice.)  

But, because it is both SO Interbay AND SO different at the same time, I couldn't wait to share it with you...and if I second guessed EVERY decision I made, I wouldn't be able to post new tracks every day (so far!)  But, just know that I might revisit this one in the future.  

Considering how dark Interbay songs can get, I think this is a nice bright sunny day in comparison.  Like a backyard party where people can dance if they want to and they don't have to worry about looking cool doing it--they can just vibe.  And now, so can you!  

Listen, please!  Like, Comment, Share, Repost, Playlist and Follow would be awesome too!  

PS--Bonus Interbay points for anyone who can sing along with the last vocal part of this song.  Good luck (but don't pass out trying to hold the last note long enough.)

"You're By My Side" *SoundCloud Exclusive*

https://www.instagram.com/trippy.barni

lyrics:
azt hitted, majd elfelejtem 
de a szivem ott van nalad
eltuntel mint rossz ember
nem maradt mas csak a banat

nem mondtam ki de fajt belul
tul sokszor voltam egyedul
gondolatom hozzad repult
de te  mar nem vagy az aki
csak ugy vakit
csini barbie
digi shawty

nem sikerult igy nem sikerult ugy
barmit mondani keso reg
viselkedj igy en viseljem ugy
sajna ez itt mar a veg

en nem kerestem mast 
de te mar regen massal vagy 
es minden amit ram hagytal 
egy level a szel elfujta

te sosem hivtal vissza
es en vartam mintha muszaj
te csak jatszottal
szivem kiabal

felebredni nelkuled, mint der 
hideg és faj de mar nem kerek en
almomban meg neha ujra visszanez 
aztan reggel mar ujra nem is el

D1Gi SHAWTY!!44! (prod. centrlx)

And here is another track ready to go Live! Sometimes? Now all of the Time Enjoy Trinityroy.

Sometimes

Productor: @imakeppldance
Remixer: @horatioofficial
Sello: @digifunkmusic

El dj y productor Horatio de Rumania, remezcla el próximo trabajo de Michael Aidala.

Michael Aidala acaba de sacar un single en Digifunk Music titulado The Untamed, el cual ha sido remezclado por el propio boss del label, nuestro productor rumano Horatio, especialista en house fresco y directo y con decenas de referencias a sus espaldas...

PREMIERE: Michael Aidala - The Untamed (Horatio Remix) [DIGIFUNK MUSIC]

T.Roy a.k.a. TrinityRoy  NeverFamous ForeverInfamous
His drive is to create comes from his ever growing Global social awareness. Singer Songwriter, Entertainer, Author, F&B Mgr., Security Advisor and All-round Urban-Guru.
He is used to create a lot using a little and sees many of his productions as ideas & blue-prints to be build upon. 
Started as a bartender and part time DJ in the Eighties at the local Amsterdam nightclubs the #Okshoofd and #Schakel49.  Played percussion for DJ's over twenty years with a.o. Dimitry and Eddy the Clerq In the famous Amsterdam #Roxy #Paradiso and played all over Europe..
He founded the ,' #Meltingpot ', foundation (M.P.M.) in #Amsterdam. Producing many cultural events for upcoming artists in Arts Music and Fashion 1994 > 1995 in the Amsterdam Milky Way. 

1992 produced and presented progressive Hip-hop Funk and Rock sessions in the infamous #CafedeDuivel.   In 1996 he released his first album ,' #STONED_AGAIN ', throughout Scandinavia with his band the Amsterdam #DevilsJam with whom he Toured Europe for 5 years, while he kept on playing #percussion for many DJ's. This also resulted in a five year cooperation between him and the #Wickedjazzsounds  An ongoing weekly Live Music & DJ -act at the Amsterdam Sugar Factory. 
As an author he wrote several educational paperbacks on topics such as; Music & Creation as well as on Human social developments. available on http://www.lulu.com/spotlight/trinityroy
In 2008 he Globally released another EP ,' the TRINITY', with friend and producer Alex from Ugochill.com productions.
This album was followed by #CLOUDSofSOUND.nl   Released in 2012 with the slammin hittracks #Megabytebitch #FlyInMyEye #FrozenTears #OnLine And Now;  Dance/EDM EP entitled #CleanDanceEnergy released in 2020. https://trinityroy.hearnow.com/cleandanceenergy And more has followed. 

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DJ Mag España. Más de 10 Años con vosotros, informando sobre la cultura de club dentro y fuera de nuestro país. 

Siguenos en:

banned from a hungarian village for drug usage

Old skool (late 80's / 90's) influenced dance/electronica music (techno, rave, big beat, trance, house, gabba, chill-out, hardcore, eurodance, drum & bass etc etc......) housing acts 'Prototype QK' and 'Reipek'.

I am also one third of 90s rave act 'Skooler and Flare': https://soundcloud.com/skoolerandflare

Post-punk, dance, indie, electronic, and mutant pop in various styles (seriously!)--new tracks being posted daily (every day for over a year, so far!)

Interbay is the new project of Peter Greyy (previously of Cremation Dance and DangerScience), based out of Seattle and Phantom Laboratories West.

Popular tracks tagged #digifunk