Dive into the mesmerizing world of 'Celestial Echoes', a unique blend of cinematic and hybrid orchestral music. This adventure began with a quest to create heroic, epic soundscapes for a Web3 comic book project, and it turned into a journey of musical discovery and creation.

Inspired by the legendary Hans Zimmer, 'Celestial Echoes' is more than just a track - it's a fusion of my passions. With roots in playing the violin in a youth orchestra and a present deeply entrenched in electronic music and sound engineering, this track is where my musical past and present collide. It's a journey back to my roots, and a leap into a new realm of expression.

In 'Celestial Echoes', you'll experience the power of every instrument, meticulously crafted to sound realistic, arranged with care, and mixed to perfection. The addition of synthesizers creates an “unreal” hybrid orchestral cinematic vibe, bringing a unique twist to the genre.

Featuring the enchanting vocals of Konnet, known for her work in The Hobbit, the track is a testament to the harmonious blend of nature and cinematic music. The accompanying video offers a glimpse of this synergy, with a teaser that showcases both the beauty of the natural world and the ethereal quality of the track.

This is just the start of an exhilarating journey. 'Celestial Echoes' is not just a track; it's a window into a new musical universe. Join me on this adventure, and let’s explore the boundless possibilities of music together. More to come soon!

Celestial Echoes (Teaser)

Dive into a unique musical journey where Antonio Vivaldi’s timeless Baroque compositions merge with the futuristic pulse of AI. This neo-classical piece elegantly combines ambient, cinematic elements with classical music's rich, emotional depth, creating a soundtrack that goes beyond the time boundaries. Listen as the echoes of the past meet the innovations of tomorrow in this evocative and soul-stirring symphony.

Vivaldi's Lament

"Baroque Electric Beats" is a magical encounter between the past and the future. It feels as though you are stepping into an ancient, forgotten palace, where the echoes of a harpsichord blend with mysterious pulses and modern rhythms. The walls are bathed in violet light, and the air seems to hum with an electric energy that awakens every corner of the space.

This is not just a piece of music to be heard, but an experience to be felt. You close your eyes and find yourself transported to a world where the past and the future dance together. You’re captivated by a story that unfolds without words, told solely through sound: mystery, emotion, and a call that draws you deeper.

You feel the suspense of a discovery—something ancient and precious, yet charged with a vibrant, modern energy. The rhythm resonates in your chest, becoming one with your heartbeat. Each note whispers a tale of the beauty of bygone times and the daring spirit to create something new, something impossible.

It is more than music. It is an invitation to explore, to dream, and to let yourself be swept away by the magic of a world where anything is possible.

Baroque Electric Beats

Lyrics:

The longer I know Jesus
The more I look on Him
The clearer I see my heart 
It’s painted black with sin

And every time I falter
It hurts a little more
Cause now I know sin’s price tag 
And the pain it brings my Lord

Chorus
How many times have I walked into a place where You had to wait at the door?
And how many times have I committed a sin that You absolutely abhor?
How many times have I broken Your heart cause I wanted to have my own way? 
And how many times will I do it before I listen to what You say? 

And every time I sin now
I feel Your presence leave 
And nothing in this dark world
Is worth that cost to me

I find myself like David
Crying out to Thee
“Create in me a clean heart
And renew Your Spirit in me”

Bridge 
There’s nothing I want more in this life
Than the heart of Jesus Christ
So mould me and make me
Test me and break me
Only remake me new
A reflection of You

How Many Times (instrumental)

Lyrics:

Friend, have you fallen far from glory
Far from grace, far from where you want to be?
Friend, do you feel there’s no returning
To the place where you used to meet 
Your Saviour, your Brother, your very Best Friend
Come, take my hand

Chorus
See the Sacrifice, see the Lamb that was slain
For our sins, and for the choices we’ve made
See the Bread of Life, the Candle Lights
The smoke so sweet o’re the curtain rise 
They point to Jesus and His unsearchable love
Come with me to the sanctuary of our God

Friend, there is no one that’s excluded 
From His grace, from the tenderest of His care 
Come, bring Him every single burden
And you will find strength enough for what you bear
Come enter God’s presence where grace is freely yours 
Come, meet me in the court

Bridge 
He’s woven into every piece of cloth
And every piece of furniture reflects the face of God
And every intercession that is made, is made for us
The sanctuary is heaven’s book of love

The Sanctuary of Our God (instrumental)

Though the Heavens Fall

Though the heavens fall

Day by Day (piano version)

Broken and Spilled Out

The Love of God

In His Time

Nibriell is the pseudonym under which I sign my musical and literary works. I was born in Romania, a beautiful country in Eastern Europe, but I also live in the UK. For personal reasons and symbolism, the pseudonym is inspired by the names Saint Nicholas (Ni) and Archangel Gabriel (briell). 

     As for my musical activity, I do not define myself through traditional terms such as artist, musician, or composer, but rather as a music creator. This term is much more suitable for my musical activity. I have only one regret: not being born with the talent to sing or possess a musical voice. 

     However, my passions for music and literature have been cultivated with interest throughout my life. With the advent of AI in our lives, it has been very successful in producing high-quality vocalizations, which instantly encouraged me to start creating melodies. 

     Therefore, in my creative workshop, DAW software, music editing, and AI technology are the tools through which I express my vision. By using AI to generate the distinctive voice of my pieces and recreate the sounds specific to traditional or archaic instruments, I bring to life the stories I present to you. 

     My entire creation, from one end to the other, tries to tell a story, whatever it may be. From myths and legends worldwide to stories I create, they are dressed in melodies and harmonies that exceed language and culture, touching a universal chord of human emotion. With each composition, my goal is to open a window to imaginary worlds, inviting the listener to explore ancestral myths, personal narratives, or those already existing worldwide. 

     Using a mix of modern sounds and traditional elements, I aim to create a bridge between the past and the present, between the real and the fantastic, offering the listener an auditory experience and an emotional and spiritual journey.

     So, Nibriell is the pseudonym that unites all these creative sides and expresses the desire to create and the belief that art, in all its forms, is a vehicle for understanding, compassion, and connection among people, regardless of their origins or borders. This is the path I have chosen to follow, one in which every note and word contributes to creating a more extensive work of all humanity, an ode to the beauty and complexity of life.

     Although AI plays an essential and decisive role in my work, it does not define its direction or quality at all. I entirely write the texts and melodic lines, and the voice generated by it is the product of my strict vision and supervision.

I am Kaspar Noé, a cinematic music composer and audio engineer based in Amsterdam. My sound blends orchestral elements with electronic textures, trying to shape sonic landscapes that draw listeners into deep, emotional journeys. Whether it’s the sweeping emotion of strings or the raw energy of synthesis, I aim to take listeners on a journey – one that feels both epic and deeply personal.

Music has been a part of my life for as long as I can remember. I started with the violin and played in a youth orchestra, heavily inspired by classical composers like Mozart. Everything changed when I visited Ibiza as a teenager. At the time, I was more focused on sports, but that trip reignited my passion for music in a completely different way. Electronic music drew me in with its hypnotic rhythms and endless sound design possibilities. That’s when I started experimenting with spinning records and producing music on a computer, and I realized this was what I wanted to do for the rest of my life.

To develop my skills, I studied Music Production and Sound Engineering at Middlesex University London and SAE Institute Amsterdam. I didn’t just focus on composing, I dove deep into sound design, recording,  mixing, and mastering, which gave me a whole new appreciation for the technical side of music. I love being hands-on with every aspect of my sound, ensuring every layer, texture, and frequency sits exactly where it needs to be for my taste.

My journey hasn’t been without challenges. At one point, I suffered an ear injury that seriously affected my hearing – something that felt like hell as a musician. I had to go through a long recovery process, including stem cell treatments to restore my hearing. That experience completely changed my perspective on sound. I became hyper  aware of the smallest details in sound, and what I meant to actually be able to hear frequencies – it pushed me to refine my audio passion even further. In a way, I came out of it with an even deeper connection to my work and it’s meaning.

My transition into cinematic music started with my Web3 superhero project, Captain Inu, inspired by my love for Marvel and DC Comics. Through that, I discovered a passion for hybrid orchestration – merging orchestral arrangements with electronic elements to create a unique, modern cinematic sound. It felt like I was bridging my past and future selves, combining my classical roots with the limitless potential of electronic music.

Now, I am pushing the boundaries of my sound and shifting my focus toward storytelling in media through music. I want to create music that resonates on an emotional level – something that stays with you long after you’ve heard it. Every piece I make is a reflection of my journey – my influences, my struggles, and my passion for sound.

For me, music isn’t just something I do – it’s who I am. And I’m just getting started.

Writing music based in Scripture, to edify and bless, and to reflect the character refining work of Jesus in our lives. 

“Less of me, and more of You, Lord. Always.”

New tracks tagged #digitalorchestra